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Instant Gratification by Lauren Blakely (audio)

Source: Purchased
Audible, 8+ hrs.
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Instant Gratification by Lauren Blakely, an audio with a full cast, was so much fun to listen to. Jason Reynolds and Truly Goodman have significant chemistry but a pact she made with her brother nearly a decade ago stands in their way of getting together, even if they had a one night of hot romance. Both of these workaholics also don’t have time for dating. Jason Reynolds is The Modern Gentleman Of New York and a best man for hire, two jobs he doesn’t want to see collide, and he needs to finish his work as a best man in order to help pay for his sister’s medical school.

While the sexual tension is palpable and the heat rises on more than one occasion, Blakely shines in her comedy. The zingers between the men and their friends, the banter between Truly and Jason is hilarious, and there is so much more fun to be had in this audiobook. There is a full cast of audiobook narrators on this one, and they clearly had a grand time making this one.

Instant Gratification by Lauren Blakely is a riot, and I was laughing out loud. My daughter was dying to know what I was listening to, but sadly this is not for young ears. I needed a good laugh and this book hit the spot. The characters are well drawn and their interactions are believable — for high-end Manhattanites.

RATING: Cinquain

Black Girl, Call Home by Jasmine Mans

Source: Publisher
Paperback, 256 pgs.
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Black Girl, Call Home by Jasmine Mans is a collection of poems that explore mother-daughter relationships, identity, and the racism many Blacks face every day. There are so many moments in this collection where your heart will break, just as the relationship between mother-daughter breaks. The narrator of these poems struggles with who she is and how to reconcile that with her mother’s disappointments about that identity.

In “We Host These Variables,” she says, “There’s something I want to honor here. I/ want to honor the silent story, the emotions/unaccompanied by human language. I want to/honor the weight of stillness. I want to/honor the silent ceremony between mother/ and daughter.” In this poem she explores the silence that become tense between mother and daughter because they are mirrors of one another. Later, she says, “I know the/distance between mother and daughter. How/we are many burned bridges, as well as a/wealth of brick and clay, ready to be made/anew from everything unmade of us.”

Mans explores the harsh history facing Blacks — women who get the worst part of it all. Men with the dreams, but the women who bear the burden of those dreams. One of the most powerful poems in this collection that brings this history to the forefront is “Nerf Guns: Christmas 2019 Tulsa” where the past and the burdens of racism are never far away. “The/only way a bullet becomes laughter is when it/plays pretend in its own foam shadow./” In this poem, little boys play with nerf guns and play dead and the narrator was never allowed to until she was grown and playing with her cousins. She realizes the ironies and implications of this game, while her cousins do not. “My father knew death too well to let us mimic it. Or, maybe death mimicked us too well for him to allow it’s ‘pretend’ in his house.” She wraps “herself in/that joy. The joy that nothing spilled of them/but the sound of their own silly.”

Black Girl, Call Home by Jasmine Mans is a journey of identity and learning how to cope with the past to bring oneself into the future. There are truths in this collection that shouldn’t be shied away from, especially for Black men and women. We need these stories to remind us that we can do better. “I know trauma uses silence as a survival mechanism.” Let’s break that cycle and break that silence.

Rating: Cinquain

The Princess Spy by Larry Loftis

Source: Publisher
Hardcover, 384 pgs.
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The Princess Spy by Larry Loftis takes another look at Aline Griffith, a small town girl looking for big adventure and to serve her country. Loftis uses source material from the National Archives, Griffith’s own fictionalized accounts of her time as a spy with the Office of Strategic Services (OSS), and many are source materials to suss out the truth of her time as a spy. Aline was a model who trained to be a spy at The Farm and her own accounts of her exploits are likely to have been embellished because as publishers will do, they want to sell books and car chases, murders, and more sell books. While Aline may have wanted to recount her life honestly, other marketing experts were at play and Loftis strives to piece out what was true from those accounts with secondary sources. I also think some people have a glamorous view of spies and what they do (e.g., James Bond), and the reality is much more mundane and nuanced — it’s about building trust and relationships that can be leveraged for information.

Was Loftis successful in finding the truth? For the most part, he did his best based on what was classified and what isn’t any longer. What I loved about Loftis’ narrative is that it read like historical fiction, and I think with any book based on research there’s a tendency to be too dry in the narrative. Because he chose to narrate it more like a novel, it was easier to eat up the pages and get engrossed in Aline’s story. Her time at The Farm was fascinating, and some may wonder why her family wasn’t in the book and asking about her whereabouts, etc., but I think it’s clear that when you become a spy and have a cover story, the family must accept it as truth and you make sure that they do. Adding those conversations would have bogged down this narrative.

Being part of the OSS coding room in Spain (considered neutral in the war) to send information to the U.S. State Department during WWII is not a glamorous job but no less important than being a spy. She spent much of her career in that room, but she also attended parties, social events, and had a semi-romance with a bullfighter. When she finally became a field agent, it is clear that all those parties and social events she was invited to opened the door for her career because she was in places where she could probe without drawing attention and could overhear conversations that might be of importance with regard to Nazi movements.

Loftis also creates a wider link between espionage and the Spanish bullfights. Like the matador, Aline lures her targets closer to her with the hope that she can evade capture, jail, and death. She’s weaving her spell on the crowd around her and she’s masterfully moving her cape to lure the bulls and create an illusion of a career woman learning about her current home — Spain. It probably helped that she was genuinely captivated by the Spanish culture.

The Princess Spy by Larry Loftis is engaging, thrilling, and insightful, and he provides a great deal of information about the spy business (but I’m not an expert). I do think there are holes and gaps that could be filled, and I would love to know more about her time doing “odd jobs” for the CIA after her marriage and her life in Spain was in full swing, but alas that information is still classified (my guess is it had a lot to do with preventing communism’s spread). Aline Griffith served her country with honesty and dignity, and she enjoyed doing it, even if she was in danger. She clearly was a people person and the relationships she maintained throughout her life are a testament to her personality and care for others. Loftis has humanized a spy who believed her efforts helped the country during WWII, but I’m still curious about some of the characters in her life like Pierre and Ryan (two figures who are much more mysterious — perhaps there’s a fictionalized account of them in Loftis’ future).

RATING: Quatrain

Review & Giveaway: The Lamps of History by Michael Sandler

Source: TLC Book Tours
Paperback, 98 pgs.
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The Lamps of History by Michael Sandler explores the human condition and our struggle to grapple with our own mortality. Sandler begins the collection with just that concept in “Gauze” where the narrator has surgery and as he goes under from anesthesia “Now breathe deeply, and I vanish,/a plastic wristband flashing Vacancy/” (pg. 9) There is that fear, especially as we age, that our lives will vanish and our bodies will be cast aside as empty shells.

It is easy for us to foster a myopic point of view — “Isolation arrests a point of view” (“Lighthousing”, pg. 19) But on occasion, changes in our view can help us see the best, like in the title poem, “Lamp,” where amber light can dull the anguish of the past. From bullying to loss, Sandler tackles many of the trials of the human condition, rooting his poems in recipes, family tradition, and advice from his father. While not all of these moments prevented sadness, anger, or loss, the narrator looks back on how each represented the care and love of family — a foundation that strengthened over time even as those family members passed.

from "Garlic Press" (pg. 44-45)

until desire flashes again.
What keeps drawing me to those blades?
When the ensuing sight of blood
subverts a show of nonchalance.
I try to take a firmer grip,
one more inexorable squeeze.

Sandler explores desire and how it draws us to things that may not be good for us. In the same collection, “Cenobite” explores shyness and antisocial behavior as the narrator walks in a dog park and finds that he’s unlike the social dogs, standing apart he fails at small talk and interacting. He needs to force himself to try to move beyond his neutral ground apart. There is a peace in aloofness and a camaraderie that can be found with animals alone.

The Lamps of History by Michael Sandler is about the human condition in all of its stripes of good and bad, memory and action. Sandler’s use of science, science fiction, and photographs helps to illustration of struggle, perseverance, and peace with what has come before and what awaits the future.

RATING: Cinquain

About the Poet:

Michael Sandler is the author of The Lamps of History, a poetry collection that explores connections between personal and historical experience while wrestling with the ambiguities (and choices) between connection/estrangement and faith/doubt. For much of his adulthood, Michael wrote poems for the desk drawer, while working as a lawyer and later as an arbitrator. He began to publish in 2009. Since then, his poems have appeared in scores of literary journals including Arts & Letters, Valparaiso Poetry Review, and Zone 3. He lives in the Seattle area. To learn more about Michael and his work, please go to sandlerpoetry.com.

GIVEAWAY: 1 copy of The Lamps of History

Leave a comment on this post about why you want to read the collection and an email where I can reach you by March. 8.

White Fragility by Robin DiAngelo (audio)

Source: Purchased
Audible, 6+ hrs.
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White Fragility: Why It’s So Hard for White People to Talk about Racism by Robin DiAngelo, narrated by Amy Landon, takes a sociologists’ approach to race (which does involve generalizations). White Americans must remember that we are products of our socialization and culture, and no aspect of society lies outside the forces of racism, even if you come from a mixed-race family, had ancestors who were once discriminated against (Irish, Italian, etc.), or experienced poverty, etc. The trick is not to see our unique experiences as making us exempt from racism but to see how those experiences shaped who we are within a racist society and to see the larger picture of how racism impacts others. Secondly, she says we need to redefine the term “racist” — we’ve been taught that racists are immoral and mean and that they consciously hate/oppress others based upon their race. However, this assumption is a societal definition propagated by a racist society. White people need to first examine what it means to be white and what that has brought them in society and cost others — this examination will be a struggle for many.

Superficial differences between races and genders are a result of geographical location and evolution, but biologically we are all the same. The race construct is just that – made up. White supremacy has taken that construct and divided resources based on a false hierarchy, hence the accessibility gaps for non-white groups and non-male groups. Many of these discussions are ones I’ve had before in college with courses and other groups — open dialogue is essential about things that are not “fact” even though they were credited as such. She does touch on exploitation as the catalyst for racism (I would read Stamped From the Beginning for more on this).

Imagine going to court to proclaim you are white because you were misclassified as another race! This actually occurred and scientific experts were called into these cases to provide “expert” testimony. DiAngelo indicates that those European immigrants are the only ones who were successful in becoming “white” after assimilation, etc. Assimilation — think about that — casting aside their customs, speaking English only, and eating only American foods, etc. Those assimilated people now benefit from their whiteness. DiAngelo also points out that if poor and working class Americans across all “races” worked together – they could become a powerful force against the upper “white” classes. However, many perceived as “white” also tend to look down on other poor and working class peoples because of their “whiteness” and the system that oppresses them both. The irony!

“Scholar Marilyn Frye uses the metaphor of a birdcage to describe the interlocking forces of oppression.16 If you stand close to a birdcage and press your face against the wires, your perception of the bars will disappear and you will have an almost unobstructed view of the bird. If you turn your head to examine one wire of the cage closely, you will not be able to see the other wires. If your understanding of the cage is based on this myopic view, you may not understand why the bird doesn’t just go around the single wire and fly away. You might even assume that the bird liked or chose its place in the cage.

But if you stepped back and took a wider view, you would begin to see that the wires come together in an interlocking pattern—a pattern that works to hold the bird firmly in place. It now becomes clear that a network of systematically related barriers surrounds the bird.

Taken individually, none of these barriers would be that difficult for the bird to get around, but because they interlock with each other, they thoroughly restrict the bird. While some birds may escape from the cage, most will not. And certainly those that do escape will have to navigate many barriers that birds outside the cage do not.”

We all have prejudices (it is the way our brain operates) or a sense of discomfort around certain people or groups — acting on those prejudices is discrimination. Racism is a structure (white supremacy) and we need to remember that we have a role to play in that structure. We need to learn to recognize our prejudices and work toward not acting on them and dismantling the structures that employ discrimination against groups different from white males. This is a tall order because many of these ideologies are reinforced in our daily lives.

One notion that came to mind, however, is the “kafkatrap” by which an accused is guilty by merely being silent. Many of us are silent, many of us fail to stand up and point out discrimination (even subtle discrimination), and does this mean we’re all complicit in racism? While this may be true, I prefer less circular arguments and prefer that we work as a human race to improve our systems for all of us. THIS will require us to have discomforting conversations and require actions that run counter to our normal daily actions. It will require us to reform and dismantle white supremacy. We’ll need to widen our view of history, particularly in schools, to acknowledge both the good and the bad, highlighting those who have exploited and committed racism to obtain the upper economic hand, among other things.

My only complaint is that DiAngelo was very repetitive toward the end. She would bring up examples she already used and talk about them again in the same manner she did in the previous chapter. I wouldn’t have noticed it as much if it wasn’t back-to-back repetition. Perhaps she believes repetition will stick with readers more and help them to see the situations she discusses in a new light. I’m unsure.

White Fragility: Why It’s So Hard for White People to Talk about Racism by Robin DiAngelo, narrated by Amy Landon, asks us to recognize our faults, work to fix them, and to question ideologies that are considered the norm. There is much work to do. Challenging racism starts with recognizing your own prejudices and being conscious of how to modify/change your reactions and behaviors going forward. This is a very academic look at racism, which some may find too high-brow for them. Racism is real and present today (across the globe) — it is not a thing of the past, and we need to tackle it head on and in a multitude of ways. While some of her arguments are circular, she provides a good overview of racism in today’s society and the reactions that white people have when confronted with its subtleties.

RATING: Quatrain

The Last Tree by Emily Haworth-Booth

Source: Media Masters Publicity
Hardcover, 32 pgs.
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The Last Tree by Emily Haworth-Booth will remind readers of The Giving Tree by Shel Silverstein and The Lorax by Dr. Seuss, though here the tree is not personified, there is no Lorax, and the messages are very clear cut. In Haworth-Booth’s book, the focus is on the group of villagers who are seeking a place to live — the desert too hot, the valley too wet, the mountains too windy — until they find a forest with the perfect amount of light and shadow and breeze. But they soon need to build shelters and then homes to protect themselves from the natural elements, and they build and build until they are walled in and blocked from one another. One tree remains, which they call a weed. The children from different families are sent out to cut down that last tree for various structures, but the children have other ideas.

The people in this village are not demonized as taking from the world around them — the message is clear without being heavy-handed. However, it is clear that as they separate themselves from one another by barriers, their happiness declines and their ability to enjoy life falls. But is that because of their use of their resources and the scarcity of them in their present? Not necessarily. While the use/overuse of resources is clear in this book and can be talked about by parents and children, the authors is seeking to address the separation of families from their communities and their perceptions of others as a source of unhappiness.

The Last Tree by Emily Haworth-Booth is a gorgeous picture book that looks like crayon-colored drawings that kids can easily identify with. The text is definitely easy to read for younger readers, and the subject matter is broad and important for parents and their children. It would also make a great addition to school libraries and classrooms. I loved the redemption of this village in the book — we can all make positive changes.

The Other America – A Speech from The Radical King by Dr. Martin Luther King, Jr. (audio)

Source: Purchased
Audible, 25 min.
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The Other America – A Speech from The Radical King by Dr. Martin Luther King, Jr., read by Wanda Sykes, is as relevant today as it has ever been. It is one of 23 speeches and essays from The Radical King, curated by Dr. Cornel West, including words never recorded in public. This is a speech was given at the “Salute to Freedom” organized by the Local 1199 in New York City and outlines his Poor People’s Campaign.

I am on the fence about Sykes’ rendition of this speech. At points I felt like she was passionate about it, but at others I felt like she were merely reading by rote.

“You see, no labor is really menial unless you’re not getting adequate wages. People are always talking about menial labor. But if you’re getting a good (wage) as I know that through some unions they’ve brought it up…that isn’t menial labor. What makes it menial is the income, the wages.”

While not from a Black family, I can tell you that as a women from a working class family, this is no less true. My father toiled for pitiful wages most of my childhood, even if he worked 40+ hours a week. The plague for the Blacks in this country is also compounded by their involuntary work as slaves — forced labor. When you can barely afford food to feed your family after bills are paid even if the labor is honest and hard work, it is clear there is something wrong with the way those jobs are compensated. People in the working class and elsewhere are as equally frustrated as they are now.

Take that 25 minutes to listen to The Other America – A Speech from The Radical King by Dr. Martin Luther King, Jr., read by Wanda Sykes. All men are created equal, but not in a society where wealth gaps continue to grow and justice is not served. We need to DEMAND justice.

RATING: Quatrain

Suburban Souls by Maria Espinosa

Source: Publicist
Paperback, 232 pgs.
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Suburban Souls by Maria Espinosa is a disturbing story with emotional and physical abuse, but the real crux of the novel is the impact of trauma on not only the generations immediately affected but how that trauma becomes a ripple effect throughout more than one generation. Gerda and Saul are survivors of the Holocaust and after escaping to the United States, they fall into a marriage because of their shared past, but is that enough to heal them.

“It began for Hannah during the winter of eighth grade.

The artificial feeling. I am not acting real, she would think. I am not real. I don’t exist, pressed between my mother’s and father’s spirits, suffocated by their warring. While she responded cheerily to her friends’ overtures, she felt as if she were artificial, a windup doll.” (pg. 91)

Readers will be taken into the tormented mind of Gerda and how her outbursts and physical abuse of Saul and her children leads to her daughter, Hannah, internalizing Gerda’s psychological issues. Readers will be drawn into this family quickly, but at the start, readers will likely be slack jawed in disbelief. Trauma affects people in different ways. Saul is no less affected by trauma, but his manifests in less violent ways. He withdraws from his family completely to protect himself, he doesn’t act to protect his children, he’s a passive observer of his life.

Espinosa is a gifted storyteller and her novel pulls no punches about mental health and its reverberating effects from parent to child. She clearly has some experience with mental illness and it shows in the realistic portrayal of this family and their struggles. Like many with mental illness, there is no resolution or solution that remedies everything in their lives, and Espinosa doesn’t pretend that there will be. Her characters are broken, the edges are sharp, and the story is stark. Don’t miss out on reading Suburban Souls by Maria Espinosa.

RATING: Quatrain

About the Author:

Maria Espinosa, a former Bay Area resident who now lives in Albuquerque, has been an author for over 50 years. A novelist, poet, translator, and teacher, who has been reviewed in Publishers Weekly, Kirkus Reviews, Library Journal, New York Review of Books, and The San Francisco Chronicle, she is featured in the Contemporary Authors Autobiography Series. Her five novels include: Incognito: Journey of a Secret Jew, Dark Plums, and Longing, which received an American Book Award, as well as Dying Unfinished, which received a Josephine Miles Award for Literary Excellence from PEN Oakland. Her fifth and most recent novel Suburban Souls, tells a tale of Jewish German Holocaust survivors in 1970s San Francisco. She has also published two collections of poems, Love Feelings, and Night Music, and a critically acclaimed translation of George Sand’s novel, Lelia. Concerned with human communication on a level that transcends the norms permitted by society, her novels focus on the subtle as well as the obvious forces that shape a human being.

Keep Moving by Maggie Smith

Source: Purchased
Audible, 2+ hrs.
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Keep Moving by Maggie Smith, read by the author, is read in that dreaded “poet voice” that’s been in a number of articles, and it drove me crazy. I had to look past that cadence to hear Smith’s words clearly. So if that cadence bothers you, you’ll want to read the book, as opposed to listen to it.

Beyond that, this book offers notes on loss and grief of a recently divorced woman who is continuing her life journey in a way she never expected – without a life partner. It is clear that “keep moving” was a mantra she used to get through the loss of her marriage and the deaths of others. She speaks about living in the present each day and not dwelling in the past that can pull you deep into sadness and make you immobile. Her notes and stories can help those facing similar losses move forward, but in many ways it is like Smith is speaking to herself. We’re getting a sneak peak into her diary.

I love that she focuses on post-traumatic growth in one section of this memoir. This helps us to see beyond the darkness to see the positives in our trials and losses. I liked this the most about the book. Focus on that beginning, push past our fears and explore new avenues for growth. You can even think about professional growth as a way to fill the emptiness left behind.

There is, however, very little about being creative during this time. This is more of an emotional journey and there are snippets of some creative pursuits and nods to the literary community, but no advice on that front, which is what I wanted when I decided to check this out.

Keep Moving by Maggie Smith is about moving forward after irrevocable change, and we need to learn to move beyond our expectations and sadness to see the good, the moments for growth, and how small steps can lead to great, gratifying changes. She also speaks about how you can snowball that movement into helping others. Moving toward living, not just coping.

RATING: Tercet

By Broad Potomac Shore: Great Poems from the Early Days of Our Nation’s Capital edited by Kim Roberts

Source: Publisher
Paperback, 356 pgs.
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By Broad Potomac Shore: Great Poems from the Early Days of Our Nation’s Capital edited by Kim Roberts is a well crafted and contains some well-known poets as well as some obscured by history. In the preface, Roberts says, “These poets were born in, or drawn to, the nation’s capital as it grew from its founding, through such major upheavals as the Civil War, Reconstruction, and World War I. … But I have taken particular pleasure in seeking out poems by lesser-known poets as well, especially women, working-class writers, and writers of color.” The anthology also speaks about the homes in which these poets lived and whether they still exist today, as well as what they are today, with some of them homes to embassies of other nations. Roberts has clearly done her research and it is appreciated.

If there was ever a time for a literary historian, that’s today. Kim Roberts has done painstaking research and it it is evident in this look at 100 years of our nation’s history. Of note in the first part of the anthology is Emma Willard, who was a passionate advocate for women’s rights and dedicated her life to educating women and girls. I loved learning about this early advocate for women to be educated, especially about her speech in which she says that women are “primary existences … not the satellites of men.”

It was also interesting to note that a white man, John Pierpont, wrote a persona poem from the point of view of an enslaved man, which is found in the second part of the anthology. To my modern sensibilities, I was wondered aloud how on earth this white man could capture that point of view, especially a man who worked in finance. “Oft, in the Chilly Night,” is chilling in how it depicts an enslaved man almost at peace looking at the night and seeking God’s guidance, but by the end, it seems the man now simply wishes for the peace of death! But it is not the only persona poem from an enslaved person’s point of view written by a man.

Not only are these poems significant in demonstrating that ideas of equality were present in the early years of our nation, but they also show that even as the country evolved slowly there were very forward thinkers inside and outside government who wrote those ideas in poetry. And some of the homes of these poets became part of antislavery efforts and so many other efforts.

By Broad Potomac Shore: Great Poems from the Early Days of Our Nation’s Capital edited by Kim Roberts is chock full of information about the poets, poems, the nation’s capital and so much more. You can dip into this collection at any time to explore the time period, and you’ll see different styles and topics throughout each second. As you move through the collection, the poems do take on more modern styles and are less antiquated in language. It does provide a good evolutionary look at poetry in Washington, D.C., and written by a variety of poets.

RATING: Cinquain

Check out the Gaithersburg Book Festival Panel discussion with Joseph Ross, Tara Campbell, Kim Roberts, and E. Ethelbert Miller:

Pink by Sylvie Baumgartel

Source: Publisher
Paperback, 62 pgs.
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Pink by Sylvie Baumgartel is startlingly does not have a pink cover. In fact, it has a gray cover, which perfectly mirrors the gray in the relationships explored — mother-daughter, father-daughter, narrator-art, changes in climate, and more.

The collection opens with “The Washing” in which mothers and daughters wash together — a mother who washes secrets — and it is compared to the “washing” of the Sistine Chapel, in which fig leaves are removed to expose genitals and the windows to the soul are lost. It makes you think about what we wash away when the secrets are cleansed or kept hidden — how awful can the truth be?

We move later in the collection to “Pregnancy” (pg. 9) in which the narrator feels numb but everything is out of sorts as the “Blood that feeds my/Part parasite,/Part god, baby boy.//” is a far cry from how it is portrayed in art. The narrator says, “I wonder if what paintings/Really want is to reproduce./A baby of their own.// With many paintings made famous by men, perhaps the narrator is right because those painters are unable to do so naturally.

The collections call on the color of femininity, love, and kindness stands in juxtaposition to the nearly clinical precision with which Baumgartel examines relationships and art. She even explores the abuse suffered by boys at the hands of priests who believed “they could get away with it/Because the boys couldn’t hear each other/Scream.//” (from “The Mission Bell”, pg. 11-2).

Pink by Sylvie Baumgartel is a stunning poet with stark imagery in each poem that will force readers to reorient themselves and rethink the world around them. Between the grotesque and the use of color, she creates a world in which the narrator needs to break through the morass and the societal norms to be born again.

RATING: Quatrain

Frankie Sparks and the Big Sled Challenge by Megan Frazer Blakemore

Source: Purchased
Paperback, 128 pgs.
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Frankie Sparks and the Big Sled Challenge by Megan Frazer Blakemore, illustrated by Nadja Sarell, is the third book in the third-grade inventor series that combines science, engineering, and social quandaries in one fun story. Frankie wants to enter the Big Sled Challenge after descending Extreme Maximus, the largest hill in their town on her saucer sled. The experience was a bit jarring, especially when her classmate Lila Jones points out that Frankie did hesitate to go down the big hill not once but twice. Frankie now feels like she has to prove something to herself and Lila. She wants to prove that she’s the best third-grade inventor.

Frankie and Maya need a third teammate, but Frankie soon finds out that her practical choice because of her size and smarts is already on another team. She must cope with disappointment. Ravi is enthusiastic to join the team and he brings with him a lot of ideas, but Frankie is very dismissive and seems to think because she’s an inventor that she’s in charge, but that’s not the meaning of teamwork. In this book, Frankie must expand her horizons, learn patience, and understand what it means to be part of a team.

These books can be read out of order, but you’ll have a greater understanding of Frankie and her struggles in social situations if you do read them in order. Frankie Sparks and the Big Sled Challenge by Megan Frazer Blakemore, illustrated by Nadja Sarell, as always tells a story using science in a kid-friendly way, offers tips for kids at the back of the book on how they can do their own inventing, and provides life lessons about working in teams, socializing with others, learning how to compromise and develop patience.

RATING: Cinquain