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Metabolics by Jessica E. Johnson

Source: Pine State Publicity
Paperback, 104 pgs.
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Metabolics by Jessica E. Johnson explores the changes in humanity and nature and their connection to each other, as well as their disconnect. It is a book-length poem broken down into what I call “different movements.” Opening and closing the collection are poems titled “Herein,” which the narrator speaks to a desire to “exit” their own body but by the end is inhabiting themselves more wholly than before through the experience of becoming a mother.

Exploring life’s processes and the energy it takes to perform them do not remain with just the human body, but with life all around us, including the trees that pay no heed to the children engaging them. “The children told the trees about their favorite shows … The trees said nothing so the children screamed their songs.” (pg. 49)

There is a great deal in this collection that explores our detriment to ecology while still being part of it. What steps we take to reduce what we use, while still allowing children to bring home their trinkets to us as they learn the alphabet, recycling the rest. We even create our own cycles – think of the lists of tasks we create and how we habitually stick to them.

“…Cedar considers all the ways in which she’s not enough, how her hundred feet aren’t tall enough to make a home. Cedar tries coming up with ways of being better, being someone else, being something else, and you — close your leaf pores to the cooler air, host a grand reaction, your body restoring itself from stored up light.” (pg. 19)

There’s rigidity in the cedars that populate the forest as is burns, only for new saplings and life to emerge from the ashes. Cycles upon cycles, interlocked in mysterious ways. But at the heart, Johnson speaks to the adaptability nature has for changes and challenges, and how we need also to be a flexible element in the cycles that are shifting gradually.

Metabolics by Jessica E. Johnson is a ebbing and flowing of cycles and change. Johnson is exploring how we change as we mature and grow, and yet, we still harbor the hurts of the past that shaped us. How can we enable processes to change and adapt to new realities, how can we change our own processes and tasks to create a better, safe world for our children and generations into the future? So many large questions are tackled in this volume, many of which are unanswered but insight deeper thinking.

RATING: Cinquain

Photo Credit: Becca Blevins

About the Poet:

Jessica E. Johnson writes poetry and nonfiction. She’s the author of the book-length poem Metabolics and the chapbook In Absolutes We Seek Each Other, and is a contributor to the anthology Cascadia Field Guide: Art, Ecology, Poetry. Her poems, essays, and reviews have appeared in The Paris Review, Tin House, The New Republic, Poetry Northwest, River Teeth, DIAGRAM, Annulet Poetics, The Southeast Review, and Sixth Finch. She teaches at Portland Community College and co-hosts the Constellation Reading Series at Tin House.

Once Upon a River by Diane Setterfield (audio)

Source: Purchased
Audiobook, 16+ hours
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Once Upon a River by Diane Setterfield, narrated by Juliet Stevenson, is my 6th book from the 12 friends 12 books reading challenge. It is a collection of intertwined stories set along the River Thames, in which a baby miraculously comes back to life after drowning. These are river stories in which family secrets continue to float to the surface. From a midwife who has given up on love and having a husband or children who a small town relies on more than physicians to a family whose daughter was taken and ransomed and an educated Black farm owner who is looking for his son’s wife, Setterfield has created quite a cast of characters, but the star is that river.

Like her novel, The Thirteenth Tale, this one is deeply atmospheric. The river is as much a character as Mrs. White, the Vaughns, the Armstrongs, nurse Rita, and so many others. There are so many families and secrets to be unraveled, but they are done with the slow flow of the river. The miraculously recovered girl is a mystery to be solved — who are her parents, who threw her into the river, and who took her?

The Swan Inn and the town is a place where stories are woven and rewoven. Setterfield wants her readers to dive deep into this story, making it unlikely you will come up for air until the end. Once Upon a River by Diane Setterfield is engaging, but like The Thirteenth Tale, it felt too long to me and I cared more about some of the characters than others. There was a wrapping up of loose ends, which I appreciated, but those also seemed too long to reach.

RATING: Tercet

About the Author:

Diane Setterfield is a British author. Her debut novel, The Thirteenth Tale (2006) was published in 38 countries worldwide and has sold more than three million copies. It was number one in the New York Times hardback fiction list for three weeks and is enjoyed as much for being ‘a love letter to reading’ as for its mystery and style. Her second novel is Bellman & Black (2013), an unusual genre-defying meditation on workaholism, Victorian mourning ritual and rooks, and her third, Once Upon a River, was published in 2019.

Other reviews:

The Other Americans by Laila Lalami (audio)

Source: Audible
Audiobook, 10+ hrs.
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The Other Americans by Laila Lalami, narrated by Mozhan Marnò, P.J. Ochlan, Adenrele Ojo, Ozzie Rodriguez, Susan Nezami, Ali Nasser, Mark Bramhall, Max Adler, and Meera Simhan, is less the story of the murder of Driss Guerraoui, a Moroccan immigrant, and more about the other Americans in their circle. Driss was a Muslim immigrant who embraced the American Dream and opened his own restaurant in a small town of Mojave, California, and sought to live his dream.

However, his wife, Maryam, doesn’t want to assimilate, and she often praises her dutiful daughter and dentist Salma, but her relationship with her husband and youngest daughter and musician Nora are on shaky ground. These are the main characters as best as I can discern them, excluding Jeremy, a policeman/love interest.

Lalami tackles not only racism and fear, but also the tension between those who are religiously devote and those who are not. There is the young woman who wants to follow her dream but is pulled back home by the death of her father and the obligation she feels toward her family and the Pantry, the restaurant. At the crux is honesty and distrust – the lack of one and the abundance of the other.

Some of these narrators were far better than others – some sounded wooden and others sounded computer generated. Nora’s voice is the most real and engaging. But I also wonder if it is the narrative that made it harder to narrate — some of the dialogue is stilted.

The Other Americans by Laila Lalami was a good read for the topics it covers that book clubs can discuss, but there were far too many characters (who were chapters unto themselves) and their connections were tenuous at best. There are dropped threads in the family narration, like the relationship between the mother and father and impending breakup and the struggles of the dutiful daughter, Salma. The relationships are broken in more ways than one, and they don’t seem to be repaired (at least not satisfactorily) or even talked about again.  Lalami seems to have taken on too much in this ambitious book. For threaded narratives of seemingly unconnected characters, you should try Colum McCann.

RATING: Tercet

About the Author:

Laila Lalami was born in Rabat and educated in Morocco, Great Britain, and the United States. She is the author of five books, including The Moor’s Account, which won the American Book Award, the Arab-American Book Award, and the Hurston/Wright Legacy Award. It was on the longlist for the Booker Prize and was a finalist for the Pulitzer Prize in Fiction. Her most recent novel, The Other Americans, was a national bestseller and a finalist for the Kirkus Prize and the National Book Award in Fiction. Her essays and criticism have appeared in the Los Angeles Times, the Washington Post, The Nation, Harper’s, the Guardian, and the New York Times. She has been awarded fellowships from the British Council, the Fulbright Program, and the Guggenheim Foundation and is currently Distinguished Professor of Creative Writing at the University of California at Riverside. She lives in Los Angeles.

Road of Bones by Christopher Golden

Source: Purchased
Paperback, 240 pgs.
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Road of Bones by Christopher Golden is set in the coldest part of Russia on Siberia’s Kolyma Highway, which was built by hundreds of thousands of forced laborers from the gulag who were interred in the pavement after dying during its construction during the Stalinist era. Felix “Teig” Teigland has rented a truck and convinced his cameraman friend Prentiss to join him on the Road of Bones as he sniffs out the next television series idea he needs to pay back Prentiss and numerous others.

“Don’t fall asleep,”Prentiss said.

Teig forced a smile. “Don’t bore me to death and I’ll stay awake.”

In the frozen tundra, keeping any vehicle on the road is difficult. From the moment they are on the road, it is clear that the cold of the tundra will play a significant role in this story, almost as if it were another character. Teig’s uneasy, “The worm of nausea squiggled anew in his gut,” especially when he meets the guide, Kaskil, he hired. Life and death on the road of bones is something that Teig sees will save his career, but perhaps he should be more concerned about his actual life and death situation in a place where the weather can kill you.

When he and Prentiss meet Kaskil and make it to his home town of Akhust, it is more than legends and ghost stories that they find. The town has been abandoned, with some of its people leaving their homes while barefoot. Lurking in the woods, wolves are stalking them, but these are not traditional wolves.

My one quibble was the character of Ludmilla, who is introduced and we get to know her and her mission to free the souls on the Road of Bones, but her connection to the main story line seems so rushed. It seemed as if she were a ghost in the first place or part of the legend of the woman on the Road of Bones freeing souls, but then she isn’t. It was a bit disappointing, but didn’t detract too much from the main story. Perhaps there’s another book in the works with her?

Despite the plot holes, Golden has created an otherworldly feeling with the killer cold, mysterious disappearance of a whole town, the appearance of a beautiful woman, and the eyes in the forests at the edge of town. Road of Bones by Christopher Golden is definitely all you would expect it to be — creepy, suspenseful, and chock full of gruesome murder.

RATING: Quatrain

About the Author:

Christopher Golden is the New York Times bestselling, Bram Stoker Award-winning author of such novels as Road of Bones, Ararat, Snowblind, and Red Hands. With Mike Mignola, he is the co-creator of the Outerverse comic book universe, including such series as Baltimore, Joe Golem: Occult Detective, and Lady Baltimore. As an editor, he has worked on the short story anthologies Seize the Night, Dark Cities, and The New Dead, among others, and he has also written and co-written comic books, video games, screenplays, and a network television pilot. In 2015 he founded the popular Merrimack Valley Halloween Book Festival. He was born and raised in Massachusetts, where he still lives with his family. His work has been nominated for the British Fantasy Award, the Eisner Award, and multiple Shirley Jackson Awards. For the Bram Stoker Awards, Golden has been nominated ten times in eight different categories, and won twice. His original novels have been published in more than fifteen languages in countries around the world. 

Four Aunties and a Wedding by Jesse Q. Sutanto

Source: public library
Hardcover, 304 pgs.
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Four Aunties and a Wedding by Jesse Q. Sutanto bring the aunties together with Meddy, Nathan, and Nathan’s family. The wedding plans are under way and it’s a destination wedding to Oxford, England. For some reason I went into this sequel just assuming there would be another murder. Not sure why, perhaps it was the description and the mention of the mafia.

This wedding is being planned down to the minute details, but one choice could have her wedding on the cover of the news. As Meddy gets closer to her own wedding photographer, Staphanie, and her family, similarities emerge between their immigration stories and how they interact with each other and the world around them. Meddy feels a kinship to Staph (unfortunate name, indeed), but what she find outs could upend not only her new friendship, but also the entire wedding.

“Toodle pip, cheerio!”

I turn to Nathan in a panic. “I think she’s having a stroke.”

Sutanto has a gift for comedy. Her over-the-top story lines are a bit unbelievable, but her comedic timing keeps readers turning the pages. When Meddy’s aunts adopt a British accent on the plan to the destination wedding, you can just imagine what kinds of slip ups and misunderstandings are going to happen with Nathan’s uptight, unsuspecting parents. I love all of these characters from the blood thirsty aunties to the bumbling and naive Meddy. Nathan is even lovable in all his forgiving glory.

Four Aunties and a Wedding by Jesse Q. Sutanto is another entertaining read with a crazy cast of characters. I definitely recommend reading these books in order. You want some laughs, Sutanto is your author. I laughed out loud so many times reading this, my husband thought I was losing it.

RATING: Quatrain

Other reviews:

About the Author:

Jesse Q Sutanto grew up shuttling back and forth between Jakarta and Singapore and sees both cities as her homes. She has a Masters degree from Oxford University, though she has yet to figure out a way of saying that without sounding obnoxious. She is currently living back in Jakarta on the same street as her parents and about seven hundred meddlesome aunties. When she’s not tearing out her hair over her latest WIP, she spends her time baking and playing FPS games. Oh, and also being a mom to her two kids.

Thank You For Listening by Julia Whelan (audio)

Source: Borrowed
Audiobook, 11+ hrs.
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Thank You for Listening by Julia Whelan, narrated by the author, is my 5th book in the 12 books, 12 friends reading challenge, and it was the perfect book for my state of mind. Sewanee Chester, successful audiobook narrator and former actress, is worried about her grandmother’s health and disease’s progression, is in a battle of wills with her father over decisions related to his mother’s care, and continues to hide in the audio booth from how her life has changed and shaped who she is now.

In Las Vegas, filling in for her boss at a convention, Sewanee is thrust into the thick of romance narration as a panel moderator, which forces her to confront her own misgivings about HEA (happily ever after). It also forces her to see herself as something more than broken when she finds herself entangled with a strange and charming man. “What happens in Vegas….”

Once a narrator of romance, Sewanee has moved to meatier reads and won awards, but when an industry icon in the romance genre’s dying wish is to have her narrate her last book with steamy and mysterious Brock McNight, she’s unsure. After a bit of convincing and wishing for a return to her old life as an actress, Sewanee sets forth on a journey of rediscovering herself and learning to tap into her own emotional center. This is a romance, but it is as much a journey of healing and discovery. I laughed aloud while listening so many times, and I really felt these characters’ development and movement past pain and disappointment. There definitely is an HEA, but it’s more like Hope in Everything Always.

Thank You for Listening by Julia Whelan was a delight! It was the perfect book for where I was emotionally and in terms of stress levels. I had an entertaining read to fall into just when I needed it, and Whelan as a narrator is superb. I’m not sure who recommended this book, but it was a winner, and I thank you!

RATING: Cinquain

About the Author:

Having narrated over 400 audiobooks in all genres, Julia Whelan is, by industry standards, considered one of the top narrators recording today. She’s repeatedly featured on Audiofile Magazine’s annual Best-Of Lists. She was named Audible’s Narrator of the Year in 2014 and is a Grammy-nominated audiobook director. She has acquired multiple Audies and SOVAS (Society of Voice Arts) Awards, including for the performance of her own novel, My Oxford Year. She has won dozens of Earphone Awards, The Audie Award for Best Female Narrator of 2019, and was presented with Audiofile Magazine’s Lifetime Achievement Golden Voice Award in 2020. She attributes her distinctive style of narration to her ongoing passion for literature fueled by her decades of acting experience.

 

Bargaining with the Fall by Alison Palmer

Source: Purchased
Paperback, 80 pgs.
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Bargaining with the Fall by Alison Palmer is a deeply personal collection about loss, grief, and the impact it has on those left behind. The opening poem, “The Sky Only Teaches Me Uncertainty,” sets the tone for the collection, a struggle with debilitating grief and uncertainty, a deep enveloping emptiness left by a departed father. The poet says, “I’m a done-in-soul without you.” Grief is like that. All consuming and seems never-ending, which it is, though the grief does change over time.

Imagine grief before a loss, watching a loved one struggle to survive. “I start to breathe like you; water moves/over your gills in my mind. I implore myself, stop//pacing, but I already saw you die/once.” (“Your Memory Moves in Me Like a Shark Must”, pg.8) Grief in memory, grief in the moment, grief as it happens. Emotions are unexpected and invasive.

Salvation (pg. 31)

What more could you have done to obey; the sum
of your parts down to zero: I'm reduced to photographs—

              from the corner of your eye, reverence,
      for what? Rusted nails, your weight, wooden staircase—

I don't bend my knees in prayer, next to you, I don't
believe you'll be protected: such guttural sounds—Oh,

             Lord or Anyone listening? Deliverance gets lost
      along the way, the ambulance arrives an hour later—

Faith in the body owes us nothing; we can't all be
spared: the night you fall, the night falls with you—

             your blue eyes, the only beacons that speak
      to me. I'm startled by how little they say—

As the poet moves through the collection, we’re taken on a journey to make sense of tragic, unexpected loss. It’s a hard road of what-ifs and surprise, even as the poet seeks to use an equation to understand it in “Behind the Conglomerate, a Backbone?” There is no understanding this kind of tragedy; it is unknowable, like grief, until you live it. Bargaining with the Fall by Alison Palmer is as heart-wrenching as it is beautiful in its questioning of loss and grief and what hollows it leaves behind. This collection has come at a very appropriate time in my life. Do not miss this collection.

RATING: Cinquain

Other Reviews:

 

About the Poet:

Alison Palmer is the author of the forthcoming full-length poetry collection, Bargaining with the Fall (Broadstone Books, March 2023), the recently published poetry chapbook, Everything Is Normal Here (Broadstone Books, 2022), and the poetry chapbook, The Need for Hiding (Dancing Girl Press, 2018). To read an interview with Alison visit: www.thepoetsbillow.org. She was named a semi-finalist for 92Y’s Discovery Poetry Contest 2021 and was chosen for a 2022 Independent Artist Award (IAA) grant by the Maryland State Arts Council (MSAC).

Alison received her MFA from Washington University in St. Louis, and she was awarded the Emma Howell Memorial Poetry Prize from Oberlin College where she graduated with a BA in Creative Writing. Currently, Alison writes outside Washington, DC.

Her Whole Bright Life by Courtney LeBlanc

Source: the Poet
Paperback, 100 pgs.
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Her Whole Bright Life by Courtney LeBlanc is a collection of rolling grief and healing. In the opening poem, “Self-Portrait,” the narrator speaks to the collections of past memories that are part of her being and how they make her feel about herself, but by the end, the living in the moment and in the past, have left her without a sense of who she wishes to be in the future. There’s an unsettled-ness in this poem that sets the tone for the rest of the collection and the roiling emotions that come through each subsequent poem.

In “I Don’t Understand Black Holes No Matter How Many Times Cody Explains Them to Me,” the poet speaks to the immense and unexplainable black hole, noting “For now, I’ll just accept/that black holes exist, that they are closer/than we previously thought, and that they/are a force so powerful, every mistake I ever/made would be swallowed by them.//” Her regrets seem large and able to swallow her hole, which explains why she sees black holes as a potential force that can make those regrets disappear.

Grief takes many forms in this collection. It is not just the slow loss of a vibrant father who dedicated himself to farming and gardening and his daughter, but it’s also the slow losses we don’t see until we lose a parent. We are no longer those children we were, life has shaped us. We’ve become someone else and yet still carry that younger self with us and long for what we see as a simpler existence without regret and loss.

From "Snails and Stars" (pg. 41)

...
Last year, a friend took a bottle of pills and went
to sleep. At his memorial we watched
the slideshow, his smiling face in every frame,
the galaxy of his friends spilling onto the lawn.
We are a constellation of caring, but we were not
enough to save him.
...

Her Whole Bright Life by Courtney LeBlanc is somber and full of life — its funny moments, its sad emotions and grief, and its unexpected gifts. LeBlanc is fast becoming one of my favorite poets. Her turn of phrase, her bravery in the face of deep emotional turmoil, and her ability to connect seemingly unconnected events into a poem that you can find your own story inside. Don’t miss this collection.

Other Reviews:

About the Poet:

Courtney LeBlanc is the author of the full-length collections, “Her Whole Bright Life” (winner of the Jack McCarthy Book Prize, Write Bloody, 2023), “Exquisite Bloody, Beating Heart” (Riot in Your Throat, 2021) and “Beautiful & Full of Monsters” (Vegetarian Alcoholic Press, 2020). She is a Virginia Center for Creative Arts fellow (2022) and the founder and editor-in-chief of Riot in Your Throat, an independent poetry press. She loves nail polish, tattoos and a soy latte each morning.

Lo: Poems by Melissa Crowe

Source: Publisher
Paperback, 88 pgs.
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Lo: Poems by Melissa Crowe, 2022 Iowa Poetry Prize winner to be published in May 2023, is an expression of grief, longing, and joy all at once as the young girl growing up within these poems and pages finds that the world is all at once beautiful and ugly. This song echoes throughout the collection from the opening poem, “The Self Says, I Am,” readers will see the whimsical imagination of a young girl surrounded by a rural landscape, but within that landscape blisters and sunburn can form, causing a young girl to learn to be “nimble” and “learned.”

The narrator of “Thrownness” says, “Maybe home is what gets on you and can’t//be shaken loose.” Taking the lighters side of that observation it is clear Crowe’s roots in Maine are still with her in the imagery she chooses, but on the flip side of that, the darkest parts of our childhood lives leave indelible scars. “Remember how every branch/on that same street seemed blessed with fat red berries/your mother said would make you sick and how — always/hungry, cupboards bare — you would not stop tasting them/anyway.” (pg. 5-6)

In many of these early poems, a young girl is yearning and she cannot get enough, even when what she receives is not necessarily the best thing for her. She is loved, but there are parts of her story that include attention, not necessarily love. Part 3 of this collection houses a variety of poem structures that tell a traumatic tale, and each mirrors the emotional state of the narrator. (be advised these can be triggering) “Thank god I thought, burning,/somebody will ask me. Nobody asked me.//Thank god I thought, burning, knowing/for the first time maybe what he’d//done to me, that what he’d done to me was/wrong enough to go to jail for, if you told.//” (“When She Speaks of the Fire,” pg. 30) This is where the reader weeps for this girl. You cannot help but weep. It is because the narrator is speaking directly to the reader, even if it’s framed as spoken to someone else. You are drawn in, you are “watching through a crack as thick as a man’s/fingers what unfolds beyond your power/to undo.”

Lo: Poems by Melissa Crowe is not focused just on the trauma and telling of it; it is the emotional journey of telling it and learning how to navigate the debris and the disappointment with loved ones who were supposed to protect you and didn’t/couldn’t and didn’t want to speak aloud about it even when it is clearly needed for healing. Another not-to-be-missed collection; pre-order it now.

RATING: Cinquain

About the Poet:

Melissa Crowe is a poet, editor, and teacher. She was born in Presque Isle, Maine, but she currently lives with her family by the sea in Wilmington, North Carolina. Crowe is an assistant professor of Creative Writing and Coordinator of the MFA program at UNCW. Her first full-length collection, Dear Terror, Dear Splendor was published by University of Wisconsin Press in 2019, and her second book, Lo, won the Iowa Poetry Prize and is due out from the University of Iowa Press in May 2023.

In Kind by Maggie Queeney

Source: Publisher
Paperback, 98 pgs.
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In Kind by Maggie Queeney, 2022 Iowa Poetry Prize winner to be published in May 2023, calls on the goddesses of old to illuminate the struggles of today. She deftly deals with trauma in a way that captures the darkness, the struggle, and the strength to move forward honoring that wound that makes up part of the whole person. In “My Given Name,” “Grit both the middle and the start of it://A bit of sand or shell shard, the hard/Speck of stone or flint or bone or beak—/What cannot be broken back//Into nothing, but offers an ever/Smaller division: this is what made me/What I am: Mar—as in mark, as in wound,//” (pg. 4)

Throughout her poems, transformation is taking place. Everything is unsettled in these poems, and it can be hard to get your bearings, but that’s to be expected given the subject matter (which those who have experienced trauma may want to consider before reading these poems). “We sang ourselves new bodies/the volume of our old hearts/” says the narrator in “Metamorphosis: The Daughters of Minyas Deny Ecstasy, Transform into Bats.”And in “A Charm, A Series of Survivals,” the narrator says, “He wrote his yes into my silence.” (pg. 21) Queeney demonstrates that old myths have something to teach us about punishments meted out to those who fail to conform to society’s expectations. They are unjust and harsh, but they also can become empowering enabling survivors to leverage those punishments as fuel in their own transformations and blossoming.

***(this is a graphic poem)*** Read the title poem, “In Kind,” at underbelly. It’s where I first saw Queeney’s work, and the differences between her draft poem and the final are amazing. Her poem builds from the rapping of the window washers’ ropes against the window, which take on the life of the traumatic memories, and these memories continue to haunt as the time passes and the narrator moves forward in the poem. The poem is not only about the witness and their trauma, but about the trauma of the victim who takes the actions leading to the witness’ trauma. It folds in on itself in a tragic way to remind us that “Nothing, and/no one ever enough.” Nothing could have prevented this tragedy. That’s the most hopeless moment in anyone’s life — knowing nothing you could have done would have saved a person you loved.

In Kind by Maggie Queeney is a deep exploration of trauma and transformation. It never shies away from the harsh realities and emotions of trauma, but it does seek to highlight the wounds can heal and be transformed into something that drives an individual’s healing and purpose. Do not miss this collection; pre-order it now.

RATING: Cinquain

About the Poet:

Maggie Queeney is the author of In Kind, winner of the Iowa Poetry Prize, forthcoming in 2023, and settler (Tupelo Press). She is recipient of the Stanley Kunitz Memorial Prize, the Ruth Stone Scholarship, and two IAP Grants from the City of Chicago. Her poems, stories, and hybrid works have been published widely. She holds an MFA in Creative Writing from Syracuse University.

Elegies for an Empire by Le Hinton

Source: the poet
Paperback, 65 pgs.
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***A portion of the purchase price of Hinton’s book ($15) will go to the Lancaster Cleft Palate Clinic.***

Elegies for an Empire by Le Hinton, is a gorgeous collection of poems paying homage to parents, ancestors, and others who came before, while realizing that the foundations and moments the poet leaves behind for children will be similarly in the past, even as they are present. In each step forward, there is an echo of the past, like his opening quote says from Ralph Ellison, “The end is the beginning and lies far ahead.” In the opening poem, “Asking for my Mother,” there’s the echo of a mother’s voice, urging the speaker to not only think on the past as a lesson, but to also employ it in a humble way. There’s a tension between doing something and praying about it, while at the same time, there is the urge to do something, move forward because one is praying about it.

Second Chance (pg. 18)

I carry my family's dreams
into this soil's darkness.

Inside this pod, I hold these hopes:

a fresh garden,
a tender lunar spring,
a faultless reputation.

No one here can sing my past

There is a sense of lament in each of these poems, but carried inside it is a hope that cannot be contained. Rise from the soil to build a garden anew, sit alongside the spirits of your ancestors to learn the past and how to navigate the future. These meditations signal to the reader that the hustle and bustle of our lives needn’t be the only driver of our action or inaction.

Hinton is tackling topics that we see on the news every day, and not all of us live in that reality but are mere observers. The question I come away with is: Why are you sitting idly on your hands and observing when you can take action to make change? Do all Black men have to have internal conversations about death when stopped by police? Is there a way to remedy this issue without more violence? How can we think our way out and take action?

The entire collection is not about darkness, death, and loss. There is love here. “Still Life with Desire,” shows us that even while masked and left with unspoken words, lovers can create something beautiful just as “Beethoven composing/his 9th within the enveloping silence.” (pg. 39) Elegiac song fills the air when so much is lost, but what about the things we’ve gained. “Consider your good fortune to have survived/a virus that has no conscience or taste buds/and disregards the pleasures of a lengthened life//Then peel the skin, slowly, intentionally,/noticing the tiny movement of flesh/beneath your fingers, the initial droplets//of the sweetest of juices.” (pg. 41, “How to Eat a Peach During a Pandemic”).

Elegies for an Empire by Le Hinton reminds everyone about the importance of connection to ourselves, to one another, to our ancestors, and yes, even to our enemies. In “Allies and Ancestors”, the poet says, “we’ll recycle these deaths/over again and again and over.” The energy of us never leaves. We are all still here, still connecting, still influencing.

RATING: Cinquain

About the Poet:

Poet, teacher, Le Hinton, is the author of seven collections including, most recently, Elegies for an Empire (Iris G. Press, 2023). His work has been widely published and can, or will be found in The Best American Poetry 2014, the Baltimore Review, The Skinny Poetry Journal, the Progressive Magazine, Little Patuxent Review, Pleiades, and elsewhere. His poem “Epidemic” won the Baltimore Review’s 2013 Winter Writers Contest and in 2014 it was honored by The Pennsylvania Center for the Book. His poem, “Our Ballpark,” can be found outside Clipper Magazine Stadium in Lancaster, Pennsylvania, incorporated into Derek Parker’s sculpture Common Thread.

He is the founder and co-editor of the poetry journal Fledgling Rag and the founder of Iris G. Press/I. Giraffe Press.

The Poet Who Loves Pythagoras by Fran Abrams

Source: Purchased
Paperback, 23 pgs.
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The Poet Who Loves Pythagoras by Fran Abrams is a delight. If you love math or don’t, it won’t matter as Abrams’ wry wit and precise storytelling will tickle your humor bone. She espouses her love of Pythagoras and his math in the opening poem, but she also has a few things to say about his philosophies. We all can’t be perfect, right?

What I love about Abrams’ work is that she can take the every day things we see and feel and make them new. Imagine the poem “Triangle” and see how Abrams transforms it into a poem about trysts and how people must have confused them with the word truss, one of the strongest architectural elements used. She juxtaposes the strength of the triangle with the instability of the tryst in just 7 stanzas.

Triangle (pg. 2)

the strongest shape
used in bridges and in trusses
to support floors and roofs

compression on legs
balanced by tension
across the base

difficult to break unless
one of the sides cracks—
then why is a love triangle

the same shape as a truss
how strong can it be
when it's made of two men

who love one woman or two women
who love one man or some other arrangement
of three not supposed to be in love

how long before one side
of the triangle will crack
causing the structure to fail

the answer becomes evident only
when someone realizes
they have confused tryst with truss

Her chapbook uses the base of math to explore our lives, making astute observations on love, family, and so much more. The Poet Who Loves Pythagoras by Fran Abrams is not to be missed.

RATING: Cinquain

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About the Poet:

Fran Abrams lives in Rockville, MD. She holds an undergraduate degree in art and architecture and a master’s degree in urban planning. For 41 years, she worked in government and nonprofit agencies in Montgomery County, MD, where her work involved writing legislation, regulations, memos, and reports.

In 2000, before she retired, she began working as a visual artist. Then, after retiring in 2010, she devoted the majority of her time to her art. After attending a poetry reading in 2017, she realized she missed expressing herself in words and began taking creative writing classes at The Writer’s Center in Bethesda, MD, where she concentrated on writing poetry. In September 2017, she traveled to Italy on a poetry retreat that strengthened her commitment to writing poems. She now devotes the most of her time to writing poetry.

Since 2017, her poems have been published online and in print in Cathexis-Northwest Press, The American Journal of Poetry, MacQueen’s Quinterly Literary Magazine, The Raven’s Perch, Gargoyle 74, and others. In 2019, she was a juried poet at Houston (TX) Poetry Fest and a featured reader at DiVerse Gaithersburg (MD) Poetry Reading. Her poems appear in more than a dozen anthologies, including the 2021 collection titled This is What America Looks Like from Washington Writers Publishing House (WWPH). In December 2021, she won the WWPH Winter Poetry Prize for her poem titled “Waiting for Snow.” Her first chapbook, titled “The Poet Who Loves Pythagoras,” is forthcoming from Finishing Line Press. Her first full-length manuscript, titled “I Rode the Second Wave: A Feminist Memoir,” is out now from Atmosphere Press.