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Shanghai Girls by Lisa See

Shanghai Girls by Lisa See examines the relationship between sisters, May and Pearl, their immigration story from Shanghai, China, to Los Angeles, Calif., and the political changes between the 1930s and 1950s.  Pearl was born under the sign of the Dragon, and May was born under the sign of the Sheep.  Do these signs define who they are?  Will they guide their fate?

“Mama insists May and I couldn’t change who we are even if we tried.  May is supposed to be as complacent and content as the Sheep in whose year she was born.  The Sheep is the most feminine of the signs, Mama says.  It’s fashionable, artistic, and compassionate.  The Sheep needs someone to take care of her. . . I have a Dragon’s striving desire, which can never be properly filled.  ‘There’s nowhere you can’t go with your big flapping feet,’ Mama frequently tells me.  However, a Dragon, the most powerful of the signs also has its drawbacks.  ‘A Dragon is loyal, demanding, responsible, a tamer of fates,’ Mama told me. . . ”  (Page 9 of the hardcover)

Considering themselves modern Chinese ladies in Shanghai and shunning the old ways of their ancestors, Pearl and May become painted, beauties on calendars that sell products ranging from tobacco to other household goods.  Pearl has a crush on the painter who makes the calendars, and despite being the older sister, often loses sight of her sister’s actions and whereabouts.  Soon, their world is blown apart when the secrets of their father’s gambling are revealed and they are sold into arranged marriages with Chinese-Americans.  Still, these young sisters dream of escape and willfully defy their parents’ wishes, only for the fates to step in and force them to honor their original plans to meet their husbands in America.

The ravages of war hit home in Shanghai as the Japanese invade China, and the Communists flee to the hills of China.  Lisa See deftly interweaves the political backdrop of China and the world at large behind the more present plight of the Chin sisters.  Through a series of twists and turns that mirror the rise and fall of political powers across the globe, Pearl and May face adversity together, but both emerge vastly changed.  Reminiscent of Amy Tan‘s writing about mothers and daughters, particularly the clashes of old and new cultures, See grabs hold of the sisterly relationship to shed light the joys, sorrows, painful moments, and sacrifices that only sisters can share and feel deep down to their core.  Larger issues of discrimination and political dissension also are prevalent themes.

Overall, Shanghai Girls is a deep novel that will lend itself to animated discussion among book clubs.  Readers will enjoy unraveling the family secrets of the Chin women and their new families, and be exposed to the intricate and complex political and social dynamics of some of the most turbulent times in world history.  Not only have these women grown through adversity and sacrifice, but they are sent on a journey to discover what it means to be family.

How I’ve missed reading Lisa See before, I have no idea.  But she’s an author I hope to read more of in the future.

To Enter to win 2 copies of Shanghai Girls by Lisa See (U.S./Canada only):

1.  Leave a comment on this review about what intrigues you about this novel.
2.  Leave a comment on my interview with Lisa See.
3.  Blog, Tweet, Facebook, etc. the giveaway.

Deadline is Jan. 26, 2010, at 11:59PM EST

About the Author:

Lisa See is the New York Times bestselling author of Peony in Love, Snow Flower and the Secret Fan, Flower Net (an Edgar Award nominee), The Interior, and Dragon Bones, as well as the critically acclaimed memoir On Gold Mountain. The Organization of Chinese American Women named her the 2001 National Woman of the Year.  She lives in Los Angeles, California.  Please check out her Website.  Read an excerpt of Shanghai Girls, here, and for book clubs, there are discussion questions.

I also interviewed Lisa See, here.

This is my 4th book for the 2010 New Authors Challenge.

If you are interested in the rest of the tour stops for Shanghai Girls by Lisa See, I encourage you to check out the TLC Book Tour site.

FTC Disclosure:  I received my free copy of Shanghai Girls by Lisa See from Random House and TLC Book Tours for review.  Clicking on title and image links will lead you to my Amazon Affiliate page; No purchase necessary, though I appreciated.

Searching for Pemberley by Mary Lydon Simonsen

Mary Lydon Simonsen’s Searching for Pemberley starts was a premise many interviewers often ask authors about their fiction:  “Are any of your characters based upon real people?”  Did Jane Austen use real people to write the great love story of Elizabeth Bennet and Fitzwilliam Darcy?  Simonsen’s book may not offer the truth behind Austen’s characters, but it does spin a unique mystery tale through which one possible reality of Mr. Darcy and Ms. Bennet are discovered.

“‘Mr. Crowell, you don’t know me.  I’m Maggie Joyce, but I was wondering if . . .’  But that was as far as I got.

‘You’re here about the Darcy’s right?  Don Caton rang me to let me know you might be coming ’round.  Come through.  Any friend of Jane Austen’s is a friend of mine.'”  (Page 12 of the ARC)

Maggie Joyce is the main protagonist and an American from a coal mining town in Pennsylvania.  She quickly leaves her hometown of Minooka for Washington, D.C., to help with the government with its World War II-related administrative work.  Eventually she is stationed in Germany and later in England following the end of the war.  She meets a fantastic family, the Crowells, who help her unravel the real family behind Jane Austen’s characters.

“Beth gestured for me to follow her into the parlor.  She had a way of carrying herself that was almost regal, especially when compared to her husband, who reminded me of a former football player who had taken a hit or two.”  (Page 25 of ARC)

Told from Maggie’s point of view, the novel grabs readers with its immediacy as Maggie moves through war-torn Europe and reads through a variety of diary entries and letters to uncover the origins of Pride & Prejudice.  Readers who have read Austen’s novel once or more than a dozen times will recognize echoes of Elizabeth Bennet and Fitzwilliam Darcy in the Crowells and may even find parts of the mystery obvious.  However, this story is more than a look at where Austen may have found inspiration, it is about a nation (England) and its people in the midst of rebuilding after the devastation of the German blitzkrieg and World War II.  There also a healthy dose of romance between Maggie and two beaus that add to the tension.

“‘Nightmares from the war that I hadn’t had in ten, fifteen years came back.  Jesus, they all came back,’ he said, massaging his temples as if the act would block out any unwanted images.  ‘Picking up bodies and having them fall apart in my hands.  Stepping on limbs.  Being scared shitless during barrages.'”  (Page 254 of ARC)

Simonsen does an excellent job examining the shell shock felt by airmen and other military personnel and how their war experiences could impact their relationships with family, friends, and lovers.  While there are some occasions in this nearly 500-page book that are bogged down by too much detail, Simonsen’s characters are well developed and the twists and turns as Maggie unravels the mystery of the Bennets and the Darcys are fun.  The aftermath of World War II is well done and rich in emotional and physical detail, showing Simonsen’s deft research and keen eye.  Searching for Pemberley is an excellent addition to the every growing market of Jane Austen spin-offs.

This is the 8th book I’ve read that qualifies for the 2009 WWII Reading Challenge.  Though I officially met my goal of reading 5 WWII-related books some time ago, I’ve continued to find them on my shelves and review them here.  I’m sure there will be more, stay tuned.

Searching for Pemberley is the 6th item and fulfills my obligations under the Everything Austen Challenge 2009.   I hope that everyone has been reading along for this challenge.  It has been fun to see the mix of books and movies that everyone has reviewed.  I may even read another book before this challenge ends, since my main goal in joining was to read Persuasion, one of the only Austen novels I haven’t read.

Have you missed the giveaway for Searching for Pemberley?  Don’t worry there’s still time to enter.  Go here, and comment on Mary Lydon Simonsen’s interview for an additional entry.  Deadline is Dec. 14, 2009 at 11:59PM EST.


THIS GIVEAWAY IS NOW CLOSED!!

Additionally, I would like to thank Mary Lydon Simonsen and Sourcebooks for sending me a free copy of Searching for Pemberley for review.  Clicking on title links will bring you to my Amazon Affiliate page, no purchase necessary. 

Night of Flames by Douglas Jacobson

Douglas Jacobson’s Night of Flames is a gritty “spy” novel set during World War II beginning in 1939 during the invasion of Poland by the Nazis.  The main protagonists Anna and Jan Kopernik are separated by war and face near misses with the wrath of the Germans.  Anna joins the resistance in Belgium reluctantly, while Jan jumps at the opportunity to help MI6 on a secret mission in Poland with the hope that he can find his wife.

“Anna’s eyes snapped open and she sat bolt upright.  The shrill sound blasted into her brain, penetrating through the fog of sleep like an icy wind.  She blinked and looked around the dark room, trying to focus on shadowy images as the sound wailed on and on.”  (Page 11)

Anna is in Poland with her friend, Irene, and her son when the bombings start in earnest, leaving them and their driver very few options on the way back to Krakow and her father, a professor at the local university.  Anna is hit by significant loss and constant worry about her husband, who’s career is with the Polish military.  Night of Flames is a fast-paced novel that pushed through the front lines and skulks in the shadows of the resistance.

“‘The best thing any of us can do is try and keep out of their way, and if you get stopped or challenged, be as cooperative as you can.’

‘So you’re telling us to act like house pets in our own city.'” (Page 65)

Jacobson’s no-nonsense writing style will place readers in the heart of the resistance, though some readers could get bogged down by the military strategy and direction, such as how the resistance used holes dug in the earth to hold lanterns that were lit to signal the Allies as to where to drop supplies.  Readers will either enjoy the detailed strategy or wish for a greater focus on the characters.  Anna is the most developed of the two protagonists, though Jacobson does give each nearly equal time through alternating chapters.  These chapters help build tension, leaving the reader in suspense as to whether they will ever be reunited.

Readers who enjoy learning about World War II and who enjoy spy novels will like this novel.  But Night of Flames is more than just a war novel; it is about how ordinary citizens can rise up to reclaim their homeland and their dignity in the face of adversity signifying an indelible human spirit.

Check out this video for Night of Flames:

I want to thank Douglas Jacobson, McBooks Press, and Pump Up Your Book Promotion for sending me a free copy of Night of Flames to review.  If you click on the title links, you’ll be taken to my Amazon Affiliate page, but there is no obligation to buy.

They’ve also kindly provided an additional copy for one reader of my blog from anywhere in the world.  To Enter:

1.  Leave a comment on this post.
2.  Check out the War Through the Generations blog and leave me a relevant comment here about something you read or learned.

3.  Blog, Tweet, and spread the word about the giveaway and leave a comment here.

Deadline is Nov. 4, 2009, at 11:59 PM EST

This marks the 7th book I’ve read for the WWII Reading Challenge.  Though I officially met my goal of reading 5 WWII-related books some time ago, I’ve continued to find them on my shelves and review them here.  I’m sure there will be more, stay tuned.

The Last Dickens by Matthew Pearl

Matthew Pearl‘s The Last Dickens is one of a number of books about Charles Dickens‘ last, albeit unfinished novel, The Mystery of Edwin Drood.  But what sets this novel apart from its compatriots is Pearl’s ability to build suspense and extrapolate from historical events to create a palpable underbelly of the publishing world.  

“A man stretched out on a crusty, ragged couch granted them admission into a corridor, after which they ascended a narrow stairs where every board groaned at their steps; perhaps out of despair, perhaps to warn the inhabitants.”  (Page 199 of hardcover)

Charles Dickens’ final, incomplete novel–he only completed six installments–caused a great deal of controversy as to whether the author indeed had not finished the manuscript, which in those days were released in installments.  Pearl mimics this method by breaking up the narration in separate installments from the Boston publishing house, Dickens’ American tour, Dickens’ son Frank in India at the height of the opium trade, and in England as Dickens’ American publisher Mr. Osgood with his bookkeeper Rebecca Sand search for the lost installments and the true end of Dickens’ final novel.

“At the top of the stick was an exotic and ugly golden idol, the head of a beast, a horn rising from the top, terrible mouth agape, sparks of fire shooting from its outstretched tongue.  It was mesmerizing to behold.  Not just because of its shining ugliness, but also because it was such a contrast to the stranger’s own mouth, mostly hidden under an ear-to-ear mustache.  The man’s lips barely managed to pry open his mouth when he spoke.”  (Page 8 of hardcover)

Pearl includes an examination of the historical accuracies in the novel and which characters were pure fiction or modified historical figures.  One part mystery, one part historical fiction, and one part crime novel, The Last Dickens weaves a complex and detailed story that holds readers rapt attention from beginning to end.

While the chapters involving Frank Dickens’ time in India uncovering an opium trade are not as prominent as some of the other narratives, it is intricately connected to the main story.  However, some readers could find these chapters frustrating because of the gap between those chapters, which could either leave readers frustrated that the tale of Frank Dickens is dropped or anxious for its conclusion.  Most readers are likely to err on the side of anxiety, wanting to know more.

“There are many reasons murder is not always found out, and they are not always for cunning.  The reason might be the fatigue among those who have been deadened on the inside.”  (Page 264 of hardcover)

Osgood is not easily swayed when he is hot on the trail of the missing installments and the end of Dickens’ novel, and as each layer of the mystery is peeled back for the reader, the dark, cutthroat publishing industry is revealed.  Bookaneers are the bottom feeders of the publishing industry, waiting on the docks for the latest installments from the Old World, while publishing giants from New York, like Harper, are eager to acquire these installments by any means necessary and at the expense of their competitors.

The Last Dickens is not just about an unfinished novel or the dark side of publishing.  It also takes a look at human conviction in the face of adversity and how perseverance and a moral compass can yield surprising results.  Pearl is a mystery master, and The Last Dickens will not disappoint its readers.

If you missed Matthew Pearl’s guest post, check it out.  I want to thank Matthew Pearl, Random House and TLC Book Tours for providing me a free copy of The Last Dickens for review.

Click on the title links for my Amazon Affiliate purchasing pages.  

For an additional treat, check out this YouTube video:

For the giveaway for U.S. and Canada residents:  ***Just got word I have 2 copies available***

1.  Leave a comment on this post.
2.  Blog, Tweet, or Spread the Word for an additional entry.
3.  If you follow, get a third entry.

Deadline is Oct. 29, 2009 at 11:59 PM EST

The Tudor Rose by Margaret Campbell Barnes

Margaret Campbell Barnes’ The Tudor Rose:  A Novel of Elizabeth of York is a historical novel that chronicles the final moments of Edward IV’s reign in England and the usurpation of the thrown by Richard, Duke of Gloucester and later the conquest of England by Henry Tudor.

“Elizabeth came out of her own private thoughts with a start.  Her blue eyes stared almost uncomprehendingly.  During her short life she had become accustomed to being offered as matrimonial bait for some political reason or another; but the implications of her mother’s words appeared to have neither rhyme nor reason.”  (Page 55 of ARC)

Elizabeth of York, who is about age 17-19, is adrift in a family and country torn apart following the death of her father, Edward IV.  As she attempts to navigate the politics of a nation in turmoil and a family walled up in Westminster Abbey in sanctuary, she also has lost her sense of security and the love her father bestowed upon her willingly.  Throughout much of the book, Elizabeth vacillates from security and insecurity and reserve and outbursts.  In many ways, readers will find Elizabeth immature, particularly given her royal stature, and her character does not seem to improve much through out the novel–whether that is due to historical accuracy or not, it is unclear.

Despite the historical nature of The Tudor Rose, the narration flows like a contemporary novel and the dramatic revolving door of the kingdom is surprisingly easy to follow.  However, readers may find Elizabeth’s actions a bit out of character in some places or seem to happen on a whim without much forethought, though the historical events in the novel follow what can be found on Wikipedia.  Barnes is a capable author of historical fiction, particularly of the Tudor period in England.  The Tudor Rose is a fast-paced read and will entertain readers with a series of plot twists.

Thanks to Sourcebooks and Margaret Campbell Barnes for sending me a free copy of this book for review.  

Sourcebooks has offered 1 copy of The Tudor Rose by Margaret Campbell Barnes for a lucky U.S. or Canadian reader.  To Enter:

1.  Leave a comment on this post about what time period you enjoy reading about in historical fiction.

2.  Blog, Tweet, or Facebook this post.

Deadline is Oct. 20, 2009, at 11:59PM EST

Tallgrass by Sandra Dallas

“I’d sneaked away from my parents and gone to the depot, too, because I’d never seen any Japanese. I expected them to look like the cartoons of Hirohito in the newspaper, with slanted eyes and buckteeth and skin like rancid butter. All these years later, I recall I was disappointed that they didn’t appear to be a ‘yellow peril’ at all. They were so ordinary.” (Page 2)

Sandra Dallas’ Tallgrass is set in Colorado in 1942 just after the bombing of Pearl Harbor in Hawaii. The book is narrated by Rennie Stroud, who was a 13-year-old girl when the Japanese are rounded up and placed into an internment camp–known as Tallgrass Ranch–in Ellis, Colorado. Many of the Japanese in the camp just up from the Stroud’s farm had been evacuated from their homes in California and their presence causes a major stir.

“They’d heard the sirens, too, and said it wasn’t anything, but I feared that somebody had gone under the bobwire surrounding the camp and was going to break into our house and kill us.” (Page 17)

Readers travel along with Rennie as she uncovers the truth about humanity regardless of color or creed and as she discovers the truth about her family. She grows into a woman more quickly than her parents would like, but given the rationing, the war effort, the harvest, and the increasing racial tension, Rennie has little choice but to mature.

“Things were tense even for the kids in the camp who never came in contact with people from Ellis. Little boys there played war games, just like the boys in Ellis. Daisy told us she’d watched a group of Tallgrass kids pretending they were fighting in the South Pacific and heard one complain, ‘How come I have to be the damn Jap all the time?'” (Page 238)

Readers will enjoy growing along with Rennie and getting into trouble with her and Betty Joyce. Dallas does an exceptional job of rounding out Rennie’s character from her naivete to her compassion and empathy for the plights of those less fortunate, like the Japanese and her friends. However, Tallgrass is more than a coming of age story; it also touches upon the harm caused by wrong-headed government policies, the fear that leads to prejudice and hatred, and the impact a war can have on everyone.

While readers may see some holes in how one of the main mysteries is resolved, Dallas’ resolution is in tune with the narrator she chose, a 13-year-old who is not privy to serious adult conversation. Overall, Tallgrass is a novel about WWII, family, growing up, and learning how to build a community even when differences exist.


This is my 6th book for the War Through the Generations: WWII Reading Challenge.

Thanks to Staci at Life in the Thumb for reviewing Tallgrass with several other WWII books that I had to pick up from the library and read all together.

Also Reviewed By:
Adventures in Reading
Jo-Jo Loves to Read!!!
Life in the Thumb


The Day the Falls Stood Still by Cathy Marie Buchanan

Cathy Marie Buchanan’s The Day the Falls Stood Still, like the Niagara River and the falls, flows powerfully with majestic danger. Elizabeth “Bess” Heath is a seventeen year-old woman on the brink of the falls contemplating the beauty of the river and feeling its power pushing her forward. Her family is well-positioned, but a turn of the current pushes them down river and leads to tragedy and redemption for Bess.

When she leaves her school life behind at Loretto Academy, she is thrust into adulthood and embarks upon a journey where she comes into her own, earning the pluck Tom Cole, grandson of the famous riverman Fergus Cole, sees in her during their brief encounters at the gates of Glenview.

“As he walks he holds his head in a way that makes it seem he is listening to the river. His intensity is such that to speak would be to interrupt. ‘It’s worked up tonight,’ he says.” (Page 15 of ARC)

Buchanan prose is calm, providing readers with an anchor amidst the rapids and whirlpools that threaten to toss Bess out on the streets and into the ditches emotionally and financially. Tom becomes her rock to which she anchors herself, and he provides her with focus, love, desire, and strength, just as the river does for him. However, with the outbreak of WWI and troops sent abroad to fight from Canada at the behest of Great Britain and the rise of hydroelectric power, Bess must find the strength on her own to survive without Tom’s guidance and to care for their budding family.

“My Dear Bess,

I am sorry I’ve taken so long to write, but I have been putting it off, waiting for my mood to change. I am not sick in any way, but I am feeling beaten down–by the smell, the smashed men twitching like squashed charred insects the upright corpses mistaken for living men, the landscape of barren, earth without so much as a blade of grass. I am feeling alone, lost, and I can’t figure out how to feel like myself again.” (Page 183 of ARC)

As much as The Day the Falls Stood Still is about the impact of industrialization on the Niagara River, the falls, and the community, it also touches upon the environmental impacts of development, the loss of family, the dangers of progress, and the commitment of a man and wife to their family and their principles. Buchanan has created an emotionally charged novel based upon a real legendary riverman, William “Red” Hill. Complete with mock newspaper articles and historical photos and drawings depicting a variety of major events along the river from Bellini tightrope walking across the falls to the collapse of Table Rock.

Buchanan’s debut novel is undeniably memorable for its historical references and emotional ties to Bess’ family and the Niagara River. The Day the Falls Stood Still will haunt readers after the final page is turned.

Also Reviewed By:
Presenting Lenore


The Painter From Shanghai by Jennifer Cody Epstein

“That the buyer, if she finds one, probably won’t be able to read it means little. Yuliang doesn’t sign it for him. She signs for herself, to bind her work to her. To tattoo it with a message: she has won.” (Page 20)

Jennifer Cody Epstein’s The Painter From Shanghai, a debut novel, is a fictional account of Pan Yuliang’s rise from the ashes of her life as Xiuqing, a young child sold into prostitution. Through careful brushstrokes of her own, Epstein deftly fills her canvas with the sights, sounds, and images of China–from the dark alleys and brothels to the crowded, chaotic streets of Shanghai–in the early 1920s. Yuliang is a complex character who numbly makes her way through the obstacles she faces as a new prostitute under the thumb of corrupted merchants and a harsh and battered old woman, known as Grandmother. Emerging from the dank and corrupted halls of the brothel, she jumps into her new life as the concubine/second wife to Pan Zanhua and embarks on her career as a student and painter at the height of the Communist uprising in China during the 1930s.

“‘My husband,’ she says, twisting her wedding band, ‘writes that even more conservative Republicans will ally with the CCP now. For the nation’s sake.’

‘If anything, it’s a marriage of convenience.’ Now he looks straight into her eyes. ‘And one I doubt will last.'” (Page 318)

Epstein has a style all her own in which she easily weaves in relevant historical information through character interaction and development, but she also captures even difficult emotions with deft description and poise.

In the brothel, readers will feel Yuliang’s degradation as each man leers at her, touches her skin, and makes her kowtow to their desires. The one solace she has is the poetry of Li Qingzhao, which she recites from memory. Readers will enjoy the verse woven into the narrative as Yuliang examines herself at life-changing moments and seeks solace in the beauty of language.

Yuliang is molded by her mentors, but only truly blossoms when she becomes Zanhua’s wife and starts painting. Through painting she learns to combat her demons, her past, and her future, coming into her own as a painter and individual. As China is pulled in two directions between the republic and the communists, Yuliang is caught between her rebellious nature and Chinese tradition.

“Tearing off the sheet, she tries again, this time with better results. Use each object as a road into the next. She proceeds to the easiest object on the table, the orange . . . And in the space of a moment that neither registers nor matters, she is no longer outside the still life but working within it, running her mind’s hand over nubbly fruit skin. Pressing her face against the smooth tang of the bottle glass. Exploring a vase’s crevices with both finger and pencil tip, each item part of a visual sentence she is translating.” (Page 220)

The Painter From Shanghai
has a lot to offer book clubs, readers interested in painting, historical fiction, the struggle of women in society, China, and political history, and is one of the best novels I’ve read this year.

Check out my interview with Jennifer about her novel and writing habits.

1. Some writers will listen to music while writing and have a particular playlist for their novel or other work. Did you listen to any specific music while writing The Painter From Shanghai, and if so, could you list some of the titles? Or if you were to create a playlist for this novel, what would be the top 5 songs on that list?


I am actually highly distractible, so music is not a good idea for me in general unless it’s very low-level classical. Lyrics are bad–I can’t write words when I’m listening to other words. In general, I really just need quiet.

As for playlist: Hmmmm. Tough one with this book, as I’m not all that familiar with Chinese music from the period. I suppose the Charlston (which was the rage in Paris when Pan Yuliang was there), Verdi’s Macbeth (her first painting tutor is listening to Verdi when Yuliang first meets him); the first Shanghai pop song “Drizzzles” (Maomao yu)–a tune in folk style accompanied by New Orleans jazz-style music, Eric Satie’s Gymnopedie Number 1 (just because it’s the right general time frame and mood). And then maybe Aretha Franklin’s “Respect.”

2. Most writers will read inspirational/how-to manuals, take workshops, or belong to writing groups. Did you subscribe to any of these aids and if so which did you find most helpful? Please feel free to name any “writing” books you enjoyed most (i.e. Bird by Bird by Anne Lamott).

I loved Bird by Bird, actually. I also was a huge fan of Annie Dillard’s “The Writing Life” (I learned a ton from that) and “A Pilgrim at Tinker Creek.” In terms of workshopping–I find it enormously helpful. I went to Columbia to get my MFA and was very happy to have done so. As my husband pointed out at the time It’s expensive, and the whole precept of “teaching” writing is somewhat dubious. But for me, having mentors, feedback, criticism and–perhaps most of all–other people who were trying to do the same insane things with their lives as was I was really reaffirming.


3. The Painter From Shanghai is written with sometimes very broad and very detailed brushstrokes to mete out Pan Yuliang’s past. Have you studying painting at any point, and if not, is it something you have considered?

I took a few oil painting classes for the book, sat in on a Student Arts League class for a day, and also worked with a friend who is a painter on dissecting and trying to re-paint one of Pan Yuliang’s paintings, just to get a sense of what it feels like. I think it’s safe to say the world is lucky I paint with words only!

4. Do you have any obsessions that you would like to share?

Running. History. Good music. Frye boots. My Springer Spaniel Molly.

5. Please describe your writing space and how it would differ from your ideal writing space.

I generally write at a writer’s space, and it is pretty much ideal except for that it’s not easy to get to. I’d like to have it down my street, instead of a good half-hour by foot.
6. What current projects are you working on and would you like to share some details with the readers?
I’m currently working on a novel set in 1945, just before, during and after the Tokyo Firebombings. It’s quite different fromPainter” in that it will be told from a few different perspectives, and most of the characters aren’t as closely-based on real people. But like “Painter” it explores the intersection of different cultures, and the power of art (in this case, architecture) to both create and destroy.

Thanks, Jennifer, for taking time out of your busy schedule to answer my questions.

About the Author:

Jennifer Cody Epstein has worked in Japan, China, Hong Kong, Thailand and the U.S. for publications including The Wall Street Journal, The Asian Wall Street Journal, Mademoiselle, Self and Parents, as well as for the NBC and HBO networks. She has a Masters degree in International Affairs from Johns Hopkins SAIS and an MFA from Columbia. She lives in Brooklyn, New York, with her husband, filmmaker Michael Epstein, and their two daughters.

Check out her Web site, here.

She also very interested in speaking with Book Clubs about her novel by telephone and email if not in the New York City area or in-person if you are in New York City.

For reading group guides for The Painter From Shanghai, go here.

Here’s another interview with Jennifer at WOW! Women on Writing.

Interested in the real artist’s work, go here or here.

Check out the rest of The Painter From Shanghai tour with TLC, here.

Don’t forget my current giveaways:

2-year Blogiversary, here and here and here.

The Last Queen by C.W. Gortner

Welcome to the Savvy Verse & Wit tour stop for C.W. Gortner’s The Last Queen, which is new in paperback this month.

About the Book:

Daughter of Isabel of Castile and sister of Catherine of Aragon. Married at sixteen and a queen at twenty-five. Declared mad by history. Juana of Castile, the last true queen of Spain. Ruled by her passions, Juana’s arranged marriage to Philip the Fair of Flanders begins as a fairytale romance when despite never having met before their betrothal, they fall violently in love. Juana is never meant to be more than his consort and mother to his heirs until she finds herself heiress to the throne of Spain after tragedy decimates her family. Suddenly she is plunged into a ruthless battle of ambition and treachery, with the future of Spain and her own freedom at stake. Told in Juana’s voice, The Last Queen is a powerful and moving portrait of a woman ahead of her time, a queen fought fiercely for her birthright in the face of an unimaginable betrayal. Juana’s story is one of history’s darkest secrets, brought vividly to life in this exhilarating novel.

C.W. Gortner’s The Last Queen is a roller coaster ride of emotion dramatizing Juana of Castile’s adolescent years, her marriage to a man she doesn’t know, and her return to her homeland. Juana is an impetuous child, independent, passionate, and compassionate. Her passions often lead her astray, cause her to act outside the norms of royal protocol, and jump to conclusions. While history views Juana as loca or mad, Gortner’s dramatization examines possible explanations for her behavior. Juana witnesses the surrender of the Moors and Boabdil at the hands of her mother, Queen Isabel, as Spain reclaimed Granada.

“The lords closed in around him, leading him away. I averted my eyes. I knew that if he’d been victorious he would not have hesitated to order the deaths of my father and my brother, of every noble and soldier on this field. He’d have enslaved my sisters and me, defamed and executed my mother. He and his kind had defiled Spain for too long. At last, our country was united under one throne, one church, one God. I should rejoice in his subjugation.

Yet what I most wanted to do was console him.” (Page 11, in the hardcover)

Shortly after Spain regains its footing, Juana is informed that she must marry the Archduke of Flanders, Philip, a man she was betrothed to and does not know. Juana is adamant that she will not marry this man, until her father treats her as an adult at sixteen and explains the political situation Spain is in and how her marriage to Philip could improve it. While she is young and passionate, she is frightened of the man she will marry and what married life entails. She’s timid and accepting of her new life, which she discovers has more passion than she expected. However, even in this new, passionate existence, she is uneasy with her new role, the new customs she must learn, and the influence her husband’s advisor, Besancon, has over Philip.

“She lay against mounded pillows, her eyes closed. I gazed on her translucent pallor, under which bluish veins and the very structure of her bones could be traced. A linen cap covered her scalp; her features seemed oddly childlike. It took a moment to realize she had no eyebrows. I had never noticed before. She must have had them plucked in her youth; those thin lines I was accustomed to seeing arched in disapproval were, in fact, painted. Her hands rested on her chest. These too I stared at, the fingers long and thin now, without any rings save the ruby signet of Castile, which hung loosely on her right finger. I hadn’t realized how beautiful her hands were, how elegant and marble-smooth, as if made to hold a scepter.

The hands of a queen. My hands.” (Page 201, in the hardcover)

Gortner’s writing easily captures the fears of a young royal as she is shipped off to Flanders to be married. Readers will feel her apprehension and wish her well even as she boldly stares her fate in the eye. As the plot thickens against her and her homeland, Juana is fortified in her resolve and her passion girds her against the obstacles to come. Gortner’s characters are well developed, leaping off the page to battle interlopers, defend their family’s honor, and looking for justice when wrongs are committed by trusted advisors and family members. Readers will curl their toes in anxiety as Juana faces turncoats and ghosts and wish her triumph in the end. Overall, The Last Queen is an exceptionally well-crafted historical novel that will have readers dealing with a range of emotions from sorrow to anger. Gortner excels in building tension and leaving readers exhausted from the ride.

Also Reviewed By:
The Burton Review
Reading Adventures

ABOUT THE AUTHOR:

C.W. Gortner’s fascination with history is a lifetime pursuit. He holds a Masters in Fine Arts in Writing with an emphasis on Renaissance Studies from the New College of California and often travels to research his books. He has experienced life in a medieval Spanish castle and danced a galliard in a Tudor great hall; dug through library archives all over Europe; and tried to see and touch — or, at least, gaze at through impenetrable museum glass — as many artifacts of the era as he can find.

Ballantine Books, an imprint of Random House, publishes The Last Queens in trade paperback on May 5, 2009. A Random House Readers Circle Selection, it features a reading group guide and Q&A with the author. C.W. Gortner is also available for reader group chats by speaker phone or Skype.

Visit the author’s Reading Group information.

He lives in Northern California. You can visit his Website.

***Giveaway Information***

1. 1 entry, comment on my review.

2. 1 entry, comment on this guest post, here.

3. Tell me if you are a follower or follow this blog and tell me for a 3rd entry.

4. Spread the word on your blog, etc., and get a 4th entry.

Deadline May 22, 2009, 11:59 PM EST

***THIS GIVEAWAY IS NOW CLOSED***


***Giveaway Reminders***

1 copy of Rubber Side Down Edited by Jose Gouveia, here; Deadline is May 15 at 11:59 PM EST

The Last Prince of the Mexican Empire by C.M. Mayo

Happy Cinco de Mayo! Today is the day to celebrate Mexican heritage and culture, and what an appropriate way to celebrate with my review of C.M. Mayo‘s in-depth look into one of Mexico’s most turbulent times when its government was plagued by invaders (the Yankees and the French), in-fighting, and disease, like yellow fever.

The Last Prince of the Mexican Empire by C.M. Mayo and published by Unbridled Books is a historical novel that chronicles the short reign (about 3 years) of Maximilian, the undercurrent of political ambition, the clash of cultures, and internal familial machinations.

The novel opens in Washington, D.C., with Alice Green who meets and falls in love with Angelo de Iturbide, a secretary for the Mexican Legation. They marry and move to Mexico, where Alice (known as Alicia in Mexico) gives birth to their son, Agustín de Iturbide y Green. Leaving the Mexican shores, readers will journey across the Atlantic to Trieste, Italy, to meet Maximilian von Habsburg who reluctantly agrees to become the Emperor of Mexico. There are a number of nuances political and otherwise that can get confusing for readers unfamiliar with some of Mexico’s history, but these instances are easily overcome as the story unfolds. It is clear from the use of multiple perspectives in this novel that the main character is not Maximilian, Agustin, Alice, Angelo, the Iturbides, the French invaders under Napoleon III, or the Republican upstarts led by Benito Juarez. The main “character” of this novel is Mexico and its future and how that future is shaped by all of these players, their decisions, and in some cases their indecision.

“There are eleven passengers, packed tighter than Jalapenos in a jar. Before reaching the coast, how long will they be trapped in this wretched contraption, two weeks? Five? The roads, if they can be called that, are troughs of mud. Last week La Sociedad reported that, past Orizaba, an entire team, eighteen mules, had fallen into the muck and suffocated.” (Page 93)

Mayo is an impeccable researcher and craftswoman who fleshes out historical figures in a way that remains true to their historical actions and creates characters who are well-rounded and memorable for readers. Her ability to juggle multiple points of view is unparalleled–from the perspective of Agustin’s nanny to Maximilian himself.

One of the most captivating sections of the novel occurs between pages 147-153 in which Maximilian is preoccupied with matters of state and the Iturbide family’s sudden breach of a contract with the emperor with regard to their son Agustin. Mayo weaves in Maximilian’s frantic thoughts, rants, and arguments with his physical tossing about in his bed, as he mashes the pillow into submission, kicks off the sheets, and sits upright in bed as he determines the best course of action to save face and depict Mexico as a strong nation.

Readers will agree that her prose is poetic, as she notes in her interview, here.

“Out the window, birds were being blown about in the sky, and in the distance, rain clouds draped like a filthy rag over the sierra.” (Page 135)

Overall, this epic novel takes on a convoluted period in Mexico’s history and the complicated families ruling or eager to rule in the mid-19th Century. Mayo does exceptionally well with multiple points of view, description, and character development to create a vivid dramatization. The Last Prince of the Mexican Empire would make a great book club selection and discussion.

Check out these images of Maximilian’s Miramar Castle in Italy.
Check out these images of Maximilian’s Chapultepec Castle in Mexico.

Check out an excerpt from The Last Prince of the Mexican Empire, here.

For book clubs of 12 members or more, please check out C.M. Mayo’s guidelines for a telephone discussion with her.

Check out her book tour information to see if she’ll be reading and signing books near you.

Also Reviewe By:
Caribousmom
Rose City Reader
Drey’s Library
Devourer of Books

About the Author:

C.M. Mayo is the author of The Last Prince of the Mexican Empire (Unbridled Books, 2009), a historical novel based on the true story; Miraculous Air: Journey of a Thousand Miles Through Baja California, the Other Mexico (Milkweed Editions, 2007) and Sky Over El Nido (University of Georgia Press, 1995), which wonn the Flannery O’Connor Award for Short Fiction. Founding editor of Tameme, the bilingual Spanish/English) chapbook press, Mayo is also a translator of contemporary Mexican poetry and fiction. Her anthology of Mexican fiction in translation, Mexico: A Traveler’s Literary Companion, was published by Whereabouts Press in March 2006.

Check back after May 17 for more goodies about C.M. Mayo’s reading in Bethesda, Md., and a possible giveaway.

***Giveaway Reminders***

Giveaway for Eleanor Bluestein’s Tea & Other Ayama Na Tales short story collection, here; Deadline is May 6, 2009, 11:59 PM EST.

1 copy of Rubber Side Down Edited by Jose Gouveia, here; Deadline is May 15 at 11:59 PM EST

Follow Me by Joanna Scott

Welcome to the April Hachette Group Early Bird Blog Tour for Joanna Scott’s Follow Me.

About the Book (From Hachette Website):

On a summer day in 1946 Sally Werner, the precocious young daughter of hardscrabble Pennsylvania farmers, secretly accepts her cousin’s invitation to ride his new motorcycle. Like so much of what follows in Sally’s life, it’s an impulsive decision with dramatic and far-reaching consequences. Soon she abandons her home to begin a daring journey of self-creation, the truth of which she entrusts only with her granddaughter and namesake, six decades later. But when young Sally’s father–a man she has never known–enters her life and offers another story altogether, she must uncover the truth of her grandmother’s secret history.

At more than 400 pages, Joanna Scott’s Follow Me is a very detailed account of Sally Werner’s background as told by her granddaughter, Sally. Scott has a gift for detail, which can become a drawback when Sally Werner is wandering in the woods after leaving her baby with her parents. The twists and turns Sally’s life takes are driven by her fear and her desire to fit in without revealing her true self in each new location, but often the poetic prose gets in the way. It isn’t until page 53 that readers discover Sally has red hair, and readers find this out at the moment when Sally is getting her hair dyed blond. Scott’s writing vacillates from run-on sentences to short fragments, both of which readers may find slow down the plot.

“Running, Running, Running up the jagged slope behind the rows of new corn, over the stone wall, through the woods and meadows. Sting of nettles. Gray sky of dawn. Bark of a startled deer.” (Page 15)

In some cases, the narrative opts for telling the reader what’s going on, rather than showing the action and development through character interaction. Moreover, detailed backgrounds of side characters like Gladdy Toffit are asides that do not propel the plot or character development forward.

“Other days she’d [Gladdy] dress in one of the three rayon skirt-suits she owned, gather bills from the rolltop desk in the living room, and get in the car and drive to the bank in Amity to confer with the person she called her financial adviser. Late in the afternoon she’d come back home to pour her bourbon, urging Sally to join her because, as she claimed, she didn’t like to drink alone.” (Page 119)

Scott introduces Mole into Sally’s life, and that’s when readers will begin to cheer her on, hoping she will take this new opportunity to turn her life around, grab onto her responsibilities, and emerge a stronger woman. When these characters come together, the scene is full of playful tension and drama as he and his friends sit in a room playing Russian Roulette.

“It was similar to a dream, inevitable and natural and illogical. A slanting light shone from the lantern; the radio crackled its song; the river splashed; the crickets chirped; the tension made breathing impossible; the air was so thick the boy could hardly lift his arm, raising the gun to his head in an attenuated motion, the effort exhausting him, drenching him in sweat, the heat of fear turning his pale skin into melting wax.” (Page 104)


About halfway into Follow Me–which as a title works well for this journey type of novel–the drama heats up forcing Sally Werner to make a tough choice, and these scenes were the most vivid and well crafted. These scenes are the most vivid because they propel the plot, they are full of action, and you are right there with Sally in the thick of it, watching how these events bring out her inner strength and how they are bound to impact and force her to take conscious action.

“It meant she had to cover her face, so the next time he hit her his knuckles struck the back of her hand, bouncing her head away from him but not actually hurting her, which only enraged him more, and with a swift movement he yanked her arm away . . . his fist caught her in the mouth, driving into her gullet, shattering bone, filling her vision with a blank darkness that matched the sky.” (Page 206)

“But Sally could guess what the sound signified and looked up in time to catch a glimpse of Leo leaping from the peaked roof above the door. But she didn’t know he had landed on Benny Patterson until she felt her attacker veer backward. He would have pulled her with him if she hadn’t ripped herself free from his grasp. He stumbled, tripped over the corner of the step, and as the cat leaped forward, Leo’s weight exacerbated Benny’s fall; he plunged backward, his feet came out from under him, and his head snapped hard against the brick wall of Potter’s hardware.” (Page 208)

Overall, it takes a long time to be drawn into this book, and readers may have a difficult time getting a fix on Sally Werner’s character. It was hard to feel sympathetic toward her when many of the problems she faces are self-created and she often portrays herself contrary to her own actions. For instance, she considers herself a hard worker and reliable, but she gives birth and leaves her child within 24 hours of bringing him into the world, which is not a prime example of a reliable woman. Scott’s prose is beautiful, but readers can easily lose their footing in the world Scott tells rather than shows her readers. Clearly, Scott is a gifted writer and uses description well to create a vivid scene, but this story may have worked better if it was told in a different way. Those readers who enjoy generational novels and coming of age stories may be interested in this novel unless they have a rough time with overly descriptive novels.

About the Author:

Joanna Scott is the author of nine books, including The Manikin, which was a finalist for the Pulitzer Prize; Various Antidotes and Arrogance, which were both finalists for the PEN/Faulkner Award; and the critically acclaimed Make Believe, Tourmaline, and Liberation. A recipient of a MacArthur Fellowship, a Guggenheim Fellowship, and a Lannan Award, she lives with her family in upstate New York.

Some of the Hachette Group Early Birds Blog Tour Participants:

Peeking Between the Pages
Bermudaonion
My Friend Amy
S. Krishna’s Books
Booking Mama
The Tome Traveller
Diary of an Eccentric
A Novel Menagerie
Necromancy Never Pays
Caribousmom
Drey’s Library
Redlady’s Reading Room
The Burton Review
A Bookworm’s World
Jenn’s Bookshelf

***Giveaway Details***

Hachette Group has offered one lucky U.S./Canadian reader a set of Joanna Scott’s books: Follow Me, Make Believe, Everybody Loves Somebody, Liberation, Tourmaline.

1. One entry, leave a comment on this post other than “pick me” or “enter me”
2. Second entry, blog, Facebook, Twitter, or spread the word and leave a link or comment on this post that you’ve done so.
3. Third entry, follow this blog and let me know.

Deadline is May 4, 2009, 11:59 EST.

*** Giveaway Reminder***

Don’t forget to enter the Keeper of Light and Dust giveaway, here and here. Deadline is April 28 at 11:59 PM EST.

There’s a giveaway for 5 copies of Girls in Trucks by Katie Crouch, here; deadline is April 29, 2009, 11:59 PM EST.

A giveaway of The Mechanics of Falling by Catherine Brady, here; Deadline is May 1 11:59 PM EST

The Traitor’s Wife by Susan Higginbotham

I recently received The Traitor’s Wife by Susan Higginbotham from Sourcebooks for review and this April blog tour. Stay tuned for a giveaway after my review.

Susan Higginbotham’s research shines through in this historical fiction about the reign of King Edward II. Despite the large cast in this book and the multiple Edwards, Hughs, and Joans, readers will not have a hard time keeping track of the characters and even if they get stuck, there is a handy character breakdown in the front of the book. I don’t know much about 14th Century England, but I do remember Robert the Bruce from Braveheart, who does make a few appearances in the novel.

King Edward II is thrust onto the throne despite his wild ways after his father’s death, and his niece Eleanor becomes Isabella of France’s lady-in-waiting, Edward’s new bride and queen. Sweeping through battles, bedroom scenes, and the court, readers will get an inside look at the kingdom and the politics that dominated England in the 14th Century. After checking some historical information, quite of bit of Higginbotham’s plot is based upon well known facts about King Edward II and his kingdom at the time.

This novel is told from Eleanor’s point of view, which will quickly absorb the reader in the story and how the political uprisings impacted her family and her husband, Hugh Despenser the Younger. The passage below occurs between the new queen, Isabella, and Eleanor.

“‘And this Gaveston? Do you truly believe he and the king are nothing more than brothers to each other?’

‘I don’t know, your grace, and it would be presumptuous of me to guess, I think. I can only tell you this: The king loves Gaveston more than anyone in the world. And Gaveston for all of his ways loves the king too, I think.’

‘And I should accept this?'” (Page 23)

Readers will find the back-and-forth of the dialogue engrossing, and the prose is vivid, like the passage below when Eleanor trudges through the woods:

Walking in the opposite direction from the men, and praying that there were none to follow them, she caught sight of a stream. It would certainly lead her to the river. Sobbing with relief, she hurried to the stream, not seeing in the growing darkness the root that caught her foot and sent her headlong down the bank and into the water. Soaked to the skin, her hands scraped on the pebbles she had grabbed in a vain effort to stop her fall, she emerged coughing and sputtering from the water, only to find that her throbbing ankle would not bear her weight. She crawled out of the stream and pulled herself upon a large rock, utterly defeated. (Page 48)

Although there are several instances when Hugh, Eleanor’s husband, disappears, readers are not likely to be convinced of his blind ambition, which emerges later in the novel. Oftentimes, Hugh seems not to care much for court or the politics of the age when he interacts with his father, and he fails to show himself at court early on in his marriage to Eleanor, which to many readers could signify his ambivalence to wealth and power. However, Hugh plays a central role in the novel, seeking greater power, land, and favor from King Edward II. Another drawback to the novel is the tendency for the prose to tell rather than show plot points. Overall, this novel is engaging and informative for readers interested in 14th Century England and the nation’s struggles with Scotland and its political regime.

***Giveaway***

I have 3 copies for U.S./Canada residents available from Sourcebooks and 1 copy, my gently used ARC, for an international recipient.

1. Please leave a comment here about your favorite historical novel for 1 entry.

2. For a second entry, come back tomorrow and leave a comment on my interview with Susan Higginbotham tomorrow, April 16.

3. Spread the word about the giveaway and leave a link on this post for a third entry.

***Remember to leave your email address and indicate if you are international in your comments***

Deadline is April 22 at 5PM

THIS GIVEAWAY IS NOW CLOSED. For a list of winners, go here.

About the Author (from her Website):

Susan Higginbotham has been writing, off and on, as long as she can remember. Her first stab at a historical novel was in junior high school, where she whiled away my study halls writing about the adventures of five orphaned siblings living through the Blitz. Fortunately, most of the details have escaped her, but as she recalls her characters had an endless supply of money and very few relatives to get in their way. Aside from the remarks such as “There’s a war going on, you know” that she cleverly threw in once in a while, the characters could have just as easily been living in the suburbs of Washington, D.C., in the 1970’s (like herself) as in London in the 1940’s. But everyone has to start somewhere, eh?

Read Susan Higginbotham’s Website for the rest of her biography, here, and check out her blog, here. You can buy this book here in the United States and here in Canada.

Check out the other stops on the tour: