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Octopus Alone by Divya Srinivasan

February 12, 2016 by

Source: Public Library
Hardcover, 40 pgs.
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Octopus Alone by Divya Srinivasan is a cute story about an octopus who lives in a cave alone.  Sea horses are curious about her, but she likes her solitary life and changes color to escape.  Using camouflage, she is able to see life as it is in the coral reef while she’s hidden from scrutiny.  She’s a shy octopus, but she’s fascinated by the activities of her neighbors.  The octopus, however, also appreciates her privacy.

This underwater world is colorful, but it’s also busy. She wants something a little less busy and finds herself a new home beyond the reef.  When a whale appears and breaches in song, she’s fascinated and remembers the antics of the sea horses as they danced in the reef.  She finds that she misses her old life and her old home.  She’s come to appreciate all that she had, even if there were times when she wanted to be alone.

Octopus Alone by Divya Srinivasan is an engaging story for young readers, teaching them that it is okay to want to be alone sometimes.  It also teaches them about different sea creatures and how to appreciate what they have before it is gone.

Rating: Quatrain

About the Author:

Check out Divya Srinivasan‘s website.

Filed Under: borrowed copy, challenges, children's fiction, New Authors Challenge, Read in 2016, reviews Tagged With: , ,

M Train by Patti Smith (audio)

February 11, 2016 by

Source: Public Library
Audiobook, 6 CDs
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M Train by Patti Smith, narrated by the author, is a poetic and meandering memoir that illustrates how the writing life can not only be rich with inspiration but also frustratingly slow and difficult.  Smith spends much of her time drinking black coffee in different cafes, and as she interacts with those she meets and in her projects, she is still holding on to the pain of loss, as her husband passed away too young.  While the loss of her husband is there with her as she rides the subway (there is an M train in New York City that travels between Queens and Manhattan), travels to Tangiers and other foreign locations, it does not take center stage.

Memories drag her daily ruminations into different directions, and these memories are all that are left of those she loves and who have inspired her as a woman, an artist, a poet, and as a person.  She is obsessed with crime dramas and coffee, and her writing is on napkins, in blank pages of books she’s reading (for the upteenth time), and on scraps and in notebooks.

You can see some elements of the memoir online.

Like the dilapidated bungalow she buys on Rockaway beach just before Superstorm Sandy, Smith endures the everyday erosion of life, the waves that threaten to break us and smash us into pieces.  The only testament to our strength is to continue onward and to move forward through our lives chasing our passions and enjoying every moment we are graced with.  Her empty house on Rockaway is where her memories rattle around, emerging only when necessary, allowing her to look back on how much her life has evolved and how much she wants to hold onto as much of it as she can.

The self-narrated M Train by Patti Smith is numbing in the amount of loss in one person’s life, but her life is not that different from that of others who struggle against the tidal wave of loss.  Memory can help us hold onto those we love, but even those are eroded by time.  Many of us have a hard time moving on, and in her memoir, she explores this in depth.

Rating: Quatrain

Photo: © Jesse Dittmar

About the Author:

Patti Smith is a writer, performer, and visual artist. She gained recognition in the 1970s for her revolutionary merging of poetry and rock. She has released twelve albums, including Horses, which has been hailed as one of the top one hundred albums of all time by Rolling Stone.

Please visit her Website.

 

 

Filed Under: audiobooks, borrowed copy, challenges, memoir, New Authors Challenge, Penguin, Publishers/Publicists, random house, Read in 2016, reviews Tagged With: , , ,

Buddha in a Birdcage and Other Poems by Betty Oliver

February 10, 2016 by

Source: Purchased
Paperback, 64 pgs.
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Buddha in a Birdcage and Other Poems by Betty Oliver is a collection of poems and photos of her mixed media art, which was published posthumously by the Haystack Mountain School of Crafts where she once taught.  The executor of her estate Billy Bernstein indicated that she performed her poems, sometimes “fighting her way out of a giant paper bag.”  In the Foreword, Stuart Kestenbaum says, “Reading these poems you may not be able to see Betty fighting her way out to begin to speak, but you will feel the power — and the need to speak — that she brought to this work.” (pg. 1) In many cases, this is true. You can imagine her up on a stage struggling through a paper bag, trying to get those words out. Some of these poems have lines that repeat, and it is almost like there is so much passion behind them that the voice of the poem stutters.

Untitled (pg. 11)

The bear’s purple gutted chest
gave off steam suggesting life
he looked stunned not dead
the men still high from his blood
pranced and preened by the pick up truck
I went closer to look
the heat from his cooling heart
met my gaze.

Her artwork often involves the use of paper in unusual ways, and like her art, these poems are unusual. Her verse is at times playful, but also stern in its criticism of how the world operates or is expected to operate. She’s interested in providing readers with a new perspective on the ordinary, and she holds nature as sacred and tangible. Living on a dairy farm, she had a very close knowledge of milking cows, and what jobs men were expected to do every day. In “Fenceposts,” she talks about how men use posthole diggers and women do not, and how in her family, she has held onto her father’s posthole digger as her mother held onto her father’s twenty-two pistol.

From her time on a dairy farm to her moments in New York City, Oliver’s poems are moments in time that recall things from her past and remind her about the ephemeral nature life, especially when she falls ill. Buddha in a Birdcage and Other Poems by Betty Oliver offers readers just a little of Oliver’s work, and what’s here can seem unfinished at times, but overall, her work is about our moments in time and the thought we do or don’t give them as we live them.

Rating: Tercet

About the Poet:

Betty was truly a multi-media artist. Her visual art was focused on sculpture incorporating paper, paper pulp, and found objects. Though born, raised and perhaps haunted by her childhood in Eastern Virginia, she eventually elected to make New York her home, establishing a home and studio in upper Manhattan and channeling the vibrant texture and rhythms of the city and her neighborhood into her life and work. In a sense, the city became her pallet. She incorporated all manner of discarded and found objects into her art. Old phone books, calendars, Chinatown boxes, newspapers and jigsaw puzzles all were processed into her creative output of sculpture, paintings and photos.

Around 1990 she began to write and perform poetry, and created a powerful body of written work. As a poet, Betty was an engaging and compelling performer, often beginning readings by fighting her way out of a giant paper bag. As in her visual work, her writing echoes the many voices of her experience. A scream from the sidewalk on 110th Street, an impassioned plea to a lover, a strident declaration from the pulpit all resonate with truth, soul, and authenticity.

Betty was a very effective and sought after teacher and led many classes and workshops primarily at Penland School of Craft in the mountains of North Carolina, and Haystack Mountain School of Craft on the Maine coast. The book will be marketed by these schools and any profits will be given to the scholarship funds of these two schools.

 

 

 

 

 

 

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, purchased, Read in 2016, reviews Tagged With: , ,

Bone Map by Sara Eliza Johnson

February 9, 2016 by

Source: Milkweed Editions
Paperback, 96 pgs.
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Bone Map by Sara Eliza Johnson, 2013 Winner of National Poetry Series, is visceral and raw, filled with a great deal of tactile and violent imagery as well as traumatic moments that meld into regenerative water-based forces.  These poems reflect the most basic human needs for shelter, nourishment, and survival, and in these dark images, Johnson reveals a stunning beauty in that underbelly, which many often ignore or avoid.

The collection opens with “Fable,” allowing Johnson to establish the readers expectations that her verse will not be straightforward, but subtle and more instinctual.  “In the forest, the owl releases a boneless cry,” the narrator begins, hearing “your bones/singing into mine.”  A father is observed with his son in the square of a city before a war begins, and he is blissfully unaware of “what his hands will be made to do/to other men.”  However, the boy is the final comment from the narrator, a symbol of innocence and hope that can change the future.

The collection’s title demonstrates how detailed the poems will be, creating a bone map (a visual representation of an excavation site) to understand what has come before.  Like in “Deer Rub” when “the rain scratches at the deer’s coat//as if trying to get inside,” Johnson’s lines bore into the reader’s mind to create vivid and unsettling images.  Readers are forced to watch, to wash “their antlers of blood,” forcing themselves to recognize their transformation into a less “innocent” man or woman and accept those base natures that have children carrying knives.  More than once, Johnson calls the readers attention to a foreignness entering something untouched, like the “tender-rooted flowers/inside the belly of the horse” in “As the Sickle Moon Guts a Cloud.”

In the darkness and uncertainty of the forest, Johnson reveals the devastation of man, but also the unmovable force of nature to encroach where it isn’t wanted.  Bone Map by Sara Eliza Johnson, 2013 Winner of National Poetry Series, is a journey that readers will want to repeat to fully perceive all of Johnson’s subtleties.

Rating: Quatrain

About the Poet:

Sara Eliza Johnson‘s poetry has appeared or is forthcoming in Boston Review, Ninth Letter, New England Review, Best New Poets 2009, Crab Orchard Review, Pleiades, Meridian, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship in poetry, a Rona Jaffe Foundation Writers’ Award, a Winter Fellowship from the Fine Arts Work Center in Provincetown, a work-study scholarship to the Bread Loaf Writers’ Conference, and an Academy of American Poets Prize from the University of Utah, where she is PhD student in the Literature & Creative Writing program. Her first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series.

 

 

 

 

 

 

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2016, review copy, reviews Tagged With: , , ,

Guyku: A Year of Haiku for Boys by Bob Raczka, illustrated by Peter H. Reynolds

February 5, 2016 by

Source: Public Library
Hardcover, 48 pgs
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Guyku: A Year of Haiku for Boys by Bob Raczka, illustrated by Peter H. Reynolds, is a book I picked up to read with my daughter because I love finding new poetry books to read with her.  I want her to at least appreciate poetry, even if she doesn’t love it as much as I do later on in life.  Although this says its a year of haiku for boys, I think even girls can appreciate these short poems and the seasons they represent.  My daughter participates in some of the same activities as boys, such as flying kites and bike riding, and I’m sure when she grows older, she’ll be climbing trees and taking other adventures.

The illustrations are great, very simply drawn and colored, reflecting the poems themselves in their obvious and fun witticisms.  In one of the first haikus, a young boy is flying a kite, but he’s engaged in a game of tug-of-war, and he’s not winning.  I bet you can guess who is.  These poems speak to the imagination of children, like boys making their bikes sound like motorcycles by putting baseball cards and other objects in their wheels.  These boys are imaginative and curious, and they take on anything that comes their way.  It’s hard to imagine them ever being bored.

The wind and I play
tug-of-war with my new kite.
The wind is winning.

Guyku: A Year of Haiku for Boys by Bob Raczka, illustrated by Peter H. Reynolds, is a wonderful collection of poems for boys and girls.  Not only are the poems short enough for younger kids to pay attention to them, but they are about subjects that they are familiar with and probably already engage in regularly.

Rating: Cinquain

About the Author:

Bob Raczka loved to draw, especially dinosaurs, cars and airplanes, as a boy. He spent a lot of time making paper airplanes and model rockets. He studied art in college, which came in quite handy while writing a series of art appreciation books, Bob Raczka’s Art Adventures. He also studied advertising, a creative field in which he worked in for more than 25 years. Bob also discovered how much he loved poetry and began writing his own. His message for today’s kids is to make stuff!”

Filed Under: borrowed copy, challenges, children's fiction, New Authors Challenge, poetry, Read in 2016, reviews Tagged With: , , ,

Levitation for Agnostics by Arne Weingart

February 4, 2016 by

Source: Book Savvy Public Relations
Paperback, 122 pgs.
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Levitation for Agnostics by Arne Weingart, 2014 winner of the New American Poetry Prize, questions our faith, which oftentimes is passed down through families as a foregone conclusion.  In “Chopping Roots,” Weingart’s narrator is digging to move water away from the base of his home and protect the retaining wall from eventual decomposition through erosion.  If we have unmoor ourselves from the faith we’ve been brought up with, will be float without direction and is that such a terrible thing?  These are just a few questions asked in these poems.

“…you will simply give up and lean down
into the hillside tearing all your roots out of the ground with
a great explosive twanging leaving a huge and unaccountable
hole we must stare into while
we listen to the river.” (“Chopping Roots”, pg. 86)

In many of these poems the narrator is unmoored and drifting, and structures are erected only to be considered false supports. Weingart also transforms solid objects into theories and mutable things that can be perceived differently and claimed by many. There is a dissatisfaction with what has come before in terms of religious fervor and faith, but at the same time, the narrator is in awe of these beliefs and long-standing institutions. In many ways, the narrator is seeking to become more, to be the creator of “big ideas” rather than just a believer of them.

“Every scaffold is highly
instrumental but exterior to
some central purpose some
permanent intention meant to
resist time and desire and the
inevitable slide of tectonic
earth. To live in scaffolding
is not to be free exactly but” (“A Theory of Scaffolds”, pg. 27-8)

From the sacrifices of ancient people in Machu Picchu to the Jewish religion, the narrator seeks to hold up the faith of these people to scrutiny, while at the same time being respectful. Exploring how religion and faith can bring people together, the narrator also examines how it drive wedges between neighbors and even family. In “Hebrew School,” kids are taught a language that is understood by few, in the way that children do not understand how they could be the chosen people. Despite the disenchantment with religion and faith, Weingart displays a sense of humor about ancestors and their quirks and about overcoming things that can make us different, like stuttering, only to want to be different again and take steps to recapture those differences.

Levitation for Agnostics by Arne Weingart, 2014 winner of the New American Poetry Prize, is a straightforward look at faith and ancestry, the ideas and mores that bind families, and the questions that should be asked about their tangibility and their applicability to our own lives, as we live them. Like in “Recursion,” as the rocks are skipped across the lake no matter how many times they reach the shore, the poet needs to question and continue to question because there is much more to learn and be taught.

Rating: Quatrain

About the Poet:

Born and raised in Nashville, Tennessee, and educated at Dartmouth College and Columbia University, Arne Weingart lives in Chicago with his wife Karen, where he is the principal of a graphic design firm specializing in identity and wayfinding. Recent poems have been published in Arts & Letters, Beecher’s Magazine, Coal Hill Review, Enizagam, Nimrod, Oberon, Plume, RHINO, Sow’s Ear Poetry Review, The Georgetown Review, The Massachusetts Review, and The Spoon River Poetry Review. His work has been nominated for a Pushcart Prize and his book, “Levitation For Agnostics,” winner of the 2014 New American Press Poetry Prize, will be released in February, 2015.

 

 

 

 

 

 

 

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2016, review copy, reviews Tagged With: , , , ,

The Girl on the Train by Paula Hawkins (audio)

February 2, 2016 by

Source: Audible
Audiobook, 11 hrs.
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The Girl on the Train by Paula Hawkins — narrated by Clare Corbett, Louise Brealey, and India Fisher — is a mystery in which a woman with low self-esteem, who is an alcoholic, continues to stalk her ex-husband, mostly at a distance.  Rachel Watson’s divorce and drinking caused her to lose her job, but she still wakes up like clockwork to take the train into London so her roommate is unaware that she’s lost her job. She has some money saved, and even though she could be moving on with her life and getting a new job, she wallows in her sorrow at the bottom of a bottle, creating perfect, imaginary lives for the people she sees out the train windows.

Jason and Jess become a couple that she can imagine lives in marital bliss, but in reality, Megan and Scott Hipwell have a marriage that has lost its appeal, at least for Megan. She desires something more than what she has with Scott, who she fails to see as controlling even as he goes through her emails on a regular basis.  She wants her life to be more than just sitting at home waiting for her husband to come home.  Like Rachel, she is dissatisfied with what her life has become.

Rachel, meanwhile, is on the outside of her ex-husband’s life with his new wife and daughter, who continue to live in the house she and he used to live in, and she’s on the outside of the world looking in, much like she’s staring out the train windows.  She’s searching for something, she needs to belong to something, but what she ends up entangling herself in is something that could lead to her own death.  Meanwhile, her ex-husband’s new wife Anna is terrified of Rachel, worried that her stalking will turn to something more.

Listening to the audio was never boring and the different narrators helped when Hawkin’s story changed points of view.  Moreover, the narrator for Rachel really put you in the mindset of a broken woman who was down on herself, blamed herself, and was unable to break out of her self-destructive cycle of drinking and blacking out.  Hawkins’ The Girl on the Train is a twisted tale of the suburban lives we often perceive as idyllic, and the lives we believe we have but actually do not.  How well do we know our spouses, their experiences, their families, and how well do they know us?  Many of us have inner demons or secrets we would rather not face, so we lie about them to ourselves and those we love.

Rating: Quatrain

About the Author:

Paula Hawkins worked as a journalist for fifteen years before turning her hand to fiction. Born and brought up in Zimbabwe, Paula moved to London in 1989 and has lived there ever since. The Girl on the Train is her first thriller.

Filed Under: audiobooks, challenges, fiction, New Authors Challenge, Penguin, purchased, Read in 2016, reviews Tagged With: , ,

No More Beige Food by Leanne Shirtliffe, illustrated by Tina Kugler

January 29, 2016 by

Source: Sky Pony Press
Hardcover, 32 pgs.
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No More Beige Food by Leanne Shirtliffe, illustrated by Tina Kugler, is another winner from Sky Pony Press.  This book is told in verse in a way that kids will find funny, but also relatable.  My daughter is not much of a picky eater now, but she has been in the past, so this book is a reminder that that pickiness could return.  Parents also will want to take note of what they say to their kids in these kinds of arguments, because as illustrated by Wilma Lee Wu and her brother, those kids may take your words literally.

Wilma is sick of bland, beige food, and when her mother says to learn how to cook, she takes her brother by the hand on an adventure around the neighborhood.  While some neighbors are close, others are a bit further from home, to which my four-year-old daughter said, “Wilma and her brother are going to get in trouble.” When I asked why, she replied, “Because they went too far away from home.”  It is unclear how far these children walked or how old they are, but the book is said to be for kids ages 3+.   I promptly explained to my daughter that this neighborhood is probably small and everyone knows one another, so the kids will just be learning from family friends.

The book is a great teaching tool for kids about the different foods that people eat and the recipes they make, which can vary widely from our own.  It also demonstrates how different foods, spices, etc. can be just as tasty as the foods we eat regularly at home.  Variety is never a bad thing in food.  The only complaint, other than the distance the kids seemed to travel, from my daughter was that the finished recipes were not illustrated every time.  She was curious to see what each one looked like.  Her favorite parts were the discussion about frog legs and mousse, and how the kids popped into the playground on the way to another house.

No More Beige Food by Leanne Shirtliffe, illustrated by Tina Kugler, will demonstrate different cultures and food to children in a friendly way, and encourage them to think outside of their own daily lives for inspiration.

About the Author:

She is a humor writer, a mom to nine-year-old twins, and the author of DON’T LICK THE MINIVAN: Things I Never Thought I’d Say As a Parent (2013). My first picture book, THE CHANGE YOUR NAME STORE, will be out in May 2014 (Sky Pony Press) and my humor gift book, MOMMYFESTO: We Solemnly Swear…Because We Have Kids, hits the shelves in November 2014. I contributed to the hilarious anthology I JUST WANT TO BE ALONE (2014).

Filed Under: challenges, children's fiction, New Authors Challenge, Read in 2016, review copy, reviews Tagged With: , , ,

My Life on the Road by Gloria Steinem (audio)

January 28, 2016 by

Source: Public Library
Audiobook, 8 CDs
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My Life on the Road by Gloria Steinem, narrated by Debra Winger, is not only about the feminist movement, but also literally about her life as an activist and a woman on the road, who practiced the art of active listening.  Learning in India of a decentralized way of making decisions and interacting, Steinem learned that discussing different points of view on an even plane, without hierarchy, can be much more productive and diplomatic.  Debra Winger is a great narrator because her cadence is very similar to Steinem’s narration of the introductory material.

I love how her parents left their mark on her early on – a mother who wanted a different life than the one she lived and a father who had a hard time staying still, traveling and selling as much as possible.  Her early life and how she travels from one place to the next are captivating, but there are times that the narrative wanders pretty far afield, leaving readers at sea as to what time period they are in until she mentions another year or date.  Steinem, co-founder of Ms. Magazine, has a deep fear of public speaking on her own, though she would speak before groups with others.

Among the most memorable events are the large convention she organizes for the women’s movement, her talk at Harvard University that was mostly male, and her interactions with taxi drivers and others on the streets because she does not drive.  As someone who gets that question a lot about why I don’t drive, this part of the story resonated with me.  I want to be and remain connected to my world, and separating myself in a car alone is not accomplishing that at all.  Steinem says that her adventure begins the moment she walks out the door.

Her discussion of the election process is very similar to what I as a mere voter expected, even though she had more of an insider’s perspective.  In particular, her struggle during the Democratic primary to choose between President Obama and Hillary Clinton was fascinating.  While many people voted because they wanted a woman president and others voted for a black president, Steinem’s thought process was more detailed based upon their track records and their abilities, and more.  For those interested in politics and the political process, these aspects of the book are wonderful, and for those who listen, they will see that they need to adopt Steinem’s ability to listen and examine the minute details of each candidate before voting.

My Life on the Road by Gloria Steinem, narrated by Debra Winger, is engrossing in that it provides a detailed account of the women’s movement, the civil rights movement, and the political process.  How did women get the vote, how did they use and keep it, and are voices of women heard now?  Steinem is optimistic in our ability to change and evolve into a more inclusive society through careful listening toward shared solutions.

***I read this as part of Emma Watson’s Book Club on GoodReads***

About the Author:

Gloria Marie Steinem is an American feminist, journalist, and social and political activist who became nationally recognized as a leader of, and media spokeswoman for, the women’s liberation movement in the late 1960s and 1970s. A prominent writer and key counterculture era political figure, Steinem has founded many organizations and projects and has been the recipient of many awards and honors. She was a columnist for New York magazine and co-founded Ms. magazine. In 1969, she published an article, ” After Black Power, Women’s Liberation”, which, along with her early support of abortion rights, catapulted her to national fame as a feminist leader.

Filed Under: audiobooks, borrowed copy, challenges, memoir, New Authors Challenge, Penguin, Publishers/Publicists, random house, Read in 2016, reviews Tagged With: , , , ,

The Winter Sea by Susanna Kearsley (audio)

January 26, 2016 by

Source: Public Library
Audio, 13 CDs
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The Winter Sea by Susanna Kearsley, narrated by Rosalyn Landor, was our January book club selection, which I read in December.  Carrie McClelland has been writing for some time and she has lived a life with her characters as most authors do, but in this case, her ancestors begin to speak through her.  A novel about the failed attempt to return the exiled James Stewart to the crown in the spring of 1708 in Scotland, McClelland is pulled in another direction when she realizes that her novel needs a new point of view.  In so choosing Sophia Patterson, her late-night writing takes a very different turn, as she uncovers her own family’s past.  In alternating points of view between Carrie as she meets the owner of a cottage she rents for writing and his sons and Sophia’s point of view, the story of her family comes alive.

The dramatic landscape and winter sea call to Carrie, like it called to her ancestors.  In many ways, Kearsley’s narrative asks whether memories can be inherited through DNA?  It also seeks to touch upon how much of our personalities and inclinations come from the people in our families who have gone before us.  The courage and power of love is palpable in Kearsley’s prose, and her characters face a number of obstacles beyond their control, at least in Carrie’s novel.  The life of an author can be lonely, and Carrie falls a bit quickly in love.  However, the author focuses not only on the romance of these characters in the present and past, the Jacobite Movement is well fleshed out, with intrigue and danger.  Landor is a passionate narrator, and she makes all of the twists and turns believable.

The Winter Sea by Susanna Kearsley, narrated by Rosalyn Landor, is wonderfully crafted, combining history with romance in a fantastic way.  Landor does an excellent job with the Scottish accents and dialects.

About the Author:

Susanna Kearsley studied politics and international development at university, and has worked as a museum curator.  Her first novel Mariana won the prestigious Catherine Cookson Literary Prize and launched her writing career. Susanna continued her mix of the historical and paranormal in novels The Splendour Falls, Named of the Dragon, Shadowy Horses and Season of Storms. Susanna Kearsley also writes classic-style thrillers under the name of Emma Cole.

What the book club thought:

Everyone seemed to enjoy this book for the most part.  A couple members wanted a bit more of a supernatural element to tie together the past and present storylines.  It seemed like things happened to connect Carrie McClelland with her ancestors’ past, but it is unclear why.  The Past narrative worked better for me, but others didn’t seem bothered by the past or modern story’s disconnect.  It was definitely an engaging story with an expected happy ending, at least expected by most of us.

Filed Under: audiobooks, challenges, fiction, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2015, reviews, sourcebooks Tagged With: , , , ,

Rudy’s New Human by Roxanna Elden, illustrated by Ginger Seehafer

January 22, 2016 by

Source: Sky Pony Press
Hardcover, 32 pgs.
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Rudy’s New Human by Roxanna Elden, illustrated by Ginger Seehafer, is a great way to introduce young kids to the changes that can occur in families as they grow.  This is particularly helpful for an only child who will soon become a sibling.  Rudy has been the smallest member of the family for some time, and he’s used to getting all the attention.  But when a new bundle of joy arrives, there are some adjustments that have to be made.  Rudy needs to learn how to play new games and wait patiently while the new smallest member of the family is taken care of.

Rudy is a cute little dog with some fun facial expressions that will translate well for young kids, as they try to determine what emotion Rudy is feeling and why.  Kids will likely question why Rudy refers to the readers as fellow dogs, but it’s all in fun.  Some of my daughter’s favorite parts were when Rudy smelled the new arrival’s diaper and when he did tricks to get attention, but she also loved that Rudy opened up his heart to let someone new in, learning to be patient, being happy when his name was learned, and sharing in the fun things the new family member could do.

Rudy’s New Human by Roxanna Elden, illustrated by Ginger Seehafer, is a cute picture book that will teach kids about acceptance, patience, and empathy.  This would make a great series of books, given that the narrator is so adorable, and kids seem to love doggies.

About the Author:

Roxanna Elden is a National Board Certified high school teacher currently teaching in Miami. Her book, See Me After Class: Advice for Teachers by Teachers, is widely used as a tool for teacher training and retention. Elden is also professional speaker, providing humor, honesty, and practical advice to teachers and the people who love them.

Filed Under: challenges, children's fiction, New Authors Challenge, Read in 2016, review copy, reviews Tagged With: , , ,

The Life-Changing Magic of Tidying Up by Marie Kondō

January 21, 2016 by

Source: Public Library
Hardcover, 224 pgs.
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The Life-Changing Magic of Tidying Up by Marie Kondō, translated by Cathy Hirano, provides a step-by-step process for her KonMari Method of tidying, which she says should bring you joy and possibly lead to other life-changing moments.  The first step is to discard, and when she says discard, she means get rid of everything that does not bring you joy or has no use.  Discarding should be undertaken by category of items not by room, as many homes stash lotions and hair clips and other items in multiple rooms.  These may sound like daunting tasks, but if the entire household participates, it might take less time.  She says the entire process for tidying the house can take up to six months or more.  Crazy!

Sentimental items like letters from loved ones and photos should be kept for last, because these will be the hardest items to part with and sort through.  All of our clothes should be collected from the various places throughout the house — drawers, closets, linen closets, coat closets, etc. — and placed in piles sorted by tops, bottoms, coats, dresses, etc.  Once they are sorted, you should hold them in your hands, and think about whether they bring joy when you wear them.  They also should be examined for any wear that cannot be repaired and tossed if they cannot be repaired.  This is just one example.  Placing everything in one category into a pile on the floor ensures that you visually see how much stuff you have.  I recently did this with clothes on my own and felt much better once everything was sorted and discarded, but I did this without the help of this book.  Once everything that is to be kept is identified, it needs to be put into its place and when used, it must be put back into its rightful place.

Kondō’s method is very detailed and deliberate.  Each item is held to ensure that the person understands what the item is, what its purpose is, and whether it brings joy.  Some clothes, for example, looked great in the store but not on you when they got home — so these should be discarded.  One piece of advice about lounge wear and that women should wear elegant nightwear to bed struck me as an old-fashioned idea, given that I’ve always found those kinds of bedtime wear uncomfortable to sleep in.  But I may be out of the norm on that one, preferring my t-shirts and shorts or t-shirts and flannel pj bottoms.

While readers will see the points she is trying to make — and it may just be the translation — there are times when the book is too repetitive, which can become bothersome.  Also, there is a mindfulness here that may not translate into American culture like it does in Japanese culture.  Thanking items for serving their purpose, caressing items to ensure they are alive before you take them out of storage, that kind of thing might appear a bit wacky to some.

The Life-Changing Magic of Tidying Up by Marie Kondō, translated by Cathy Hirano, has some great ideas about what papers should be saved, how clothes should be folded to maximize space, and how to rethink about the items we keep.  Attachment is something Buddhists talk about letting go of, and in many ways, Kondō is suggesting something similar in they way she focuses on discarding items.

About the Author:

Marie Kondo (近藤 麻理恵) is a Japanese organizing consultant and author. Kondo’s method of organizing is known as the KonMari Method, and one of the main principles is keeping only possessions which “spark joy.”  Kondo’s best-seller The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing has been published in more than 30 countries.  She was listed as one of the world’s 100 most influential people by Time Magazine in 2015.

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