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When Your Wife Has Tommy John Surgery and Other Baseball Stories by E. Ethelbert Miller

Source: GBF
Paperback, 96 pgs.
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When Your Wife Has Tommy John Surgery and Other Baseball Stories by E. Ethelbert Miller is a collection that spans not only the love of baseball, but also wider themes of racism, gender issues, and loss. The collection opens with “Hit This” in which a ball curves after falling off a table. What a metaphor for life and baseball! Isn’t that just the way of things, we assume life is headed in one direction and then it takes a turn.

From "Roberto" (pg. 6)

We had gloves. Cheap gloves. Gloves
with no pockets no matter how much
we kept punching into the center of them.

The gloves had missing pockets
like our missing fathers who punched
our mothers and swung bats at our heads.

Our fathers were gone and we outgrew their
absence. Our hands became too large
for small gloves. Many were lost or stolen.

Miller’s plain language and emphasis on the childhood games of baseball in the streets and parks become larger metaphors for the violence and low-income struggles of these children’s lives. His lines pack a serious punch, particularly in “Roberto.” Many of the poems in this collection are like this. Remember that opening poem — the ball curves, and this is how each poem reads in Miller’s collection.

From "Kind of Blue" (pg. 15)

....A player swung
and sent a fly ball toward the outfield
fence. It went foul at the last moment
like love or a marriage striking an
empty wooden seat and bouncing
back to the field.

I had to look up Tommy John surgery, which I found out is the reconstruction of ligaments in the elbow and it’s a surgery most often done on pitchers. I like baseball and have written my own baseball poems, but mine are nothing like Miller’s poems. From a World Series played by survivors of earthquakes and climate change in “The World Series” to the hope that you’ll be remembered after the spring time of your youth in “Free Agent,” Miller’s baseball metaphors are larger than life, much like Whitey Ford and others who have played America’s favorite pastime.

RATING: Cinquain

About the Poet:

E. (Eugene) Ethelbert Miller was born in the Bronx, New York, in 1950. He attended Howard University and received a BA in African American studies in 1972. A self-described “literary activist,” Miller is on the board of the Institute for Policy Studies, a progressive multi-issue think tank, and has served as director of the African American Studies Resource Center at Howard University since 1974. His collections of poetry include Andromeda (1974), The Land of Smiles and the Land of No Smiles (1974), Season of Hunger / Cry of Rain (1982), Where Are the Love Poems for Dictators? (1986), Whispers, Secrets and Promises (1998), and How We Sleep on the Nights We Don’t Make Love (2004).

Miller is the editor of the anthologies Women Surviving Massacres and Men (1977); In Search of Color Everywhere (1994), which won the PEN Oakland Josephine Miles Award and was a Book of the Month Club selection; and Beyond the Frontier (2002). He is the author of the memoir Fathering Words: The Making of an African American Writer (2000).

The mayor of Baltimore made Miller an honorary citizen of the city in 1994. He received a Columbia Merit Award in 1993 and was honored by First Lady Laura Bush at the White House in 2003. Miller has held positions as scholar-in-residence at George Mason University and as the Jessie Ball DuPont Scholar at Emory & Henry College. He has conducted writing workshops for soldiers and the families of soldiers through Operation Homecoming.

Black Under by Ashanti Anderson

Source: Coriolis Publicity
Paperback, 30 pgs.
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Black Under by Ashanti Anderson is a poetry collection that will knock you back. In the opening ode, Anderson illuminates what it means to be Black and how beautiful it is. She equates it with the dark comfort of the womb, she alludes to the segregation of blacks and whites by evoking images of piano keys, but ultimately, her ode praises blackness. There are no monsters under this bed.

Anderson uses several different poetic forms to celebrate blackness, including a resume format that highlights the horrifying violence perpetrated against people because of skin color and the monetizing of those deaths for the sake of art and media. It’s that double-edge sword of calling attention to the unfair and unjust violence against Blacks, while at the same time feeling exploited. American capitalism at the forefront.

 from "Slave Ship Haibun" (pg. 11)

But she thinks not of how we watched the birds circle overhead,
bomb beak-first into the ocean. Each in our own way, we 
began to imitate. A few of us induced feathers. 
I plucked a plume, made a quill.

One of the most powerful poems in this collection, “The Body Recalls,” crescendos on the 3/5ths compromise where slaves were considered 3/5ths of a person for population counts related to taxation and representation in the House. Anderson makes readers aware of how each violent death of a Black person compounds the historic wrongs of America.

"Acrostic for My Last Breaths" (pg. 15)

If I’m ever out of oxygen

Cut the comms. Switch the radio, play
A song by Whitney or Aretha, something
No sense can pause my throat from parting for.
Gon throw my sorrows into this vast, black void
That don’t even have space to hold tune, or blues,

But I don’t sing to be heard. I do it to keep on.
Ring diaphragm and rattle lung like sickness, each
Eighth-note a reason to stay living. Can’t take
A rest, might hear the sensor’s whining,
That worried, heaving falsetto of siren.
How I hate the sound of dying. Rather riff
Even if everything in me stops screaming.

Black Under by Ashanti Anderson explores what it means to be Black in America and the world, but it also looks to acknowledge and tackle the inter-generational trauma of Blacks in a way that is a searing commentary on our society as well as a celebration of resilience.

RATING: Cinquain

About the Poet:

Ashanti Anderson (she/her) is a Black Queer Disabled poet, screenwriter, and playwright. Her debut short poetry collection, Black Under, is the winner of the Spring 2020 Black River Chapbook Competition at Black Lawrence Press. Her poems have appeared in World Literature Today, POETRY magazine, and elsewhere in print and on the web. Learn more about Ashanti’s previous & latest shenanigans at ashanticreates.com

National Geographic Readers: Kamala Harris (Level 2) by Tonya K. Grant

Source: Media Masters Publicity
Paperback, 32 pgs.
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National Geographic Readers: Kamala Harris (Level 2) by Tonya K. Grant provides early readers with some background on our current vice president and her background. My daughter read this one on her own, but she was interested in how Kamala and her sister protested the rules at their apartment building as children and successfully helped change the rules, allowing kids to play soccer on the law.

We talked about how individuals can come together to make change when things seem unfair. She learned about the different jobs that lawyers can hold from district attorney to attorney general and senator, as well as vice president of the United States. She found it amusing that Harris used a portable ironing board as a desk.

The book includes some firsts for Harris, as well as some fun facts, and kids will learn new words dealing with government and democracy. There’s also a short quiz at the end to help kids see how much they learned while reading this short book. The photos are high quality, as expected and really round out the story.

National Geographic Readers: Kamala Harris (Level 2) by Tonya K. Grant is another short, early reader book that can help kids learn more about our modern heroes and activists, among others who are making history today.

RATING: Quatrain

National Geographic Readers: Stacey Abrams (Level 2) by Melissa H. Mwai

Source: Media Masters Publicity
Paperback, 32 pgs.
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National Geographic Readers: Stacey Abrams (Level 2) by Melissa H. Mwai is a wonderful introduction to a modern activist that provides information on her formative years, her college years, and her ambitions. We loved that this was easy to read for my daughter and the glossary in the back for terms like “district” and “election.” These will help kids who struggle with large, unfamiliar terms and those who want to learn more than the context clues provide. This book also has a short quiz to help kids and teachers review what readers have learned.

Readers will “meet” Stacey Abrams in the first pages, and learn how to phonetically say “election.” This introductory page sets the stage for why Abrams actively fought to improve voting in Georgia and allows children to see how elections are integral to democracy and how voices can be quieted through discrimination. There also are a set of “firsts” for Abrams and a fun story about how she selected the college she eventually attended.

National Geographic Readers: Stacey Abrams (Level 2) by Melissa H. Mwai is a great introduction to the election process, Stacey Abrams’ advocacy to improve voting access, and the role we all can play in ensuring democracy continues throughout the country. My daughter was not that interested when she started reading, but as she read more, she realized that things are not equal for everyone and she said that is unfair.

RATING: Quatrain

Model Home by Jay Hall Carpenter

Source: GBF
Paperback, 61 pgs.
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Model Home by Jay Hall Carpenter is a collection reflecting on the homes we build, beginning with the landscape of “Common Ground,” in which the inside of a home may not be tenable but the land around it may be familiar and a place to start when building connections.

One of my favorite poems in this collection also speaks to connection, but in a way that kids and the kids within us will understand — the moments of our days. “Like Kids” explores the spontaneity and the curiosity of childhood, allowing us to shrug off adulthood and its responsibilities to run with the kids after the ice cream headache. These moments are fleeting, and as the string of our kites breaks and the kite drifts off into the air, we are made aware of the past and the present all at once. It is hopeful yet saddening.

“Model Home” speaks to the surface seen by others, but opens the doors wide to expose the fissures of family and the imperfections that we house. Carpenter has a deft hand in these poems, and even as many of them rhyme (something I don’t prefer as a reader), I was captivated. His ability to rhyme without distracting me as a reader was a welcomed surprise (though I have read a children’s manuscript he wrote and that rhymed, so I’m not sure why I should be surprised).

You’ll want to take your time touring Jay Hall Carpenter’s Model Home, scrutinizing the decor, exploring the dark corners, sledding down the snowy hills, examining the model home we, as America, pretend to be for the rest of the world. Our home may not be as perfect as we market it to be.

RATING: Cinquain

About the Poet:

Jay Hall Carpenter is an author and artist living in Maryland. His written works include plays, musicals, children’s books, and poetry. For several years he published The ACE Occasionally, a small literary humor magazine. “Dark and Light” is his first collection of poetry.

Carpenter’s career in the visual arts spans forty years and began at the National Cathedral in Washington, D.C., where he designed 520 of the Cathedral’s sculptural embellishments, including gargoyles and angels. His public sculptures, monuments, smaller bronzes, and drawings can be found throughout the United States and at JayHallCarpenter.com.

Cabinet of Wrath: A Doll Collection by Tara Campbell

Source: GBF
Paperback, 98 pgs.
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Cabinet of Wrath: A Doll Collection by Tara Campbell is a short story collection of disturbing and horrifying stories about dolls and other playthings. Each story breathes life into Barbie’s friends, teddy bears with guns, and so many other body-less beings. These nine stories may seem like innocent looks into the lives of our childish playthings, but these toys are not childish and they are far from innocent. Campbell weaves her tales with such precise language, you’re swept up into this horrifying world in which rape and voodoo have serious, life-threatening consequences and the phrase “let them eat cake” emerges from an entirely different context.

From “The Box”: “Miss Holly raises empty palms. ‘At this point motives are immaterial. All we can manage now are the consequences.'” (pg. 4)

The opening story, “The Box,” finds a number of dolls languishing in the darkness not only of the physical place, but the emotional space. They are unsure why they have been removed from their children and why they can no longer be in the playroom, but once the consequences of events that “happened to them” and were “beyond their control” are revealed, the parallels between these dolls and many young women become clear. The uncertainty, the fear, the anxiety, the shaming. It is all here in this short story, and if it makes you uncomfortable, it should. It should also make you rethink your actions and reactions to young women who find themselves similarly situated, especially when things beyond their control occur. Sympathy, rather than judgment, should be given, along with a helping hand.

Campbell’s stories are haunting and unsettling. They will leave readers looking for the flashlight to not only provide themselves with a sense of hope, but to also reveal some harsh truths. Cabinet of Wrath: A Doll Collection by Tara Campbell is a delight in horror and twisted storytelling that shouldn’t be missed.

The last story I read that had dolls in it was hugely disappointing. You can check out my review of The Birthing House.

RATING: Cinquain

About the Author:

With a BA in English, an MA in German, and an MFA in Creative Writing, Tara Campbell has a demonstrated aversion to money and power. Originally from Anchorage, Alaska, she has also lived in Oregon, Ohio, New York, Germany and Austria. She currently lives in Washington, D.C.

She is the recipient of the following awards from the DC Commission on the Arts and Humanities: the 2016 Larry Neal Writers’ Award in Adult Fiction, the 2016 Mayor’s Arts Award for Outstanding New Artist, and Arts and Humanities Fellowships for 2018 – 2022. She is also a 2017 Kimbilio Fellow and winner of the 2018 Robert Gover Story Prize.

Tara earned her MFA from American University in 2019, and is a fiction editor at Barrelhouse. She teaches fiction with American University, the Writer’s Center, Politics and Prose, and the National Gallery of Art’s Writing Salon. Follow her on Twitter and Instagram.

From Ashes to Heiresses by Renata McMann and Summer Hanford (audio)

Source: Audible
Audiobook, 1+ hrs.
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From Ashes to Heiresses by Renata McMann and Summer Hanford, narrated by Catherine Bilson, is a delightful short story that occurs after Mr. Darcy’s unexpected and terrible proposal to Elizabeth Bennet at Hunsford, but in this story, Longbourn has burned down. Elizabeth and Jane are the only surviving members of the Bennet family, and they are forced to live with their relatives.

Bilson is a precise narrator, with perfect pronunciation and inflection. However, her narrative voice for Jane and Elizabeth is very similar, which makes it harder to discern who is speaking, especially if you are engaged in tasks other than listening to the audio. Her inflections for Mr. Darcy are spot on, however, making her rendition of him a standout.

McMann and Hanford have created a delightful alternative for our Austen characters, and while the romance is quickly tied up at the end, it works well with the characterizations early on in the story and the storyline. From Ashes to Heiresses by Renata McMann and Summer Hanford, narrated by Catherine Bilson, was a delightful distraction.

RATING: Quatrain

Taste: My Life Through Food by Stanley Tucci

Source: Purchased
Hardcover, 304 pgs.
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Taste: My Life Through Food by Stanley Tucci is a delight in many ways. It’s food, family, friends, and humor. Growing up in New York State and traveling to Italy knowing little to no Italian was an adventure in itself, but Tucci has led a adventurous life in food and life. Don’t get me wrong, there are personal struggles and losses in these pages, and there is his diagnosis of cancer, but through it all, his love of food and how it brings family and friends together shines through.

I’m utterly delighted by his humor – it reminds me so much of my own father’s family. The devil-may-care attitude coupled with the traditional rules that cannot be broken — what in the world are you thinking? It’s a catch-22 kind of place to grow up. But the food. Italians love food, and I dare say that the Portuguese are the same. We’ve always come to the table ready to eat, course after course. While there is a great deal more pasta in this book, it was so delightful to read his take on how things taste. His descriptions will have you salivating, even as you are smiling and laughing along with him about some story on set, with his family, or on a press junket.

Taste: My Life Through Food by Stanley Tucci is a journey in food and it explores how food brings us together as human beings. Some of best times are around the table. Don’t be surprised if you end up hungry several times while reading this. There’s recipes to sate that hunger, if you are feeling adventurous.

RATING: Cinquain

the moon won’t be dared by Anne Leigh Parrish

Source: Poet
Paperback, 150 pgs.
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the moon won’t be dared by Anne Leigh Parrish opens “among the trees” where the forest is populated by trees in competition with one another, yet united in their need of rooting. Lydia Selk’s collage imposes a woman on the forest of birches in the dense foliage, lying with arched back and eyes closed. Here she seems at peace, but as onlookers (like the statue in the foreground), she’s aware of witnesses who may judge her for her sheer presence. This unique collection is not how art informs poetry like in ekphrastic poems, but how the art of Lydia Selk accompanying these poems is informed by Parrish’s words. But that is not all that’s going on in this collection.

Parrish is a great observer of nature and the world around her, and she invokes the power of that world to demonstrate just how insignificant we can be and how natural power continues regardless of what we think or feel. Like in “storm,” the clouds are gathering and rearranging, while the narrator is talking, but her conversation does nothing but bring noise to a building storm that breaks and drifts on a rush of wind.

Some of my favorite poems in the collection are in the mid- to latter-half. From “the plains, as seen from above” where a river’s curves are compared to a woman’s hips and the changes the world and the woman have endured over time to “tutelage” where a woman looks back on all that she’s learned from her mother and other peers in her life, only to find the teachings less than adequate and that she may have more to teach them.

the moon won’t be dared by Anne Leigh Parrish, which toured with Poetic Book Tours, is a journey into womanhood and nature that leaves you naked in the forest, but unafraid. Readers will see how the artist Lydia Selk was inspired by Parrish’s imaginative poems that reflect on what it means to be a woman in a male-dominated society and what it means to break free and to own who you are.

***Check out my interview with Anne Leigh Parrish***

RATING: Quatrain

About the Poet:

Anne Leigh Parrish is the author of nine previously published books: A Winter Night (Unsolicited Press 2021); What Nell Dreams, a novella & stories (Unsolicited Press, 2020); Maggie’s Ruse, a novel, (Unsolicited Press, 2017); The Amendment, a novel (Unsolicited Press, 2017); Women Within, a novel (Black Rose Writing, 2017); By the Wayside, stories (Unsolicited Press, 2017); What Is Found, What Is Lost, a novel (She Writes Press, 2014); Our Love Could Light The World, stories (She Writes Press, 2013); and All The Roads That Lead From Home, stories (Press 53, 2011). Visit her website.

Great Power, No Responsibility (Spider-Ham Original Graphic Novel) by Steve Foxe, illustrated by Shadia Amin

Source: Purchased
Paperback, 80 pgs.
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Great Power, No Responsibility (Spider-Ham Original Graphic Novel) by Steve Foxe, illustrated by Shadia Amin, is classic Peter Porker! This Spider-Ham was seen in multiverse movie for the Spiderman franchise, and in this graphic novel, he is recognized by the city and the mayor gives him a key to the city in thanks. I was intrigued by this because I’ve loved comics since I was a kid, and Spider Pig, as I called him long ago before the Simpsons’ song, was a cartoon on television.

My daughter received this from her school’s Scholastic book club, and she was excited because Spider-Man: Into the Spiderverse is her favorite movie of late — she’s probably watched it about 10 times. She read this one on her own, but we did talk about what she read, and this story line was easy to follow for her.

Peter Porker has lost the key to the city. Has it fallen into the wrong hands? Of course, our favorite Marvel characters don’t look the same in this anthropomorphic universe — hulk as a giant green bunny? — but it made for some comical interactions. My daughter was often giggling while reading and pointing out some funny bits to me here and there.

Great Power, No Responsibility (Spider-Ham Original Graphic Novel) by Steve Foxe, illustrated by Shadia Amin, offers younger readers a fun story about responsibility with animal-looking characters they know from the Marvel universe. My daughter really enjoyed this book, and the illustrations are vivid and fun. The action scenes are easy to follow along, and she definitely recommends this to others.

RATING: Cinquain

The Extraordinary Life of Serena Williams by Shelina Janmohamed, illustrated by Ashley Evans

Source: Purchased
Paperback, 128 pgs.
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The Extraordinary Life of Serena Williams by Shelina Janmohamed, illustrated by Ashley Evans, is another nonfiction title for elementary readers that explores the real life of someone familiar to them. Tennis Star, entrepreneur, and mother Serena Williams. My daughter read this one on her own and was able to recount much of what happened to Serena in her life. She had no trouble reading the text – at least I wasn’t asked what’s this word.

My daughter loved the illustrations and how realistic they looked. This is a story about how dedication and hard work can help you achieve your dreams. There are little bubbles with word definitions, including “criticize.” This is a word that my daughter actually knew on her own, but I liked how the definitions were not too complex.

“You have to believe in yourself when no one else does,” Serena said.

There is a lot of detail about her home life, her father’s dedication to his girls tennis careers, and how they worked hard to get practice time. The book also doesn’t shy away from the violence in her neighborhood and the obstacles she faced. There’s a timeline of her life, as well as some items for young readers to think about.

The Extraordinary Life of Serena Williams by Shelina Janmohamed, illustrated by Ashley Evans, is a well-rounded story about a tennis great. I loved that this book kept my daughter interested and she learned a great deal about perseverance.

RATING: Quatrain

Kaddish: Before the Holocaust and After by Jane Yolen

Source: Publisher for GBF
Paperback, 88 pgs.
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Kaddish: Before the Holocaust and After by Jane Yolen is an exploration of loss that readers will be unable to turn away from. Readers must witness the devastating pain of the holocaust, but Yolen still holds out hope that violence is not the only solution to bullies and violence. In “What About Goliath,” Yolen explores David’s win over Goliath and asks, “Maybe there’s a better way/than slingshots, hot shots, mugshots./Better than becoming Goliath/ourselves.//” (pg. 7)

The poems in this collection explore generational loss and the brokenness that follows genocide. The stories of the dead are only kept alive by those who remember, but the perpetrators often have the luxury of seeing those stories as a past that they can rewrite or at least supplant with their own.

From "Holocaust Stories" (pg. 42)

...
We make it true again, truer,
because story sticks
when memory fails.
...

Yolen explores this in “Kristallnacht in Hamburg,” where her poem points out, “Not all Germans remember/this is the night./It is eighty years later,/their great grandparents’ sin,/only a story, a history,/they will have one of their own.// But still, we are all broken./But still, we are all glass.//” (pg. 25) We need to remember that we are all broken by violence. The people we thought our grandparents were when they cared for us, are those same people who harmed others out of hate. We are all part of that broken history. There is always that question in the shadows of how repairing what is broken will still show the cracks of the past.

Kaddish: Before the Holocaust and After by Jane Yolen is heartbreaking in its sincerity. Yolen’s poems provide a frank look at the Holocaust and after, particularly the absence of respect often shown at Holocaust remembrance locations, with teens smiling and laughing. The movement of time often makes memory hazy, which makes these stories all the more important. We need to hear these stories, feel the pain, and learn to move further away from the violence that leads to brokenness.

RATING: Cinquain