Quantcast

Bone Key Elegies by Danielle Sellers

April 27, 2011 by

Danielle Sellers’ Bone Key Elegies is a collection of poems published by Main Street Rag Publishing as part of its Editor’s Select Poetry Series.  (You can check out my previous 32 Poems Magazine interview with the poet, here, and one of her poems in the 81st Virtual Poetry Circle).  Unlike eulogies that praise someone upon his or her death, elegies are a lament for the dead and are often mournful.  In this vein, Sellers excels at creating memorable elegies for her sister, a lost family, and happier memories.  However, many of these poems will deceive the reader at first, beginning with scenery or a happy moment in time before turning melancholy.  Sellers’ style echoes the turn of line expected in haiku or the final couplet of Shakespearean sonnets.

However, some poems, like “The Bridge Fishers” (page 16), are less full of despair than the other beginning poems in the collection and more mischievous, especially as the narrator drives away in a boat beneath a bridge where fisherman are waiting for their first bite from the fish, only to have the engine of the boat scare the fish away.  Sellers’ poems are filled with surprises:  some shocking, some full of dark humor, and some violent.  In “Welcome to my Father’s Showroom” (page 26), readers are given a quirky picture of the showroom as a sort of maze through which the father navigates or hides to peer at customers secretly, but in the final lines, ” . . . He watches them.  In case one should step out of/line, a shotgun leans against the metal filing cabinet.  On its shaft,/his hand-print is outlined in dust.” (please check out some sample poems).

What’s surprising is that each poem has its own depth of despair and melancholy, like an elegy is supposed to have, but the depth of that sorrow generally corresponds well to the connection the narrator has with each subject.  Losing a father can be very devastating to a daughter, but is it more or less devastating to a daughter who has seen her father cheat on her mother or leave her mother?  Losing a sister at a very young age can be tragic and life changing, but is it more or less life changing than if you were to lose a sister after having lived half your life with her by your side?  These are just some of the emotional questions tackled by Sellers’ poems, and Bone Key Elegies is an excellent examination of the various levels of melancholy and despair that individuals can experience at different intervals in their lives. It is clear that the poem about the death of a sister sets the tone for the entire collection, a tone that deepens and thins out in a see-saw of emotion.

Through rich language and vivid imagery from the Florida Keys, Sellers’ illustrates not only the brackish nature of woe, but also the desperate fight against that emotion — leaving readers breathless.

 

This is my 7th book for the Fearless Poetry Exploration Reading Challenge.

 

 

This is my 13th book for the 2011 New Authors Reading Challenge.

 

 

***This is a part of the National Poetry Month 2011 Blog Tour.

Filed Under: Events, Fearless Poetry Exploration Reading Challenge, national poetry month, New Authors Challenge, poetry, Read in 2011, review copy, reviews Tagged With: ,

City of a Hundred Fires by Richard Blanco

April 26, 2011 by

Richard Blanco‘s City of a Hundred Fires is a collection published by the University of Pittsburgh Press about the Cuban-American experience, which won the 1997 Agnes Lynch Starrett Poetry Prize.  (You can check out one of his poems in the 40th Virtual Poetry Circle and my take on a reading he did at the local Writer’s Center in 2009.)  The collection is broken down into two sections and each poem contains not only English, but also Spanish phrases, which readers may or may not know offhand.  Readers who are bilingual will have little trouble, though those who have a working knowledge of Spanish or don’t will be able to gather what Blanco is getting at from context clues.  Poems are either in traditional short narrative lines or in longer, more paragraph-like lines, but each tells a story, reveals a memory, and explores a bit of the Cuban-American experience.

“Crayons for Elena” on page 13 is one of the most poignant poems in the collection as it uses the box of 64 crayons to illustrate the differences in skin tones and cultures of the people the narrator encounters and the colors that represent elements from the narrator’s own culture, including pinatas and mangoes.  “. . . All these we wore down to/stubs, peeling the paper coating further and further, peeling and sharpening/until eventually we removed the color’s name.  This is for leaving the box in/the back seat of my father’s new copper Malibu, the melted collage, the butter/”  It seems that though these differences confuse the narrator and cause discomfort, eventually, these differences are forgotten and life moves beyond those variations and instead absorbs the similarities, “melting them into a collage.”

Blanco continues to straddle the Cuban culture — kept alive in family traditions such as Quinces balls — and his new home in American culture.  In a way, his traditional family culture seems foreign to the narrator as he assimilates to American traditions of turkey at Thanksgiving and peanut butter and jelly sandwiches.  Unlike the older relatives talked about in the poems, the narrator does not kid himself that he will be returning to Cuba after the revolution; he knows that the dream of returning to the old country is just that — a dream.

At times, however, the narrator does experience moments of nostalgia, in which he remembers family events or moments.  There are other moments in which the voids left by an American culture that does not feel exactly like home are filled with reminders of a culture left behind whether those voids are filled with sake by a Japanese immigrant or by dark rum with lemon for a Cuban-immigrant.

Unlike in part one where the narrator delves into familial memories and the confusion of bridging two cultures, in the second part, the narrator has become more observant of how his home culture is mutilated and warped by the American idea of capitalism to create a caricature of Cuban life and culture, like in “El Jagua Resort” (page 43):  “where Canadians and Italians step out/drunk congas from megaphone instructions –/side-to-side, kick-then-kick, hand-to-hip;/caught in spells of tabaco, dark rum,/brown sugar, and the young mulatas/”  In a way, the little Havana created in America by the narrator’s parents’ generation is fading and being replaced, but the second part also illustrates more historical details of Cuba, the revolution, and other events.

For a slim volume of poems at 74 pages, City of a Hundred Fires by Richard Blanco will knock you on your butt with its passion, anger, and disbelief.  But it also will drag you to your feet as it clings to hope and harmony.  Overall, Blanco has crafted a diverse collection of poems on the Cuban-American experience that delves below the surface struggles of bias and loneliness to the internal struggle of one narrator and how he copes with those struggles and more.

This is my 6th book for the Fearless Poetry Exploration Reading Challenge.

 

 

This is my 12th book for the 2011 New Authors Reading Challenge.

 

 

***This is a part of the National Poetry Month 2011 Blog Tour.

 

Filed Under: Events, Fearless Poetry Exploration Reading Challenge, national poetry month, New Authors Challenge, poetry, purchased, Read in 2011, reviews Tagged With: ,

White Egrets by Derek Walcott

April 19, 2011 by

White Egrets by Derek Walcott is a collection of deeply suggestive and blatant poems about the natural cycle of birth, life, and death and coming to terms with the later as friends, lovers, and others pass away leaving the narrator behind on the journey of life.  Each poem uses nature imagery to paint a canvas of emotion as the narrator grapples with grief, joy, and memory.

Walcott’s poems are long and narrative in many cases, which is not a form or style that calls to every reader, but even the most picky reader can easily pick out the cues that will carry them throughout the multiple part poems.

For instance, in the title poem “White Egrets” section one, readers will notice the lines “in the drumming world that dampens your tired eyes/behind two clouding lenses, sunrise, sunset,/” that signal a decline in health.  In the second section, the theme carries on in the lines “into a green thicket of oblivion,/with the rising and setting of a hundred suns/” until it culminates through a series of images and narrations in section four with the lines “and of clouds.  Some friends, the few I have left,/are dying, but the egrets stalk through the rain/as if nothing mortal can affect them, or they lift/”  and finally in section eight, “the egrets soar together in noiseless flight/or tack, like a regatta, the sea-green grass,/they are seraphic souls, as Joseph was.//”  While the poem is dreary in theme, the subject of losing ones friends slowly over time to death, it also carries along elements of immortality and being left behind as a testament to those who have passed before us.

Many of Walcott’s poems are in memory of friends, family, and others as he dedicates poems or portions of poems to them, and each takes on a meditative and reflective state as he explores their relationship and his memories of their time together.  More than just mundane relationships to our friends and family, Walcott paints a picture of humanity’s infinite connections to the past, present, and future in an effort to demonstrate how deeply we are all interconnected.  In poem 46, “catalogue of a vicious talent that severs/itself from every attachment, a bitterness whose/poison is praised for its virulence.  This verse/” Walcott harshly discusses the consequences of severing attachments, which some may actually believe is a preferable way to live.

White Egrets is a collection readers would probably tackle on a poem-by-poem basis, rather than read at once — not because they are too hard to interpret but because they tackle themes and emotions that are heavy and can weigh down the reader or provide him or her with fodder for reflection on his or her own life.  From moments in history such as the debts owed because of the Holocaust to the election of President Obama, the poet reviews moments in history and how they impact individuals.  Overall, White Egrets is a emotional roller coaster ride of longer poems that are meditative, disruptive, and thought-provoking.

This is my 5th book for the Fearless Poetry Exploration Reading Challenge.


 

This is my 11th book for the 2011 New Authors Reading Challenge.

 

 

 

This review is part of my celebration for National Poetry Month!

Filed Under: borrowed copy, challenges, Events, Fearless Poetry Exploration Reading Challenge, national poetry month, New Authors Challenge, poetry, Read in 2011, reviews Tagged With: ,

Haiku Mama by Kari Anne Roy

April 3, 2011 by

Haiku Mama by Kari Anne Roy is a slim volume of 17-syllable poems called haiku, which is a Japanese form of poetry.  Rather than celebrate the joys and beauty of nature, these haiku celebrate the joys and frustrations of new motherhood.

These little poems, including the one featured in the 91st Virtual Poetry Circle, not only will make mothers chuckle, but they also contain a bit of truth that will have them nodding “yes, yes, yes.”

The poems are cute, quick reads for busy moms and the book contains illustrations on a number of pages, though readers may wish for more apt illustrations considering some of the topics addressed in the haiku.  For instance, one haiku discusses the typical technique of pretending the spoon or fork carrying the food is an airplane entering the hangar (aka the child’s mouth).  An illustration of the airplane and hangar method and its food-splattering results would pack even more of a punch.

However, this volume of poetry is not meant to be analyzed too closely, but merely taken for what it is . . . a way to decompress, laugh with another mother who has experienced the same thing, and look back on raising a child with some whimsy.  Haiku Mama by Kari Anne Roy is just the break a new mother needs.

About the Author and the book:

Quirk Books, an independent publisher, makes this volume of haiku poetry available from Kari Anne Roy, the perpetrator of Haiku of the Day blog.  Please check out her blog and her bio.

As part of the National Poetry Month 2011 blog tour, please stop by Rhapsody in Books for today’s tour stop and review of I Wanna Be Your Shoebox.

 

 

This is my 4th book for the Fearless Poetry Exploration Reading Challenge.

 

 

This is my 10th book for the 2011 New Authors Reading Challenge.

Filed Under: Fearless Poetry Exploration Reading Challenge, New Authors Challenge, poetry, Publishers/Publicists, Quirk Classics, Read in 2011, review copy, reviews Tagged With: ,

The Rorschach Factory by Valerie Fox

March 8, 2011 by

The Rorschach Factory by Valerie Fox is a collection of poems that are left up to the interpretation of the reader in many cases.  Much like the inkblot test, these poems provide snippets of color, image, and story to provide an outline for readers, and those readers are then tasked with filling in the blanks and interpreting what is there.  Some poems seem to carry a personal history in many of the lines, while others are whimsical in their interpretations of pop culture and real-life relationships.

From “This Is Not My Cousin” (page 9):
This is not the sensational human
condition.  God is not in the picture
just me and trees and my cousin’s shadow.
We like how I am standing on the high place
a smiling paperdoll propped up on the edge
about to step back, waving to Columbus.

From “You’re No Axl Rose” (page 43):

You’re no Axl Rose but your sentences are
as complex as your hair, in an unintended,
wiry, I will live forever way, the way Axl
swings his hips and smokes just enough
to achieve his pristine scratchy scream.
You’re no James Dean but when you can afford
to drive a Porsche I’ll let you drive me
to the Acme to buy aspirin or milk.

Fox’s writing style leaves room for the imagination of the reader so that each new audience can take their own journey.  In other poems, there is a clear tone that shines through the lines, like in “The Temple” (page 37) where the narrator talks about her time with a poet who thought of himself as upper class, but of her as much lower.  The poet was slumming it with the narrator, but you can tell from turns of certain phrases that this view was not accurate:  “He’s my essay.//Soon enough/he ran out of money./I’m a poet, and I’d squirreled a bit of currency away./This became my motto-//’I got mine.'” (page 38)

Broken down into four sections — Out of Time, The One Who Leaves You, Accomplice, and Unrest — the narrator has set up a collection of poems that would appear to be drenched in despair and regret, but readers will be surprised by the not only whimsical poems but also the humor with which she highlights pop culture and elements of the ridiculous in intimate relationships.  Overall, The Rorschach Factory by Valerie Fox is a collection that you can read in one sitting, piecemeal, and revisit over and over, finding nuances to each poem that may not have been as prominent upon first reading.

About the Poet:

Dr. Fox’s most recent book is Bundles of Letters, Including A, V and Epsilon (Texture Press), written with Arlene Ang. Previous books of poems are The Rorschach Factory (Straw Gate Books) and Amnesia, or, Ideas for Movies (Texture Press). Her work has appeared in many magazines, including Hanging Loose, The World, Feminist Studies, Siren, Phoebe, Watershed, sonaweb, and West Branch.

She was a founding co-editor of 6ix magazine (1990-2000), and currently edits Press 1, a journal featuring poetry, short fiction, opinion, and photography.  Very involved in collaborative writing, she and Arlene Ang have collaborated in the writing of poetry and fiction, publishing in magazines such as Admit 2, Origami Condom, Per Contra and Qarrtsiluni.  At Drexel, Dr. Fox teaches Freshman Writing, Creative Writing (poetry), and Readings in Poetry. She’s particularly interested in experimental poetics and online teaching/e-learning.

About the Indie/Small Press:

Straw Gate Books published Valerie Fox’s The Rorschach Factory and was founded in 2005 by poet and co-founding editor of 6ix magazine (1990-2000) Phyllis Wat in Philadelphia, Pa.  Here’s a snippet of their mission:

“We are particularly interested in works by women and non-polemical writing with an underlying social content. We also feature new authors and authors whose work is underserved.”

This is my 3rd book for the Fearless Poetry Exploration Reading Challenge.

 

 

This is my 9th book for the 2011 New Authors Reading Challenge.

 

 

Here’s a confession, I’ve had this book for a couple of years, and I believe it came from the author or her good friend Arlene Ang.  I’m just now getting around to it.  This is my 5th book for the 2011 Wish I’d Read That Challenge.

Filed Under: Events, Fearless Poetry Exploration Reading Challenge, Independent and Small Press Month, New Authors Challenge, poetry, Read in 2011, review copy, reviews, Wish I'd Read That Challenge 2011 Tagged With: ,

Open Slowly by Dayle Furlong

February 3, 2011 by

Open Slowly by Dayle Furlong begins with poems steeped in Spring imagery and the unfolding blossoms of that season.  For instance, “She Seeks Beauty” is like a flower beginning as a bulb, growing, and releasing the beauty of its petals like a surprise ending.

She Seeks Beauty (page 11)

She seeks beauty everywhere
foraging for flowers in fog
as the metallic din of machinery bordering
the park clangs and disturbs — she dislikes
comments we make about the weight of bulbs
all they have to do is sit, look pretty, and breathe
in truth, they’re fibrous, sturdy, necessary for life.

She’s culpable as any, flesh covers bone
like a clenched fist
taut in sections, ample in others
the weight of water and salt,
breath noxious

she tells us flowers deceive like a woman
warns us to watch out for the men hiding behind them

they cast shadows on sun
etch their place
on earth, bodies pyramids
of accomplishment.

While we sit pretty and still, necessary.

However, there seems to be a sinister undercurrent or a blatant dark side that emerges in some of these poems, illuminating the truth that nature is not all beauty and peace, but also darkness and violence.  Furlong’s lines are not abstract mysteries, but the poems as a whole reveal a mystery or hidden truth that causes readers to rethink their initial impressions at the beginning of the poems.  In a way many of these poems discuss the impermanence of memory and the past, those people, places, and events that we think we will always remember, but that grow fuzzier with time and blur into nothingness.

From Lazy Eye (page 30)

like the faces I meet in the street —
the people in my life
mere puddles waiting to evaporate
right before my eyes.

There are three sections to Open Slowly:  Impossible Permanence; Tonic & Brevity; and Litany of Desire.  While the first section deals with the impermanence of memory and people and events, the second section wallows in that impermanence, dunking the reader fully into memories that are previous and filled with not only joy and passion, but regret.  Readers will note a reluctance in the narrator to leave the past behind and jump into the present.  It continues with the theme of opening blossoms in spring, clinging to the protection of the bulb but eager to emerge.

From Hooks (page 45)

Little fish on hooks
gulp and cry
worms will die
but you keep me dancing
on a line
not hanging exactly
but hoping for their return.

Protection melts away and the darkness emerges, taking hold of the reader and drawing blood and fear from within. Furlong’s nature images serve not only the light but the dark in these poems, easily turning poems upside down and inside out.  In the final section, there is a violence in the passion between the narrator and the men and the narrator and children, but not violence in the sense of harm, but in terms of emotion.  A passion rampant and uncontrollable.

Open Slowly by Dayle Furlong is a mesmerizing collection of poems that search for the beauty in everything, but does not always find it.  Rather than dwell on the darkness in nature — human nature — each poem pushes beyond those moments to seek out the light and the beauty that can come from it or in spite of it.

Copyright Liz Martin

About the Poet:

Dayle Furlong studied English Literature & Fine Arts at York University. Her poetry & fiction has appeared in Kiss Machine, The Puritan, Word & The Voice. She works as a literary publicist and has worked as a screenwriter’s assistant for the Showcase television series Slings & Arrows. Her debut collection of poetry, Open Slowly was published by Tightrope Books in spring 2008.  Check out her interview with Rob McLennan.

This is my 3rd book for the 2011 Wish I’d Read That Challenge.


This is my 5th book for the 2011 New Authors Reading Challenge.

This is also my 2nd book for the 2011 Fearless Poetry Exploration Reading Challenge.

Filed Under: borrowed copy, Fearless Poetry Exploration Reading Challenge, New Authors Challenge, poetry, Read in 2011, reviews, Wish I'd Read That Challenge 2011 Tagged With: ,

Kaleidoscope: An Asian Journey of Colors by Sweta Srivastava Vikram

January 14, 2011 by

Kaleidoscope:  An Asian Journey of Colors by Sweta Srivastava Vikram, who also wrote Because All Is Not Lost (check out my review), is a departure from her previous collection that deals primarily with grief.  Kaleidoscope focuses on colors and their relationship to Hindu women from birth to death including how red is worn as a bride, etc.

In this slim chapbook, Vikram tackles larger philosophical and cultural issues attached to a variety of colors prevalent in Hindu society.  She sketches out poetic memories and weaves in colors that demonstrate the emotional journey or right of passage in the moment described.

From “Innocence Comes in Pink” (page 3)

I am six today, and my limbs feel all grown up.
My tonsils are ready to be evicted from their home.
. . .
The color of my soft lungs untainted
by worldly pleasures resonates
with the wardrobe of my best friend, Barbie
and the hope of my favorite animal, Babe the pig.

Many of these poems are very vivid and pull readers into the moment.  Each line, each color, and each description is tied to a deeper familial history or tradition.  Vikram provides an in-depth examination of Hindu culture in a way that is easy to grasp and exposes the similarities between all cultures.  Further into the collection, there is a bit of defiance in her words as the color beige takes over in old age and she fights to remain red, youthful.  Overall, Kaleidoscope:  An Asian Journey of Colors is an even stronger chapbook poetry collection that Because All Is Not Lost because it deals more than with just emotion and healing.  Sweta Srivastava Vikram is a gifted poet, who has a work of fiction due out this year which I’m looking forward to, and she clearly is eager to highlight the differences in culture and the similarities between cultures at the same time — a fine line that she walks well.

About the Author:

Sweta Srivastava Vikram is an author, poet, writer, and blogger. Born in India, Sweta spent her formative years between the steel city of Rourkela, the blue waters of North Africa, and the green hills of Mussoorie before arriving in bustling New York. Growing up between three continents, six cities, and five schools, what remained constant in Sweta’s life was her relationship with words.

Please check out her interview on Page Readers.  Also, if you missed an earlier Virtual Poetry Circle in which I featured a poem from this collection, you should join the discussion.

This is my 1st book for the South Asian Reading Challenge.

This is also my 1st book for the 2011 Fearless Poetry Exploration Reading Challenge.

Filed Under: Fearless Poetry Exploration Reading Challenge, poetry, Read in 2011, review copy, reviews, South Asian Reading Challenge Tagged With: ,

2011 Fearless Poetry Reading Challenge

December 20, 2010 by

I’ve given this a lot of thought since the BBAW awards.  I’m going to host my very first poetry reading challenge.

I’ve been a participant in a few poetry reading challenges, but it always seems as though the participants are people who already read poetry and like it.

So I’m challenging every reader and all your friends to join the year-long 2011 Fearless Poetry Reading Challenge!

My poetry reading challenge is meant to be easy and to challenge everyone to read just 1 book of poetry, whether its contemporary or classic doesn’t matter, as long as you read one.  You can even wait until midway through the challenge and join the read-a-long of a poetry book that I’ll be selecting.

It also doesn’t matter if you like all the poems or not or whether you understand every phrase or line.  This is the challenge in which you Give Poetry a Chance!

If you want to sign up, please leave a link in Mr. Linky and snag the button.

You can tell me how many books you plan to read in the comments if you like.

But remember that as long as you read 1 book, you’ve completed the challenge.  You can’t fail if you just give poetry a try.

If you need direction or suggestions, you can check out my previous reviews or leave a comment about the type of prose writing you enjoy and I can try to match you with a book or poet.

Ok, rules:

1.  2011 Fearless Poetry Reading Challenge will run from Jan. 1, 2011, through Dec. 31, 2011.

2.  Read 1+ books during the year and post a review.

3.  Leave a link to your review in the Mr. Linky.

***Don’t forget to grab the button.***


Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, poetry