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Bless the Daughter Raised by a Voice in Her Head by Warsan Shire

Source: NetGalley
Paperback, 96 pgs.
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Bless the Daughter Raised by a Voice in Her Head by Warsan Shire is a collection that pushes readers to their limits with her beautiful, tragic poems. Their dark beauty with their sometimes violent images reach inside us, pull out our hearts, and ring them until there is little left but open love and empathy.

In the opening poem, “Extreme Girlhood,” the birth of a girl is a sign that suffering is to come, whether it is from parental expectation, abuse from within the home, and other malodorous events. But “Mama, I made it/out of your home/alive, raised by/the voices/in my head.//” the narrator reminds readers that there is another side to that dark tunnel. In this poem, Shire has set up the reader for a wild, emotional ride, but if we can just hold onto that hope, we’ll be OK.

Part poetry collection about abuses and darkness, part collection about accepting the people we are, Shire is unafraid to call out our platitudes and attitudes:

From "Assimilation"

...
The refugee's heart has six chambers.
In the first is your mother's unpacked suitcase.
In the second, your father cries into his hands.
The third room is an immigration office, 
your severed legs in the fourth,
in the fifth a uterus -- yours?
The sixth opens with the right papers.

I can't get the refugee out of my body,

There is always that push and pull between the homeland of the past (a home nostalgia tells us is placid) and the new home refugees are seeking (a home that is not as welcoming as expected, if at all). Shire tells us in “Home” to remember that “No one leaves home unless home is the mouth of a shark. You only run for the border when you see the whole city running as well.” and “No one would leave home unless home chased you.” When times are troubling, refugees sometimes would love to return home, but “home is the mouth of a shark. Home is the barrel of a gun.”

Unbearable Weight of Staying

I don't know when love became elusive.
My mother's laughter in a dark room.

What I know is that no one I knew had it.
My father's arms around my mother's neck.

A door halfway open.
Fruit too ripe to eat.

Shire infuses her poems with her Somali culture, paying homage to rituals and loved ones, while at the same time exploring the struggles of her homeland with famine, the murder of women, kidnappings, and more.

 Filial Cannibalism

From time to time
mothers in the wild
devour their young,
an appetite born of
pure, bright need.
Occasionally,
mothers from ordinary
homes, much like our
own, feed on the viscid
shame their daughters
are forced to secrete
from glands formed
in the favor of men.

Bless the Daughter Raised by a Voice in Her Head by Warsan Shire is a stunning collection in which “the trapdoor to heaven/opens its mouth” and “girlhood an incubation for madness.” There are so many themes in these poems from racism to gender bias, but is Shire’s search for grace that holds these poems together.

RATING: Cinquain

About the Poet:

Warsan Shire is a 24 year old Kenyan-born Somali poet, writer and educator based in London. Born in 1988, Warsan has read her work extensively all over Britain and internationally – including recent readings in South Africa, Italy, Germany, Canada, North America and Kenya- and her début book, ‘TEACHING MY MOTHER HOW TO GIVE BIRTH’ (flipped eye), was published in 2011. Her poems have been published in Wasafiri, Magma and Poetry Review and in the anthology ‘The Salt Book of Younger Poets’ (Salt, 2011). She is the current poetry editor at SPOOK magazine. In 2012 she represented Somalia at the Poetry Parnassus, the festival of the world poets at the Southbank, London. She is a Complete Works II poet. Her poetry has been translated into Italian, Spanish and Portuguese. Warsan is also the unanimous winner of the 2013 Inaugural Brunel University African Poetry Prize.

Accusing Mr. Darcy by Kelly Miller (audio)

Source: Purchased
Audible, 13+ hrs.
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Accusing Mr. Darcy by Kelly Miller, narrated by Stevie Zimmerman, is part romance and part murder-mystery in which Mr. Darcy becomes accused of compromising/attacking Elizabeth Bennet! How can that be? Elizabeth Bennet is visiting her cousin Rose at the Kendall Estate, and Mr. Darcy has come to stay with his friend Nicholas. The husband and wife team of Rose and Nicholas may have ulterior motives for bringing their Elizabeth and Darcy to their home, but it is not to bring them together in matrimony.

Rose has talked up Captain James Kendall to Elizabeth and vice versa, hoping to make a love match between them. Meanwhile, Nicholas has invited several young ladies for Darcy to consider, even as he acknowledged that Darcy erred in his response to Elizabeth at his wedding. Darcy sets about to apologize to her for his friend’s sake, and the road to love is set in motion.

A murder in the Kendall neighborhood causes concern, but when one of the guests is attacked, a former Bow Street runner is called to solve the matter. A budding romance is hampered by the watchful eyes of investigators and men posted to ensure no one else is attacked until the culprit is caught. Miller has paced this novel well, and Elizabeth and Darcy are able to not only overcome miscommunications and prejudices but also work together and learn what it truly means to be partners. Even in a few short weeks, they have found they have more in common than not.

Stevie Zimmerman is as always a stunning narrator. She does well differentiating between the many characters and articulating the scenes to build tension and ensure readers are captivated. Accusing Mr. Darcy by Kelly Miller, narrated by Stevie Zimmerman, is full of romance, sweet moments, and mystery. A definite winner.

***And there’s a horse named Serena!***

RATING: Cinquain

About the Author:

Award-winning author Kelly Miller writes Austenesque Regency romances. Her four published books are “Death Takes a Holiday at Pemberley,” a “Pride & Prejudice” fantasy, winner, Royal Dragonfly Book Awards and Indies Today Book Awards; “Mr. Darcy’s Perfect Match,” a “Pride & Prejudice” variation recommended by the Historical Novel Society; “Accusing Mr. Darcy,” a “Pride & Prejudice” romance/mystery, winner, Firebird book awards and Queer Indie Awards-Ally Division; and “A Consuming Love” a “Pride & Prejudice” novella. Look for “Captured Hearts,” a variation of “Persuasion,” to be released in early 2022. Ms. Miller resides in Silicon Valley with her husband, daughter, and their many pets.

Forces by Lisa Stice

Source: GBF
Paperback, 122 pgs.
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Forces by Lisa Stice explores the push-and-pull of different forces, desires, and outside drivers can have on our individual lives. From the operational forces of our daily obligations to the gravitational forces of imagination and the magnetic pull of the muse. In the opening poem, “Ritual Hunts,” Stice explores the empty vessel and out need to fill it with something, anything. Do we fill it with junk mail? Does that satisfy us? Or should we fill it with potpourri or fake apples or keys? The poems asks us to examine what we fill our lives with and to be vigilant about what we do fill out lives with. We need to remember that how we fill our lives will go a long way in satisfying our desires and needs and ultimately lead to unrest or contentment.

Ritual Hunts (pg. 3)

Here we have a vessel,
hollowed out and empty
and we squirm in the need
to fill it with wooden apples,
potpourri or junk mail
we will throw away months
from now. Ritual shines
above our design as we crowd
our heads with words, turn
pages in a right to left manner,
read in a left to right manner,
enrich our lives away
and still wait for an established
secret somewhere between lines.
How we always
place the car keys here,
hang the dog's leash near
the door, turn the lights out
at bedtime.

Stice’s poems reflect on the ordinary and create an atmosphere where the calming nature of that life is the centering we need when forces are threatening to derail us. Think of the deliberateness of using the rotary phone – the need to rotate each number one at a time and wait before moving to the next. It becomes a meditation on how to center yourself, remain calm in a storm, and be deliberate in your actions.

In “Lying to Our Daughter,” the narrator has to pack up her home for evacuation from a storm. “Our daughter asks where we are going,/We say we’re going to visit Uncle/Paddy because we want to make this/evacuation feel like a vacation. It’s like/how we never want her to be afraid/even though we know a hurricane/is really just a little storm among many.//” (pg. 48)

These moments of isolated concentration become the mantra for the narrator as she struggles with the chaos of motherhood, military life, and more. Forces by Lisa Stice is an amazing collection that will provide you with a different perspective on the chaos of our lives, particularly when the unexpected keeps you on your toes.

RATING: Cinquain

About the Poet:

Lisa Stice is a poet/mother/military spouse, the author of three full-length poetry collections, Forces (Middle West Press, 2021), (Permanent Change of Station (Middle West Press, 2018) and Uniform (Aldrich Press, 2016), and a chapbook, Desert (Prolific Press, 2018). She is a Pushcart Prize nominee who volunteers as a mentor with the Veterans Writing Project , as Poetry Editor for The Military Spouse Book Review, as Poetry Editor for Inklette Magazine, and as a writer for the Military Spouse Fine Artists Network (Milspo-FAN). She received a BA in English literature from Mesa State College (now Colorado Mesa University) and an MFA in creative writing and literary arts from the University of Alaska Anchorage. While it is difficult to say where home is, she currently lives in North Carolina with her husband, daughter and dog.

Mailbox Monday #676

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

This is what my daughter got from her Scholastic book fair:

 

No books for me this week!

What did you receive?

Granddaughter of Dust by Laura Williams

Source: Publisher
Paperback, 128 pgs.
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Granddaughter of Dust by Laura Williams explores imagination and reinvention, as Williams takes on iconic characters from fairy tales and literature and enlivens her poems with child-like imagination. The collection opens in that child’s perspective in “‘The Horse Fair,'” in which an observer is in a gallery viewing a painting. “I’m standing in a gallery, sterile, quiet. The horses cannot/stamp off the wall, out of the pigment and into the world.//” (pg. 3) The narrator of this poem is recalling a time when imagination was endless and there was a sense of freedom in that. But by the end of the poem, we know that the sense of wonder and exploration has been hindered by life experience and the narrator wants to return to a time when imagination was a gateway to possibility.

Williams’ poems are imaginative, break with traditional forms and combine a narrative prose within the poem that break up the norm of verse. Many of her poems stretch the meaning of perception and understanding, like in “Drowning,” where the narrator is saved from drowning in the ocean and is fully aware that the saver is “Wary. Watchful. Afraid.” and unable to look at the narrator in the same way. But the pull of the ocean was too much and a need for rest a strong pulling tide. The outside viewer would see the saver as a hero, while the saved here doesn’t view them in that way, especially when they are strapped to the bed.

In these early poems, the ocean, sea, and water are a major component of Williams’ poems. Whether it is the pull of the ocean as a place of rest through drowning or the taste of salt in a narrator’s tears, Williams is exploring that magnetic energy of the ocean — its vastness, its mystery, its a place where darkness resides deep and can be hidden away.

Revolution

The sun burns
if you let
it shine on

you too long.
How long is
too long? Learn

by being burned.
The sun gives
life by shining.

You remember the
burn from the
scars, from the

transformation of being
set aflame and
after somehow surviving.

Williams’ poems are stunning whether she’s speaking about fairy tales like “Red Riding Hood” or “Cinderella” or more personal experiences. A lot of these poems show a different perspective from traditional points of view, and it enables readers to see the effect of their platitudes and kind intentions on those deeply hurting. We often rely on platitudes because we don’t know how to make things better or how to help. Perhaps it is better to just say that we don’t, admit we don’t know everything. Granddaughter of Dust by Laura Williams is a must have poetry collection.

RATING: Cinquain

About the Poet:

Born and raised in Baton Rouge, Louisiana, Laura Williams cannot remember a time she did not love to read; her passion for writing came later, but poetry has been her life-long love. The younger middle child of four, she has been blessed with a large, close-knit family. She is in the process of earning her doctorate in education, focusing on adult literacy, at Louisiana State University and lives with two mischievous cats.

Drowning in the Floating World by Meg Eden

Source: GBF
Paperback, 80 pgs.
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Drowning in the Floating World by Meg Eden is an exploration of devastating, sudden loss as it relates to the 2011 Tōhoku magnitude 9-9.1 earthquake and subsequent tsunami in Japan. The disaster caused more than $300 billion in damages and more that 15,000 deaths, and these kinds of large-scale losses are often hard for us to comprehend because of their sheer magnitude, unless we are personally impacted. Eden draws on the mythical signs that nature provides and she cultivates the deep emotional resonance these disasters should evoke from us. She opens the collection with  a “gray” day in which the beach is “covered in whales,” they are “fifty bodies, like tea leaves//at the bottom of a scryer’s glass,/heavy and loud in memorial.//” (Hokotashi City, Ibaraki Prefecture, pg. 3).

We already are called to attention, to attune ourselves to the natural world, to the signs of what comes next. But even preparing ourselves, becoming keen observers will not make us ready enough to be a survivor. How can you explain what it is to survive an ocean that consumed all the land and swept everything away, except for you? It is a cavern of loss that even the greatest climber will struggle to surmount.

In “Corpse Washing,” we’re shown the reverence required of working with the dead, and how much care, listening, and attention to detail it takes to breathe life into the once full of life bodies we mourn and must let go. “I brush the seaweed and trash/from her remaining hair until its soft./I clip the ends of my hair to fill/her empty eyebrows, her missing eyelashes./” And the care that can no longer be given: “The mother takes/the last water to her daughter’s/lips, but the girl rejects it./She’s had more than enough/water for one life.//”

Drowning in the Floating World by Meg Eden honors those lost to the tsunami and those who were exposed to radiation from Fukushima Daiichi nuclear disaster. While “Shikata ga nai” (nothing can be done about it), Eden seeks to provide emotional touch stones to those losses, honoring not only what was, but what cannot be changed and how the world must and has moved on. What is done, cannot be undone. (said by Lady Macbeth in Shakespear’s Macbeth).

RATING: Cinquain

Flowers Grow on Broken Walls by Farena Bajwa

Source: Author Marketing Experts
Paperback, 244 pgs.
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Flowers Grow on Broken Walls by Farena Bajwa is of the Instapoetry variety that are easily read in a short period of time and provide an emotional reaction to broken relationships and the recovery that follows. The collection also includes a series of sketches.

 .... (pg. 11)
As time passed, you started staring more into the space,
our stars were once glowing and before I knew it,
had all died out.
.... (pg.18)
Don't play around when it comes to love.
There is just too much that breaks.
 (pg. 49)
I can't believe you chose a bottle over me.

With the sketches and the verses in these beginning sections, you can see the social media-likeability of these poems from Bajwa’s words. Emotional poems do well online, connecting readers and poets, especially when they have dealt with breakups and other issues. What I loved about this collection was the sketches. I wanted to see more of those and I wanted them to be a graphic novel in verse, rather than sparse verse that kind of tells a story.

One of my favorites in the collection is accompanied by a sketch of the evil queen and mirrors her “speech” to the Mirror on the Wall. Here, Bajwa’s lines take it to another level in which the Evil Queen is asking the Internet for affirmation, and in many ways, isn’t that what many people do with their posts on Instagram and Facebok, etc.

Flowers Grow on Broken Walls by Farena Bajwa explores identity in the aftermath of a breakup and abuse, but it also takes a look at identity in our self-obsessed, social media-focused world. For me, the images won me over because they were paired well with Bajwa’s words. For those who want accessible poems and some imagery, this collection is for you.

RATING: Tercet

About the Poet:

Farena Bajwa is a talented poet, storyteller, actor, filmmaker, and voice-over artist. Even though she studied Marketing Management, her creativity comes from her heart. Whether it’s filmmaking, voice-over, or acting, she owes it to her life philosophy: ‘’learning by doing’’. ‘’Flowers Grow on Broken Walls’’ is Farena’s first written collection of poetry that speaks about the journey to self-healing after experiencing the loss of someone, but mostly, the loss of yourself. She wants to inspire her readers using her power of words to make them feel less alone and to let them know that no matter what they go through, healing is just around the corner, already cheering for you.

Mailbox Monday #675

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

This is what we received:

Bless the Daughter Raised by a Voice in Her Head by Warsan Shire from NetGalley.

Mama, I made it / out of your home / alive, raised by / the voices / in my head.

With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls. In Shire’s hands, lives spring into fullness. This is noisy life, full of music and weeping and surahs and sirens and birds. This is fragrant life, full of blood and perfume and shisha smoke and jasmine and incense. This is polychrome life, full of henna and moonlight and lipstick and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets, this book is a blessing, an incantatory celebration of resilience and survival. Each reader will come away changed.

What did you receive?

Ariadne Awakens: Instructions for the Labyrinth by Laura Costas

Source: GBF
Paperback, 103 pgs.
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Ariadne Awakens: Instructions for the Labyrinth by Laura Costas reimagines the Greek myth of Ariadne in short prose poems. There’s no need to worry if you are not familiar with the myth because Costas provides you with an introduction to her character as it was developed ages ago. Her introduction serves as way to provide readers with a context that her alternate reality for forthright Ariadne springs.

In her opening poem, “Answering Machine,” Ariadne speaks to us from some outside realm, and while she would love to hear us, speak to us, and tell us what happened, she cannot. We need to imagine it and speak for her, like Costas has done. Here, our heroine awakens in a different, more modern time. She’s disoriented and fumbling to find her ground. “The rapid little flicks of your eyes produce upon you unrecognizable flesh that your bones should refuse but don’t,” the narrator begins in “Gyroscope.” In “Hot Rod,” the narrator urges, “Push your food to the floor.”

Through these topsy-turvey poems, Costas is creating a world in which we can see how limiting a myth can be, that no one is just one thing or another — hero or helper. We are all three-dimensional and multi-layered, and in some cases, we war with our desires, our practicalities, our “roles” in society.

Her poems also surprise us with their wit and humor:

“Security” (pg. 28)

Above the bed the ceiling cleaves. Beyond the cleft, around our necks, we’ve only keys. It’s the locks that make the thieves.

Or by turns, her unconventional thoughts about the society we’ve created and the blindness we all carry to its norms and expectations:

From “Civilization” (pg. 50)


None of us thinks to crash the turnstiles, so, turned away, we carry on, rumor and reflex at fists for our attention, the lucky ones among us to forget in the morning all that we lost last night..

Like in “Sagittarius,” Costas reminds us “this world was made to bend in.” (pg. 92) Ariadne Awakens: Instructions for the Labyrinth by Laura Costas is more than a retelling or reimagining of a myth — it is about the labyrinth of life, its twists and turns, its backward and forward steps, and the need for each of us to step outside the lines sometimes to find the truth of ourselves and our place in a world that makes little sense unless we provide it some direction.

RATING: Cinquain

Poems From the Asylum by Martha H. Nasch, edited by Janelle Molony and introduced by Jodi Nasch Decker

Source: Publicity
Paperback, 336 pgs.
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Poems From the Asylum by Martha H. Nasch, edited by Janelle Molony, with an introduction from Jodi Nasch Decker, is part poetry collection, part family history and mystery, and part examination of psychiatric practices at the time of Nasch’s confinement at St. Peter State Hospital in St. Peter, Minnesota.

I don’t plan to explore much of the history of her family or how she and her husband got together, had a child, were separated by her confinement, and eventually split up. The history is informative regarding her life, though there are some mysteries regarding her treatment at the hospital and her procedure that seemed to make her more ill after birthing her son. I’d rather focus on the poems, but the whole book is an interesting exploration of this family, its dynamics, psychiatric care at the time, and so much more. About 80 pages are dedicated to the family history, family tree, maps of the neighborhoods, and more. About two-thirds of the book is Martha’s poetry, written while she was in the asylum.

**Of note is that there are asides detailing the meaning of metaphors used by Martha, as well as other techniques, which too me seemed overdone and extraneous, but to others could be helpful.**

From the early poems, it is clear that Martha feels betrayed, whether her poems are about a specific or imagined infidelity by her husband, it is unclear. Martha does not specify with whom or when the affair occurs, but it is clear that she is devastated. “When the dearest one she had on earth was unfaithful to his wife./” (from “Forbidden Lust,” pg. 94) Many of these poems read like short diary entries, seeming to be the way in which Martha tries to make sense of the heartache she feels as she has nothing else to do in the asylum but feel and wallow. She even wishes that he could feel the bitterness she does, but by the time he begs her for forgiveness, it will be too late, she says in “Failure.”

In many ways her poems fit nicely in the modernist movement of poetry, mirroring a stream of consciousness style but with rhyme.

One of my favorite poems in the collection is “A Cottonwood Tree.” Martha remembers her love of nature and the changes of seasons, but soon comes to a realization that she has become like the tree, losing its leaves and entering its fall season. “To have no world, nor loved ones near,/All nature’s beauty marred./To be cast into hell, alive,/And in an asylum, barred.//” (pg. 121)

Not all of these poems are merely dedicated to her role as wife and mother. There are some about other patients, etc. These are equally as interesting. Poems From the Asylum by Martha H. Nasch, edited by Janelle Molony, with an introduction from Jodi Nasch Decker, gives readers a glimpse into world of asylums at the time, and into the mind of a woman isolated from her family.

RATING: Quatrain

Check out this interview with Janelle Molony and Jodi Nasch Decker: