Quantcast

Made of Air by Naomi Thiers

Source: GBF
Paperback, 58 pgs.
I am an Amazon Affiliate

Made of Air by Naomi Thiers pays homage to the courage of the feminine — from the woman who’s daughter is disappeared in “Lions” to the woman in “A Kind of Prayer” who hopes her poetry will help tell her intricate story.  In “All or None,” Thiers speaks of Carolyn whose “rays of joy” refused “to leave anyone in shadow.” Each of these women seem to be like the air around us, lifting up others, struggling to survive, pushing back against the heaviest burdens and losses. Their spines may bend from time to time under the weight but there is an internal courage that lifts them higher.

Fear is in your bread
an you must choke it down.
(from "Refugee, 15")
snatched a Sun Chips
and whirled back to her perch,
one crossed leg
bouncing.
Her eyes never lifted.
(from "Feral")

These two poems provide different perspectives on survival. Both are eating with the fear of starvation at their backs, but while the refugee seems to have hope on the horizon despite fleeing the home they know, the feral girl has closed her off to possibility. Thiers work is as complex and as simple as the lives lived around the globe, with the common threads of courage, grief, and perseverance threaded throughout.

Made of Air by Naomi Thiers reminds us that our lives are briefer than we think but as we age, the realization comes more quickly that our time is fleeting. Our mark is made on those lives we touch, the courage we muster when needed, and the love we share together. “The sky and seasons inch the same as in 1976,/as if I’ve stood still while decades slid past,//and I savor the sense of timelessness,/this gem I never knew hid inside my bumpy life./For I feel my own 16-year-old inside, humming/eager, terrified–real as the slow/rain of wild and gentle losses.//” (“The Pearl”).

RATING: Cinquain

Check out her appearance with Jane Schapiro and Miles David Moore at Gaithersburg Book Festival:

Man on Terrace with Wine by Miles David Moore

Source: GBF
Paperback, 90 pgs.
I am an Amazon Affiliate

Man on Terrace with Wine by Miles David Moore reads like the title sounds — a selection of poetic ruminations on life. But these poems are never far from humor or pop culture. Moore has several poems that will make readers stop for a moment to consider — what would it be like if Elvis were in heaven and Hitler was in hell? There are complex emotions explored and the section titles should give you some inclination of what is on the mind of the man sitting on that terrace with win — “It Serves You Right,” “There’s No Crying in Baseball,” and “To Live Completely and a Thousandfold.”

In the first section, Moore’s poems reflect on the idea of “perception,” like what we perceive to be true. A prime example of this is in “A Taste to Die For,” after a quote about Americans’ love for soda and Afghanis love for death. The poem deftly points out, “The man who took aim at you thinks he knows/the things he loves, and the things you love.//” But reading to the end of the poem, it is clear that neither side really knows or understands the other — there is a significant breakdown of communication in favor of perception. In “The Good Fight,” Moore again tackles perception in a reflective piece regarding WWII. The soldier is brave and strong, but in the present, the soldier must relearn how to lace shoes, walk with a cane, and more. “The sky is hazy above you,/a fog of dreams and memories./The decades are your backpack now./” and the soldier must not “look down” or “slip” but for a far different reason today than on the battlefield.

In the second and final section, Moore shifts away from perception into reality — the reality of hurricanes, pop culture (as real as that can be), and so much more. One of my favorite images in these sections comes from “Grandma and the Hurricane” (pg. 41), “The wind is so strong that it blows the constellations around in the sky. Never losing their shape, they are cookie cutters tumbling against each other.” But even in these reality-based poems, there is a nod to the idea of perception — like in “Tom Hanks Was Right,” where the narrator is found thinking about the past and what should have been said and then the narrator is talking to themselves in public. Haven’t we all caught ourselves doing that these COVID days?

Man on Terrace with Wine by Miles David Moore invites readers to be entertained, contemplative, and enjoy life as it comes. This collection is by turns witty and serious, but Moore continues to ask his readers to perceive reality in a way that not only brings joy but also satisfaction. Holding onto reality with a singular perspective can not only be boring, but also limiting.

Rating: Quatrain

About the Poet:

Miles David Moore is a Washington reporter for Crain Communications, Inc. He is founder and host of the Iota Poetry Reading Series in Arlington, VA, a member of the Board of Directors of The Word Works, Inc., and administrator of The Word Works Washington Prize. He is the author of three books of poetry: The Bears of Paris (The Word Works Capital Collection, 1995); Buddha Isn’t Laughing (Argonne Hotel Press, 1999); and Rollercoaster (The Word Works Capital Collection, 2004). With Karren LaLonde Alenier and Hilary Tham, he co-edited Winners: A Retrospective of the Washington Prize, published in 1999 by The Word Works. Fatslug Unbound, a CD of Moore’s poetry read by himself and 14 other poets, was realeased in 2000 by Minimus Productions. His review/essays on the poet John Haines have appeared in The Wilderness of Vision (Story Line Press, 1996) and A Gradual Twilight (CavanKerry Press, 2003).

Check out his appearance with Naomi Thiers and Jane Schapiro at Gaithersburg Book Festival:

Warbler by Jane Schapiro

Source: GBF
Paperback, 57 pgs.
I am an Amazon Affiliate

Warbler by Jane Schapiro is a poetic song of loss, a call to grief and acceptance and to memory. When we lose someone grief can take hold of us and keep us still, but the memories are what move us past the sorrow and into the light. Schapiro is well acquainted with this journey, and the light song of the warbler enables her to travel beyond the swirl of sadness.

Schapiro plays with poetic form in this collection, creating the shape of cracking porcelain as loss becomes a reality — fragmenting her lines and spacing them like so many shards on the floor — in “Porcelain of Loss.” In this poem, the narrator loses a friend, but the last words they speak are not understood because they must be translated from their native language, but it is not this moment that leaves the narrator shattered, it is the loss itself. The feeling of being unmoored continues in “Gravity,” as the narrator drifts titleless at the funeral — not a relative, not a spouse, not quite a friend because of the age difference — these are the feelings of those left behind. Loss and being lost at the same time. Change is incredibly difficult to handle, especially when it is irrevocable.

Erosion (pg. 49)

happens so slowly
    you don't notice
you're dozing
    earlier each night,
settling deeper
    into your chair.
Between now
    and your youth
a canyon
    has formed. From
above you
    see only tiers
switchbacks
    curving. Too tired
to hike
    (your knees the heat)
you scan postcards
    look for freshwater.

Warbler by Jane Schapiro is reflective of loved ones, of time’s passage, and of the gulf between where we began and where we are as we age and move through life. Her verse is beautiful and meditative, allowing the reader to take the journey with her narrators and experience the shock of unwelcome diagnoses and unexpected death.

RATING: Quatrain

Check out her appearance at Gaithersburg Book Festival with Miles Davis Moore and Naomi Thiers:

 

Made to Explode by Sandra Beasley

Source: Purchased
Hardcover, 88 pgs.
I am an Amazon Affiliate

Made to Explode by Sandra Beasley begins its exploration of American life with the poem, “Heirloom,” which conjures all kinds of sentiments in American thinking. It sets the stage for Beasley’s unraveling of culture taken for granted — the past passed down from one generation to the next (sometimes, it is scrubbed a little cleaner and the dark truth of it requires some digging). In these early poems, Beasley is uncovering the roots of her heritage, a father who was deployed and tries to connect with her but fails to see how she’s grown into a young woman in “Elephant.” He collects things from American icons in places of war, like Hard Rock t-shirts, while she strives to connect with him buying things at a Ranger Surplus store. Despite being family, there is a disconnect between them, they are blindly bumbling through the motions of connection. Isn’t this how many of us feel about our parents — those who have lived longer, different lives from us but have not spoken candidly of that life? A mystery to solve?

"The Conversation" (pg.10-2)
....

                 This
is how history claims us:
not in the gesture of one but
in the conversation of many,
the talk that gets the job done.
....

Without these interactions between ourselves and others that lead to action, aren’t we all forgotten as the present moves on without us? Our moments are so fleeting in the grander scheme of time and history. Beasley is picking through history and uncovering things she didn’t know, like a band in “Nostalgia” that had a name to honor Emmett Till, but spelled the name wrong. In her memory, she recalls the joy of their music, but they kept spelling the boy’s name wrong — this does not sit well.

Beasley’s examination of the past and culture expands to include monuments and figures from history, including Thomas Jefferson’s Monticello. She speaks to his “benevolence” regarding his slaves but it is clear that “kindness” extended only so far. Each poem in the collection builds onto the next in a crescendo of unraveling histories, culture lost to a country burying it’s own truth, until a reckoning is all that can be left. She reminds us in “Einstein, Midnight” that “Anything, in the right hands, can be made to explode.”

The final poem echoes C.P. Cavafy’s “Ithaka,” in that Beasley’s journey will be and has been taken through the past, into the present but this journey is not over. Like life and its various moments, we are Made to Explode. Poke into the past and what you thought you knew about yourself and others will definitely be altered, but to blithely live one’s life without examining actions, reactions, past, and present is to have lived a hollow existence without growth, love, loss, and understanding. We cannot build conversation and change without it.

RATING: Cinquain

Check out her panel discussion with Kim Addonizio, Katherine E. Young, and moderator Reuben Jackson at the virtual Gaithersburg Book Festival 2021:

Woman Drinking Absinthe by Katherine E. Young

Source: Purchased
Paperback, 72 pgs.
I am an Amazon Affiliate

Woman Drinking Absinthe by Katherine E. Young is a visceral collection that explores female sexuality through fantastical elements and realistic situations from a woman chained to a bear to a woman dealing with the phantom limb of heartbreak. Young has crafted an emotional roller coaster that is both visually unsettling in places and emotionally scathing. Readers will become voyeurs as the musician plays his muse in “Interval,” imagining the notes one body can play. But at other times, readers will be thrust into the comfort and pleasure of a balanced relationship and a oneness in “Euclidean Geometry.”

If There Is a Hell (pg. 27)

it resembles this street in shadow, this street
and this streetlamp, where you and I cling
Soul Food (pg. 44-45)

That first time when you hit me,
I marveled at the crack

your hand made as it struck
flat against my face.

I should have known right then:
we were headed straight

Young doesn’t just plunge readers into relationships in motion, but those that are over, on the side, breaking apart, and being observed from the outside (like “Calculus”). Nothing is taboo in this collection. In “Place of Peace,” Young reminds us “All my life’s been lived in shadow, pattern/pieced by someone else: daughter, mother//lover. Whore. …” and “So many battles are accidental.” (pg.49-55)

Woman Drinking Absinthe by Katherine E. Young leaves us with the question of what do you do when the wildness is within us? How do we let it free to feel the wholeness of ourselves without causing deep grief and a sense of loss? Is it all just illusory? Young leaves us with a bunch of existential questions, but her language will haunt us, causing us to return to her poems again and again.

RATING: Cinquain

Check out her panel discussion with Kim Addonizio, Sandra Beasley, and moderator Reuben Jackson at the virtual Gaithersburg Book Festival 2021:

The Break-Up Book Club by Wendy Wax

Source: Publisher
Paperback, 384 pgs.
I am an Amazon Affiliate

The Break-Up Book Club by Wendy Wax explores the unexpected friendships of a local book club in Atlanta at Between the Covers bookstore. This is an unusual book club where the members have a wide-range of backgrounds and experiences. Former tennis star Jazmine, empty-nester Judith, young assistant Erin, and bookstore assistant Sara are just four members of this eclectic book club that also has an EMT named Chaz, bookstore owner Annell, a budding fashion designer named Carlotta, and Meena, Judith’s best friend.

“It’s enough to make me wonder whether any of the things we think we know about each other are true.”

At the heart of the book is friendship, especially unexpected friendship, but this novel has a more solemn tone to it than some of Wax’s other, more light-hearted books. These women have experienced significant losses and hard times, and many of their secrets are kept close to the vest. While these women meet for book club to unwind and discuss books, the book club itself isn’t the main focus of the book, so much as the development of the characters. Jazmine is a single mother and a sports agent at a local boutique firm, but she’s haunted by the past, which keeps her closed off, ambitious, and focused on protecting her daughter. Judith is an older married woman whose husband seems even more distant, leaving her wondering what’s the next chapter for them until something tragic happens. Sara is the most blindsided of the four women when she discovers a heavy secret her husband has been hiding. Erin, on the other hand, is a young engaged woman who’s loss is for the best in many ways and allows her to blossom into a stronger version of herself.

“It’s strange how you can know people for so long yet only uncover slivers of who they really are and what they’ve been through.”

Wax explores the boundaries of friendship within this book club. Many readers have joined book clubs and have found friendship, fun, and wine, but would you call of the people in your book club a friend? Do you share personal experiences, talk about your heartaches, and delve deeper than the pages of the book to create lasting relationships outside of the book club? These are the questions that Wax explores in her novel, and while I love her lighter, beach reads, it is clear to me that these characters have depth — more so than her other characters — and that the sorrow in these pages is born of real experience.

My only complaint would be that the online dating mystery is wrapped up rather quickly and is too simplified, making it seem like an afterthought or something that was added to make it the book more relevant to today’s dating world. However, The Break-Up Book Club by Wendy Wax is an excellent read that explores friendship and how it can evolve over time as long as you are willing to open yourself up and be vulnerable. Definitely a read you won’t forget.

RATING: Quatrain

About the Author:

Wendy Wax, a former broadcaster, is the author of sixteen novels and two novellas, including My Ex–Best Friend’s WeddingBest Beach EverOne Good ThingSunshine BeachA Week at the LakeWhile We Were Watching Downton AbbeyThe House on Mermaid PointOcean Beach, and Ten Beach Road. The mother of two grown sons, she has left the suburbs of Atlanta for an in-town high-rise, that is eerily similar to the fictional high-rise she created in her 2013 release, While We Were Watching Downton Abbey.

Now We’re Getting Somewhere by Kim Addonizio

Source: GBF
Paperback, 96 pgs.
I am an Amazon Affiliate

Now We’re Getting Somewhere by Kim Addonizio is a collection that you can hold close in your shelter-in-place during the pandemic and know that anything that happens behind closed doors is just kalsarikdnnit, but that doesn’t mean we shouldn’t shut the world out and ignore our problems. Opening with “Night in the Castle,” the narrator has already given up on mercy long ago. The poet infuses this poem with injustice, privilege, and anger, recalling the clashing armies of history and the bleakness of regicide.

The poet is calling our attention to the darkness of humanity, from our clashes among ourselves and the destruction that results to the changing climate we’ve had a hand in expediting. “The earth is about used up/like a sodden tampon & no place to throw it away/” (pg. 14) and “Even the ocean is gasping for air/” (pg. 15), but these are things we already know, yet we are too complacent, too privileged to see that action is required. However, many of us feel as the narrator does in “In bed” that it is all to enormous to tackle head on or deal with daily, we’d rather just put our heads under the covers and ignore it all. We want a hibernation from the ugliness of the world.

But don’t assume that the collection is all doom and gloom, though the humor is a bit dark. My father would definitely appreciate her humor in Résumé:

Résumé 

Families shame you;
Rehab's a scam;
Lovers drain you
And don't give a damn.
Friends are distracted;
Aging stinks;
You'll soon be subtracted;
You might as well drink.

As a writer, I absolutely appreciated the third section of this collection – “Confessional Poetry” — in which writing is compared to “firing a nail gun into the center of a vanity mirror” (pg. 41) or “like sewing rhinestones on your traumas” and “wearing them” at a “pain festival” (pg. 42)

I really like feeling something when I stagger into a poem
& having a place to lie down & cry

Now We’re Getting Somewhere by Kim Addonizio is as much of an introspective emotional and existential journey as it is a confession that we are no where near perfect human beings. We all have a lot of work to do emotionally, spiritually, and philosophically, but as we struggle with these internal paradigms, we’re also watching the world suffer around us and degrade. How do we break through the malaise and paralysis to make progress with ourselves and the world? Perhaps by being less serious about everything, allowing ourselves to fall apart, and taking action that makes actual progress as opposed to the actions that people deem as “making progress.”

RATING: Cinquain

Check out her panel discussion with Sandra Beasley, Katherine E. Young, and moderator Reuben Jackson at the 2021 Gaithersburg Book Festival:

How To Be an Antiracist by Ibram X. Kendi (audio)

Source: Purchased
Audible, 10+ hrs.
I am an Amazon Affiliate

How to Be an Antiracist by Ibram X. Kendi, read by the author, is a phenomenal listen. I want to read the book as well in print. Kendi has the perfect voice for this book, and it makes the personal stories far more relateable. Much of this resonated with me because I grew up in the 1990s and I saw many of these phenomena that Kendi talks about. The idea that “color” is no longer seen is obviously ridiculous, but the sentiment is even more trying when systemic processes and socialization force us to “see” color as thug or criminal or worthy of the benefit of the doubt or forgiveness, etc.

“The hate that hate produced. … More hatred makes them more powerful,” Kendi says. He himself is a victim of this, enabling the racist policies and power to continue and gain strength. Hating white people becomes hating black people and vice versa, he adds. His arguments can be convoluted and circular in his narration, which is another reason, I’d like to read the text because I tend to absorb these kinds of concepts better in print than audio. I was particularly fascinated by his conclusion that white supremacy is actually a nuclear ideology that is anti-human because many of the policies it opposes actually would have helped their poor white brethren, so the question is which white people are supreme? Those with more money, at least so it seems from the examples provided by Kendi.

Kendi also reminds us that we often look for theories and evidence that validates our points of view or biases. None of us are immune to it, but we can be watchful for data that caters to those biases and learn how to see through the fog. The story of Kendi in college coming to a conclusion that white people are aliens and that’s why they hate blacks is an illustrate of this point. What we need to understand is that racism is the lumping of one group of people into a group to be looked down upon or turned into the “enemy” or “evil” other. We all have the power to protest racist policies, no matter where in the power structure we are.

The only drawback for me was that Kendi tends to get sidetracked and the narrative becomes convoluted, which muddles the message in some ways. His narrative also is far from linear. I do like how he personalized his examples to demonstrate that all people are capable of racism. This is a message we all need to hear and understand, so that we can be prepared to move away from racism as the human race.

How to Be an Antiracist by Ibram X. Kendi reminds us not to fall under the mind control of white supremacy that we have no power — if they control your thinking, they control you. These are wise words. Now, if you are looking for a practical guide on how to accomplish real change in policy and processes, this is not the book for you. What you need is to take the lessons in this book about identifying racism and resisting those policies, affecting change, and standing up to the oppression of yourself and others.

RATING: Quatrain

Little Wars by W. Luther Jett

Source: Purchased
Paperback, 32 pgs.
I am an Amazon Affiliate

Little Wars by W. Luther Jett (full disclosure: we are in a poetry work-shopping group together) begins with “Recessional” a poem-like hymn in which a poet realizes that he works on a poem in night as many men before him have done and that they are all connected to one another in infinite time and space and that all of these poets are these poems. This poem sets up the rest of the collection’s theme of universality and how the little wars we wage with ourselves and others have come before and likely will continue, but for the hope that we can change and be more peaceful. The slivers of light, the blue of the sky, all of these images provide us the glimpse of hope on a distant horizon.

From "Storm Bear" (pg. 14)

...With great claws,
it scattered sand, wiped away the line
we'd drawn between desire
and circumstance. Roaring,
the storm fell upon us, ... 

Wars can begin just like that; a tipping point of rage that wipes it all away, moving into the unchecked desire (for more power, for revenge, etc.). The trembling of these battles whether in the past or far from us still can be heard, if we listen close, like the narrator of “Poppies” — the reverberations remain — the consequences spiral out and are an influence on today, this moment. “We didn’t know there are no/little wars–no distance/we cannot reduce to nothing.//” (“Vanishing Point/Ach Du” pg. 17)

And “A War Story” explains just how we, ourselves, can be reduced to nothing by war — the war itself may seem large and incomprehensible, but the impact is very real, very personal. “Epitaph,” which follows it, is equally devastating in its truth about praising the dead as heroes when they would more than likely prefer to be alive and left unpraised for doing simple things you’d do normally without war at your doorstep.

Little Wars by W. Luther Jett reminds us of all the costs of war and that “we choose” to make them. What would happen if we chose another path? Makes you wonder, doesn’t it?

RATING: Cinquain

Other Reviews:

Advanced Lift-the-Flap: How Your Body Works by Rosie Dickins

Source: Purchased
Hardcover, 16 pgs.
I am an Amazon Affiliate

How Your Body Works by Rosie Dickins from Usborne is full of information in easily digestible chunks for young kids. From the organs to growth and eating, this book covers a lot. Some of the book covers nutrition and the importance of exercise, but there is a lot about immunity, germs (good and bad), and about different levels of maturing the body goes through.

My daughter could read most of this on her own as an elementary school student, which is great because it provides her with interesting facts, real microscopic images of the tongue and other things, and engaged her. She was eager to lift the flaps to learn more, and she was excited to share what she learned with the rest of the family.

The book is visually engaging with full-color images of the body and germs and other things. How Your Body Works by Rosie Dickins is a book that children can read over and over. It’s definitely a fun way to introduce important topics like eating healthy and exercising as well as puberty to young kids. My daughter enjoys science, and this book really held her attention, even when she knew some of the facts already from school.

RATING: Cinquain

Alone! by Barry Falls

Source: Media Masters Publicity
Hardcover, 32 pgs.
I am an Amazon Affiliate

Alone! by Barry Falls is a colorful picture book that focuses on how to adapt to change, make friends, and find balance. Billy McGill lives on a hill and he lives there alone, at least until a mouse decides to enter his life. He’s distraught with all the skittering and heads into town for a solution — a cat. The only problem is that the cat and the mouse run about the house, and it forces him once again to head into town for a dog. You can see where this little story is headed by the animals on the cover.

Billy is used to being alone and having his quiet time, but as we all know, life often throws us curve balls and we have to figure out how to deal with change. Billy doesn’t do well with change at first, and gets so upset he yells, even as he turns to a vet and a hairdresser for help with these animals tearing apart his house. Falls does a really spectacular job of creating a rhyming story that doesn’t sound trite or forced, and it will definitely engage younger readers immediately.

Older readers will find Billy a bit mean at first, but as the story progresses they see him change and become more accepting and able to navigate the new things in his life, while still maintaining that peace and quiet he loves about living on the hill. Alone! by Barry Falls would be a fantastic addition to any school library or child’s home library.

RATING: Cinquain

Diary of a Pug: Pug’s Got Talent by Kyla May

Source: Purchased
Paperback, 80 pgs.
I am an Amazon Affiliate

Diary of a Pug: Pug’s Got Talent by Kyla May is the fourth book in the series, but readers could start with any book in the series because they are self-contained episodes and include enough background for kids if they start in the middle. Baron von Bubbles, aka Bub, is still a big fashionista, but in this one his owner, Bella, has a new focus — creating a pet talent show.

Bub learns some new show biz words and learns how sometimes assumptions about others are not accurate. My daughter loves this series, especially that Bub is afraid of water and Nutz the squirrel is always causing trouble. Diary of a Pug: Pug’s Got Talent by Kyla May is a cute story about a talent show and a pug that learns to work with other pets who may not be his favorites.

RATING: Quatrain