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Follow Me by Joanna Scott

Welcome to the April Hachette Group Early Bird Blog Tour for Joanna Scott’s Follow Me.

About the Book (From Hachette Website):

On a summer day in 1946 Sally Werner, the precocious young daughter of hardscrabble Pennsylvania farmers, secretly accepts her cousin’s invitation to ride his new motorcycle. Like so much of what follows in Sally’s life, it’s an impulsive decision with dramatic and far-reaching consequences. Soon she abandons her home to begin a daring journey of self-creation, the truth of which she entrusts only with her granddaughter and namesake, six decades later. But when young Sally’s father–a man she has never known–enters her life and offers another story altogether, she must uncover the truth of her grandmother’s secret history.

At more than 400 pages, Joanna Scott’s Follow Me is a very detailed account of Sally Werner’s background as told by her granddaughter, Sally. Scott has a gift for detail, which can become a drawback when Sally Werner is wandering in the woods after leaving her baby with her parents. The twists and turns Sally’s life takes are driven by her fear and her desire to fit in without revealing her true self in each new location, but often the poetic prose gets in the way. It isn’t until page 53 that readers discover Sally has red hair, and readers find this out at the moment when Sally is getting her hair dyed blond. Scott’s writing vacillates from run-on sentences to short fragments, both of which readers may find slow down the plot.

“Running, Running, Running up the jagged slope behind the rows of new corn, over the stone wall, through the woods and meadows. Sting of nettles. Gray sky of dawn. Bark of a startled deer.” (Page 15)

In some cases, the narrative opts for telling the reader what’s going on, rather than showing the action and development through character interaction. Moreover, detailed backgrounds of side characters like Gladdy Toffit are asides that do not propel the plot or character development forward.

“Other days she’d [Gladdy] dress in one of the three rayon skirt-suits she owned, gather bills from the rolltop desk in the living room, and get in the car and drive to the bank in Amity to confer with the person she called her financial adviser. Late in the afternoon she’d come back home to pour her bourbon, urging Sally to join her because, as she claimed, she didn’t like to drink alone.” (Page 119)

Scott introduces Mole into Sally’s life, and that’s when readers will begin to cheer her on, hoping she will take this new opportunity to turn her life around, grab onto her responsibilities, and emerge a stronger woman. When these characters come together, the scene is full of playful tension and drama as he and his friends sit in a room playing Russian Roulette.

“It was similar to a dream, inevitable and natural and illogical. A slanting light shone from the lantern; the radio crackled its song; the river splashed; the crickets chirped; the tension made breathing impossible; the air was so thick the boy could hardly lift his arm, raising the gun to his head in an attenuated motion, the effort exhausting him, drenching him in sweat, the heat of fear turning his pale skin into melting wax.” (Page 104)


About halfway into Follow Me–which as a title works well for this journey type of novel–the drama heats up forcing Sally Werner to make a tough choice, and these scenes were the most vivid and well crafted. These scenes are the most vivid because they propel the plot, they are full of action, and you are right there with Sally in the thick of it, watching how these events bring out her inner strength and how they are bound to impact and force her to take conscious action.

“It meant she had to cover her face, so the next time he hit her his knuckles struck the back of her hand, bouncing her head away from him but not actually hurting her, which only enraged him more, and with a swift movement he yanked her arm away . . . his fist caught her in the mouth, driving into her gullet, shattering bone, filling her vision with a blank darkness that matched the sky.” (Page 206)

“But Sally could guess what the sound signified and looked up in time to catch a glimpse of Leo leaping from the peaked roof above the door. But she didn’t know he had landed on Benny Patterson until she felt her attacker veer backward. He would have pulled her with him if she hadn’t ripped herself free from his grasp. He stumbled, tripped over the corner of the step, and as the cat leaped forward, Leo’s weight exacerbated Benny’s fall; he plunged backward, his feet came out from under him, and his head snapped hard against the brick wall of Potter’s hardware.” (Page 208)

Overall, it takes a long time to be drawn into this book, and readers may have a difficult time getting a fix on Sally Werner’s character. It was hard to feel sympathetic toward her when many of the problems she faces are self-created and she often portrays herself contrary to her own actions. For instance, she considers herself a hard worker and reliable, but she gives birth and leaves her child within 24 hours of bringing him into the world, which is not a prime example of a reliable woman. Scott’s prose is beautiful, but readers can easily lose their footing in the world Scott tells rather than shows her readers. Clearly, Scott is a gifted writer and uses description well to create a vivid scene, but this story may have worked better if it was told in a different way. Those readers who enjoy generational novels and coming of age stories may be interested in this novel unless they have a rough time with overly descriptive novels.

About the Author:

Joanna Scott is the author of nine books, including The Manikin, which was a finalist for the Pulitzer Prize; Various Antidotes and Arrogance, which were both finalists for the PEN/Faulkner Award; and the critically acclaimed Make Believe, Tourmaline, and Liberation. A recipient of a MacArthur Fellowship, a Guggenheim Fellowship, and a Lannan Award, she lives with her family in upstate New York.

Some of the Hachette Group Early Birds Blog Tour Participants:

Peeking Between the Pages
Bermudaonion
My Friend Amy
S. Krishna’s Books
Booking Mama
The Tome Traveller
Diary of an Eccentric
A Novel Menagerie
Necromancy Never Pays
Caribousmom
Drey’s Library
Redlady’s Reading Room
The Burton Review
A Bookworm’s World
Jenn’s Bookshelf

***Giveaway Details***

Hachette Group has offered one lucky U.S./Canadian reader a set of Joanna Scott’s books: Follow Me, Make Believe, Everybody Loves Somebody, Liberation, Tourmaline.

1. One entry, leave a comment on this post other than “pick me” or “enter me”
2. Second entry, blog, Facebook, Twitter, or spread the word and leave a link or comment on this post that you’ve done so.
3. Third entry, follow this blog and let me know.

Deadline is May 4, 2009, 11:59 EST.

*** Giveaway Reminder***

Don’t forget to enter the Keeper of Light and Dust giveaway, here and here. Deadline is April 28 at 11:59 PM EST.

There’s a giveaway for 5 copies of Girls in Trucks by Katie Crouch, here; deadline is April 29, 2009, 11:59 PM EST.

A giveaway of The Mechanics of Falling by Catherine Brady, here; Deadline is May 1 11:59 PM EST

The Mechanics of Falling by Catherine Brady

Welcome to the TLC Book Tour for The Mechanics of Falling and Other Stories by Catherine Brady. You’re in for a real treat today, not only a review, but also an interview and giveaway for my U.S. readers.

They came back inside to find Owen still at the table, a shot glass engulfed by his long, broad-tipped fingers. He was older than the others, his face taut and creased, so tall that he had to slouch in his chair to keep his knees from banging the table. He claimed he was the only black man within a radius of ten miles. What am I doing here? he said. I can’t walk through the campgrounds alone at night. (“Looking for a Female Tenet,” Page 7)

Catherine Brady’s had a lot of practice writing short stories, and it shines through in The Mechanics of Falling & Other Stories. In “Slender Little Thing,” Brady modifies a poetic form, known as Pantoum, in which the second and fourth lines of the first stanza are repeated as the first and third lines of the next stanza. The Pantoum is a variation of the Villanelle, in which the first and third lines in a three line stanza poem are repeated as a refrain alternately throughout the poem. Here’s an example of a Pantoum and an example of a Villanelle. Poets interested in form will enjoy this story because it uses a version of these forms to hammer home the heart of the story where a mother, Cerise, struggles with her lot in life as a nanny to richer parents and as a nurse assistant in a nursing home while trying to raise her daughter, Sophie, to be more than she is.

“The Dazzling World” packs a punch when Judith and Cam are robbed at gunpoint in a foreign country on their way to meet Judith’s sister at her archaeological dig site. Not only does this story immerse readers in a foreign nation, it also leads them on a journey of discovery, almost rediscovery for Judith.

While these stories are each around 20-30 pages each, the characters are complex and on the verge or dealing with a perspective shattering event. Many of these characters are somber, and more than complacent–resigned–until an event jars them awake to look at their world through different eyes.

She pulled a compact from the purse that still hung open on her arm, angling the mirror to examine her hair, reaching up to snag unruly strands. Of the beautiful, fluttering girl, only this artlessness remained. (“Scissors, Paper, Rock,” Page 85)

Settings in this volume of short stories are varied; the characters share common traits, but lead different kinds of lives–two young waitresses trying to pay for college and find themselves, a horse rancher and his roommate’s game of relationship chess, a mother trying to raise her daughter successfully and send her off to college, a couple whose relationship is disintegrating, and many more. Readers will enjoy the surface of these stories as well as their deeper meanings beneath the layers of protective skin. Brady’s prose is captivating and thought provoking all in just a few lines, and she easily fuses poetic lines and techniques into her narratives. (I should have asked her if she writes poetry.)

I want to thank Catherine Brady for her time in answering my questions about her writing. Check out the giveaway details after the interview. Without further ado, here are her answers:

1. I noticed on your website that you’ve published a number of successful short story collections. What is it about your execution of the genre that you think has made it so successful and do you have plans to expand into novel writing?

I feel lucky to have published three collections and for my work to be included in Best American Short Stories. I have a little bit of trouble defining success. If I were fully satisfied by any of my stories, I could quit and take it easy. I think you keep writing because you haven’t achieved all your ambitions for your work. The short story is such a challenging form that there’s plenty left for me to shoot for, and I really, really love the form. I could probably do a better job of defining what I am aiming for than guessing whether I’m successful or not.

I believe a good story satisfies any reader in the most basic way—you care about the characters and their fate. Art always opens a door for any reader, so if you like the plot, or connect with the characters, or enjoy the language, or even dissect every sentence, the story should reward you for whatever effort you are willing to make (and reward you more for more effort). The kind of story I hope to write is one that asks the reader to do some of the imagining and promises to engage her heart as well as her mind.

I am working on a novel right now, and I’ve really been enjoying the writing, which has never been true when I’ve attempted a novel before. So maybe someday I’ll have a novel.

2. Do you find publicizing your short story collections is more challenging that it would be to market a novel? Why?

Yes. It’s more difficult to promote stories. People assume they’re going to be literary and obscure and more difficult than a novel, and nobody really expects you to sell very many copies. It’s much easier to label a novel as being about a specific subject, and what people most enjoy about novels is the chance to get really intimate with a character. A book of stories keeps moving you on to a new set of characters and then another new set. BUT . . . each story should offer you the sudden, deep knowledge of another person that you experience in life when you’re thrown together with someone in a crisis. Which is a different kind of satisfaction.

3. Would you like to share some of your obsessions and how they keep you motivated or inspired?

In a story collection, you’re often writing about people whose lives have unexpected things in common. You get to explore how different people might be dealing with similar or related predicaments, and for me, the best thing about this is that each story poses its own truth, and each truth is partial. I’m obsessed with “yes, but” kinds of questions.

I’m also really motivated to write because you don’t know what will happen once you really get to work. You might think the story is headed in a particular direction, but nine times out of ten, surprises crop up. I often anticipate a story is going to end at a certain point, and I’ll be writing away when all of a sudden, much sooner than I’d expected, the ending just leaps up and declares itself. I’m also obsessed with grammar—prim pince-nez correctness but also the way that you can use sentence structure to build out a story, to make it more three-dimensional. I have strong personal feelings about punctuation, I like to pile up things in a long list, I hate semi-colons—you get the idea. Writing is something of a fetish. But it’s also a craft, and I want to get better at making a beautiful object. Musical sentences. Surprising images. Intricate little tricks that a reader might never notice, but I’ll know that they are there. So, for example, in The Mechanics of Falling and Other Stories, there are images of boxes and containers in nearly all the stories, which makes sense for a collection that’s concerned with how people are held in place in their lives, when that feels like safety and when it feels like a trap. I like knowing that there is this “below the radar” connection among the different stories.

4. If you could choose your favorite story from The Mechanics of Falling and Other Stories, what would it be and why?

I probably have a few favorites. I’m partial to “Slender Little Thing,” because it has a form that uses repetition in ways that aren’t supposed to be used in stories. I like to break rules once in a while, and this is also a story that means a lot to me personally. The main character is someone whose life can seem really hemmed in if you take a certain view of her, and one of the reasons I wanted to use repetition was to get that perspective on the page, so that I could then try to counter it. Let the reader see what’s wearingly repetitive and also what can’t be accounted for by a simple summing up of her life.

I also like “Dazzling World” and “Looking for Female Tenet.” I like “Wicked Stepmother” at least in part because some people have mentioned they didn’t much like the main character, and you always defend the child who’s being criticized by someone else.

5. Please describe your writing space and how it differs (if at all) from your ideal writing space.

I like the space that I’m working in. My home office opens on to our tiny back yard so I’ve got great light and I can look out at our garden. I’ve crammed in as many books as will fit, and I have a great big desk so that I can make a mess when I’m working and scatter papers all over. I really need to have my favorite books close by—when I get stuck, I just open a book of Pablo Neruda’s poems or Alice Munro’s story so I can remember that anything is possible, that a sentence might lead anywhere. It also helps to bow several times before Chekhov’s collected stories.

About the Author (From Brady’s Website):

Catherine Brady’s most recent collection, The Mechanics of Falling & Other Stories, was published in 2009. Her second short story collection, Curled in the Bed of Love, was the co-winner of the 2002 Flannery O’Connor Award for Short Fiction and a finalist for the 2003 Binghamton John Gardner Fiction Book Award. Brady’s first collection of short stories, The End of the Class War, was a finalist for the 2000 Western States Book Award in Fiction. Her stories have been included in Best American Short Stories 2004 and numerous anthologies and journals. Click Here to Read more about Catherine. Read some excerpts, here. Check out Catherine Brady’s list of appearances and her other tour stops with TLC Book Tours.

***Giveaway Details (Only for U.S. Residents)***

Catherine Brady has offered 1 copy of The Mechanics of Falling and Other Stories to one of my U.S.-based readers.

1. Leave a comment on this post about the review or interview and you receive one entry.

2. Blog or spread the word about this giveaway and leave a comment here with a link.

Deadline is May 1, 2009, 11:59 PM EST.

THIS GIVEAWAY IS NOW CLOSED!

***My Other Giveaways***

Don’t forget to enter the Keeper of Light and Dust giveaway, here and here. Deadline is April 28 at 11:59 PM EST.

There’s a giveaway for 5 copies of Girls in Trucks by Katie Crouch, here; deadline is April 29, 2009, 11:59 PM EST.

The Traitor’s Wife by Susan Higginbotham

I recently received The Traitor’s Wife by Susan Higginbotham from Sourcebooks for review and this April blog tour. Stay tuned for a giveaway after my review.

Susan Higginbotham’s research shines through in this historical fiction about the reign of King Edward II. Despite the large cast in this book and the multiple Edwards, Hughs, and Joans, readers will not have a hard time keeping track of the characters and even if they get stuck, there is a handy character breakdown in the front of the book. I don’t know much about 14th Century England, but I do remember Robert the Bruce from Braveheart, who does make a few appearances in the novel.

King Edward II is thrust onto the throne despite his wild ways after his father’s death, and his niece Eleanor becomes Isabella of France’s lady-in-waiting, Edward’s new bride and queen. Sweeping through battles, bedroom scenes, and the court, readers will get an inside look at the kingdom and the politics that dominated England in the 14th Century. After checking some historical information, quite of bit of Higginbotham’s plot is based upon well known facts about King Edward II and his kingdom at the time.

This novel is told from Eleanor’s point of view, which will quickly absorb the reader in the story and how the political uprisings impacted her family and her husband, Hugh Despenser the Younger. The passage below occurs between the new queen, Isabella, and Eleanor.

“‘And this Gaveston? Do you truly believe he and the king are nothing more than brothers to each other?’

‘I don’t know, your grace, and it would be presumptuous of me to guess, I think. I can only tell you this: The king loves Gaveston more than anyone in the world. And Gaveston for all of his ways loves the king too, I think.’

‘And I should accept this?'” (Page 23)

Readers will find the back-and-forth of the dialogue engrossing, and the prose is vivid, like the passage below when Eleanor trudges through the woods:

Walking in the opposite direction from the men, and praying that there were none to follow them, she caught sight of a stream. It would certainly lead her to the river. Sobbing with relief, she hurried to the stream, not seeing in the growing darkness the root that caught her foot and sent her headlong down the bank and into the water. Soaked to the skin, her hands scraped on the pebbles she had grabbed in a vain effort to stop her fall, she emerged coughing and sputtering from the water, only to find that her throbbing ankle would not bear her weight. She crawled out of the stream and pulled herself upon a large rock, utterly defeated. (Page 48)

Although there are several instances when Hugh, Eleanor’s husband, disappears, readers are not likely to be convinced of his blind ambition, which emerges later in the novel. Oftentimes, Hugh seems not to care much for court or the politics of the age when he interacts with his father, and he fails to show himself at court early on in his marriage to Eleanor, which to many readers could signify his ambivalence to wealth and power. However, Hugh plays a central role in the novel, seeking greater power, land, and favor from King Edward II. Another drawback to the novel is the tendency for the prose to tell rather than show plot points. Overall, this novel is engaging and informative for readers interested in 14th Century England and the nation’s struggles with Scotland and its political regime.

***Giveaway***

I have 3 copies for U.S./Canada residents available from Sourcebooks and 1 copy, my gently used ARC, for an international recipient.

1. Please leave a comment here about your favorite historical novel for 1 entry.

2. For a second entry, come back tomorrow and leave a comment on my interview with Susan Higginbotham tomorrow, April 16.

3. Spread the word about the giveaway and leave a link on this post for a third entry.

***Remember to leave your email address and indicate if you are international in your comments***

Deadline is April 22 at 5PM

THIS GIVEAWAY IS NOW CLOSED. For a list of winners, go here.

About the Author (from her Website):

Susan Higginbotham has been writing, off and on, as long as she can remember. Her first stab at a historical novel was in junior high school, where she whiled away my study halls writing about the adventures of five orphaned siblings living through the Blitz. Fortunately, most of the details have escaped her, but as she recalls her characters had an endless supply of money and very few relatives to get in their way. Aside from the remarks such as “There’s a war going on, you know” that she cleverly threw in once in a while, the characters could have just as easily been living in the suburbs of Washington, D.C., in the 1970’s (like herself) as in London in the 1940’s. But everyone has to start somewhere, eh?

Read Susan Higginbotham’s Website for the rest of her biography, here, and check out her blog, here. You can buy this book here in the United States and here in Canada.

Check out the other stops on the tour:

An Offer You Can’t Refuse by Jill Mansell

I received my ARC of Jill Mansell’s An Offer You Can’t Refuse from Sourcebooks for review.

An Offer You Can’t Refuse is witty, charming, engaging, and Chicklit to the max.

“‘I didn’t know reading could be like that, I had no idea. I’ve just never been a booky person. All these years I’ve been missing out.’

‘Ah, but now you’ve seen the light.’ . . . ‘You’ve become one of us. Welcome to our world; you’re going to love it here.'” (Page 100)

For a reviewer this was a treat to find in a book, this is definitely how many of us feel about books and reading, and reading these lines instantly cemented my attention to this book.

Lola is a young girl in love with a boy, Dougie, whose family is wealthy and whose mother hates her guts. His mother makes her an offer that she can’t refuse, so she takes it and says goodbye to the love of her life in a “Dear John” letter. Fast-forward to the present day and we find Lola has grown up physically, but still wears the same teenage, low-cut clothes and finds herself being mistaken for a prostitute when she walks into London bookstore after living in Majorca for about a decade. Eventually, Lola becomes more grounded and is the bookshop manager, but just as she thinks her life is stabilizing and in a good place, things get all topsy-turvy again.

This novel starts off in Lola’s past, but readers may find that more background is necessary, particularly where her relationship with Dougie is concerned. The only drawback of this novel, which really isn’t one, is that Lola’s story is pushed to the sidelines quite a bit as the Sally’s story takes center stage. However, Mansell carefully weaves the narration back to Lola and the resolution of her story. Readers may want to see more of Dougie, since he is one of the main characters but does not share equal narrative footing with the other narrators: Lola, Sally, and Lola’s friend Gabe.

“Aloud she said, ‘I’m guessing you don’t go into many bookshops.’

‘Me? No way.’ Proudly the boy said, ‘Can’t stand reading, waste of time. Hey, fancy a drink?’

‘No thanks. Can’t stand drinking, waste of time.’

He looked shocked. ‘Really?’

‘Not really. But drinking with you would be a huge waste of time.’ Lola excused herself and made her way over to the bar where Gabe, whose leaving party it was, was chatting to a group of friends from work.” (Page 37, 38)

Mansell’s writing is engaging, and though some of her characters, like Lola and Dougie’s sister Sally, are shallow at first, the complications in their lives force them to look beyond their own lives and come to terms with themselves, their families, and their love lives. Mansell’s An Offer Your Can’t Refuse is recommended for readers who love British humor, chicklit, and are in need of summer reading.

About the Author:

Jill Mansell lives with her partner and children in Bristol, and writes full time. Actually that’s not true; she watches TV, eats fruit gums, admires the rugby players training in the sports field behind her house, and spends hours on the internet marvelling at how many other writers have blogs. Only when she’s completely run out of displacement activities does she write.

***Giveaway***

Sourcebooks has offered 1 copy of Jill Mansell’s An Offer You Can’t Refuse to one lucky U.S. or Canadian reader.

All you have to do is comment on this post with something other than “pick me” or “enter me.”

Deadline is April 11, Midnight EST.

Come back tomorrow for my interview with Jill Mansell and another opportunity to enter the giveaway!

Also Reviewed By:
A Bookworm’s World
Diary of an Eccentric
Booking Mama
Book Escape
Reading Adventures

The Lucky One by Nicholas Sparks

I received Nicholas Sparks’ The Lucky One from Miriam at Hachette Group, and I sent it off to my mom for review. So without further ado, here’s my mom, Pat, and her review of The Lucky One.

Logan Thibault finds a picture in the dirt on his third tour of duty in Iraq. He keeps the picture hoping that he will find the owner. His best friend and buddy has an explanation for Logan’s good luck, the picture is his lucky charm.

Logan walks cross country with his dog from Colorado, stopping in towns to show the picture to people he meets. Nobody recognizes it. He ends up in Hampton, North Carolina where he meets Deputy Keith Clayton, who is divorced from Beth. Clayton and Beth have a son, Ben.

The journey Logan takes to find the picture’s rightful owner is engaging and demonstrates the hardships family and friends can undergo. Sparks creates a heart-wrenching story. This is a must read, fast-paced novel. I give this five stars.

Galway Bay by Mary Pat Kelly

Welcome to the March Early Birds Tour from Hachette Group and Grand Central Publishing for Galway Bay by Mary Pat Kelly on this fine St. Patrick’s Day. As an added treat with my review, please check out the discussion with Mary Pat Kelly on BlogTalkRadio at 11 AM-12PM EST.

“I was used to the give-and-take of a large family, where one broke in on the other, splintering sentences, bouncing thought away from meaning. But Michael and I listened to each other, each waiting as the other found words for what we’d never said before, never even thought before, giving shape to dreams and to fears. I’d no idea I was such a worrier–the ifs and buts that flowed out of me. Michael teased them away.” (Page 105-106)

Sweeping novels that span several generations must be well-crafted to hold readers’ attention, especially if the historical novel is going to be more than 500 pages. Mary Pat Kelly’s Galway Bay will suck readers in, churn them in rip currents, and spit them out in untamed America along with the Kellys, Leahys, Keeleys, and other Irish immigrants fleeing their homeland during the repeated potato blights and following The Great Starvation.

Honora Keeley is set upon entering the convent until she meets the dashing novice adventurer Michael Kelly. She’s a fisherman’s daughter with a rich heritage steeped in lore and myth and he’s the son of a blacksmith forced out of his home when his parents die and the blacksmith shop is no longer his family’s anchor. They find each other in the good times and suffer through the potato blight, famine, the cruelty of the Sassenach (English) and landlords, and the rise of Protestantism. After a great deal of sacrifice and heartache, the Kellys have no choice but to flee their homeland to begin again in Amerikay.

Kelly’s poetic prose places the reader beside Honora as she makes her way through thick fog, a fog that has brought blight on potato farms in the past. It also will have the reader cringing as they stick their hands in the dirt, finding muck rather than hard potatoes to feed their bellies.

“The fog wrapped itself around me, heavy and moist. I’ll go along the strand–faster, and the tide’s out. I could hear the waves hitting against the fingers of rocks that stretched out into the water, but the fog hid the Bay from me.” (Page 120)

“I crawled to another patch and plunged my hand into the foul-smelling mess. I felt a hard lump–a good potato. But when I grabbed it, the potato fell apart in my hand, oozing through my fingers.” (Page 128)

Kelly creates well rounded characters from strong-willed Honora to her quirky grandmother and from gifted storyteller Michael Kelly to quick witted Maire. Frank McCourt’s quote on the cover of Galway Bay is spot on, this book will have readers laughing, crying, and cheering Honora and Maire onward. Kelly’s narrative will bring readers to tears more than once, but as they struggle alongside Honora and her family, they too will grow stronger and more aware of the blessings family can bring. Galway Bay is a mixture of narrative poetry and prose that generates its own folklore that will be told from generation to generation for years to come. It will be on my top 10 list for 2009, how about yours?

***Giveaway Details***

From Hachette Group, three copies of Galway Bay for three lucky U.S. or Canada readers; No P.O. Boxes please.

I will spring for one copy of Galway Bay for one lucky international reader outside the U.S. and Canada, so make sure you let me know who you are.

To Enter:

1. Leave a comment other than “pick me” or “enter me.”

2. Spread the word about the contest and leave a link here for a second entry.

3. Share your favorite St. Patrick’s Day tradition for a third entry.

Deadline is March 24, 5PM EST

About the Author:
As an author and filmmaker, Mary Pat Kelly has told various stories connected to Ireland. Her award-winning PBS documentaries and accompanying books include To Live for Ireland, a portrait of Nobel Peace Prize winner John Hume and the political party he led; Home Away from Home: The Yanks in Ireland, a history of U.S. forces in Northern Ireland during World War II; and Proudly We Served: The Men of the USS Mason, a portrayal of the only African-American sailors to take a World War II warship into combat, whose first foreign port was Belfast. She wrote and directed the dramatic feature film Proud, starring Ossie Davis and Stephen Rea, based on the USS Mason story.
She’s written Martin Scorsese: The First Decade and Martin Scorsese: A Journey; Good to Go: The Rescue of Scott O’Grady from Bosnia; and a novel, Special Intentions. She is a frequent contributor to Irish America Magazine.
Mary Pat Kelly worked in Hollywood as a screenwriter for Paramount and Columbia Pictures and in New York City as an associate producer with Good Morning America and Saturday Night Live, and wrote the book and lyrics for the musical Abby’s Song. She received her PhD from the City University of New York.
Born and raised in Chicago, she lives on Manhattan’s Upper West Side with her husband, Web designer Martin Sheerin from County Tyrone.
Check out her blog for Galway Bay, here.
Check out the Book Club Discussion Guide, here.
“An Honor” by Mary Pat Kelly about her journey through Galway Bay and her heritage.
Check out this Guest Post at A Bookworm’s World from Mary Pat Kelly herself; It’s very inspiring.

Check out the other Blogs on the tour, here.

***GIVEAWAY REMINDER***

I also have two copies of Diana Raab‘s My Muse Undresses Me and one copy of Dear Anaïs: My Life in Poems for You. Deadline is March 18 at 5PM EST.

One gently used ARC of Reading by Lightning by Joan Thomas; Deadline is March 20 at Midnight EST.

Also Reviewed By:
Historical Tapestry

Reading by Lightning by Joan Thomas

Reading by Lightning by Joan Thomas, published by Goose Lane Editions, made its way into my mailbox from Mini Book Expo. It’s a coming of age novel at a time that the world is on the brink of World War II, particularly in England.

It took me a long while to get into this book, more than 100 pages, which was disheartening. In Book One readers will wander through Lily Piper’s musings and her interactions or lack thereof with her parents. The wavering narrative and tangents of Lily drag on for long stretches, and readers may have a hard time following along. Her relationship with her mother is cantankerous at times and Lily is often portrayed as a wayward child led by the sin in her heart. There are a number of instances where Lily wanders off with boys alone, which in many ways should ruin her reputation.

“Wonderful for your maidenly inhibitions (going to hand me the flask and then reaching around me to unscrew it himself and in the process circling me with both arms). The way we tussled around and he pressed the mouth of the flask to my mouth and I resisted or pretended to resist, whiskey meanwhile sliding hotly in through my lips and dribbling down my chin and onto my bathing suit.” (Page 88)

Her relationship with her father is more of silent understanding, but again this relationship is not something a girl can cling to when she needs reassurance or strength. Lily’s interactions with her brother are few and not enlightening at all, revealing little of her character or his. Through side stories and discussions about her father’s immigration to Canada and the Barr Colony, Lily learns about her father’s journey, how it came to pass, and the secret illness that prohibits him from leading a normal life.

In Book Two, Lily is sent to England to take care of her grandmother, her father’s mother, and this is where the novel picks up in pace and Lily grows into an adolescent and falls in love with her cousin George. Thomas’ writing is detailed and poignant from this point on in the novel and had me riveted.

“But tears would begin to course down her [Lily’s grandmother’s] cheeks, which already looked like the leaves of a book damaged by rain. So I would sit with her, because I’d nothing else to do. I’d want to ask about my father, and at first I did. Oh, he was a lovely lad, she’d say vaguely and start to tell me about him crawling through a hole in the wall into the next house, and then she’d get confused as to whether that was Willie or Hugh or Roland, or even her own little brother when she was a girl.” (Page 140)

There are passages in these sections that offer suspense and insight into Lily and what she is seeking to learn from her relatives and about herself. However, death seems to follow Lily on her journey and lead her back home to Canada in Book Three.

The truest moments in the novel are when the air raid sirens sound and the women and children board themselves up in shelters or in their homes in preparation for war with Germany and when the bombs are falling outside and they huddle in the dark living room comforting one another with stories of the mundane. These scenes are well crafted and tangible for readers, transporting them to another era. Once back in Canada, Lily succumbs to her previous manner in the home of her mother, but the letters from her cousins abroad continue to bring the reality of war home.

I read this novel as part of the War Through the Generations: WWII Reading Challenge. This is my first completed book for the challenge. I’ve been a bit slow.

About the Author:

Joan Thomas has been a regular book reviewer for the Globe and Mail for more than a decade. Her essays, stories, and articles have been published in numerous journals and magazines including Prairie Fire, Books in Canada, and the Winnipeg Free Press. She has won a National Magazine Award, co-edited Turn of the Story: Canadian Short Fiction on the Eve of the Millennium, and has served on the editorial boards of Turnstone Press and Prairie Fire Magazine. She lives in Winnipeg.

Also Reviewed By:
Diary of an Eccentric

***Giveaway Details***

This giveaway will be international. I have one gently used ARC copy of this book available.

Leave a comment on this post and randomizer.org will select the winner.

Deadline is March 20 at Midnight EST.

***GIVEAWAY REMINDER***

I have two copies up for grabs of Sharon Lathan’s Mr. & Mrs. Darcy: Two Shall Become One; the giveaway is international and the deadline is March 14 at Midnight EST.

I also have two copies of Diana Raab‘s My Muse Undresses Me and one copy of Dear Anaïs: My Life in Poems for You. Deadline is March 18 at 5PM EST.

Testimony by Anita Shreve, Part Deux

I reviewed Testimony by Anita Shreve back in October 2008 when the book debuted; you can read my review here. My mom is always looking for a new book to read, so I shipped my copy up to Massachusetts for her to read.

She’s here today to share her thoughts on the book with you. Welcome, my mom, Pat:

At Avery Academy, a prestigious New England boarding school located in Vermont, the headmaster, Mike Bordwin, finds in his possession a video tape–a disaster in a small package waiting to stir up trouble for the students at the academy. The sexual acts displayed on the tape involve four older students–juniors and seniors–and a freshman girl. The headmaster also engages in illicit activity following the incident and its fallout.

The events are set in motion, and Shreve uses testimony from all the students involved in the incident, the headmaster, and numerous other characters to tell her tale. These stories are woven together to show how this one incident impacts all the students involved as well as others in the book. Additionally, readers will get a glimpse into what happens in the lives of these students after the scandal breaks.

I give this book 4.5 stars and declare it is a must read.

The Kingmaking by Helen Hollick

Helen Hollick‘s The Kingmaking is the first of the Pendragon’s Banner Trilogy, which will be published in March 2009 by Sourcebooks. Thanks to Paul Samuelson for sending the book along for my review.

This first part in the trilogy begins in 450 AD in the midst of the Middle Ages while Britain remained in a tumultous period politically. Arthur is merely a bastard son at the beginning of this novel, and his foster father is kin to Uthr Pendragon. In the first chapters of the novel, Arthur grows into a man while visiting Gwynedd with Uthr and his abusive and cantankerous mistress Morgause. He meets Gwenhwyfar, daughter to Uthr’s faithful friend Cunedda, and begins to have deeper feelings than friendship for her. The relationship between Arthur and Gwenhwyfar is rocky in the beginning, but blossoms through understanding and mutual respect. However, there are circumstances surrounding the death of Uthr and a failed attempt to regain control of Britain that hinder the ability of their relationship to grow.

“The oars lifted then dipped to kiss the white foam. The sail dropped and the ship, tossing her prow like a mare held over-long curbed and kicking high her heels, leapt for the harbour sheltering beneath the imposing fortress that was Caer Arfon.” (Page 20)

The description in this book helps to set the scene of Britain in the Middle Ages, with its dark and ominous feel, but also its wild beauty. There is more to Britain during this time than readers may remember from their school days. My favorite passage in the book uses description to show Arthur coming into his manhood, along with the other adolescents of Gwynedd.

“The boys, stripped to the waist, were turning new scythed hay, making idle, breathless conversation as they tossed the sweet smelling, drying grass. Arthur’s bruising was a faint memory of shaded yellow against suntanned bronze skin; gone was that weary look of watchfulness and unease, replaced by relaxed laughter and happy contentment. His hair was longer, the close-cropped Roman style beginning to grow, with a slight curl, down his neck and flop across his forehead.” (Page 89)

Although there is great potential in the descriptive writing, some of the scenes fall flat as the narrative lists actions of the characters rather than showing the characters in action. Unlike the Arthurian legends of old which have mysticism and Merlin at the center of Arthur’s rise to power, Hollick’s retelling focuses on the realities and abilities of the “real” Arthur and his determination to regain control of Britain after the death of his true father.

Readers looking for mysticism and magic will be disappointed with this retelling. However, if readers are easily engaged by books with intrigue, battles, and strategy, this novel will not disappoint.

At nearly 600 pages, you can believe Hollick extensively researched her subject and it shows, from her use of place names connected to the regions at the time to the spellings of her main characters. Although portions of the book were a little dry and long, creating nicknames for some of the characters–Gwenhwyfar as Gwen or her brother Osmail as Ozzy–made it easier to become absorbed in the story.

Unfortunately, after 200 pages I stopped reading as certain scenes made me wonder what their purpose was, like when Gwen is aloft in a tree in the prime location to overhear Uthr and Morgause in intimate conversation. Considering the conversation that follows is not integral to the storyline, it makes the reader wonder why Gwen is in the tree in the first place to overhear the conversation.

***Giveaway Details*** (Part of the BookRoom Reviews Book Giveaway Carnival)

Sourcebooks has kindly decided to giveaway 3 copies of this novel to three lucky U.S. and Canadian readers.

I will pass along my ARC of the book to one lucky international reader; so please designate whether you are international when you enter the contest.

To Enter:

1. Leave a comment here; something other than “enter me” or “pick me”
2. Make sure you leave an email or blog address that works
3. Let me know if you are an international entrant, so I can place you on the list for my gently used ARC.

Deadline: March 8, 2009 at 5PM EST.

This Contest is NOW CLOSED!

Other blogs on the tour:

http://harrietdevine.typepad.com/harriet_devines_blog/2009/02/the-kingmaking.html 2/20
http://lazyhabits.wordpress.com/2009/02/20/the-kingmaking/ 2/21 and interview 2/27
http://carpelibrisreviews.com/the-kingmaking-by-helen-hollick-book-tour-giveaway/ 2/23
http://www.historicalnovels.info/Kingmaking.html 2/23
http://www.bibliophilemusings.com/2009/02/review-interview-kingmaking-by-helen.html 2/23
http://lilly-readingextravaganza.blogspot.com/2009/02/kingmaking-by-helen-hollick.html 2/23 and guest blog 2/25
http://chikune.com/blog/?p=488 2/24
http://booksaremyonlyfriends.blogspot.com/ 2/25
http://peekingbetweenthepages.blogspot.com/ 2/26 and guest blog 2/27
http://webereading.blogspot.com/ 2/26
http://www.caramellunacy.blogspot.com 2/26
http://bookthoughtsbylisa.blogspot.com/ 3/1
http://jennifersrandommusings.wordpress.com/ 3/1
http://rhireading.blogspot.com/ 3/1
http://passagestothepast.blogspot.com/ 3/2
http://thetometraveller.blogspot.com/ 3/2
http://steventill.com/ 3/2
http://savvyverseandwit.blogspot.com / 3/2 and interview 3/3
http://www.carlanayland.blogspot.com/
http://readersrespite.blogspot.com/ 3/3 and interview on 3/5
http://libraryqueue.blogspot.com/ 3/4
http://thebookworm07.blogspot.com/ 3/4
http://www.myfriendamysblog.com/ 3/5
http://samsbookblog.blogspot.com 3/5
http://goodbooksbrightside.blogspot.com/ 3/5

***My Current giveaway of Dan Simmons’ Drood. Check it out, here.***

Also reviewed by:
Historical Tapestry

Drood by Dan Simmons

I recently received Drood by Dan Simmons for a Hachette Group Early Birds Blog Tour. Unfortunately, I have not finished this 775-page novel. However, I did want to share with you some information about this engaging work. Longer novels take me a long while to finish, but this is one that has me in suspense, and I’m eager to see it to its conclusion. There is one scene in particular that keeps haunting me, and it comes very close to the beginning. Moreover, this novel has peeked my interest in reading Charles Dickins’ The Mystery of Edwin Drood.

Check out the giveaway instructions below.

From Hachette Group, about the book:

On June 9, 1865, while traveling by train to London with his secret mistress, 53-year-old Charles Dickens–at the height of his powers and popularity, the most famous and successful novelist in the world and perhaps in the history of the world–hurtled into a disaster that changed his life forever.

Did Dickens begin living a dark double life after the accident? Were his nightly forays into the worst slums of London and his deepening obsession with corpses, crypts, murder, opium dens, the use of lime pits to dissolve bodies, and a hidden subterranean London mere research . . . or something more terrifying?

Check out this fantastic Q&A with Dan Simmons, here.

Check out this Video of Dan Simmons talking about his book:

About the Author:

Dan Simmons was born in Peoria, Illinois, in 1948, and grew up in various cities and small towns in the Midwest, including Brimfield, Illinois, which was the source of his fictional “Elm Haven” in 1991’s SUMMER OF NIGHT and 2002’s A WINTER HAUNTING. Dan received a B.A. in English from Wabash College in 1970, winning a national Phi Beta Kappa Award during his senior year for excellence in fiction, journalism and art.

Dan received his Masters in Education from Washington University in St. Louis in 1971. He then worked in elementary education for 18 years — 2 years in Missouri, 2 years in Buffalo, New York — one year as a specially trained BOCES “resource teacher” and another as a sixth-grade teacher — and 14 years in Colorado.

My favorite part from Dan Simmons’ Web site is the photo of his workspace, check this out:

Giveaway: (Part of the BookRoom Reviews Giveaway Carnival)

Hachette Group is offering 3 copies of Drood to 3 lucky winners from U.S. and Canada, no P.O. boxes.

Leave me a comment here, other than “pick me” and “enter me”

You have until March 6, Midnight EST!

THIS CONTEST IS NOW CLOSED!

Here’s the other bloggers on the tour:

http://jennsbookshelf.blogspot.com/
http://hiddenplace.wordpress.com/
http://book-thirty.blogspot.com/
http://bermudaonion.wordpress.com
http://www.writeforareader.blogspot.com
http://thebookczar.blogspot.com
http://luanne-abookwormsworld.blogspot.com
http://www.thetometraveller.blogspot.com/
http://www.bookthoughtsbylisa.blogspot.com
http://AllisonsAtticBlog.blogspot.com
http://www.chikune.com/blog
http://cafeofdreams.blogspot.com/
http://readingtoolate.net
http://www.myfriendamysblog.com
http://ABlogofBooks.blogspot.com
http://Cherylsbooknook.blogspot.com
http://shootingstarsmag.blogspot.com
http://www.savvyverseandwit.blogspot.com
http://bestbookihavenotread.wordpress.com
http://www.bookishruth.com/
http://www.bookingmama.blogspot.com/
http://martasmeanderings.blogspot.com
http://dreyslibrary.blogspot.com
http://www.myspace.com/darbyscloset

A Foreign Affair by Caro Peacock

After reading A Dangerous Affair by Caro Peacock for the HarperCollins First Look Program and the adventures of Liberty Lane, I decided to pick up the first in the series to see how Liberty’s exploits began. Check out my review of A Dangerous Affair here. A Foreign Affair by Caro Peacock is set in England and France prior to the ascension of Queen Victoria to the throne of England. Liberty Lane is staying with family when she receives word from her father that he will be returning home from Paris shortly. Rather than wait for him to return, she runs off to Dover to meet him, but she soon learns of his death.

Liberty’s impetuous nature leads her into dark alleys, a morgue, carriages with duplicitous men, and a household full of secrets as she attempts to uncover the truth behind her father’s death. She refuses to accept the news that he died in a dual, and she is enlisted by men of influence to spy on the Mandeville household while feigning to be a governess.

Caro Peacock has a way with description. Readers will be thrust into cramped spaces with large, round scary men, like in the passage below:

“The man who called himself Harry Trumper had arranged things so that he and I were sitting side by side with our backs to the horses, the other man facing us with a whole seat to himself. As my sight cleared, I could see that he needed it. It was not so much that he was corpulent–though indeed he was that–more that his unweildy body spread out like a great toad’s, with not enough in the way of bone or sinew to control his bulk” (Page 39)

Readers will enjoy how Liberty’s relationship in this novel develops into more of a friendship in the second novel, rather than the fatherly relationship we see in A Foreign Affair. Liberty is a Victorian Age Nancy Drew, led by her impetuous and curious nature to solve mysteries. Peacock’s use of language unfolds the intricate relationships between the characters and the mysteries in this novel.


About the Author:

Caro Peacock grew up in a farmhouse that‚ for most of her childhood‚ contained half a dozen brothers‚ sisters and cousins‚ twice as many cats and dogs‚ no central heating and one bathroom that stopped working every time the spring that supplied it silted up. This possibly bred the habit of curling up in a quiet place with a book and‚ later‚ a passion for travel that led to a rather disrupted education. Somewhere along the line‚ she acquired a great interest in Victorian history − which she considers a much misunderstood period − and particularly the part played in it by independently−minded women.

Also Reviewed By:

A Girl Walks Into a Bookstore

***Don’t forget to check out my latest Poet Interview with Eric Pankey***

City Above the Sea and Other Poems by Stephen Alan Saft

City Above the Sea and Other Poems by Stephen Alan Saft is the poet’s third book of poems, which I received through Bostick Communications. Saft’s preface will provide readers with insight into his background and possible influences. He discusses the different types of poems found in the volume. Some of the poems were previously performed with live music.

The title poem, “City Above the Sea,” paints a vivid picture of this future-like city with glass towers and green vines hanging. The A-A-B-B rhyme scheme of the poem is not as distracting as other rhyming poems are because the images are so vivid and transport the reader into this technologically efficient world. The poem touts the benefits of technology in creating electric cars and other less polluting tools and devices, but in stanza 10 the mood changes. In a way, the poem preaches to the reader about the need of society to save humanity.

“Population grows. Suburbs intrude on the land of the cow/Where once the farmer tilled with tractor and plow/How will we feed ourselves when out numbers double?/Meanwhile the sea rises putting other land in trouble//” (Page 15, Stanza 11)

Saft’s romantic nature comes to light in “The Cucumber Plant to the Sun,” as he weaves images of a growing plant reaching for the sun begging to be that same sun’s only love. This poem will make readers smile as they see the plant growing in the nurturing light and unfurling its tendrils.

Saft’s use of language in “Tomatoes” reminds me of so many of my favorite, yet poignant, poems in Lawrence Ferlinghetti’s book A Coney Island of the Mind. There is a great deal of alliteration in this poem, but there is much more going on in it. It has a primal nature that readers must discover.

Whether the verse is free or rhyming, Saft skillfully paints a vivid picture or narrative through which he cracks open the underbelly of reality and the beauty inherent in that reality. Readers will enjoy his fresh images and innovative language.

Also Reviewed By:
Puss Reboots
Never Without a Book
Considering All Things Literary

About the Poet:

Stephen Alan Saft, also known as S.A. Saft, is a writer of essays, novels, plays and poetry. As a poet, Saft has written over a hundred poems, many of which he has presented in public readings. Saft’s poetry is a combination of blank verse, free verse and rhyming pieces, some of which were written to be performed with music. Saft has given poetry readings in Virginia, Maine, Vermont, California, Texas, New Jersey, New York, and Washington DC, in some cases to the accompaniment of a jazz band.