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Holocaust Poetry Complied by Hilda Schiff

Holocaust Poetry compiled by and introduced by Hilda Schiff is a collection of poetry dealing with World War II and the Holocaust.  The compilation is divided into six sections:  Alienation; Persecution; Rescuers, Bystanders, Perpetrators; Afterwards; Second Generation; and Lessons.  There are well-known poems in this collection and poems from young children.  A few of the poems in this collection already have been featured on the blog as part of the Virtual Poetry Circle; check out “If” by Edward Bond and “The Butterfly” by Pavel Friedmann.

Each poem in the collection uses all-too-familiar images to demonstrate connections with family, friends, and strangers. and as each poem unfolds readers feel the devastation and hopelessness of each narrator.  Schiff says in the introduction, “The more or less contemporaneous literature of any period of history is not only an integral part of that period, but it also allows us to understand historical events and experiences better than the bare facts alone can do because they enable us to absorb them inwardly.”  More or less, readers of poetry will find these observations valid, as will readers of fiction.

However, there are moments of levity when narrators poke fun at the devastating events of Nazi Germany’s actions.

The Burning of the Books (Page 8)

When the Regime commanded that books with harmful knowledge
Should be publicly burned on all sides
Oxen were forced to drag cart loads of books
To the bonfires, a banished
Writer, one of the best, scanning the list of the
Burned, was shocked to find that his
Books had been passed over.  He rushed to his desk
On wings of wrath, and wrote a letter to those in power.
Burn me! he wrote with flying pen, burn me.  Haven’t my
  books
Always reported the truth? And here you are
Treating me like a liar! I command you:
Burn me!

Beyond the poems in the collection depicting the horrors and the losses of persecuted people in Germany, the poems of bystanders, perpetrators, and others are surprising.  They talk of how they stood by and did nothing, how they want to help even if they are too late.  Despite the time for help being long passed, these narrators express not guilt so much as regret — a deep regret at having been so paralyzed by fear that they did nothing or acted contrary to who they believed themselves to be.

I Did Not Manage to Save (page 86)

I did not manage to save
a single life

I did not know how to stop
a single bullet

and I wander round cemeteries
which are not there

I look for words
which are not there
I run

to help where no one called
to rescue after the event

I want to be on time
even if I am too late

The poems selected for the “Second Generation” section will tug at readers heart strings, deepening the sense of loss.  An emptiness is present in some of these poems.  Short biographies are included at the back of the book for readers interested in the poets’ lives and connections to WWII and the Holocaust.

Holocaust Poetry is a collection that should be read in chunks rather than all at once.  Readers may succumb to sorrow if they attempt to read the entire collection in once sitting, but even then, readers will fall into the darkness and emerge in the light.  Overall, the collection is a must have for anyone interested in this time period and learning more about how WWII and the Holocaust impacted individual lives and families.

This is the 9th book I’ve read that qualifies for the 2009 WWII Reading Challenge.  Though I officially met my goal of reading 5 WWII-related books some time ago, I’ve continued to find them on my shelves and review them here.

This also qualifies as my 9th book for the Poetry review challenge.

FTC Disclosure:  I purchased my copy of Holocaust Poetry compiled by Hilda Schiff at the local library sale.  Clicking on title links will bring you to my Amazon Affiliate page, no purchase necessary.

Reminder about the Great Kindle Giveaway

Do you really need a reminder?  Maybe you do.  You have until Dec. 18, which is tomorrow to enter the Great Kindle Giveaway at Bibliofreak!

Bibliofreak started up her own weekly newsletter and as a thank you to those who sign up, you get a chance to win a free Amazon Kindle 2, which is the one that works internationally!

There are so many ways to enter, but one is to sign up for the weekly newsletter and confirm that subscription.  Easy, right?!  But if you follow her on Twitter and Facebook, you get even more entries. Do you like making YouTube videos?  Do it and get more entries! 

So what’s stopping you??  Its a free Kindle and its something you can do for the environment.  Think about all those trees you can save by not purchasing hard copy books!!

Interview With Poet Liz Gallagher, Part 2

Liz Gallagher’s collection of poems, The Wrong Miracle, are not only love poems, but poems with a unique view on love.  Check out the synopsis at Salt Publishing.

If you missed the first part of my interview with Liz, please check it out here.

Most writers will read inspirational/how-to manuals, take workshops, or belong to writing groups. Did you subscribe to any of these aids and if so which did you find most helpful? Please feel free to name any “writing” books you enjoyed most (i.e. Bird by Bird by Anne Lamott).

I’ve never been a member of a ‘real-life’ writer’s group because of there not being any that I know of in existence here in the Canaries. I’ve only ever been to one or two workshops. My mainstay for writing has been online workshops, namely Inside the Writers´ Studio Forum that is run by Rachel Mallino.  I’ve had lots of inspiring experiences in there on the thirty poems in thirty days forum.  I’ve  also dipped into some writing manuals . . . one in particular that I found very useful at the beginning was “The Practice of Poetry” edited by Robin Behin & Chase Twichell.

When writing poetry, prose, essays, and other works do you listen to music, do you have a particular playlist for each genre you work in or does the playlist stay the same? What are the top 5 songs on that playlist? If you don’t listen to music while writing, do you have any other routines or habits?

I don’t listen to music when writing, I need complete silence, which means I can only really ‘write, write’ in my writing den at home. : ) I drink tea too. Most of the poems in The Wrong Miracle were written while my cat, Mr. Puss, sat alongside me purring and kneading the cushion, sadly, he is no longer with us, that may be why I am finding it very hard to find time and the will to sit down and write just now. I definitely miss him, he was my writing mascot. 

In terms of friendships, have your friendships changed since you began focusing on writing? Are there more writers among your friends or have your relationships remained the same?

My ‘real-life’ friends are mostly non-writers but great readers. Practically all of  my online friendships are with writers. I have met some online writer friends in person who have then become ‘real life’ writer friends. 

Do you have any favorite foods or foods that you find keep you inspired? What are the ways in which you pump yourself up to keep writing and overcome writer’s block?

No, no favourite foods.  I don’t really believe in the idea of having to wait for inspiration to hit. There may be times when I feel more in the humour for writing than others but in general, I think it is a case of just getting started and keeping with it for a set time to see what comes up.  Reading usually kick-starts me into wanting to write.  And a commitment to daily writing is really the ideal way for me to keep going.

Please describe your writing space and how it would differ from your ideal writing space. 

I love the writing space I have: futon, laptop, low-level lighting, quietness, a valley and vivid natural light on the doorstep.  I can’t think of anything else to add other than having a constant supply of tea at hand, and maybe the sound of the faint pull and sway of the sea outside.  : ) 

Please share with the Savvy Verse & Wit readers a little about your latest projects.

For the next 6 months, I’ll be involved in ‘non-creative writing’ writerly things, but come July 2010, I want to revise a load of poems that I have and begin writing more non-fiction. I am also toying with the idea of writing poems and stories for children. I’ll have to wait and see though;it seems very far off just now.

Plans for the immediate future include some readings of The Wrong Miracle that are coming up here in the Canaries. 

Thanks very much for having me here on your Blog, Serena, it has been a pleasure, I have enjoyed your thought-provoking questions. Have a great festive season and all the best for the New Year. 

If you’ve enjoyed this interview, please feel free to check out the next stop on her online tour today, Dec. 17:  South Africa-based Michelle’s Blog Peony Moon

Also, I wanted to let you all know that a portion of the proceeds from The Wrong Miracle will benefit SAND:  Stillbirth and Neo-natal Death Charity.

Winners of Searching for Pemberley

Out of more than 30 entrants into the giveaway, Random.org selected the two winners:

Stacy of Stacy’s Books

and

Jan

Congrats to the winners.  I hope you enjoy the book. 

We still have a couple giveaways going on right now, check out the right sidebar.

Nadirs by Herta Muller

Nadirs by Herta Muller, who recently won the the Nobel Prize for Literature (click for my article), is a collection of mostly autobiographical short stories about surviving a communist regime and personal drama.  This 120-page work is translated from her native German language, and is one of only a few of her works that have been translated into English.  Muller straddles the surreal and reality in her stories, and in some cases this balance is executed better than in others.  However, her concise and detailed language paints vivid pictures for readers of harsh conditions and deep sadness and other emotions.

“In all the pictures, Father was frozen in the middle of a gesture.  In all the pictures, Father looked as though he didn’t know what to do.  But Father always knew what to do.  That’s why all these pictures were wrong.  All those false pictures, all those false faces chilled the room.  I wanted to get up from my chair, but my dress was frozen to the wood.”  (from “The Funeral Sermon,” Page 2)

In many ways these short stories are more like long, narrative poems filled with imagery, metaphor, and illusion, but there are occasions when Muller clearly outlines what is happening in these families and how it impacts each narrator, who in many cases is a young girl.  In “Rotten Pears,” the young narrator travels with her father and her aunt to a village to sell their vegetables and fruit, but staying overnight in a strange village reveals dark family secrets and alludes to other possibilities.

“I walk through the cemetery gate and the bell is in front of my face.  The stroke of the bell is under my hair.  The stroke is in my pulse next to my eyes and in my weary wrists under the tangled fern.  The knot that dangles from the rope of the bell is in my throat.”  (From “Oppressive Tango,” Page 86)

With stories ranging from just a few pages to 60 pages or more, Nadirs has something for the quick trip on the subway or the long leisurely moments on the couch, though many of these stories deal with deep sadness and betrayal.  Muller also is clearly a poet, economizing her words to create images that will burn into readers minds and remain there for many hours, days, weeks, and months.  She uses repetition and juxtapositions of black and white, noise and silence, and other techniques to peak readers’ curiosity.

“Their velvety bulging bellies popped and sprinkled white milk on the floor.  Then loathing crawled up on me from my shoes and put its tentacles around my throat, and its hands were gaunt and cold like the hands of the old people I saw in those beds with lids in front of which people would sit in silence and prayer.”  (From “Nadirs,” Page 18)

Overall an excellent collection to get a sense of Muller’s style, and many of these stories resemble nightmares from a child’s point of view.  Unfortunately, the short story from which the collection’s name is taken was the least engaging and overly surreal.  With “Nadirs” (click the link for a definition) being the longest story in the collection, it was tough to get through and ultimately some readers (including me) may give up and skip to other stories in the collection.

FTC Disclosure:  I borrowed this copy of Nadirs from the library.   Clicking on title links will bring you to my Amazon Affiliate page, no purchase necessary. 

Dragon House by John Shors

“Iris felt as if a unique cultural experience occurred on the back of scooters.  She reflected that in America, people drove their cars and rarely even opened their windows.  Within cars people tended to be isolated, listening to the radio or maybe talking on the phone to a friend.  Cars were people’s places of refuge, highly personalized sanctuaries within which Americans often sought escape.  Driving a scooter in Vietnam was a completely different experience.  In addition to the ease of conversation, the lack of lanes and laws almost mandated that people acted in cooperation.  Drivers didn’t cut one another off or blast their horns.  Though they drove quickly, always looking for the fastest route, if an old woman was trying to cross an impossibly busy street, people braked and weaved around her without a second glance.”  (Page 184 of ARC)

Iris is just one of the main characters in John Shors’ Dragon House and she’s had a tough childhood with a mostly absent Vietnam veteran father.  Noah, her childhood friend and also a veteran but of the Iraq War, accompanies her to Vietnam as Iris strives to fulfill her father’s dream.  Through a shifting narrative, readers are shown glimpses of what it means to live on the streets of Vietnam as orphan children with Mia and Minh or as a grandmother Qui raising her leukemia-ridden granddaughter Tam by selling books to American tourists.  Dragon House examines how these cultures are misunderstood on both sides and how they clash with one another even in times of peace.  Shors deftly mixes sadness with hope to reveal the beauty beneath the grime and compassion inherent in humanity.

“Iris thought about her father, about how he also came home shattered from a war that wasn’t of his making.  A marriage and a daughter hadn’t saved him from his demons.  Why would Saigon save Noah? Though Iris was unsure, she knew what her father would say, knew he’d want her to bring Noah.”  (Page 13 of ARC)

Readers will be blown away by the vivid descriptions of Vietnam and the evolution of the novel’s main characters as they find themselves in a foreign land and repurpose their lives to meet the needs of others and fulfill a dream.  Shors uses description in a way that conveys deep emotional scarring and how that damage is repaired over time.  

“The city was a kaleidoscope of old versus new, memories versus ideas, stone versus chrome.”  (Page 15 of ARC) 

Mia and Minh, who sell fans and gamble with tourists over games of Connect Four, display strength amidst adversity, but like Noah, even the strongest of us have our breaking points.  Qui and Tam also display significant strength.  In a way these characters offset the deep desolation felt by Noah because they continue to survive and hope, while Noah is steeped in blackness and hopelessness, finding solace in whiskey and pain pills.  There is more going on in Dragon House than meets the eye with Iris and Noah preparing a children’s center for opening and these children living on the streets.  Readers will be absorbed in Shors’ world and turn the pages hoping for the best resolution possible.

If you missed my interview with John Shors and the giveaway for Dragon House, please check it out.

John Shors’ novel would make an excellent gift for the holidays for the readers among your family and friends, and a portion of the proceeds from book sales are shared with the Blue Dragon Children’s Foundation (click for more details).  Also, check out this write up in the Denver Post about the charity.

FTC Disclosure:  I want to thank John Shors for providing me with a free copy of Dragon House for review.  Also, thanks to Diane Saarinen of Book Blog Tour Guide for setting up the blog tour. Clicking on images or titles will bring you to my Amazon Affiliate page; No purchase required. 

Interview With John Shors

Welcome to the first part of John Shors’ blog tour.  Stay tuned for my review of his latest book, Dragon House, on Dec. 15.

John Shors kindly took time out of his busy schedule to answer a few questions, and there’s a giveaway copy for my wonderful readers (US/Canada).

Please give the author a warm welcome.

Could you explain how it felt and challenging it was to switch from your previous work with historical fiction to a contemporary fiction novel, like Dragon House

Actually, I think that writing historical fiction is more difficult than to bring life to contemporary fiction. For instance, I spent month after month doing research for my first novel, Beneath a Marble Sky, which is based on the story behind the creation of the Taj Mahal. With my recent novel, Dragon House, which is set in modern-day Vietnam, all I did was fly to Vietnam and spend several weeks getting a good feel for the country (which I had visited earlier as well). So, by switching to contemporary fiction, I removed a whole layer of work from the process of creating a novel.

It is noted on your Web site that a portion of the book sales will go to the Blue Dragon Children’s Foundation.  What inspired you to make this donation and have you seen the effect of this charity on children in Vietnam? 

Dragon House is the story of two Americans who travel to Vietnam to help street children. I’ve had hundreds of experiences with street children, and found such children to be remarkably resilient, hopeful, and bright. I wanted Dragon House to not only benefit me and my family, but these children as well. Partnering with Blue Dragon Children’s Foundation was an easy decision. I’m donating some of the proceeds from Dragon House to this group, which supports street children in Vietnam. I’ve had quite a few readers finish Dragon House, and then email me, asking how they might help support children in need. To date, we’ve raised enough money to buy complete sets of school books for about 500 street children.

The protagonists in the story open a center to help street children, did this foundation serve as a starting point for your novel?

No, I had the idea to do Dragon House long before I encountered any such foundation. It just seemed obvious to me that there was a tremendous need for such foundations. Street children are very prominent in Vietnam, and other parts of Asia. They need support. I wanted to bring the remarkable stories of these children to life, and then to find a foundation to partner with.

If you were to pick 5 songs as an accompanying playlist to Dragon House, what songs would you choose and why? 

That’s a tough question for me, as Dragon House occurs in Vietnam, and any music that wasn’t Vietnamese would strike me as being out-of-place. Oftentimes in the book, the characters are listening to Vietnamese pop music, so such songs would be a good fit.

Beside a Burning Sea, Beneath a Marble Sky, and Dragon House have distinct Asian elements.  What about the Asian culture drew you in and how well do you believe you’ve captured it in your books?

I’ve been lucky enough to live in Asia for about four years, so I know the region well. I’m a big fan of the culture, people, natural beauty, food, climate, history, and affordability of that part of the world. I continue to go back, year after year. As far as the believability of my Asian settings, I think that one of my skills as a writer is the ability to really bring a setting to life on the page. I take that part of writing very seriously, which is why I only write about places that I have spent a lot of time in. I want the reader to feel like they have visited India or Vietnam after finishing one of my novels.

Do you have any particular writing habits, like listening to music while writing or having a precise page count to reach by the end of each day or week? 

Sometimes, while I’m working on the rough draft, I do listen to music. It has the ability to inspire me, if I seem to be spinning my wheels. U2 is a personal favorite. I also give myself very concrete goals. For instance, I’ll write five pages every day until my rough draft is done. Or I’ll edit eighty pages a day if I’m on my twelfth draft.

Which books have you been reading lately, and are there any you would like to recommend?

I recently finished Skeletons at the Feast, which is a very unique and memorable book, and is written by a friend of mine, Chris Bohjalian. To be honest, though, I don’t read that much when I’m on deadline. I don’t like to be influenced by the voices of other writers, as I think I have my own style, and I really like to focus on it, to have it resonating in my head 24/7.

Please share some tidbits about your latest writing projects.

I’m working on my fourth novel, The Wishing Trees, which will come out next September. The Wishing Trees is a story about a father, a mother, and a ten-year-old daughter who are planning a trip around the world. A few months prior to their trip, the mother gets sick and dies. A year later, the father and daughter embark upon the trip, which takes them on an emotional, spiritual, and a physical journey. I’m really excited about this novel, which is quite poignant, I think, and is due to Penguin in February. Then it’s on to book number five! I also continue to speak with several book clubs (via speakerphone) a day about my novels. And I’m helping to transform my first novel, Beneath a Marble Sky, into a major motion picture.

Giveaway for US/Canada Readers:
 
1.  Leave a comment on this interview about what you learned.
2.  Get a second entry for commenting on the 12/15 review of Dragon House.

Deadline is Dec. 21, 2009 at 11:59PM EST

FTC Disclosure:  I want to thank John Shors for providing me with a free copy of Dragon House for review.  Clicking on images or titles will bring you to my Amazon Affiliate page; No purchase required.

Mailbox Monday #60

Marcia at The Printed Page and Kristi of The Story Siren both sponsor memes in which bloggers share what books they’ve received in the past week.  I’m going to continue calling these Mailbox Mondays, but The Story Siren also has In My Mailbox.  It’s another edition of Mailbox Monday and In My Mailbox on Sunday!  Got a great tour starting on Monday 12/14 for John Shors Dragon House.

Anyway, here are the books I got this past week:

1.  Now & Then by Jacqueline Sheehan, which I won from Peeking Between the Pages.

Purchased from Wonder Book, a local used book store:

2.  The Reader by Bernhard Schlink

3.  Blindness by Jose Saramago (I’ve been dying to read this ever since I saw the movie and read Sandy’s review on You’ve Gotta Read This!

4.  The Circle of Hahn by Bruce Weigl (this was a treat after reading his book Song of Napalm in class and meeting him in person.  Anna and I did not know he had a memoir about his Vietnam War experiences.  You can guess what reading challenge this is for!)

Purchased from the local library sale:

5.  American Daughter Gone to War by Winnie Smith; this is for the Vietnam War reading challenge.

6.  Collected Poems 1947-1997 Allen Ginsberg; this book was in fantastic condition, like new!  And I got it for 50 cents!

7.  Once Two Heroes by Calvin Baker

8.  The Natural Order of Things by Antonio Lobo Antunes (translated from the Portuguese)

9.  The Dogs of War by Frederick Forsyth

10.  Forrest Gump by Winston Groom, which is for the Vietnam War reading challenge.

11.  Taking Fire by Ron Alexander & Charles W. Sasser, which is also for the Vietnam War reading challenge.

What did you get in your mailbox?!

FTC Disclosure:  Clicking on images or titles will bring you to my Amazon Affiliate page; No purchase required.

25th Virtual Poetry Circle

It’s here!  The 25th Virtual Poetry Circle.  Today is the day everyone who has commented on these weekly events will have an opportunity to win some poetry for yourself.  I’ll pop your names in a hat and choose a winner.  All you have to do is keep commenting.  Easy right?!

OK, Here’s a poem up for reactions, interaction, and–dare I say it–analysis:

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Today, we’re returning to the classics.  Let’s talk haiku and Basho Matsuo!  Haiku has a number of characteristics, including the use of nature and the syllable count of 5-7-5.  Because Haiku is a short form of poetry, we’ll take a look at a few of his poems:

Bush clover in blossom waves
Without spilling
A drop of dew.

The sound of hail —
I am the same as before
Like that aging oak.

an ancient pond
a frog jumps in
the splash of water.

Let me know your thoughts, ideas, feelings, impressions. Let’s have a great discussion…pick a line, pick an image, pick a sentence.

I’ve you missed the other Virtual Poetry Circles, check them out here. It’s never too late to join the discussion.

***Giveaway Details*** 3 Winners!!!  Anywhere in the World!!!

1.  Comment on the Virtual Poetry Circle posts about each poem for one entry.

Deadline is Dec. 18, 2009, 11:59PM EST

Prize Pack #1 (Click links for my reviews)

1.  One copy of Poet Lore, a magazine of The Writer’s Center in Bethesda, Md.
2.  A copy of John Amen’s At the Threshold of Alchemy and More of Me Disappears
3.  Fair Creatures of an Hour by Lynn Levin
4.  Carta Marina by Ann Fisher Wirth
5.  Green Bodies by Rosemary Winslow
6.  One book of classic poetry (your choice)

Prize Pack #2

1.  Apologies to an Apple by Maya Ganesan
2.  Becoming the Villainess by Jeannine Hall Gailey 
3.  Rubber Side Down Edited by Jose Gouveia
4.  Mainline to the Heart & Other Poems by Clive Matson
5.  One book of classic poetry (your choice)

Prize Pack #3

1.  Dear Anais by Diana Raab
2.  City Above the Sea & Other Poems by Stephen Alan
3.  Human Dark With Sugar by Brenda Shaughnessy
4.  One book of classic poetry (your choice)

Depending on the number of entrants, there could be additional, single volumes of poetry to runners up.

Inglourious Basterds by Quentin Tarantino

Quentin Tarantino’s Inglourious Basterds is the screenplay for the revenge war film of the same name.  Moviegoers love Tarantino’s films for a multitude of reasons or they hate them for a multitude of reasons, but the screenplay provides a whole new insight into the filmmaker and his work.

Author David L. Robbins says in the forward, “The script remembers, too, the classic propaganda films of Leni Riefenstahl and Joseph Goebbels.  It glimpses the faces of Hitler and Churchill and the interior of a wartime movie house in Paris, and zooms in on the horrors of close combat, the mania of vendetta.  . . . Inglourious Basterds does not indulge in lampoonery or mere cobbling.  It is reverently authentic as a war story, working the same tense, edge-of-the-seat magic as the best of the genre, book or movie.  At the same time, it’s Tarantino, its own thing.”

There are two main storylines in the film — one deals with the death and ultimate revenge plot of Shosanna Dreyfus and the other follows the basterds through Germany as they take on the Nazis and bumble around during secret missions to win the war.  In typical Tarantino fashion, the script bounces from each group and several moments in time, quilting together the larger arc of the story and conclusion of the war.

The script includes little tidbits about the characters that are never seen or talked about on screen.  Readers will be amazed by the depth of detail Tarantino provides in stage direction, the description of the scene, and explanation.

“Lt. Aldo [played by Brad Pitt] has one defining physical characteristic, a ROPE BURN around his neck — as if, once upon a time, he survived a LYNCHING.”  (Page 19)

“WE SEE all the pagentry below.  Tons of SPECTATORS.  Tons of guests dressed in Nazi uniforms, tuxedoes, and female finery, walking up the long red carpet (with a big swastika in the middle, naturally) leading into Shosanna’s cinema.  The German brass band omm-pa-pa-ing away.  German radio and film crews covering the event for the fatherland back home.  And, of course, MANY GERMAN SOLDIERS providing security for this joyous Germanic occasion.”  (Page 125)

Although the script does not depict the true conclusion of World War II, Tarantino illuminates the horrors of war and creates an atmosphere of the ridiculous in its revenge themes.  Watching the film is fast-paced, hilarious at moments, and gruesome, but reading the script plunges readers into their own personal version of the events and enables them to sink their teeth into Tarantino’s witty and poignant dialogue.  The basterds’ dialogue drips with disdain and self-righteousness, while Col. Hans Landa, or the Jew Hunter, uses language to demonstrate his superiority, even though his outward actions border on comedic.

Lt. Aldo:  Well, Werner, if you heard of us, you probably heard we ain’t in the prisoner-takin’ business.  We in the killin’ Nazi business.  And cousin, business is boomin’.  (Page 28)

FEMALE SGT. BEETHOVEN and STIGLITZ bring their guns toward each other and FIRE.  They BOTH TAKE and GIVE each other so many BULLETS it’s almost romantic when they collapse DEAD on the floor.  (Page 108)

Overall, Inglourious Basterds by Quentin Tarantino is an excellent specimen of a screenplay from its detailed stage direction and description to its witty and insightful dialogue, it will capture readers imaginations just as the film did on screen.  There are portions of the script that did not make it onto the big screen, but that’s to be expected with any film; there also are scenes in the movie that are not in the script.  The beauty of a screenplay is that it is not a stationary work of art, but one that evolves from page to screen under the guidance of its maker.

This is my 9th book for the WWII Reading Challenge 2009.  I can’t believe I’m still finding these on my shelves even now in December.  There may have to be a time when we revisit this war.

Additionally, I would like to thank Hachette Group for sending me a free copy of Inglourious Basterds for review.  Clicking on title links will bring you to my Amazon Affiliate page, no purchase necessary. 

Holiday Blogger Swap

I signed up again this year for the Holiday Blogger Swap and my gift arrived today!  No, I haven’t opened it yet, but I did take some photos of it when it arrived and when I took the paper off the outside to reveal a neat holiday box.

I want to tease you with these photos.  I’ll post about what I received once the holidays are over.  For now, you’ll have to be content with these:

So what do you think is inside?

Interview With Liz Gallagher, Author of The Wrong Miracle

Liz Gallagher’s collection of poems, The Wrong Miracle, are not only love poems, but poems with a unique view on love.  Check out the synopsis at Salt Publishing.  Here’s a selection from her collection:

Sun Over a Tree Line

I was buying a croissant when I saw
the execution photo. Sometimes we focus
on the explorer — the tangled weed inside

every Because they said so. Nerves can
be as frayed as a sofa. Faint hoof prints
take over and a last wish for a dictator

is a pedicure. Measures of change are
contained in names once held
in a cell phone — a baker missing,

a family, moved. A city under siege
is a Humpty Dumpty — its people grab
door handles and door frames collapse.

Moth-eaten fabric covers all wars.
A problem is dead bodies — blankets
waterlog, headlights turn off and it is

all about inching forward like thieves.
A mistake magnifies within its own
dimensions. Under the gaze of a camera,

there are epiphanies — God becomes
a ragged fellow who moves
from tree to tree in the back of the mind.

He pursues the living and the dead stay dead.

Liz Gallagher took time out of her busy schedule to answer some interview questions.  I hope you will give her a warm welcome.

Thanks for inviting me here. It’s a great looking Blog and I know I am going to feel very relaxed and at home here.

Could you describe a little bit about what inspired you to become a poet and how The Wrong Miracle came about?

Well, Serena, truthfully, I never set out to be a poet as such, it sort of ‘happened.’  I’ve always loved writing and after a spell of maybe 20 years without writing in a creative way, I found myself going back to writing creatively after I went through a rather long and disciplined time of studying and being very much in the academic world., that is up until about 4 years ago.  I remember being at a beach barbeque and thinking: ‘Freedom’ ‘I’m going to live for the moment, no more studying’ and actually saying to a friend that I was finished with studying and being all academic and I remember she said to me something in the line of ‘You’re so disciplined in your study, what do you think you will do with all that free time you are going to have?’ And I remember answering that that was exactly it . . . free-time was going to be free-time and nothing was going to take that away from me!  But before I knew it, I was seeking out online writing forums and writing poetry and getting ultra-involved and addicted.

So as not to bore any readers who have been lovely enough (and interested enough) to follow the tour from the beginning, and to answer the question for you, Serena, (and any new readers who might be following,) I spoke on TFE’s blog about how The Wrong Miracle came about….(at TFE’s we had a poetry poteen party and danced till dawn . . . The address is the following if you want to pop over there.   While approaching the answer, mind the poteen bottles and plead total ignorance of everything if Inspector Columbo or Inspector Clousseau approach to ask questions . . . ‘I know nothing’ is the preferred answer . . . . TFE will explain why . . . I truly know nothing ; ))

Poetry is often considered elitist or inaccessible by mainstream readers. Do poets have an obligation to dispel that myth and how do you think it could be accomplished?

I think that, yes, poetry up until recently had been hijacked (and consequently suffocated and quietened) by certain academics to the extent that it had become exclusive terrain. This is something which definitely has happened, however, poets are now, literally, re-claiming poetry for themselves and for their audiences.  They are metaphorically (and sometimes literally) climbing academic ladders and dusting down books and blowing dust off and saying ‘Listen, here!’  Poets, and consequently, people in general, through poetry readings and poetry performances and literary festivals are breathing life back into poetry and taking it on to the streets to show that, yeah, poetry does matter.  It is not just a subject for academic study.  The thing that I feel amazed by and very motivated by is that people are willing to give poetry a second chance, as most people (of my age, anyway) would have had awful classroom experiences of poetry been analysed to death in an excrutiatingly boring way . . . I remember my English teacher in secondary school saying something like: ‘None of you are going to appreciate any of this poetry that we are about to do now, but in 20 years time, you might want to re-pay all of this a visit . . . and in doing so, you might remember me and what I said to you regarding poetry.’  I remember thinking I am going to remember him saying this and I bet to myself then and there that it wouldn’t be true . . . that I wouldn’t be going within a hair’s breadth of poetry ever again . . . but here I am!  What a shame a teacher like that couldn’t have thought of a more creative way to get poetry to us, we were ripe for poetry with all our 16 and 17 year old emotions seeking some form of outlet . . . Poetry, with justice done to it, would have been ideal here.  

So, Serena, basically, with the live poetry scene taking off really well, especially in Ireland, and in a tiny way, here in the Canaries, I think that poetry is becoming relevant in people’s everyday life.  Hopefully, it will keep on happening and that more and more people will get involved.

Do you have any obsessions that you would like to share?

Well, let’s see, I love the dark and writing in and into the dark.  I love being up drinking tea on my own at dawn.  

When I find a new poet’s work that I love, I become easily obsessed by them and seek their work out, high and low, and think ‘I’ve got to read everything they have ever written!’

Also chocolate at around 5 pm!  And a glass of wine at 10 pm. ; ) And also Thai massage, Thailand . . . and planning getaways! : ) 

How do you stay fit and healthy as a writer?

I have got two very demanding (and very amusing) dogs who bark the house down if I don’t take them on daily treks into the valley.  We also own a tumble-down farm so most days I try to do something there to make it less tumble-down looking!  The farm has six terraces which are step-like land masses and going from one spot to another involves lots of climbing.  And I eat lots of oranges because we have about twenty orange trees on the farm so that means oranges the whole year round!  Oh and yes!  I’m a 2-litre-a-day water drinker . . . I am always to be seen with a bottle in my hand (not the TFE-poteen-party type bottle!) 

Thank you so much for having me here, Serena…looking forward to popping back next week to continue our chat.

About the Poet: (Photo Credit: Vladi Valido)

Liz Gallagher was born and brought up in Donegal, Ireland. She has been living in Gran Canary Island for the past 14 years. She has an Education degree where she specialised in Irish language. She also has a Computer Science degree. She is at present doing research into online debating for her PhD. She began writing about 5 years ago and has won a variety of awards in both Ireland and the US: Best New Poet 2007 (Meridian Press, Virginia University) First Prize in The Listowel Writers’ Single Poem Competition 2009 and she was selected by Poetry Ireland for their 2009 Introductions Series in recognition of her status as an emerging poet.