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The Wrong Miracle by Liz Gallagher

The Wrong Miracle by Liz Gallagher uses tongue twisting phrases and juxtaposition to shed light on and deal with the expectations of family and society.  Wrong miracles occur everyday in Gallagher’s world from the cat that drags in a poem it found to a breeze that cracks the narrator open.  Gallagher’s playful phrases will have readers smiling in amusement, and she enjoys turning cliches upside down.

“I still have not

bought the doghouse — a real one, not

the metaphorical one where husbands some

times hang out while wives are belt loosening

or just simply giving things a twirl.”  (From “Prelude to Getting One’s Act Together,” Page 15)

In many cases, Gallagher is whimsical with her imagery even when her poems deal with serious events, such as paying for the best and getting something unexpected and disappointing.  In “Woman in a Redhead,” she seeks a new look, cappuccino hair that ends up being red and having to deal with the result.

“On my way home, I fake a swagger and ants

in my pants.  I am singularly impressed by the rife

humour that is making its way down the broad of my

back.  I will be back to get my cappuccino-chocolate hair,

I think.  Sometimes we don’t get what we pay for and blood

does curdle.”  (Page 3)

But beneath the whimsy of her verse lies a dark anger and disappointment that simmers and bursts forth. Can you talk yourself into doing anything?  Can you justify waterboarding like you can justify jumping out of an airplane with a parachute as a hobby?  Is the unthinkable a norm that we haven’t gotten used to yet?  Gallagher asks these questions and more, but she also examines fatherly love and forgiveness.

A Poem That Thinks It Has Joined a Circus (Page 10)

A handkerchief is not an emotional holdall.

A cup of tea does not eradicate all-smothering sensations.

A hands-on approach is not the same as a hand-on-a-shoulder

willing a chin to lift and an upper lip to stiffen.

A forehead resting on fingers does not imply that the grains

of sand in an hourglass have filtered through.

A set of eyes staring into space is not an indictment that the sun

came crashing down in the middle of the night.

A sigh that causes trembling and wobbly knees should be

henceforth and without warning trapped in a bell jar and retrained

to come out tinkling ivories with every gasp.

A poem trying to turn a sad feeling on its head does not constitute

a real poem, it is a cancan poem, dancing on a pinhead

and walking a tightrope with arms pressed tightly by its sides.

Readers just starting out with poetry will find this collection needs to be read aloud and more than once because some of the lines are dense with imagery, double-speak, and juxtapositions.  However, the poems do exude a song-like quality as tongue-twisters roll off the tongue, which will have readers repeating Gallagher’s lines over and over again.  The Wrong Miracle by Liz Gallagher is a buzz worthy collection.

***Please check out my previous two-part interview with Liz Gallagher.  Also, proceeds from the sale of her book, The Wrong Miracle, will go to support Sands, the stillbirth and neonatal death society.***

Thanks to Liz for sending me a copy of her book for review.

About the Poet: (Photo Credit: Vladi Valido)

Liz Gallagher was born and brought up in Donegal, Ireland. She has been living in Gran Canary Island for the past 14 years. She has an Education degree where she specialised in Irish language. She also has a Computer Science degree. She is at present doing research into online debating for her PhD. She began writing about 5 years ago and has won a variety of awards in both Ireland and the US: Best New Poet 2007 (Meridian Press, Virginia University) First Prize in The Listowel Writers’ Single Poem Competition 2009 and she was selected by Poetry Ireland for their 2009 Introductions Series in recognition of her status as an emerging poet.

This is my 6th book for the Clover Bee & Reverie Poetry Challenge.

This is my 35th book for the 2010 New Authors Reading Challenge.

Interview With Poet Liz Gallagher, Part 2

Liz Gallagher’s collection of poems, The Wrong Miracle, are not only love poems, but poems with a unique view on love.  Check out the synopsis at Salt Publishing.

If you missed the first part of my interview with Liz, please check it out here.

Most writers will read inspirational/how-to manuals, take workshops, or belong to writing groups. Did you subscribe to any of these aids and if so which did you find most helpful? Please feel free to name any “writing” books you enjoyed most (i.e. Bird by Bird by Anne Lamott).

I’ve never been a member of a ‘real-life’ writer’s group because of there not being any that I know of in existence here in the Canaries. I’ve only ever been to one or two workshops. My mainstay for writing has been online workshops, namely Inside the Writers´ Studio Forum that is run by Rachel Mallino.  I’ve had lots of inspiring experiences in there on the thirty poems in thirty days forum.  I’ve  also dipped into some writing manuals . . . one in particular that I found very useful at the beginning was “The Practice of Poetry” edited by Robin Behin & Chase Twichell.

When writing poetry, prose, essays, and other works do you listen to music, do you have a particular playlist for each genre you work in or does the playlist stay the same? What are the top 5 songs on that playlist? If you don’t listen to music while writing, do you have any other routines or habits?

I don’t listen to music when writing, I need complete silence, which means I can only really ‘write, write’ in my writing den at home. : ) I drink tea too. Most of the poems in The Wrong Miracle were written while my cat, Mr. Puss, sat alongside me purring and kneading the cushion, sadly, he is no longer with us, that may be why I am finding it very hard to find time and the will to sit down and write just now. I definitely miss him, he was my writing mascot. 

In terms of friendships, have your friendships changed since you began focusing on writing? Are there more writers among your friends or have your relationships remained the same?

My ‘real-life’ friends are mostly non-writers but great readers. Practically all of  my online friendships are with writers. I have met some online writer friends in person who have then become ‘real life’ writer friends. 

Do you have any favorite foods or foods that you find keep you inspired? What are the ways in which you pump yourself up to keep writing and overcome writer’s block?

No, no favourite foods.  I don’t really believe in the idea of having to wait for inspiration to hit. There may be times when I feel more in the humour for writing than others but in general, I think it is a case of just getting started and keeping with it for a set time to see what comes up.  Reading usually kick-starts me into wanting to write.  And a commitment to daily writing is really the ideal way for me to keep going.

Please describe your writing space and how it would differ from your ideal writing space. 

I love the writing space I have: futon, laptop, low-level lighting, quietness, a valley and vivid natural light on the doorstep.  I can’t think of anything else to add other than having a constant supply of tea at hand, and maybe the sound of the faint pull and sway of the sea outside.  : ) 

Please share with the Savvy Verse & Wit readers a little about your latest projects.

For the next 6 months, I’ll be involved in ‘non-creative writing’ writerly things, but come July 2010, I want to revise a load of poems that I have and begin writing more non-fiction. I am also toying with the idea of writing poems and stories for children. I’ll have to wait and see though;it seems very far off just now.

Plans for the immediate future include some readings of The Wrong Miracle that are coming up here in the Canaries. 

Thanks very much for having me here on your Blog, Serena, it has been a pleasure, I have enjoyed your thought-provoking questions. Have a great festive season and all the best for the New Year. 

If you’ve enjoyed this interview, please feel free to check out the next stop on her online tour today, Dec. 17:  South Africa-based Michelle’s Blog Peony Moon

Also, I wanted to let you all know that a portion of the proceeds from The Wrong Miracle will benefit SAND:  Stillbirth and Neo-natal Death Charity.

Interview With Liz Gallagher, Author of The Wrong Miracle

Liz Gallagher’s collection of poems, The Wrong Miracle, are not only love poems, but poems with a unique view on love.  Check out the synopsis at Salt Publishing.  Here’s a selection from her collection:

Sun Over a Tree Line

I was buying a croissant when I saw
the execution photo. Sometimes we focus
on the explorer — the tangled weed inside

every Because they said so. Nerves can
be as frayed as a sofa. Faint hoof prints
take over and a last wish for a dictator

is a pedicure. Measures of change are
contained in names once held
in a cell phone — a baker missing,

a family, moved. A city under siege
is a Humpty Dumpty — its people grab
door handles and door frames collapse.

Moth-eaten fabric covers all wars.
A problem is dead bodies — blankets
waterlog, headlights turn off and it is

all about inching forward like thieves.
A mistake magnifies within its own
dimensions. Under the gaze of a camera,

there are epiphanies — God becomes
a ragged fellow who moves
from tree to tree in the back of the mind.

He pursues the living and the dead stay dead.

Liz Gallagher took time out of her busy schedule to answer some interview questions.  I hope you will give her a warm welcome.

Thanks for inviting me here. It’s a great looking Blog and I know I am going to feel very relaxed and at home here.

Could you describe a little bit about what inspired you to become a poet and how The Wrong Miracle came about?

Well, Serena, truthfully, I never set out to be a poet as such, it sort of ‘happened.’  I’ve always loved writing and after a spell of maybe 20 years without writing in a creative way, I found myself going back to writing creatively after I went through a rather long and disciplined time of studying and being very much in the academic world., that is up until about 4 years ago.  I remember being at a beach barbeque and thinking: ‘Freedom’ ‘I’m going to live for the moment, no more studying’ and actually saying to a friend that I was finished with studying and being all academic and I remember she said to me something in the line of ‘You’re so disciplined in your study, what do you think you will do with all that free time you are going to have?’ And I remember answering that that was exactly it . . . free-time was going to be free-time and nothing was going to take that away from me!  But before I knew it, I was seeking out online writing forums and writing poetry and getting ultra-involved and addicted.

So as not to bore any readers who have been lovely enough (and interested enough) to follow the tour from the beginning, and to answer the question for you, Serena, (and any new readers who might be following,) I spoke on TFE’s blog about how The Wrong Miracle came about….(at TFE’s we had a poetry poteen party and danced till dawn . . . The address is the following if you want to pop over there.   While approaching the answer, mind the poteen bottles and plead total ignorance of everything if Inspector Columbo or Inspector Clousseau approach to ask questions . . . ‘I know nothing’ is the preferred answer . . . . TFE will explain why . . . I truly know nothing ; ))

Poetry is often considered elitist or inaccessible by mainstream readers. Do poets have an obligation to dispel that myth and how do you think it could be accomplished?

I think that, yes, poetry up until recently had been hijacked (and consequently suffocated and quietened) by certain academics to the extent that it had become exclusive terrain. This is something which definitely has happened, however, poets are now, literally, re-claiming poetry for themselves and for their audiences.  They are metaphorically (and sometimes literally) climbing academic ladders and dusting down books and blowing dust off and saying ‘Listen, here!’  Poets, and consequently, people in general, through poetry readings and poetry performances and literary festivals are breathing life back into poetry and taking it on to the streets to show that, yeah, poetry does matter.  It is not just a subject for academic study.  The thing that I feel amazed by and very motivated by is that people are willing to give poetry a second chance, as most people (of my age, anyway) would have had awful classroom experiences of poetry been analysed to death in an excrutiatingly boring way . . . I remember my English teacher in secondary school saying something like: ‘None of you are going to appreciate any of this poetry that we are about to do now, but in 20 years time, you might want to re-pay all of this a visit . . . and in doing so, you might remember me and what I said to you regarding poetry.’  I remember thinking I am going to remember him saying this and I bet to myself then and there that it wouldn’t be true . . . that I wouldn’t be going within a hair’s breadth of poetry ever again . . . but here I am!  What a shame a teacher like that couldn’t have thought of a more creative way to get poetry to us, we were ripe for poetry with all our 16 and 17 year old emotions seeking some form of outlet . . . Poetry, with justice done to it, would have been ideal here.  

So, Serena, basically, with the live poetry scene taking off really well, especially in Ireland, and in a tiny way, here in the Canaries, I think that poetry is becoming relevant in people’s everyday life.  Hopefully, it will keep on happening and that more and more people will get involved.

Do you have any obsessions that you would like to share?

Well, let’s see, I love the dark and writing in and into the dark.  I love being up drinking tea on my own at dawn.  

When I find a new poet’s work that I love, I become easily obsessed by them and seek their work out, high and low, and think ‘I’ve got to read everything they have ever written!’

Also chocolate at around 5 pm!  And a glass of wine at 10 pm. ; ) And also Thai massage, Thailand . . . and planning getaways! : ) 

How do you stay fit and healthy as a writer?

I have got two very demanding (and very amusing) dogs who bark the house down if I don’t take them on daily treks into the valley.  We also own a tumble-down farm so most days I try to do something there to make it less tumble-down looking!  The farm has six terraces which are step-like land masses and going from one spot to another involves lots of climbing.  And I eat lots of oranges because we have about twenty orange trees on the farm so that means oranges the whole year round!  Oh and yes!  I’m a 2-litre-a-day water drinker . . . I am always to be seen with a bottle in my hand (not the TFE-poteen-party type bottle!) 

Thank you so much for having me here, Serena…looking forward to popping back next week to continue our chat.

About the Poet: (Photo Credit: Vladi Valido)

Liz Gallagher was born and brought up in Donegal, Ireland. She has been living in Gran Canary Island for the past 14 years. She has an Education degree where she specialised in Irish language. She also has a Computer Science degree. She is at present doing research into online debating for her PhD. She began writing about 5 years ago and has won a variety of awards in both Ireland and the US: Best New Poet 2007 (Meridian Press, Virginia University) First Prize in The Listowel Writers’ Single Poem Competition 2009 and she was selected by Poetry Ireland for their 2009 Introductions Series in recognition of her status as an emerging poet.