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2011 Indie Lit Awards Revealed

2011 Indie Lit Awards Plain PoetryAs many of you already know, I’ve been working with the Indie Lit Awards for 2011 on as director of the Poetry panel.  This was the first year for an award in the poetry category, and I think the team picked the right two collections for the winner and runner-up slots.

This year’s winner is:

Laurie Soriano for Catalina (also available for Kindle), which was published by Lummox Press.  Please check out these videos of her reading from the collection.  Stay tuned to the Indie Lit Awards for our interview with Laurie.

The runner up in the poetry category was Edward Nudelman‘s collection, What Looks Like an Elephant, also from Lummox Press.

For the list of Fiction, Bio/Memoir, GLBTQ, Mystery, Nonfiction, and Speculative Fiction, please click on the Indie Lit Awards button in this post.

Congrats to all the winners, including Aine Greaney for Dance Lessons, which I reviewed here and who offered a look at her writing process after the novel is published, in the fiction category.

Mailbox Monday #169

Mailbox Mondays (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. This month’s host is Diary of an Eccentric.

Kristi of The Story Siren continues to sponsor her In My Mailbox meme.

Both of these memes allow bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received this week:

1.  The Lorax Pop-Up! by Dr. Seuss, which I bought for “Wiggles.”

What did you receive?

The Yellow House Read-a-Long, Part 2

As part of the 2012 Ireland Reading Challenge, we’re reading The Yellow House by Patricia Falvey.  For the first week, we read pages 1-90.  I’m going to answer the read-a-long questions here for part 2, which is pages 91-164.

Please be aware that the answers to these questions could contain spoilers.

Were you surprised by the turn the romantic storyline took?

No!  I knew the minute Eileen said that she was determined to hate him that they would end up in some capacity.  With a passionate, fiery woman like Eileen, it is inevitable that her passions would lead her to a rebellious man like James.  However, her path to Owen has not ended with her marriage to James, as I suspect the life of a rebel and champion of a united Ireland under Home Rule is likely to be killed or jailed.

What do you think of James? Is his treatment of his family – all in the name of the cause – justified?

James is a man set in his own ways and his own idea of how family is expected to act.  Eileen does not fit into that mold, and though I feel for her, she should have known what marriage to him would have been like given his relationship with his mother.  More than once his mother placed the needs of James above everyone else in the family — he was given a room in the house while Fergus was relegated to the shed and the other two siblings were forced to work in the mill to pay for James’ seminary education, which he clearly abandoned.  James has always been put first, and he acts accordingly.  He has no other expectations of his wife.  While he was drawn to Eileen’s passion for the cause, he also believes that his ideas and needs are superior to everyone else’s.   Is his treatment of his family justifiable in the name of the cause? To him, it is!  To the rest of us and Eileen, it is not.  Given Eileen’s background and her father’s devotion to the family in spite of his inability to farm, she expects more from her husband than his dedication to the cause — she expects him to provide for and protect them.  But she fails to see who James really is.

What do you think of Eileen’s reaction to James’ final betrayal – the emptying of her savings account?

I think the reaction is typical of her character, but I also would have expected more of her by this point.  In a way, her reaction is still that of a girl who does not know how to react to betrayal.  She needed to calmly accept the news and craft a better plan.  While I think she’s passionate and has a tendency to react as her mother does, which could lead to a similar fate, she is likely stronger than her mother if she draws on that O’Neill warrior inside.

How do you think the author is handling the intricacies of the political situation?

I really like how the reader learns about the political situation as Eileen learns of it and becomes more involved in the movement.  I like that she also provides the translation of terms like Sinn Fein, which I didn’t know about before.  I do like how there is not the one-sided against the British feeling to the story.  I think Falvey is doing well here.

Other thoughts:

I really enjoy Falvey’s writing style and the way that she weaves in the political and historical aspects, but keeps it grounded in Eileen’s personal story.  Yellow continues to play a significant role here in the story, and I’m still pondering what it means…though at this point I’m leaning toward the notion of “hope.”

For next week’s discussion we’ll be reading through page 238, which includes these sections: “Truce, 1920-1921? and “Passion, 1921.”

141st Virtual Poetry Circle

Welcome to the 141st Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the National Poetry Month Blog Tour from April 2011 and beginning again in April 2012.

Today’s poems is from Charlotte Elizabeth Tonna:

St. Patrick's Day: With an Irish Shamrock

From the region of zephyrs, the Emerald isle,
     The land of thy birth, in my freshness I come,
To waken this long-cherished morn with a smile,
     And breathe o’er thy spirit the whispers of home.
O welcome the stranger from Erin’s green sod;
  I sprang where the bones of thy fathers repose,
I grew where thy free step in infancy trod,
  Ere the world threw around thee its wiles and its woes.
         But sprightlier themes
         Enliven the dreams,
My dew-dropping leaflets unfold to impart:
         To loftiest emotion
         Of patriot devotion,
I wake the full chord of an Irishman’s heart.

The rose is expanding her petals of pride,
     And points to the laurels o’erarching her tree;
And the hardy Bur-thistle stands rooted beside,
     And sternly demands;—Who dare meddle wi’ me?
And bright are the garlands they jointly display,
     In death-fields of victory gallantly got;
But let the fair sisters their trophies array,
     And show us the wreath where the shamrock is not!
             By sea and by land,
             With bullet and brand,
My sons have directed the stormbolt of war;
             The banners ye boast,
             Ne’er waved o’er our host,
Unfanned by the accents of Erin-go-bragh!

Erin mavourneen! dark is thy night;
     Deep thy forebodings and gloomy thy fears;
And O, there are bosoms with savage delight
     Who laugh at thy plainings and scoff at thy tears!
But, Erin mavourneen, bright are the names
     Who twine with the heart-vein thy fate in their breast;
And scorned be the lot of the dastard, who shames
     To plant, as a trophy, this leaf on his crest!
             Thrice trebled disgrace
             His honours deface,
Who shrinks from proclaiming the isle of his birth!
             Though lowly its stem,
             This emerald gem
Mates with the proudest that shadow the earth!

What do you think?

An Arsonist’s Guide to Writers’ Homes in New England by Brock Clarke

An Arsonist’s Guide to Writers’ Homes in New England by Brock Clarke starts with a convicted criminal, Sam Pulsifer, who admits to burning down Emily Dickinson’s house in Amherst, Massachusetts.  Not only is he an arsonist, but he’s also a murderer and a liar.  He spends about 10 years in prison for his crime, but when he’s released, he goes to college, meets his sweetheart, and has some kids before everything goes horribly wrong.

“Even now, with Thomas in front of me, the fire and the smoke and his parents’ burning bodies were so far away they seemed like someone else’s problem, which is awfully mean to say and in that way perfectly consistent with most true things.” (Page 27)

There are hopes, dreams, and failures in these pages, and with the first person narration, readers will be left guessing if its all a surreal dream/nightmare or a fantasy world created by an unreliable narrator for much of the book.  With dark humor Clarke pokes fun at the white towers of academia and its unstable residents, while at the same time leading readers on a journey in which a son learns the truth about his parents and himself.  But there are whimsical moment too, in which readers familiar with New England residents and culture will see it clear as day in the northern parts of New Hampshire and the suburban sprawl of Massachusetts.

There are secrets in these pages, and much of it reads like the rambling of a lonely man or even a mad man.  Too much of it is dreamlike, with the reader left swimming in the ooze of self-doubt, judgment, and confusion that is Sam.  There are burning literary icons’ houses in the novel, but whether its actually a guide to anything other than constant meandering and second guessing is hard to tell.  Through a stream-of-consciousness prose, Clarke allows Sam to tell his heartbreaking story of how he became an arsonist, is subsequently set up for setting more fires, and how his ideas about what his family was are shattered.  While he blames most everyone or his own “bumbling,” which he claims cannot be controlled or modified, it is clear that Sam fails to have enough conviction or determination to make real changes.

“Was I angry? Of course I was.  Is this what memorists did? Steal someone else’s true story and pass it off as their own?” (Page 89)

An Arsonist’s Guide to Writers’ Homes in New England by Brock Clarke is hardly boring, but oftentimes, the reader is left too in the dark about the motivations of the character or what the point of the story is.  Readers will struggle with whether they should keep reading to find out what happens or whether to give up because they just don’t find Sam to be sympathetic.  Although the dark humor and literary jabs are entertaining, they can get old after a while.  Reading this as part of an informal read-a-long with Literate Housewife and Indie Reader Houston helped motivate me to finish the book, which was mildly entertaining at best.  In a way, it was like the author was trying too hard to be surreal and darkly humorous about literary figures, which took away from a story that could have been much deeper and dramatic.

There is a fantastic Q&A in the back of the book between the author and his main character, Sam, which would help book clubs navigate this puzzling predicament of a novel.

Other Reviews:
We Be Reading
Bloody Hell! It’s a Book Barrage
Shelf Monkey
Hey Lady! Whatcha Readin’
Literate Housewife

photo credit: Jon Hughes / Photopresse

About the Author:

Brock Clarke is the author of five books, most recently Exley and An Arsonist’s Guide to Writers’ Homes in New England, which was a national bestseller and has appeared in a dozen foreign editions.

His stories and essays have appeared in the Virginia Quarterly Review, OneStory, The Believer, the Georgia Review, and the Southern Review and have appeared in the annual Pushcart Prize and New Stories from the South anthologies and on NPR’s Selected Shorts. He lives in Portland, Maine, and teaches creative writing at Bowdoin College.

 

 

This is my 17th book for the 2012 New Authors Challenge.

Made Priceless: A Few Things Money Can’t Buy edited by H.L. Hix

Made Priceless: A Few Things Money Can’t Buy edited by H.L. Hix is a collection of short essays about items writers have in their possession that they neither bought nor would they sell because they hold a value not measured by the marketplace.  The book pays homage to all that is held dear in today’s society from a time long past waiting to be recaptured in memories to places you can revisit, though the light will be slightly off or the wind will blow harder.  Hix has culled together a series of short essays that demonstrate the beauty we find in the most mundane things from flags to typewriters to playing cards found on the ground.

Contributors to the collection range from writers and poets to bricklayers and flight instructors, among many others.  The book also is broken down into more than 30 sections with titles like “emotionally pervaded,” “moral transactions,” and “No Ideas.”  While the book is in itself a collection, Hix has asked readers to keep the dialogue open and fluid in an open invitation to readers and reading groups to contribute their “object lessons” to his blog; find out more about that project from my previous post.

Since I’m a contributor to the project, I cannot call this a review due to the potential conflicts of interest it would present.  However, I can tell you that I’m pleased that this nonprofit project is published through a nonprofit publishing house, Serving House Books, and H.L. Hix has said he will donate 100 percent of any royalties he receives from the sales of the book, since he simply seeks to spread “wisdom and joy.”

Guest Post: Jack Caldwell Talks About Writing

Yesterday, I reviewed The Three Colonels:  Jane Austen’s Fighting Men by Jack Caldwell, which is set just after Napoleon is exiled to Elba and combines characters from Pride & Prejudice with those from Sense & Sensibility, along with some new characters.  From romance to intrigue and war, Caldwell combines the best of Austen’s social commentary with the action of a war novel, but tempers it with wit and drama. 

Today, Jack has offered to talk about his writing, his inspiration, and his writing space.  Please give him a warm welcome.

Good day, everybody. Jack Caldwell here, the author of THE THREE COLONELS – Jane Austen’s Fighting Men, a sequel to Pride & Prejudice and Sense & Sensibility, now available from Sourcebooks Landmark. My first novel, PEMBERLEY RANCH, a reimagining of Pride & Prejudice set in post-Civil War Texas, came out in 2010.

The kind and lovely Serena asked me to talk to you about how and where I write, and what inspires me. Well, I’m hesitant to do so. You know how shy we authors are. We never want to talk about our work—

Alright, Serena, you can stop laughing hysterically now.

The first thing you must know is that I’m a guy. Therefore, I own my own computer. That may sound like a strange boast, but from what I understand, many of my female compatriots must fight the rest of their family to get computer time to write. I don’t have that problem. This machine is mine. Nobody touches it but me!

(Note: My wife has her own laptop. I ain’t stupid. Happy wife – happy life.)

I’ve taken over one of the spare bedrooms to serve as my office. I have a desk, two printers, the computer, network equipment, files, and bookcases filled with novels and reference books. This is my Pemberley Library, my inner sanctum, my Batcave.

But this is not where I write. This is where I type.

Believe it or not, I write in bed while I sleep — while I dream. You see, I have this uncanny ability to control my dreams. I run the plot of my current writing project through my mind like a movie while I sleep. The best part is when I run into a dead end, stop everything, back up, and try again on a slightly different path, all while remaining asleep. The next day, I transcribe my dream into the computer. Cool, huh?

Now, that doesn’t mean I don’t have a roadmap. I do, because before I write a word, I put together a detailed outline. I know how my story ends before I write it; in fact, the last chapter is often one of the first I write. This way, I always finish my projects.

I also depend on a team of extraordinary women to help me. They are my editors, whom I call affectionately my Beta Babes. They go over every word I write. The group has changed membership slightly over the years, but the one constant has been Beta Babe #1, my wife, Barbara.

Writing is a lot of work. Some days I put down only a few hundred words, other days several thousand. But I need to write every day. Even at that pace, it takes between six to nine months to write a novel, averaging 100,000 words.

Then, if my publisher likes it, I get to cut it — a lot. It ain’t fun, but usually her suggestions are the right ones. The finished novel runs about 85,000-95,000 words. We bounce it back and forth, polishing it up, and after the final edit is accepted, we start all over again with a new book.

I’m having a ball.

So how do I get the ideas of what to write? My muse, my dear friends — that harsh mistress who lovingly and relentlessly drives me to write. Here’s her photo:

Hot, isn’t she? She’s the one who challenged me to write in the first place. She helped me overcome a high school teacher who thirty-five years ago told me I had no writing ability.

She also spurs my ideas, especially as she found out writers can write off a portion of their travel if it is used for research for their work. She’d LOVE it if I wrote a Pride & Prejudice reimagining set in Hawaii! Who knows—maybe one day…?

Anyhow, I hope all of you enjoy THE THREE COLONELS, especially as I’m writing a sequel to it right now. Which means that not everybody dies in it (I have such a bad reputation about that).

And remember, it takes a real man to write historical romance, so let me tell you a story.

~*~*~

So, which do you like better—sequels or reimaginings? Where would you move your favorite Austen characters in time and space? Let’s have some fun!

About the Author:

Jack Caldwell is an author, amateur historian, professional economic developer, playwright, and like many Cajuns, a darn good cook. Born and raised in the Bayou County of Louisiana, Jack and his wife, Barbara, are Hurricane Katrina victims who now make the upper Midwest their home.

His nickname—The Cajun Cheesehead—came from his devotion to his two favorite NFL teams: the New Orleans Saints and the Green Bay Packers. (Every now and then, Jack has to play the DVD again to make sure the Saints really won in 2010.)

Always a history buff, Jack found and fell in love with Jane Austen in his twenties, struck by her innate understanding of the human condition. Jack uses his work to share his knowledge of history. Through his characters, he hopes the reader gains a better understanding of what went on before, developing an appreciation for our ancestors’ trials and tribulations.

When not writing or traveling with Barbara, Jack attempts to play golf. A devout convert to Roman Catholicism, Jack is married with three grown sons.

Check out Jack’s blog, The Cajun Cheesehead Chronicles, at Austen Authors, his Website — Ramblings of a Cajun in Exile — and his Facebook page.

Thanks, Jack, for sharing your writing and inspirations with us.  Also check out my review of Pemberley Ranch.  I personally love both sequels and reimaginings!  And I cannot wait for the sequel to The Three Colonels!

The Three Colonels: Jane Austen’s Fighting Men by Jack Caldwell

The Three Colonels: Jane Austen’s Fighting Men by Jack Caldwell is set during a time in Europe when empires were being built and shifted, including the Napoleonic empire.  Colonel Brandon, Colonel Buford, and Colonel Fitzwilliam are the main players here, but Mr. Darcy’s connection to Fitzwilliam and Brandon and Fitzwilliam’s connections to Buford blend the picture seamlessly.  A Regency period novel that begins with the exile of Napoleon to Elba is the calm before the storm as the world teeters on the brink of war once again, which can only bring the three colonels into danger, alongside that love-to-hate rogue Wickham.  Caldwell can always be counted on for creating tension that leads to fast-paced action in an Austenesque novel, and he even sprinkles in the romance and common misunderstandings Austen’s characters have dealt with in the past.

“Buford!’ cried his companion.  ‘If you truly wish to be known as a respectable gentleman, there are other ways to go about it than imitating Fitzwilliam Darcy!’ Colonel Richard Fitzwilliam gave his comrade-in-arms a lopsided grin.

Buford’s eyes never left the crowd.  ‘I beg your pardon, but I am certainly not as stiff as Darcy!’

Fitzwilliam laughed.  ‘Oh, Buford, you make a fireplace poker look flexible!'” (Page 45 ARC)

Buford is a dashing colonel who has won the affections of Caroline Bingley, despite his rakish reputation among the ton.  Buford softens Caroline’s edges, making her blush as she gains confidence slowly after being humiliated, but can he cause her to be ultimately vulnerable and fall in love and can she redeem him as he hopes to be saved?  These are just some of the questions Caldwell tackles in his novel.  Meanwhile, happily married Darcy and Colonel Brandon are enjoying their wives and their children when news of possible war hits, causing the men to worry about their families and the future of England.

Colonel Fitzwilliam’s troubles begin when he must step into the role of Rosings trustee that Darcy was forced to vacate when he married Lizzy against Lady Catherine’s wishes.  He butts heads with Lady Catherine, is unsure of how much authority he has to make changes to save the estate, and finds himself hopelessly in love with someone far above his station.  Caldwell stays true to Austen’s original characters here, but modifies them in ways that help them evolve in the new story lines he has created for them.  They are fresh and fun, and fully dramatic, with plenty of intrigue and backstabbing to go around on the international stage.

The Three Colonels: Jane Austen’s Fighting Men by Jack Caldwell blends not only Austen’s characters from Pride & Prejudice and Sense & Sensibility, but also adds historical figures and new characters to the mix.  Readers will enjoy revisiting some of their favorite characters, seeing new sides of old characters, and being introduced to new, engaging characters.  Overall, a unique novel that brings some action to the upper echelons of society.

Also by Jack Caldwell:

Pemberley Ranch

Mailbox Monday #168

Mailbox Mondays (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. This month’s host is Diary of an Eccentric.

Kristi of The Story Siren continues to sponsor her In My Mailbox meme.

Both of these memes allow bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received this week:

1.  Made Priceless: A Few Things Money Can’t Buy edited by H.L. Hix, which I received from Hix since I am a contributor.

Made Priceless presents snapshots of objects that their holders treasure: a 1950s swivel rocker, a fortune-cookie fortune that reads “The rubber bands are heading in the right direction” a marble with a world map painted on it, a bread-baking pan, a bar of soap, crocheted doilies, a masonry trowel… Each object has its own story, each its own meaning. The book’s contributors include artists, a banker, a retired career military officer, secretaries, a pilot, stay-at-home mothers, students, professors, and others, each with a testament in praise of something priceless. The result is a remarkable collection that honors what money can’t buy, and celebrates the extraordinary significance in an ordinary things.

2. Restoration by Olaf Olafsson, which the Literate Housewife passed on to me. Thanks so much!

Having grown up in an exclusive circle of wealthy British ex-pats in Florence in the 1920s, Alice Orsini shocks everyone when she marries the son of a minor Italian landowner and begins restoring San Martino, a crumbling villa in Tuscany, to its former glory. But after years of hard work, filling the acres with orchards, livestock, and farmhands, Alice’s growing restlessness pulls her into the heady social swirl of wartime Rome and a reckless affair that will have devastating consequences.

Her indiscretion is noticed by careful eyes—those of Robert Marshall, a renowned dealer of renaissance art. In exchange for his silence, he demands Alice hide a priceless Caravaggio, a national treasure that he has sold to the Germans, at San Martino. As the front creeps toward Tuscany, sending a wave of orphans, refugees, and wounded Allies to San Martino, Alice trusts that the painting she’s hiding will keep the Germans at bay. What she doesn’t know is the truth about a brilliant young artist she harbors named KristÍn, a prodigy who can restore any painting, and whose secrets may ruin them all.

Trapped between loyalists and resistors, cruel German forces and Allied troops, Alice and KristÍn must withstand the destruction of everything around them while painfully confronting the consequences of their past mistakes.

3. The Lola Quartet by Emily St. John Mandel, which came from LibraryThing Early Reviewers.

Gavin Sasaki is a promising young journalist in New York City, until he’s fired in disgrace following a series of unforgivable lapses in his work. It’s early 2009, and the world has gone dark very quickly; the economic collapse has turned an era that magazine headlines once heralded as the second gilded age into something that more closely resembles the Great Depression. The last thing Gavin wants to do is return to his hometown of Sebastian, Florida, but he’s drifting toward bankruptcy and is in no position to refuse when he’s offered a job by his sister, Eilo, a real estate broker who deals in foreclosed homes.

Eilo recently paid a visit to a home that had a ten-year-old child in it, a child who looks very much like Gavin and who has the same last name as Gavin’s high school girlfriend Anna, whom Gavin last saw a decade ago. Gavin—a former jazz musician, a reluctant broker of foreclosed properties, obsessed with film noir and private detectives—begins his own private investigation in an effort to track down Anna and their apparent daughter who have been on the run all these years from a drug dealer from whom Anna stole $121,000.

What did you receive?

The Yellow House Read-a-Long, Part 1

As part of the 2012 Ireland Reading Challenge, we’re reading The Yellow House by Patricia Falvey.  For the first week, we read pages 1-90.  I’m going to answer the read-a-long questions here.  Please be aware that the answers could have spoilers in them.

1.  What do you think of the writing?

Falvey’s writing is very in step with other Irish writers I’ve read in the past where the diction and the style resembles the time period and the very mythical Irish culture.  I’m enjoying the detail and the description a great deal; it gives me a sense that I am there in the valley below Slieve Mullion, the mountain looking down on the O’Neill house.

I had a hard time stopping after the second section in the book when I hit page 90.

2.  What do you think of Eileen’s parents?

Eileen’s parents have secrets, and these secrets are well hidden from the children, as to be expected during that time.  Parents did not openly talk about their courtships or previous relationships with their lovers and/or parents to their children.  I’m surprised at how lively Eileen’s mother talked of the past once it was revealed where their grandfather lived.  It seemed a bit incongruous to me that she would suddenly want to reminisce with her kids about a past she had kept so hidden and one that was fraught with despair and heartache.  I really was disappointed that such a strong woman was unable to bounce back after tragedy to help her other children!  It saddened me to think that she would withdraw so much, and after the death of the father, she became an unrecognizable woman…that seemed a bit extreme to me.

Eileen’s father is a typical dreamer, which has been seen in other Irish novels, but what’s intriguing here is that he is not a drunkard and does not make foolish monetary decisions that leave his family out in the cold for the most part.  He does make a go of farming, though eh fails miserably at it, but rather than gamble away the future, he takes the reasonable road and sells a portion of the land…at least until he takes out a mortgage on the house.

3.  It seems that the book is heading in a romantic direction when it comes to Eileen and Owen Sheridan. What do you think of this potential romance?

Eileen and Owen have a sort of forbidden love, which can be tempting, but for now it seems that Eileen is being level-headed…however, there also is the wild card of James, whom she is determined to hate.  But will she really, and will he really become a priest?  That remains to be seen.  It also seems to be a similar set up going on here that may mirror her mother’s past when she became pregnant with Frank and instead of marrying his father, she marries Eileen’s dad.

4.  As we closed the second section, the world is on the brink of the First World War, and Ireland is being torn apart by the fight for Home Rule. Have you learned anything about Ireland or the world at this time period that was new to you?

I finally understand the difference between the Unionists and the Nationalists!  These were mentioned in A Long Long Way by Sebastian Barry (my review), but it was so confusing given the main character, Willie had little knowledge of politics related to WWI or the Irish struggle for Home Rule.  I hope there is more of the politics behind the wars in this one.  It’s fascinating to me, though I don’t want the book to lose its pace or its dynamism.

***Some Other Observations***

I really love how Falvey has used nature here to demonstrate the struggles of the Irish, and her descriptions of the Music Men are fantastic at demonstrating the power of music and how it became a safe heaven for many Irish.  I’m also getting curious about the significance of yellow here; it seems to be recurring in the house paint, Eileen’s dress, and other events.  I cannot wait to see how that ties into the overall novel.

For next week, we’ll be reading pages 91-164 or sections “War, 1914-1918″ and “Insurrection, 1919-1920.”

140th Virtual Poetry Circle

Welcome to the 140th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the National Poetry Month Blog Tour from April 2011 and beginning again in April 2012.

Today’s poems is from Joy Harjo:

Equinox

I must keep from breaking into the story by force
for if I do I will find myself with a war club in my hand
and the smoke of grief staggering toward the sun,
your nation dead beside you.

I keep walking away though it has been an eternity
and from each drop of blood
springs up sons and daughters, trees,
a mountain of sorrows, of songs. 

I tell you this from the dusk of a small city in the north
not far from the birthplace of cars and industry.
Geese are returning to mate and crocuses have 
broken through the frozen earth.

Soon they will come for me and I will make my stand
before the jury of destiny. Yes, I will answer in the clatter
of the new world, I have broken my addiction to war
and desire. Yes, I will reply, I have buried the dead

and made songs of the blood, the marrow.

What do you think?

I’ve Been Keeping a Secret, But It’s Out Now….

Last year, a poet I interviewed for 32 Poems, H.L. Hix, asked if I would contribute to his blog about objects that are made priceless by how and why they are received/given for his blog project at IN QUIRE.  He published my little “object lesson” in 2011.  I know that some of you may have read it already, but the secret I’ve kept is that H.L. Hix had told me that he had hoped to create a book out of these lessons.  I wasn’t hopeful because it includes something I wrote, and I thought who the heck would want to read that.  But now, I’m coming clean.  The secret and the book are out!

Something I wrote in tribute to my nana (Aune Mullen — 1915-1998) has been published in a book, Made Priceless: A Few Things Money Can’t Buy.

I hope that you will buy this book to support not only this blog and my writing, but also the charities to which H.L. Hix will contribute.

I cannot begin to tell you what this publication means to me and how I feel it honors nana’s memory.  It is more than I could have ever dreamed of or asked for in my lifetime.  I’m glad that it has arrived in my home.  I hope to buy a few copies for my parents and aunts.  I urge you all to do the same because not only is this book important to me and the memories I’ve shared, but to all the other contributors.

Thanks to all of you who continue to support the blog, my writing, and everything I try to accomplish here.

***Updated at 11:40 AM***

If you want a signed copy, you can send a payment to my paypal account savvyverseandwit AT gmail DOT com and I can send you one.

I can get a discount as a contributor from the publisher, so it would $17 with shipping for those of you who are interested!