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Time Is a Mother by Ocean Vuong

Source: Purchased
Hardcover, 128 pgs.
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Time Is a Mother by Ocean Vuong is a tumultuous collection of poetry in which the poetry is narrated by someone searching for love, acceptance, and a home. The collection opens with a surreal image of “The Bull,” in which the narrator calls himself a murderer of his own childhood. There is this sense that the narrator does not wish to grow up but has no choice but to become more mature. This signals to the reader that something has shifted in his world.

When the reader gets to “Snow Theory,” we see that a mother has vanished from the narrator’s life and he pleads: “What we’ll always have is something we lost/In the snow, the dry outline of my mother/Promise me you won’t vanish again, I said/She lay there awhile, thinking it over/One by one the houses turned off their lights/I lay down over her outline, to keep her true/Together we made an angel/” This is the moment where the journey begins and the poetic narrator is no longer anchored.

Throughout the collection, Vuong explores what it means to be loved and where love cannot be found. How a sense of belonging is integral to mental health and how the journey can nearly destroy you.

The image of snow appears throughout the collection, and it gives readers a sense of stillness, perhaps paralysis. It may be that the narrator is unable to fully move forward until they deal with the deep emotional loss of their mother, but it seems like the narrator is more adrift because they are unable to navigate the hatred he faces because of whom he loves.

There are a number of intriguing images throughout the collection, including the morgue as a community center, but some of these ideas are not fully fleshed out and leave the reader wandering in a surreal world without any breadcrumbs to follow. Perhaps this was intentional because like the narrator, the reader will feel adrift. Time Is a Mother by Ocean Vuong is a journey into the unknown.

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RATING: Tercet

About the Poet:

Ocean Vuong is the author of the debut novel, On Earth We’re Briefly Gorgeous, out from Penguin Press (2019). He is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize.

Mailbox Monday #679

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

The Tradition by Jericho Brown, which I purchased.

Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.

Time Is a Mother by Ocean Vuong, which I purchased.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicenter of the break.

The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

What did you receive?