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Sway by Tricia Johnson

Source: Publisher
Paperback, 108 pgs.
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Sway by Tricia Johnson is best read a few poems at a time, dipping in and out of nature’s changes and seasons. Johnson’s poems are primarily focused on nature and the narrator is caught up in all the beauty. She’s distracted by it, enthralled by it, and in awe of it – as it should be. In “Nestle,” readers are invited to meet the narrator “in the tall grass/We will settle in its hidden places/Nestled with mother earth” (pg. 12)

Readers will feel like they have fallen into the natural world, where the sun and moon enchant the walk. The narrator is asking us to stop with her, take a breath, and observe … be in the moment. Each season is give its due and Johnson knows how to describe each well, making readers feel like they are there. I don’t think that these poems necessarily depict only Pennsylvania, but they could be in other backyards. Reading the poems in succession can get a bit monotonous. But there are those moments where you fall right into the poem.

Walk (pg. 31)

...
The smell of fall
Warm air out
The chill felt through fabric
Move to sweat along the back of a scarf wrapped neck
Wink (pg. 34)

One red leaf on my maple tree
Winked out as I walked by
I said hello, introduced myself
Thanked its crimson glow
A nod toward change
A season swooping in
The center glimpse of rose
Wrapped in the nature of green

My favorite poem in the collection has to be “Pumpkin Latte” where deer are the night raiders cannibalizing her pumpkin decorations. It reminds me of the family of deer in my own yard and how they will nibble anything they can. Fruits and vegetables are their favorites, of course.

Sway by Tricia Johnson calls to us, guides us to an appreciation of nature. She’s providing us with paintings and an atmosphere where we can just be and breathe.

RATING: Tercet

Other Reviews:

About the Poet:

Tricia Johnson is a poet wishing to share her work with others, by using the written word to embrace one another’s humanity.  She is a retired teacher.  She lives in the beautiful hills of Pennsylvania with her husband and two sons.  Published work includes the poem “Living with Lupus” which appeared in Still You Poems of Illness & Healing, Wolf Ridge Press 2020.

Mailbox Monday #704

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Thank you to Velvet for stepping in when Mailbox Monday needed another host.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s What I Received:

The Art of Revision: The Last Word by Peter Ho Davies, which I purchased on recommendation from Melanie Figg.

In The Art of Revision: The Last Word, Peter Ho Davies takes up an often discussed yet frequently misunderstood subject. He begins by addressing the invisibility of revision―even though it’s an essential part of the writing process, readers typically only see a final draft, leaving the practice shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O’Connor, Carmen Machado, and Raymond Carver, shedding light on this slippery subject.

Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. In an affecting frame story, Davies recounts the story of a violent encounter in his youth, which he then retells over the years, culminating in a final telling at the funeral of his father. In this way, the book arrives at an exhilarating mode of thinking about revision―that it is the writer who must change, as well as the writing. The result is a book that is as useful as it is moving, one that asks writers to reflect upon themselves and their writing.

Because of Mr. Terupt by Rob Buyea from Kellogg’s Feeding Reading Program.

It’s the start of a new year at Snow Hill School, and seven students find themselves thrown together in Mr. Terupt’s fifth grade class. There’s . . . Jessica, the new girl, smart and perceptive, who’s having a hard time fitting in; Alexia, a bully, your friend one second, your enemy the next; Peter, class prankster and troublemaker; Luke, the brain; Danielle, who never stands up for herself; shy Anna, whose home situation makes her an outcast; and Jeffrey, who hates school.

They don’t have much in common, and they’ve never gotten along. Not until a certain new teacher arrives and helps them to find strength inside themselves—and in each other. But when Mr. Terupt suffers a terrible accident, will his students be able to remember the lessons he taught them? Or will their lives go back to the way they were before—before fifth grade and before Mr. Terupt?

Find out what happens in sixth and seventh grades in Mr. Terupt Falls Again and Saving Mr. Terupt. And don’t miss the conclusion to the series, Goodbye, Mr. Terupt, coming soon!

Sway by Tricia Johnson for review.

Poems that welcome and embrace Mother Nature’s seasonal wind blown mysteries.

This book of poetry invites you to pause, kneel down in a meadow and experience the flora and fauna of Pennsylvania. To live among the rolling hills and valleys, as nature’s changing rhythms keep the time.

In Sway by Tricia Johnson, we imagine ourselves in the wilds of Nature with our heads resting on the back of our arms, eyes wide, observing the Living World.

The Wehrwolf by Alma Katsu, purchased.

Germany, 1945. In the waning days of World War II, the Nazis have been all but defeated. Uwe Fuchs, never a fighter, feels fortunate to have avoided the front lines as he cared for his widowed mother.

But Uwe’s fortune changes when Hans Sauer, the village bully, recruits him to join a guerilla resistance unit preparing for the arrival of Allied soldiers. At first, Uwe is wary. The war is lost, and rumor has it that Hans is a deserter. But Hans entices him with talk of power, brutality, and their village’s ancestral lore: werewolves.

With some reluctance, Uwe joins up with the pack and soon witnesses their startling transformation. But when the men’s violent rampage against enemy soldiers takes a devastatingly personal turn, Uwe must grapple not only with his role in their evil acts but with his own humanity. Can he reclaim what this group of predatory men has stolen from him?

Or has he been a monster all along?

What did you receive?