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Forward by Abby Wambach (audio)

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Audiobook; 5+ hrs.
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Forward by Abby Wambach, read by the author, explores her need for soccer in her life and her early hatred of the game and her talent. But at its heart, it is also a memoir that explores identity and self-love. A lot of her high school and soccer years are spent trying to be seen, but even as she is seen by the public more and more, she feels more unloved. This vacancy in her heart leads her to destructive behavior and she becomes very unbalanced. There is one moment where she turns the tables on herself — asking herself if she knows who she is.

Her life is a roller coaster of emotion where she is on highs and slumps into lows, exchanging booze for pills. However, I feel like when she decides to kick these habits, they are still there but she places less emphasis on them. She talks a lot about getting fit and kicking habits, but she still allows for medications that can be addictive. I found this a bit hypocritical, especially since they mask a larger problem. I sense that there is still denial here in how these pills mask her underlying issues. It begs the question of whether more time apart from soccer and the publicity would have given her more time for reflection and self-assessment, perhaps growth.

Forward by Abby Wambach is an inside look at a woman who has a hard time letting go of control, cannot have faith in others, and learn to love herself and know that she is worthy of love. Soccer is always there for her, even when she doesn’t want it to be. Soccer fans will love the recounting of her championships, Olympics, and more, but these are wider examples of her need for adrenaline and attention. Wambach struggles to be alone and love herself, but she never really recognizes this in the memoir. I think with more distance and further reflection, she would have written a deeper memoir.

RATING: Tercet

a more perfect Union by Teri Ellen Cross Davis

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Paperback, 70 pgs.
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a more perfect Union by Teri Ellen Cross Davis opens with “The Goddess of Blood,” a poem emerging from the blood of birth and death, much like a nation ripping itself from it’s parent nation. Davis’s collection doesn’t directly make these parallels but much of it is implied, and the subtlety of it can be overlooked as you get lost in the sensuous language of being a woman, birthing children, and much more in the opening poem. “my sacrifice, a carmine current soaked/the delivery bed.” (pg. 4)

In her narrator’s journey from Washington to Ireland to Kenya, we see a woman who is cognizant of how color is perceived in different situations — the blackest of the blackberries and the darkest current being the sweetest while teasing out deeper tones of darkness in Kenya in the sun is something never considered in the United States. Readers will note in “Black Berries” that there is this sense of forbidden, but we must stop and ask ourselves why is it forbidden when the blackest of berries yields the sweetest, most pleasurable taste?

From "3939 Strandhill Road, Cleveland, Ohio"

. . . Grief unravels

my tightrope. I rage at seeing the ground
rush up, my center of gravity gone.

Davis’ poems leave readers tumbling at times, hearing and seeing the past and the grief, but also the rage at what transpired. It is an anger that boils beneath, and there is a strong sense of family throughout the collection. It is of the utmost importance, so much so, there are gods among us. Stories we haven’t heard. “Baby Girl” is one of the most powerful poems I’ve ever read, and while I don’t want to spoil the read for you, I will say that it could be triggering for those who have experienced sexual assault and other similar traumas. Davis does not shy away from the big issues facing our children today, especially Black boys. In “Knuckle Head,” she takes them head on: “My son cannot continue this path. Black boys/can’t lose control at twelve, eighteen, even forty-three./they don’t get do-overs.”

In the second part of the collection, we’re taken not only a musical journey, but on a journey that creates for us new gods and goddesses — ones that speak the truth no matter how difficult and ones that see sexuality as freedom. “The First Gospel of Prince,” speaks: “The air sears between hips, this melody/is a startled beauty – breathe in halting sips.//” These poems are a musical treat, a homage to musical gods, and a look at how sensuality and sexuality don’t have to be hidden or set aside as we age.

One of my favorite poems, “This Poem Suggests Revolution,” speaks to the America we’ve seen — the one that is asleep at the wheel, coasting along the road with its eyes closed, only startled awake by the “occasional” beeping horn. “If the pursuit of happiness,/life, and liberty came from the creator, she is/about to backhand you in the face.//” We see that anger against an America that is willfully blind to its past and its continued faults. It seethes, but there is still a sense of hopefulness in a “rewriting” of the American story, a move toward an America closer to its ideals. The road is harsh, but the poet, the narrator, and the reader will come away believing in “a more perfect Union.”

a more perfect Union by Teri Ellen Cross Davis was a roller coaster of emotions, as it should be. It begs readers to see the America we are from the perspective of someone we are not (or even may be) and whose history we do share (even if we ignore it) in order to elicit empathy and action. We’re beyond the platitudes here. We are in the thick of the struggle, and we are called to action.

RATING: Cinquain

Don’t forget to check out my interview with Teri.

About the Poet:

Teri Ellen Cross Davis is the author of a more perfect Union, 2019 winner of The Journal/Charles B. Wheeler Poetry Prize and Haint winner of the 2017 Ohioana Book Award for Poetry. She’s a Cave Canem fellow, member of the Black Ladies Brunch Collective, and lives in Maryland.

Welcome to My Panic by Billie Joe Armstrong (audio)

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Audible, 1+ hrs.
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**Caution: foul language throughout**

Welcome to My Panic by Billie Joe Armstrong, narrated by the author, reveals some interesting inspiration — Fleetwood Mac as a guilty pleasure — and growing up Billie, one of six siblings with varied musical interests. (love for the Fugazi nod) He speaks about the death of his father, his first friendship in school and how music bonded them, having panic attacks at age 10 and onward, but mostly when he’s alone, and so much more.

To be called a “rock star” was the worst insult for this punk — at least that’s what it felt like when stardom took hold of his life. Armstrong tackles his substance use issues, his panic attacks, and his experimentation in music and his life decisions. Much of his impulsivity seems to stem from a lack of stability in his life — something gain control over his career and life.

Highlights for me were the recorded songs on the Audible. It was a trip into my past and rockin’ out years. I love audio’s that provide some kind of look into the creative mind — whether a singer, writer, photographer, or artist. I would probably say this could have been a far longer memoir with much more detail, but it highlights the biggest influences — as Armstrong sees them — in his life. Welcome to My Panic by Billie Joe Armstrong is a great way to pass the time, and I love the mix of narration with music.

RATING: Quatrain

On the House by John Boehner (audio)

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Audible, 7+ hrs.
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**Caution: foul language throughout**

On the House: A Washington Memoir by John Boehner, read by the author, is an insider’s look at how the House of Representatives works from backroom deals, challenges with fellow party members, and camaraderie between representatives when the media is not in their face or fundraising isn’t front and center. I loved his no-nonsense attitude, but what I found lacking was his own self-reflection on how he could have steered his party and others in different and better ways during his time as Speaker of the House. Much of what he imparts in his years in the House are more “I was right and others were wrong” commentary, which I don’t feel to ring true.

It was great to see his relationships with Presidents Gerald Ford, George Bush, and Barack Obama, especially as Speaker Boehner tried to navigate “Crazytown.” I found it ironic that Boehner started his career in the House as a radical who wanted changes to the House bank, but ended up fighting against “radicals” (Tea Party and otherwise) in his days under the Obama administrations. He has more colorful words for people like Sen. Ted Cruz and others, which I’m sure you’ve heard about online or TV.

Much of the issues facing Boehner were related to the 2013 government shutdown, which he had warned his fellow Republicans that such a standoff would fail against the Obama administration. He may have been right, but allowing the party to hang itself out to dry to prove a political point (which it didn’t) runs contrary to the earlier set up of the book where he hails his respect for the country and its institutions. Mind you, he’s still a Republican with ideals that lean toward smaller government, but in this case, it seems he could have fought Cruz (who was not in the House) harder by pushing his own party away from shutting down the government.

What I did find interesting were the yarns about his childhood and his early House years, including his assessment of Sen. Ted Kennedy and others. Some of these stories seem a bit inflated, but that’s typical with memoirs focused on making the speaker sound more upright and honest than they may have been. We all want to remember our past actions in the best light.

As an aside, I had no idea that the Speaker could make their own rules for their office, including being able to smoke inside! But Boehner did just that! Another fun fact, according to Boehner, Bernie Sanders is the most honest and non-cynical politician in government.

On the House: A Washington Memoir by John Boehner is his review of his time in the House from his early years scrapping his way to the top and as Speaker of the House, one of the most powerful positions in government. What I got out of this is that you are only as powerful as the relationships you build and the consensus you can achieve through those relationships. However, as more politicians become “radical” — adhering to their beliefs without room for new information or compromise — the government is likely to become far more dysfunctional.

RATING: Tercet

Made to Explode by Sandra Beasley

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Hardcover, 88 pgs.
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Made to Explode by Sandra Beasley begins its exploration of American life with the poem, “Heirloom,” which conjures all kinds of sentiments in American thinking. It sets the stage for Beasley’s unraveling of culture taken for granted — the past passed down from one generation to the next (sometimes, it is scrubbed a little cleaner and the dark truth of it requires some digging). In these early poems, Beasley is uncovering the roots of her heritage, a father who was deployed and tries to connect with her but fails to see how she’s grown into a young woman in “Elephant.” He collects things from American icons in places of war, like Hard Rock t-shirts, while she strives to connect with him buying things at a Ranger Surplus store. Despite being family, there is a disconnect between them, they are blindly bumbling through the motions of connection. Isn’t this how many of us feel about our parents — those who have lived longer, different lives from us but have not spoken candidly of that life? A mystery to solve?

"The Conversation" (pg.10-2)
....

                 This
is how history claims us:
not in the gesture of one but
in the conversation of many,
the talk that gets the job done.
....

Without these interactions between ourselves and others that lead to action, aren’t we all forgotten as the present moves on without us? Our moments are so fleeting in the grander scheme of time and history. Beasley is picking through history and uncovering things she didn’t know, like a band in “Nostalgia” that had a name to honor Emmett Till, but spelled the name wrong. In her memory, she recalls the joy of their music, but they kept spelling the boy’s name wrong — this does not sit well.

Beasley’s examination of the past and culture expands to include monuments and figures from history, including Thomas Jefferson’s Monticello. She speaks to his “benevolence” regarding his slaves but it is clear that “kindness” extended only so far. Each poem in the collection builds onto the next in a crescendo of unraveling histories, culture lost to a country burying it’s own truth, until a reckoning is all that can be left. She reminds us in “Einstein, Midnight” that “Anything, in the right hands, can be made to explode.”

The final poem echoes C.P. Cavafy’s “Ithaka,” in that Beasley’s journey will be and has been taken through the past, into the present but this journey is not over. Like life and its various moments, we are Made to Explode. Poke into the past and what you thought you knew about yourself and others will definitely be altered, but to blithely live one’s life without examining actions, reactions, past, and present is to have lived a hollow existence without growth, love, loss, and understanding. We cannot build conversation and change without it.

RATING: Cinquain

Check out her panel discussion with Kim Addonizio, Katherine E. Young, and moderator Reuben Jackson at the virtual Gaithersburg Book Festival 2021:

Woman Drinking Absinthe by Katherine E. Young

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Paperback, 72 pgs.
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Woman Drinking Absinthe by Katherine E. Young is a visceral collection that explores female sexuality through fantastical elements and realistic situations from a woman chained to a bear to a woman dealing with the phantom limb of heartbreak. Young has crafted an emotional roller coaster that is both visually unsettling in places and emotionally scathing. Readers will become voyeurs as the musician plays his muse in “Interval,” imagining the notes one body can play. But at other times, readers will be thrust into the comfort and pleasure of a balanced relationship and a oneness in “Euclidean Geometry.”

If There Is a Hell (pg. 27)

it resembles this street in shadow, this street
and this streetlamp, where you and I cling
Soul Food (pg. 44-45)

That first time when you hit me,
I marveled at the crack

your hand made as it struck
flat against my face.

I should have known right then:
we were headed straight

Young doesn’t just plunge readers into relationships in motion, but those that are over, on the side, breaking apart, and being observed from the outside (like “Calculus”). Nothing is taboo in this collection. In “Place of Peace,” Young reminds us “All my life’s been lived in shadow, pattern/pieced by someone else: daughter, mother//lover. Whore. …” and “So many battles are accidental.” (pg.49-55)

Woman Drinking Absinthe by Katherine E. Young leaves us with the question of what do you do when the wildness is within us? How do we let it free to feel the wholeness of ourselves without causing deep grief and a sense of loss? Is it all just illusory? Young leaves us with a bunch of existential questions, but her language will haunt us, causing us to return to her poems again and again.

RATING: Cinquain

Check out her panel discussion with Kim Addonizio, Sandra Beasley, and moderator Reuben Jackson at the virtual Gaithersburg Book Festival 2021:

How To Be an Antiracist by Ibram X. Kendi (audio)

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Audible, 10+ hrs.
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How to Be an Antiracist by Ibram X. Kendi, read by the author, is a phenomenal listen. I want to read the book as well in print. Kendi has the perfect voice for this book, and it makes the personal stories far more relateable. Much of this resonated with me because I grew up in the 1990s and I saw many of these phenomena that Kendi talks about. The idea that “color” is no longer seen is obviously ridiculous, but the sentiment is even more trying when systemic processes and socialization force us to “see” color as thug or criminal or worthy of the benefit of the doubt or forgiveness, etc.

“The hate that hate produced. … More hatred makes them more powerful,” Kendi says. He himself is a victim of this, enabling the racist policies and power to continue and gain strength. Hating white people becomes hating black people and vice versa, he adds. His arguments can be convoluted and circular in his narration, which is another reason, I’d like to read the text because I tend to absorb these kinds of concepts better in print than audio. I was particularly fascinated by his conclusion that white supremacy is actually a nuclear ideology that is anti-human because many of the policies it opposes actually would have helped their poor white brethren, so the question is which white people are supreme? Those with more money, at least so it seems from the examples provided by Kendi.

Kendi also reminds us that we often look for theories and evidence that validates our points of view or biases. None of us are immune to it, but we can be watchful for data that caters to those biases and learn how to see through the fog. The story of Kendi in college coming to a conclusion that white people are aliens and that’s why they hate blacks is an illustrate of this point. What we need to understand is that racism is the lumping of one group of people into a group to be looked down upon or turned into the “enemy” or “evil” other. We all have the power to protest racist policies, no matter where in the power structure we are.

The only drawback for me was that Kendi tends to get sidetracked and the narrative becomes convoluted, which muddles the message in some ways. His narrative also is far from linear. I do like how he personalized his examples to demonstrate that all people are capable of racism. This is a message we all need to hear and understand, so that we can be prepared to move away from racism as the human race.

How to Be an Antiracist by Ibram X. Kendi reminds us not to fall under the mind control of white supremacy that we have no power — if they control your thinking, they control you. These are wise words. Now, if you are looking for a practical guide on how to accomplish real change in policy and processes, this is not the book for you. What you need is to take the lessons in this book about identifying racism and resisting those policies, affecting change, and standing up to the oppression of yourself and others.

RATING: Quatrain

Little Wars by W. Luther Jett

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Paperback, 32 pgs.
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Little Wars by W. Luther Jett (full disclosure: we are in a poetry work-shopping group together) begins with “Recessional” a poem-like hymn in which a poet realizes that he works on a poem in night as many men before him have done and that they are all connected to one another in infinite time and space and that all of these poets are these poems. This poem sets up the rest of the collection’s theme of universality and how the little wars we wage with ourselves and others have come before and likely will continue, but for the hope that we can change and be more peaceful. The slivers of light, the blue of the sky, all of these images provide us the glimpse of hope on a distant horizon.

From "Storm Bear" (pg. 14)

...With great claws,
it scattered sand, wiped away the line
we'd drawn between desire
and circumstance. Roaring,
the storm fell upon us, ... 

Wars can begin just like that; a tipping point of rage that wipes it all away, moving into the unchecked desire (for more power, for revenge, etc.). The trembling of these battles whether in the past or far from us still can be heard, if we listen close, like the narrator of “Poppies” — the reverberations remain — the consequences spiral out and are an influence on today, this moment. “We didn’t know there are no/little wars–no distance/we cannot reduce to nothing.//” (“Vanishing Point/Ach Du” pg. 17)

And “A War Story” explains just how we, ourselves, can be reduced to nothing by war — the war itself may seem large and incomprehensible, but the impact is very real, very personal. “Epitaph,” which follows it, is equally devastating in its truth about praising the dead as heroes when they would more than likely prefer to be alive and left unpraised for doing simple things you’d do normally without war at your doorstep.

Little Wars by W. Luther Jett reminds us of all the costs of war and that “we choose” to make them. What would happen if we chose another path? Makes you wonder, doesn’t it?

RATING: Cinquain

Other Reviews:

Advanced Lift-the-Flap: How Your Body Works by Rosie Dickins

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Hardcover, 16 pgs.
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How Your Body Works by Rosie Dickins from Usborne is full of information in easily digestible chunks for young kids. From the organs to growth and eating, this book covers a lot. Some of the book covers nutrition and the importance of exercise, but there is a lot about immunity, germs (good and bad), and about different levels of maturing the body goes through.

My daughter could read most of this on her own as an elementary school student, which is great because it provides her with interesting facts, real microscopic images of the tongue and other things, and engaged her. She was eager to lift the flaps to learn more, and she was excited to share what she learned with the rest of the family.

The book is visually engaging with full-color images of the body and germs and other things. How Your Body Works by Rosie Dickins is a book that children can read over and over. It’s definitely a fun way to introduce important topics like eating healthy and exercising as well as puberty to young kids. My daughter enjoys science, and this book really held her attention, even when she knew some of the facts already from school.

RATING: Cinquain

Diary of a Pug: Pug’s Got Talent by Kyla May

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Paperback, 80 pgs.
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Diary of a Pug: Pug’s Got Talent by Kyla May is the fourth book in the series, but readers could start with any book in the series because they are self-contained episodes and include enough background for kids if they start in the middle. Baron von Bubbles, aka Bub, is still a big fashionista, but in this one his owner, Bella, has a new focus — creating a pet talent show.

Bub learns some new show biz words and learns how sometimes assumptions about others are not accurate. My daughter loves this series, especially that Bub is afraid of water and Nutz the squirrel is always causing trouble. Diary of a Pug: Pug’s Got Talent by Kyla May is a cute story about a talent show and a pug that learns to work with other pets who may not be his favorites.

RATING: Quatrain

Everyone Disappears by W. Luther Jett

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Paperback, 32 pgs.
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Everyone Disappears by W. Luther Jett (full disclosure I am in a poetry work shopping group with Luther), published by Finishing Line Press, is a follow-up to Jett’s previous chapbook, Not Quite: Poems Written in Search of My Father.

The opening poem, “Nepenthe,” refers to the drug that banishes grief or trouble from one’s mind as mentioned in the Odyssey (yes, I looked this up). Our narrator runs through the poem, looking for those memories in every room, rifles through drawers, unseals books — trying to uncover who did die of starvation, but he has forgotten. This opening poem sets the tone for the collection. It is the search for memory, even the most painful and a wish to hold those tight to almost make the lost corporeal again.

In "Why the Ocean Tastes of Tears"

....
    The snow melts slowly.
Everyone disappears.
    when you want them to stay
everyone goes somewhere
    else and that is why
      the ocean tastes of tears.
It's the one thing you can count on
    when you close your eyes --
      you dream and if
anyone is still there when you wake
  you've witnessed a revolution.

We all cry oceans of tears for lost parents, siblings, friends, children, and that salt is bitter and if often taints our ability to see the joy in what we’ve had. But what a revelation it would be to bring them back to life, even for a moment. “There is no returning,/yet we are always looking back/” says the narrator in “Days Like This.”

There are so many somber poems in this collection — ghost towns of bones, a brother gone too soon, a mother crying, and others — but “Remembrance” is the saddest poem, yet with a sense of humor. It begins, “This is the suit/I only wear once a year.” But you know by the end, a memory will surface where this truth is no longer true and it will break your heart.

Everyone Disappears by W. Luther Jett explores the saddest of truths with a sensitive hand and deep emotional root. His lines will lull you into a trance and gut you when you don’t expect it. But there is a hope, a “star’s kiss” that pierces through that dark shroud, and we shall not forget it.

RATING: Cinquain

Frankie Sparks and the Lucky Charm by Megan Frazer Blakemore

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Paperback, 128 pgs.
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Frankie Sparks and the Lucky Charm by Megan Frazer Blakemore, illustrated by Nadja Sarell, is another strong book in the series that helps kids learn about science and investigation, while having fun. We love that this series provides tips on how to make your own designs and solve your own problems through science. In this one, Frankie is wondering about whether leprechauns are real, and she decides that setting a trap is the best way to find out. One problem, if she proves they don’t exist, her friend Maya might just be devastated, since she believes they are real.

Kids will learn about designing foolproof traps for leprechauns and how to design things with potential failures in mind. But how Frankie tackles her friend’s possible sadness over the results of her experiment will teach children to consider others’ feelings and work together to solve problems. It also was good to see that Frankie has more scientists in her family. Her Aunt Nichelle is working on a space garden, but of course she has to do some experiments on Earth, rather than space, but the ultimate goal is to enable astronauts to grow their own food in space. The exchange between Frankie and her aunt was fantastic. It demonstrated that kids are not alone and that they can lean on their elders to learn more and grow.

Frankie Sparks and the Lucky Charm by Megan Frazer Blakemore, illustrated by Nadja Sarell, is a strong series of books in which kids can not only learn how to work with friends and classmates, but also adults. Along they way they will garner skills in experimentation and design, among others. We highly recommend these books.

RATING: Cinquain