Quantcast

The Sting of It by A.J. Odasso

Source: Purchased
Paperback, 95 pgs.
I am an Amazon Affiliate

The Sting of It by A.J. Odasso is a collection of poems exploring loss, grief, and the lasting sting of devastation. It’s almost like the bottom has fallen out of each narrator’s life. The cover is the outline of a bee with the interior of the outline the iconic Temptation of St. Anthony, which in this context highlights the temptations found in each poem and the struggle to reconcile the inevitable, lasting pain of life.

In “The Book of Drowned Things,” our narrator believes they are a ferryman whose job is to now shuttle people to the land of the dead. Images of death and sorrow hover like ghosts throughout the collection, even as the narrator makes a simple trip to the liquor store — what is this wine they buy, is it just another step on the path toward death and end to sorrow or is it simply just a bottle of wine? One of my favorites is “stone ghost” (below) because the narrator looks the monster in the eye without flinching, seeing beauty instead. It is this childlike response that makes it so easy to believe in Odasso’s dark fairytales.

stone ghost

Ancient monster, I remember the day
I first saw your face, spread my fingers

on the glass and breathed in awe. Eyeless,

your ghost peered through text and reflection
to welcome me home: This was the sea,

my daughter. Your time has come.

Odasso also modifies her poetry into different shapes on the page, which bring to life many of these narrative scenes. I love the poems in “Katadesmos” that mirror the curses that would have been written on them in Roman times. In “You’ll Never Know,” the narrator casts the first stone — like an instigator — shedding light on the short comings of a false deity. I can only think about our modern times here and the many false leaders we’ve had, particularly the current leader of the nation who “won’t listen or warn them.” But the narrator here warns that “We are stronger than you think, we whispers, and we/ push with our backs, our hands splayed against the glass. Your edifice shudders.”

I love the universality of The Sting of It by A.J. Odasso. I loved the collection’s classical undertones, its vivid language, and its personal nature. From illnesses to what identity means, especially the harsh atmosphere that can surround someone who lives outside the societal definitions. It’s time for broadening our definitions of identity, gender, and the self, and Odasso has called us to arms — no longer should we be complacent. Life asks us to feel the sting.

RATING: Cinquain

About the Poet:

A.J. Odasso‘s poetry has appeared in a variety of publications, including Sybil’s GarageMythic DeliriumMidnight EchoNot One of UsDreams & NightmaresGoblin FruitStrange HorizonsStone TellingFarrago’s WainscotLiminalityBattersea ReviewBarking Sycamores, and New England Review of Books.  A.J.’s début collection, Lost Books (Flipped Eye Publishing), was nominated for the 2010 London New Poetry Award and was also a finalist for the 2010/2011 People’s Book Prize. Their second collection with Flipped Eye, The Dishonesty of Dreams, was released in 2014; their third-collection manuscript, Things Being What They Are, was shortlisted for the 2017 Sexton Prize.  They hold an M.F.A. in Creative Writing from Boston University, where they were a 2015-16 Teaching Fellow, and work at the University of New Mexico.  A.J. has served in the Poetry Department at Strange Horizons since July 2012.

The Jane Austen Society by Natalie Jenner (audio)

Source: Publisher
Audiobook, 9+ hours
I am an Amazon Affiliate

The Jane Austen Society by Natalie Jenner, narrated by Richard Armitage, combines not only my love of Jane Austen and her novels, but also WWII. Armitage does an admirable job narrating all eight of the main characters from the steadfast and stoic Dr. Gray to the U.S. starlet of Mimi Harrison. Each of the characters’ lives — Adam, Adeline, Andrew, Evie, Frances, Dr Gray, Mimi, and Yardley — are revealed slowly throughout the novel and how they connect to one another reminds me of those moments in movies where chance meetings create a lasting bond. Some of these characters also mirror those in Austen’s novels, like the awkward shyness of Dr. Gray and the forward-thinking Adeline. WWII is a perfect time period for these characters because of the loss endured by those whose family die in the war and how Austen’s novels tangentially spoke about the tensions between England and France. Set in Chawton, England, what better place for a Jane Austen society to form?!

“I just feel, when I read her, when I reread her–which I do, more than any other author–it’s as if she’s inside my head. Like music. My father first read the books to me when I was very young–he died when I was twelve–and I hear his voice, too, when I read her.”

Jenner’s novel pays homage to Austen in a way that many other variations don’t. She understands the Austen characters and their motivations, but in creating her characters and their motivations they are not talking to us as Austen’s characters but fans of Austen’s words, her thoughts, her dreams. Jenner’s characters want to talk about Austen in a way that helps them deal with their own losses and pains, but they also want to preserve Austen’s great novels for generations to come and to do so by preserving her home in Chawton, even if it is against the wishes of the owner, Mr. Knight.

I loved how class lines are crossed in Jenner’s novel and how forward-thinking women drive the action, but the men can be so obtuse sometimes. The funny little moments of misunderstanding are definitely reminiscent of Austen, but I was irked that Mimi failed to see the opportunist streak in Jack Leonard after awhile. She saw it at the beginning, but once she got comfortable, she lost all sense where he was concerned.

The Jane Austen Society by Natalie Jenner, narrated by Richard Armitage, is a book not to be missed by Janeites. I really loved Armitage’s narration — he was so soothing to listen to and he carried the character-driven novel really well. Do not miss out on this gem.

RATING: Cinquain

Check out an excerpt from the audio read by Richard Armitage:

Spotify users can access a playlist for The Jane Austen Society.

About the Author:

Natalie Jenner is the debut author of THE JANE AUSTEN SOCIETY, a fictional telling of the start of the society in the 1940s in the village of Chawton, where Austen wrote or revised her major works. Born in England and raised in Canada, Natalie graduated from the University of Toronto with degrees in English Literature and Law and has worked for decades in the legal industry. She recently founded the independent bookstore Archetype Books in Oakville, Ontario, where she lives with her family and two rescue dogs. Visit her website, Facebook, Twitter, Instagram, and GoodReads pages.

Beautiful and Full of Monsters by Courtney LeBlanc

Source: Purchased
Paperback, 78 pgs.
I am an Amazon Affiliate

Beautiful and Full of Monsters by Courtney LeBlanc is a harsh look at failed relationships and the narrator’s part in those failures, but it also takes a close look at verbal abuse (“the terror of vocabulary”) and the desire to stay with someone you “love.” In the opening poem, “Forest Fire,” there are redwoods growing inside her (beautiful, but wanting), but rather than nurture that forest, “You stand watching/me burn.” A number of these poems speak to the push and pull of desire and escape, the narrator is unsure which way to turn, unable to break away and do what is best for their mental and physical health, but also desirous of love, one that lasts through everything and props her up when she needs it. She also longs to be a dependable lover, someone her partner can rely on.

As much as these poems are about love and relationships, they also are a self-examination of how one can fail even with the best intentions to be a faithful partner or hold onto the love/desire they felt for the other person at the beginning of their relationship. Each poem has a certain rawness about it, making them highly emotional and visceral poems. But one of my favorite poems int he collection is less overt and more surprising in its use of language.

Self-Portrait With Without

With soy milk. With a latte drunk
each morning in the dark kitchen. Without
the lights on because you slept on the couch
again and I don't want to wake you. With dinner
with friends, everything fine. Without conversation
during the car ride back. With negotiations
as to who walks the dog when we get home. With you
in front of the computer when I go to bed. Without
the weight of you beside me. Without my rings
on when I sleep because my fingers swell. With them on
the next day, newly cleaned and brilliant. With
the sun prisming off the diamonds as I drive
to work. With me spinning them around as I fly, my fingers
puffy by the time I land. Without them on when I shower
away the day's grime. With my hands bare as I open the door
and let him in. With my hands on him. Without a word said.

Beautiful and Full of Monsters by Courtney LeBlanc is collection that speaks to the tug of love and desire and our rational mind, but also to the conscious and subconscious need to suppress our own inner monsters. These are the parts of ourselves that are less than pleasant company and often steer us away from what is best for us. In many ways, these monsters are our baser selves seeking out pure pleasure, even if it is fleeting. Aren’t we all just beautiful monsters at times.

Rating: Cinquain

Good Bones by Maggie Smith

Source: Purchased
Paperback, 114 pgs.
I am an Amazon Affiliate

Good Bones by Maggie Smith, called “Official Poem of 2016” by Public Radio International, is a gorgeous collection of poems about the transformations that happens in motherhood and how despite the innate need to protect our children, there is no way that mothers can protect children from everything bad in the world. The collection opens with “Weep Up,” in which a young child is crying for the world to awaken — even the birds. This is the reader’s awakening to the life of a mother — connection, a weariness, a protectiveness. In “Sky,” the narrator tries to answer a child’s curiosity about the blueness and expanse of the sky, and in so doing, the narrator envelops us and the child in a comforting embrace: “Think of sky not as blue, not as over,/but as the invisible surround, a soft suit/you wear close to the skin.”

A hawk often glides through the poems, watching the child, guiding the child, and looking out for the child and others as it walks and moves through life. One of my favorite lines is from “The Hawk,” “her notes,//rising easily to him the way an echo/homes to the voice that calls it.//” Smith is a master at describing the indescribable. “Rough Air,” for example, is like “a cat’s tongue/as if the air itself were textured,/as if we could feel its sandpaper/licking our skin.”

One of the most widely shared poem in this collection is “Good Bones”:

Good Bones

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

Imagine how many times as parents we try to tell our children to be nice to others, to give way to others, to see the beauty in the pollution around us, to see the happiness in the darkness, and how to avoid the reality they can see with their own eyes. Are we all realtors, trying to sell them a dump to live in and provide them with false hope that they can change it? This collection is all of the emotions of parenting rolled up into one — the angst, the fear, the worry, the sadness at this is the world they are given, and our desperation to protect them from it.

From At Your Age I Wore a Darkness

several sizes too big. It hung on me
like a mother's dress. Even now,

as we speak, I am stitching
a darkness you'll need to unravel,

unraveling another you'll need
to restitch. What can I give you

that you can keep? Once you asked,
Does the sky stop? It doesn't stop,

it just stops being one thing
and starts being another.

Good Bones by Maggie Smith reminds us that while we are that protective hawk watching our children and protecting them from harm, we also can only watch them from afar as they learn to navigate the world on their own. Inevitably, they will fall … they will skin their knees, but we can provide them with the “good bones” they need to protect themselves and journey through the darkness they will eventually find in their lives.

RATING: Cinquain

About the Poet:

Maggie Smith is the author of three books of poetry: Good Bones (Tupelo Press, 2017); The Well Speaks of Its Own Poison (2015); and Lamp of the Body (Red Hen Press, 2005). Smith is also the author of three prizewinning chapbooks. Her poems are widely published and anthologized, appearing in Best American Poetry, the New York Times, The New Yorker, Tin House, POETRY, The Paris Review, Ploughshares, and elsewhere. In 2016 her poem “Good Bones” went viral internationally and has been translated into nearly a dozen languages. Public Radio International called it “the official poem of 2016.” Her new book, Keep Moving: Notes on Loss, Creativity, and Change, a collection of essays and quotes, is forthcoming in October 2020 from One Signal/Simon & Schuster.

Magnolia Table, Volume 2: A Collection of Recipes for Gathering by Joanna Gaines

Source: Publisher
Hardcover, 352 pgs.
I am an Amazon affiliate

Magnolia Table (Vol. 2): A Collection of Recipes for Gathering by Joanna Gaines is the second volume of recipes from Gaines, and this one was more thought out and planned than her previous volume, according to the introduction. Her previous volume focused on family favorites that she makes all the time, while this one chronicles her journey to learn about new foods, ingredients, and more. I really loved the substitutions chart because that will help me a great deal when I don’t have certain ingredients. I never know what to substitute. There are some great full-color photos in the book, but given the pandemic, there are some things that I couldn’t do at all, especially recipes requiring yeast (this has been non-existent for months).

The first recipe I tried was for Roasted Rosemary Sweet Potatoes. We had just gotten some delivered from the local farmer’s market, so I was eager to try this recipe. One drawback is that there were not pictures for this recipe, but we assumed that Gaines cut the potatoes into french fry form, which is what we went with. It was pretty easy to follow, though for my family, I would definitely cut back on some of the rosemary and black pepper — several people said it was too spicy (my daughter included). The other thing I found was that 40 minutes was too long at 450 degrees. My over charred some of these fries, so I think next time I’ll just cook them for 30 minutes or keep a closer eye on them. But they still were tasty.

Gaines recommends serving these with Rib Eye Steaks, but we didn’t have any of that. We had meatloaf with beans.

The next recipe I tried was for French Silk Pie, which had some really easy to follow steps. I really enjoyed this recipe and will be making it again, since it was a big hit even if there was a problem with my crust. I think pre-made crust is best for me. This recipe does have a full-color picture that helped me determine if my ingredients were working together as they should.

Everyone ignored the terrible crust and said the pie itself was delicious. I really enjoyed making this one, and I’ll be happy to make it again. I already have plans to try making it with a graham cracker crust.

While I didn’t get to make the pizzas I wanted to because of the lack of yeast, I plan to make those when things are more available in the stores. Some of the recipes in this book, however, we probably won’t make unless my kiddo and mom become more adventurous in their eating. I do want to check out the first volume of recipes in the first book, because I suspect those recipes will be better for my family.

Magnolia Table (Vol. 2): A Collection of Recipes for Gathering by Joanna Gaines is a good cookbook with a ton of information for budding chefs at home. While not everything suited my family’s taste, I’m sure that it will be a big hit with others. I do wish there were more pictures in the cookbook, but that’s because I love full-page photos of food. It helps me see how delicious it will look when I’m done cooking.

RATING: Quatrain

Turn It Up! A Pitch Perfect History of Music That Rocked the World

Source: Publisher
Hardcover, 192 pgs.
I am an Amazon Affiliate

From National Geographic Kids, Turn It Up! A Pitch Perfect History of Music That Rocked the World, is a collection of fun music facts in a condensed format with colorful photographs and more. I enjoyed the parts about sound waves, and rhythm (which I don’t have) and harmony versus melody as a way of introducing music fundamentals to kids. My daughter was amazed that the earliest instrument was 40,000 years ago and was a flute made of bone. She was a bit creeped out by that knowledge, but she did find the other early instruments inside the book interesting. She already knows a little bit about the types of notes, thanks to Yunique Music School.

The most fascinating parts of this book for me were there tidbits about the actual musicians, like how Niccolo Paganini had sold his soul to the Devil in order to play so well every time he appeared before an audience while on the road. I enjoyed learning about Antonin Dvorak, one of my favorite composers, and the influence of America and Native Americans in his work — which makes absolute sense when you listen to his New World Symphony. I also learned something I didn’t know about one of my mom’s favorites, Glenn Miller, who apparently vanished while fighting in WWII. Cab Calloway is a figure I vaguely recall seeing as child and probably on Sesame Street, but I just loved his energy as a kid, and I had no idea that he used cartoon characters as part of his shows.

From National Geographic Kids, Turn It Up! A Pitch Perfect History of Music That Rocked the World, is chock full of information about musical composers, instruments, and the evolution of music, but it also has so much about recent musicians toward the end. It seems like it is heavy on new artists, which is probably because of the younger audience, but it is good to see how these younger artists are being remembered now, rather than years and years into the future.

RATING: Quatrain

Nancy Clancy Super Sleuth by Jane O’Connor, illustrated by Robin Preiss Glasser

Source: Gift
Paperback, 144 pgs.
I am an Amazon Affiliate

Nancy Clancy: Super Sleuth by Jane O’Connor, illustrated by Robin Preiss Glasser, is the first in this chapter book series about a girl who loves Nancy Drew and wants to be a detective just like her. While Drew’s cases take her on scary adventures and the criminals are creepy, Nancy Clancy’s adventures are tamer, often involving classmates and her sister, among others.

Nancy and her best friend, Bree, are amateur detectives and when they overhear Rhonda and Wanda talking about a secret in their year and how one doesn’t want to tell Nancy and the other one does, Nancy and Bree get to sleuthing. They even go through the girls’ backyard looking for clues while Rhonda and Wand are at soccer practice. What my daughter loves about these books is kids working together to solve mysteries (I used to love mysteries, too, as a kid). What I love about this series is the harder words that she has to sound out, like “concentration,” and the sprinkling in of French words that we had a great time using repeatedly after I explained what they meant.

Nancy Clancy Super Sleuth by Jane O’Connor, illustrated by Robin Preiss Glasser, contains more than one mystery to be solved, which keeps the excitement going. I would recommend these early chapter books for other kids who like mysteries.

RATING: Cinquain

Alone with the Stars by David Gillham (audio)

Source: Purchased
Audible, 2+ hrs.
I am an Amazon Affiliate

Alone with the Stars by David R. Gillham, narrated by Hillary Huber and Emily Bauer, is a dual narrative short story about Amelia Earhart’s last flight and her disappearance and Lizzie Friedlander, a young girl who idolizes the flying heroine. This Audible original imagines what Earhart’s last hours might have been like on that flight before she disappeared over the Pacific. Lizzie is eager to be a strong woman, just like her idol — someone her teacher says she can be with a little practice.

The short story illustrates how trailblazing women and others can become role models for the youngest among us. Friedlander was ignored by the coast guard in Florida when she brought them everything she heard over her father’s radio.

Alone with the Stars by David R. Gillham, narrated by Hillary Huber and Emily Bauer, seems like a surface tale, like so much more could be explored. Lizzie’s concluding passages seem like there could be more to come with her story even in her later years. So much more could be explored with Earhart as well, but the short story is engaging.

RATING: Tercet

 

Said Through Glass by Jona Colson

Source: Purchased
Paperback, 84 pgs.
I am an Amazon Affiliate

Said Through Glass by Jona Colson is a keen observance of ordinary life and how we deal with not only grief, but our feelings of “otherness” even among family. There are several poems in an interview style throughout the collection, which I felt disconnected from.The one “interview” style poem I did enjoy and did feel connected to was “House for Sale,” where readers get a sense of a distracted home buyer who has lost his father and is trying to navigate life after.

However, I really loved Colson’s use of language to demonstrate ailments like arthritis and so much more. In “My Mother’s Hands,” the narrator speaks about his mother’s arthritic hands in a way that makes them beautiful: “Now, her fingers turn and twist against themselves,/like stems of wild roses–reaching out/into delicate air.” And in “Retina,” the narrator talks about the darkness of an eye out of sorts and the joy of being able to finally see again: “And the next day: surgery,/to fasten the retina, like wallpaper, back to the frazzled/optic nerve and satisfy its hunger for impulse/and clear astonishment of light.//” There is so much beauty in this collection.

Honey

It pours from a jar, amber and combed
too thick to understand.

It softens the parched skin
rubbed in small fingerfuls.

It soothes the throat
when we stir it into tea.

At breakfast, it sweetens the morning toast
while we talk of summer --

hopeful as a bee toward a tulip
promising pollen.

In part three, we switch gears in a way with a series of ekphrastic poems after a painting from Diego Velazquez called Las Meninas. When I saw this, I wanted a QR Code, like in Jessica Piazza’s latest collection, This Is Not a Sky, but it’s not necessary as this painting was easy to find online. These poems carry a heaviness that makes it easy to visualize the kids/women in this painting, including the Spanish Infanta Margaret Theresa. In the first poem, Theresa is the central figure and her “hoop skirt” is heavy like her heart later in the poem, signifying the weight of obligation she carries. “Heart-heavy, she rises, oiled and/drowsy, surging on, with no anchor,/only a painting of her, here and there./” Colson breathes new life into the Infanta, and the journey is intriguing as it touches on the royal life lightly.

Said Through Glass by Jona Colson speaks and readers must listen, but more than that they must interact with the lines and stanzas on the page — becoming a second observer. Readers will see through this window unique ways to look at the ordinary — from honey to an orange — and examine loss, grief, and change in a way that is not only sad, but beautiful. This beauty ties the collection to its grief to create an arc of healing.

RATING: QUATRAIN

About the Poet:

Jona Colson is an educator and poet. He graduated from Goucher College with a double Bachelor’s degree in English and Spanish and earned his MFA from American University and a Master’s in Literature/Linguistics from George Mason University. His poems have appeared in The Southern Review, Ploughshares, The Massachusetts Review, and elsewhere. In addition to writing his own poetry, he also translates the Spanish language poetry of Miguel Avero from Montevideo, Uruguay. His translations can be found in Prairie Schooner, Tupelo Quarterly, and Palabras Errantes. He has also published several interviews for The Writer’s Chronicle. He is currently Associate Professor at Montgomery College in Maryland where he teaches English as a second language. He lives in Dupont circle area of Washington, DC. Visit his website at jonacolson.com

Other Voices Other Lives by Grace Cavalieri

Source: Purchased at Gaithersburg Book Festival
Paperback, 250 pgs.
I am an Amazon Affiliate

Other Voices Other Lives by Grace Cavalieri (listen to this interview), poet laureate of Maryland, is part of Alan Squire Publishing’s legacy collections and includes a selection of poems and plays, as well as interviews from her The Poet & the Poem public radio series.

I just had to get my hands on this collection when I was at last year’s Gaithersburg Book Festival and I had the honor of greeting her and escorting her about the local festival before her appearance was required on a panel and at the announcement of our 2019 high school poetry contest winners.

Selection from "Work Is My Secret Lover"

Work
takes the palm of my hand to kiss
in the middle of the night
it holds my wrist lightly and feels the pulse
Work is who you'll find with me
when you tiptoe up the stairs
and hear my footsteps through the shadows

I love that her poems take on a personality of their own and many of them are so different, tackling not only the angst of the writer’s life and the love we have for our work (which can take precedence over other things), but also the voices in which she speaks not for others but with them. From Anna Nicole Smith’s to Mary Wollstonecraft’s voice to poems styled after William Carlos Williams, Cavalieri’s imagination brings a new life to these women’s voices. Even the selections from her plays are lyrical and full of whimsy (in a way). Her persona poems imbue the public perceptions of women with a compassionate eye.

If you listen to her interview, at about 5:06, you’ll hear her read “Moderation,” which is my favorite poem from this collection. It’s deeply moving. A moment where a man knows it is time to pass into another world, and he hopes to never inconvenience anyone with his death. This silent man who doesn’t live outside the lines. Cavalieri displays her keen observations about her father and others, but she also observes herself as an outsider, an observer full of emotion. Other Voices Other Lives by Grace Cavalieri is a deeply emotional journey through her work, and it always rings true. I’ll be seeking out her other collections in the future.

Grace Cavalieri needs no introduction in Maryland as our state Poet Laureate, but damn she is smart, observant, kind, and deliciously cognizant of how to imbue others with humanity through her own compassionate lens.

RATING: Quatrain

About the Poet:

Grace Cavalieri is an Italian American writer and host of the radio program The Poet and the Poem, presented by the Library of Congress through National Public Radio. She is the author of numerous collections of poetry, including Poems: New and Selected (1994), Pinecrest Rest Haven (1998), and Greatest Hits, 1975–2000 (2002). Her collection What I Would Do for Love: Poems in the Voice of Mary Wollstonecraft (2004) was awarded the Patterson Poetry Prize; Water on the Sun (2006) won the Bordighera Poetry Prize. Further collections include Anna Nicole: Poems (2008) and Sounds Like Something I Would Say (2010).

I Shimmer Sometimes, Too by Porsha Olayiwola

Source: Purchased
Paperback, 96 pgs
I am an Amazon Affiliate

I Shimmer Sometimes, Too by Porsha Olayiwola, who is Boston’s poet laureate, is a collection of hard truths. I first heard about her from this interview, which is a must listen. Her poems are raw and pull no punches, and they shouldn’t. She’s speaking for a very marginalized group of people in our society – queer black women.

Her opening poem brings to the forefront the rawness of our immigration policies in this country and the damage left behind when her father was sent to his homeland and her mother was left in the United States to raise their children. Olayiwola imagines what life would have been like had her father been able to stay in “Had My Parents Not Been Separated After My Father’s Traffic Stop, Arrest, and Deportation From the United States of America.” This serves as a lens through which her life has unfolded – the discrimination that follows her as a black woman who is queer — and her light amidst all of it. Even in the darkest moments of arrest, her poems shimmer with hope and light.

From "Interlude at a Neighborhood Gas Station: 2001"

the music peeled back the air
as the ivory chrysler swerved and jolted
into a spot behind our parked toyota

From modern subjects of finding and losing love, struggling with mental illness, dealing with discrimination at every turn, Olayiwola has a keen eye and slices through the malarkey of our society and reveals the whole truth of life in America. She tackles history and the present with aplomb. My favorite poem is “Unnamed.” Take a listen as she performs the piece in the video below:

Buy this collection today. I Shimmer Sometimes, Too by Porsha Olayiwola will challenge you, force you to look twice at your own behavior and comments, and move into a future where there is a bit more understanding and empathy for others. In a world where compassion is minimal at best, these are the collections that will have use recollecting our humanity.

RATING: Cinquain

About the Poet:

Porsha Olayiwola is a writer, performer, educator and curator who uses afro-futurism and surrealism to examine historical and current issues in the Black, woman, and queer diasporas. She is an Individual World Poetry Slam Champion and is the current poet laureate for the city of Boston

Seed by Ania Ahlborn (audio)

Source: Purchased
Audible, 6+ hours
I am an Amazon Affiliate

Seed by Ania Ahlborn, narrated by Eric G. Dove, is a creepy story that reminds me of the Exorcist in that there seems to be a demon child running around its pages. Jack Winter and his family live in Louisiana and they are far from rich, but they seem to be a pretty happy family. But following a car accident, something happens to his daughter, Charlie, that brings to the fore echoes of Jack’s past.

“The craziest of them all seem nice and normal and happy until some vital part of their brain fries like bad wiring.”

The narration is great, though there is one point in which he forgets to modify his voice for Jack’s wife but it didn’t deter me from listening to the story. I wanted the story to be creepier, but it definitely wasn’t gory, which is perfect for those who do not like those kinds of horror books. Charlie is creepy, but she really doesn’t become overly creepy until nearly the end of the book, so her change is very gradual and not as dramatic as I would expect from a demon-related story. The interconnection between Charlie’s story and her father’s past, however, gets really juicy.

Seed by Ania Ahlborn, narrated by Eric G. Dove, has elements of a good Stephen King novel like Cujo, but at the same time, it seemed to lack a certain amount of depth. The characters felt flat as I listened and I wanted more from Jack. His motivations to lie at every turn are murky at best, and why he lies seems to be a plot device. I wanted it to be more developed than it was. Charlie is definitely creepy, but her character also seems to act older than her six years even before the takeover. This was a quick read but had some faults.

RATING: Tercet