Quantcast

Martin Luther King, Jr., Holiday of Reflection & Hope

Take this time to reflect on the freedoms we have in this country, and how there was a lot of sweat and blood that went into making them a reality.

Also take a moment to think about how precious those freedoms are and what you are willing to do to keep them.

Finally, the time is NOW to take action to actively preserve your rights.

What would you do, if you were Martin Luther King, Jr.?

Here are some books about the Civil Rights Movement:

Mailbox Monday #755

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Corona/Crown poems by Kim Roberts, Photography by Robert Revere for Gaithersburg Book Festival consideration.

“Corona” is Italian for crown. This series of prose poems and photographs borrows from the formal tradition of heroic crowns of sonnets, in which each section is connected to the last by a repeated line or phrase. The coronavirus was named for its the series of spikes radiating outward from a sphere-like core resemble the sun’s rays, or the crowns worn by royalty.

Of Love and Angels: Poems for My Fiancee by Christian Alexander Barkman for review.

Of Love and Poems for My Fiancée is a love-gift made by the author to celebrate his engagement. It is a collection of thirty love poems that melds romantic, earthly love with the love of God and the divine. The poetry attests to the sacredness of romantic love as a spiritual venture in our increasingly disenchanted world. The use of verse forms such as the heroic couplet and ballad and the application of traditional methods of rhyme and meter is a deliberate attempt to reconnect with the musicality of past poetics—to the lyric traditions of poetry and hymn in which Christianity is so abundantly rich. Free-verse compositions also feature throughout the collection and present an opportunity for contemplation on how both old and new forms alike can express romantic and spiritual sentiment in a way that resonates powerfully with our contemporary ways of life.

What did you receive?

First Book of 2024

Review can be found on Substack.

One Word 2023

Mailbox Monday #754

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Musical Tables by Billy Collins for review.

You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He “puts the ‘fun’ back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.”

Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.

Bullet Points: A Lyric by Jennifer Sutherland for Gaithersburg Book Festival consideration.

Part prose poem, part lyric essay, BULLET POINTS considers an American courthouse shooting, its aftermath, and its echoes in law, history, and capitalism. Tracing a woman trial lawyer’s experiences of violence–from the intimate and domestic to the national–attorney and poet Jennifer A Sutherland brings a deeply perceptive tenderness to the reality of historical abuses grounded in law and capitalism. Drawing on acts of language and power, art and trauma, BULLET POINTS raises questions about the systems and structures that enable violence via a poetry brilliantly awake to this truth: “Language is one way of doing business across time and into spaces. Image is another.”

Night Life: A Folk Horror Collection by Alba V. Sarria for Gaithersburg Book Festival consideration.

Tucked away in the mountains lays a small town where old gods, demons, and creatures with long forgotten names live frighteningly—and hopelessly— entangled with the humans who call it home. Quick, take the clawed hand of your guide, slip into the skins of the town’s inhabitants, and let this eerie collection of folk horror poetry ensnare you in the tales of the town, and awaken you to the coming rapture of the world.

Containing new and previously published poetry, multi-award winning poet Alba Sarria debuts a narrative folk horror collection spoken through the unusual eyes of 2nd and 1st person. This is a read for a lone dark night.

Rescue Is Elsewhere by Donald Illich for Gaithersburg Book Festival consideration.

In Rescue is Elsewhere, humans are abducted by disappointed UFOs, an astronaut is returned home to Earth by aliens, moon creatures steal our comedians, and a boy dreams of building a rocket to fly to another planet. Alternately serious and satirical, Donald Illich explores the phenomenon of UFOs and how they shape our imagination and lives. His poems unravel from the outer reaches of space to the neighborhood that you or I might live in, and the magic of language brings to the page multiple worlds hidden in the universe. Illich’s collection belongs in the sci-fi section of the library, where its tales can rub up against the fiction in classic pulp magazines of the 20th century.

Homeland of My Body by Richard Blanco for Gaithersburg Book Festival consideration.

In this collection of over 100 poems, Richard Blanco has carefully selected poems from his previous books that represent his evolution as a writer grappling with his identity, working to find and define “home,” and bookended them with new poems that address those issues from a fresh, more mature perspective, allowing him to approach surrendering the pain and urgency of his past explorations. Pausing at this pivotal moment in mid-career, Blanco reexamines his life-long quest to find his proverbial home and all that it encompasses: love, family, identity and ultimately art itself. In the closing section of the volume, he has come to understand and internalize the idea that “home” is not one place, not one thing, and lives both inside him and inside his art.

The poems range in form, voice, and setting, showcasing his command of craft, but in essence they are one continuous reflection on the existential question at the core of all of Blanco’s poetry: how can we find our place in the world. All are characterized by his keen eye, deep sensibility, and polished craft, without pretense. This volume is a gift to Blanco’s many readers but even more to those who have yet to discover that they can understand, and fall in love with poetry, that a poet can speak to them about his own and their own lives so profoundly, and that this poet, as Barack Obama discovered, can speak for all of us.

Richard Blanco has been justly celebrated for his poetic gifts and his command of the many forms poetry can take, from the finely structured to the prose poem formats. His previous volumes have been praised by Patricia Smith, Eileen Myles, Sandra Cisneros, Elizabeth Alexander, and many others. His poems have appeared in The New Yorker, The Atlantic, and dozens of other publications.

What books did you receive?

Check out Amazon’s Top Lit Fic

Interview with Author Eden Robins

***This is the last interview that will be published on Savvy Verse & Wit; please subscribe to Substack.***

Eden Robins is the author of Gold: Heart of a Warrior, and today, she’ll be sharing her writing journey, what her favorite characters are like, and what advice she has for aspiring writers like you.

“Thank you for having me on Savvy Verse &Wit. I’m grateful for the opportunity to share more about my writing journey with you…,” said Eden Robins.

Savvy Verse & Wit (SVW): What has your writing journey been like? When and how did you start writing and what keeps you going?

Eden Robins (ER): My writing journey has been a learning experience, both in terms of developing my craft as a writer, and my own personal evolution. It’s also been a trek of getting lost for a while and then, eventually, finding my way back.

My first book, a sci-fi futuristic romance entitled, Never Until Tomorrow, was published in 2000. Writing “The End” on the last page of that story was the act that made me decide to take writing seriously. While growing up, creativity had been my close and consistent companion, but up until finishing that first book, I had only considered writing a hobby to indulge in when I wasn’t working at my “real job”. I thought getting a business degree, opening a bakery with my husband, and raising three children was the real life I was supposed to be living, while writing was just for fun.

Never Until Tomorrow came about when I lost my paternal grandfather. After he died, I kept wishing I could go back to before his death and spend more time getting to know him. That thought stayed with me for months and the urge to write about it grew inside me until one night I sat down at my computer and started typing. Being able to translate what was in my heart to paper in this way was not just cathartic, it was also an epiphany. I realized not only how much I loved the writing process, but also that I wanted to do it for the rest of my life.

Once that decision was made, I was lucky enough to find publishers interested in my work and had the privilege of sharing my stories with others. Nine novels later, my husband and I separated, then divorced and I simply stopped writing. I just couldn’t seem to put the words together, except for sporadic, distracted scribblings that didn’t amount to much. It was like my creativity had suddenly dried up and disappeared. It was incredibly frightening to think that the thing which had been my companion and guide since I was little would suddenly leave me. A decade later and lots of lessons learned, my creative spark returned, and I began to write again. I realize now that my creativity had never left me, it had just shifted to a different part of my life that needed my attention. But that’s another story for another time.

Today, what keeps me writing is love and hope. The love I have for the emotional hills and valleys I go on as I invest my heart and mind in the people and worlds I’ve created, and the love I hope grows in my readers hearts when they connect with the characters and stories I write. I also keep writing because of the Happily-Ever-Afters. As an avid reader myself, I savor the feeling of a satisfying ending, one that leaves me hopeful and happy, and as a writer, providing that same gift to my readers feels like the right path for me to be on, and stay on.

SVW: How long did it take you to write Gold: Heart of a Warrior? What were some of the obstacles you encountered?

ER: The first part of your question is a tricky one. Sounds strange, I know, but since I wrote Heart of a Warrior over ten years ago, while in the midst of a separation and eventual divorce, the exact timing is a little fuzzy. I believe it took about a year and the greatest obstacle I encountered was myself.

Finishing the book wasn’t an issue. I had the story pushing to come out of my head and onto the paper, so I let it flow. Once my divorce went through, however, something shifted for me and my priorities changed. I half-heartedly submitted Heart of a Warrior to a couple of publishers, but when I didn’t get a request for more, I let it drop and stuffed the story away. My mind set at the time wasn’t conducive to connecting with a publisher and getting that first story in my Gold series out to readers. I was distracted and disheartened, so more than anything else, that book not getting published for over a decade after I finished it was me being the obstacle.

Having said that, I also believe strongly that it’s the obstacle which can often guide me to where I want to go. Ryan Holiday, in his book The Obstacle Is the Way, writes a lot about this. The obstacle to me getting published again was me. My life was in transition, I didn’t feel ready, and I had lost belief in myself and what I was doing. It was only when I came back to myself, and fully embraced the journey I was on, that my work got published again.

SVW: Who are your favorite types of characters to write? Why?

ER: Interesting question. I don’t think I’ve been asked that before. I’d have to say that I like writing about a character who is or becomes determined to evolve in their life, no matter where they’re starting from or how messy it becomes, and I also enjoy penning a villain who savors and revels in their villainy. In both cases it’s about determination and intention, and there’s a richness and depth to it that’s so fulfilling to write about. A character who is willing to grow, even in the face of ugliness and fear is a character who’s multifaceted and can or learns how to access those different parts of themselves. They are or become resourceful and self-contained in a way that takes them to that next level of life they’re facing or seeking. Think of Harry in the Harry Potter series or Frodo in The Lord of the Rings.

A villain who isn’t tortured by regrets, guilt, doubts or uncertainty, but instead revels in their villainy and is ripe with the kind of arrogant certainty and self-aware intention that keeps propelling them forward is fascinating and fun to write about. Think of Hannibal Lector in Silence of the Lambs or the Grinch in How the Grinch Stole Christmas.

SVW: When and where do you most often write? Do you have special totems on your desk? Music playing in the background? Paint a picture of your writing space and day, or include a couple of photos.

ER: I write most often in my home office, or what I call my Creatress Space. My desk faces two large windows with amazing views. I’ve stared out those windows more times than I can count, imagining the stories, people and worlds I write about. I do have several totems on my desk. A tiger pin for strength. A coin inscribed with the words, “The Obstacle Is the Way,” to help me remember to look at obstacles as opportunities, and a rough cut stone amethyst to remind me that the gift I want to share with the world is already inside me. There are others, but those are a few.

I also have some posters and paintings up around the alcove where my desk sits. One is Henry David Thoreau’s quote, “Live the life you’ve imagined”. It helps me remember to stay present to the life I’m living each day.

I often, but not always play music while writing. The type of music varies. I often listen to Lo Fi instrumental while writing or editing. Music, for me, is a magic carpet that can take me to so many places, past, present and future, across the globe or just next door. It brings me back to my feelings, which then get expressed in my writing.

SVW: If you could give one piece of advice to an aspiring writer, what would it be?

ER: Write. Keep writing. In my opinion, when one is just starting out, it’s so important to focus on putting the words on the page rather than trying to create a perfect masterpiece. There’s a magic that comes from simply getting the story out of your head and on paper. And the more you write, the stronger the magic. Know what that magic produces? Better writing. Know what else it does? Creates more ideas.

Simply put, writing begets writing, which begets better writing, which begets more creative writing, which begets better, more creative writing, which leads to the masterpiece one wanted to write in the first place. It’s definitely important to begin with the end in mind, but only to the extent that one doesn’t back themselves into a corner. Knowing what one wants without worrying about how one will get it is key. Focus on one step at a time and trust that the magic of writing will get you there.

SVW: Who is your favorite poet or what is your favorite poem?

ER: My favorite poet is Mark Nepo. His poetry and prose capture so much of what I feel in both the mundane and spectacular moments of living. I really like his poem, Breaking Surface. It conveys the hope and faith that is, for me, the lifeline of living wholeheartedly…

Let no one keep you from your journey,
no rabbi or priest, no mother
who wants you to dig for treasures
she misplaced, no father
who won’t let one life be enough,
no lover who measures their worth
by what you might give up,
no voice that tells you in the night
it can’t be done.
Let nothing dissuade you
from seeing what you see
or feeling the winds that make you
want to dance alone
or go where no one
has yet to go.
You are the only explorer.
Your heart, the unreadable compass.
Your soul, the shore of a promise
Too great to be ignored.

SVW: “Thank you, Eden, for sharing your thoughts and journey with us.”


Learn more about her novel:

It’s just gonna be one of those days… Empathic healer and business owner, Dora Alexander decided to celebrate her 25th birthday by exploring the stalagmites and stalactites in Kartchner Caverns. Kinda nerdy? Maybe, but you do you, right? Things take a nasty turn when an earthquake rocks the cave, leaving her alone in complete darkness. Searching for a way out, she accidently awakens an immortal warrior who’s kind of cranky after his 100-year nap. Wouldn’t you be?

Philoctetes, one of Demeter’s immortal Gold warriors wakes up to the disturbing sound of a female sobbing. Thinking she’s one of the Silver demons he’s sworn to hunt down and destroy, he almost kills her before realizing she’s human. Correction. Turns out she’s not just human. She’s also the woman responsible for sending his kind to hell and causing woe and misery for the entire human race.

Dora never asked to be Pandora reborn. And she certainly didn’t ask to be paired up with an insanely hot immortal demon hunter on a mission to save the world and redeem them both. But The Fates seem to have their own quirky ideas.

One of them being if she and said hot demon hunter consummate the inferno like attraction blazing between them, they’ll simply cease to exist, with any memory of their time on earth erased forever. Oh goody, the day just got worse.

Follow the blog tour at Poetic Book Tours.

Buy Eden’s book at Amazon or Barnes & Noble.

About the Author:

Eden Robins believes in second chances. She’s been lucky enough to have a few in her life and knows there’s a magic in seizing the moment to try again. As a mentor and founder of A Wholehearted ME, her heart’s purpose is to guide people into living as their full, innate, creative potential. As a writer, Eden’s heart leads her to inspire joy, love, and hope in her readers through her tales. Creating stories about people courageously living, loving, and experiencing life true to themselves, no matter how messy it gets, are the ones she wants to write and will keep writing for you … and for her. Connect with Eden at https://linktr.ee/edenrobins and check out her blog, Living the Path, at https://awholeheartedme.com/blog

Jane and the Final Mystery by Stephanie Barron

***This is the last review that will be published on Savvy Verse & Wit; please subscribe to Substack.

Source: Publisher
Hardcover, 312 pgs.
I am an Amazon Affiliate

Jane and the Final Mystery by Stephanie Barron (book 15) is the final installment in the series of mysteries in which Jane Austen herself uses her ability to read a room and ask the right questions to solve a murder. As each book is a mystery unto itself, you don’t necessarily need to reach them in order, but they do follow Jane Austen’s timeline and if you don’t know what happens to Jane in real life, you may want to begin at the start of the series because this one is the last.

Readers, like me, will not want to read this novel too quickly because we know that Jane’s life is nearing its end, but we cannot help but turn the pages in Barron’s story to find out who did murder the boy at Winchester College.

“Elizabeth and her deep anxiety for her son were much in my thoughts in the days that followed her visit; but it was not until two months later, and from a very different source, that I was to hear of actual violence at Winchester College — and the death of an unfortunate schoolboy.” (pg. 15)

Barron does well the show us how Jane may have suffered from her illness and the care she would have received from family members along the way, but we also see how determined Jane is and how dedicated to truth and family she continues to be despite all the pain. Barron also clearly has researched the time period very well, and she includes footnotes for those who need a little clarification, which I appreciated.

William Heathcote, the son of Jane’s friend Elizabeth, has been bullied at Winchester, but what Jane soon learns about life at the college will make teasing in today’s world seem less dire. Boys are shoved into canals and sluice gates opened so they flow into the canal and river, and so much more. Hazing is taken to a whole new level, but it isn’t just about fitting in. Sometimes rivalries can stem from classism and social ostracism. When William is accused of murder, Jane and her nephew, his friend, get to work on clearing his name.

Jane and the Final Mystery by Stephanie Barron is a page-turner. I couldn’t put it down. I had to unravel the mystery with Jane and her nephew, even though it broke my heart to see how much pain she had to deal with. Barron knows how to weave a historical tale that will leave readers wanting more.

RATING: Cinquain

Other Reviews:

About the Author:

Stephanie Barron is a graduate of Princeton and Stanford, where she received her Masters in History as an Andrew W. Mellon Foundation Fellow in the Humanities. Her novel, THAT CHURCHILL WOMAN (Ballantine, January 22, 2019) traces the turbulent career of Jennie Jerome, Winston Churchill’s captivating American mother. Barron is perhaps best known for the critically acclaimed Jane Austen Mystery Series, in which the intrepid and witty author of PRIDE AND PREJUDICE details her secret detective career in Regency England. A former intelligence analyst for the CIA,  Stephanie—who also writes under the name Francine Mathews—drew on her experience in the field of espionage for such novels as JACK 1939, which The New Yorker described as “the most deliciously high-concept thriller imaginable.”; She lives and works in Denver, Colorado. Follow her on Facebook, Instagram, Pinterest, and GoodReads.

Mailbox Monday #753

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Ladyparts by Deborah Copaken from the library.

I’m crawling around on the bathroom floor, picking up pieces of myself. These pieces are not a metaphor. They are actual pieces.

Twenty years after her iconic memoir Shutterbabe, Deborah Copaken is at her darkly comedic nadir: battered, broke, divorcing, dissected, and dying—literally—on sexism’s battlefield as she scoops up what she believes to be her internal organs into a glass container before heading off to the hospital . . . in an UberPool.

Ladyparts
is Copaken’s irreverent inventory of both the female body and the body politic of womanhood in America, the story of one woman brought to her knees by the one-two-twelve punch of divorce, solo motherhood, healthcare Frogger, unaffordable childcare, shady landlords, her father’s death, college tuitions, sexual harassment, corporate indifference, ageism, sexism, and plain old bad luck. Plus seven serious illnesses, one atop the other, which provide the book’s narrative skeleton: vagina, uterus, breast, heart, cervix, brain, and lungs. Copaken bounces back from each bum body part, finds workarounds for every setback—she transforms her home into a commune to pay rent, sells her soul for health insurance, turns FBI informant when her sexual harasser gets a presidential appointment—but in her slippery struggle to survive a steep plunge off the middle-class ladder, she is suddenly awoken to what it means to have no safety net.

Side-splittingly funny one minute, a freak horror show the next, quintessentially American throughout, Ladyparts is an era-defining memoir.

What did you receive?

Salvage the Bones by Jesmyn Ward (audio)

Source: Purchased
Audible, 9+ hrs.
I am an Amazon Affiliate

Salvage the Bones by Jesmyn Ward, narrated by January LaVoy, is set in the coastal town of Bois Sauvage, Mississippi, follows the family of Esch, Skeetah, Randall, and Junior as their alcoholic, single father does his best to keep a roof over their heads and protect what little they have from the storm, Hurricane Katrina. Over the course of 12 days, Ward tells the story of this loyal family, not unfamiliar with sacrifice.

Skeetah hopes that his prize-winning pitbull will provide a litter of pups the family can use to earn some cash, at least some of which could be used to help their brother Randall play summer basketball at a camp their father cannot afford. Esch, unfortunately, has no motherly guidance and is surrounded by brothers and relied on too much by her father as a mother to the others. She falls in love with her brother’s friend Manny, but it is clear he’s only interested in what she can give him, and as all things naturally happen, she gives him everything for only heartache in return.

The narration is engaging, even if there are far too many details on some occasions and some of the details are repeated far too many times.

The heart of this story is salvaging from what has been lost — whether that is the lost “love” or what’s left after one parent dies or after a devastating hurricane destroys everything.

Salvage the Bones by Jesmyn Ward is a stark look at what it takes to survive in a world where racism and poverty are all anyone sees when your father drinks too much and works hard for so little and when you have no discernible parent there to guide you. Like the dogs who fight in the pit, this family is struggling for survival even before Hurricane Katrina hits.

RATING: Quatrain

About the Author:

Jesmyn Ward received her MFA from the University of Michigan and has received the MacArthur Genius Grant, a Stegner Fellowship, a John and Renee Grisham Writers Residency, the Strauss Living Prize, and the 2022 Library of Congress Prize for American Fiction. She is the historic winner—first woman and first Black American—of two National Book Awards for Fiction for Sing, Unburied, Sing (2017) and Salvage the Bones (2011). She is also the author of the novel Where the Line Bleeds and the memoir Men We Reaped, which was a finalist for the National Book Critics Circle Award and won the Chicago Tribune Heartland Prize and the Media for a Just Society Award. She is currently a professor of creative writing at Tulane University and lives in Mississippi.

Disfigured: On Fairy Tales, Disability, and Making Space by Amanda Leduc

Source: Public Library
Paperback, 251 pgs.
I am an Amazon Affiliate

On Fairy Tales, Disability, and Making Space by Amanda Leduc, which was my next pick for my work’s book club, is a series of essays examining the myths, fables, and the comic book universe through the lens of disability exclusion and how some of the characters in these stories are often disfigured or disabled in some way and must embark on a quest or journey that transforms them into an able-bodied, perfect version of themselves in order to obtain their happily ever after.

“But it is never society that changes, no matter how many half-animals or scullery maids are out there arguing for their place at the table. It is almost always the protagonists themselves who transform in some way — becoming more palatable, more beautiful, more easily able to fit into the mould of society already in place.” (pg. 41)

“For many able-bodied people in the world today, the idea of disability comes shrouded in darkness. It is inconceivable to so many that someone could be disabled and also happy, because we as social beings have been taught, through the books we read and the films and television we watch and the music we listen to, the stories we tell one another, that to be disabled is to be at a disadvantage: to be a lesser body, to be a body that cannot function at the same level as other bodies in society.” (pg. 48-9)

While the Beast in Beauty and the Beast is under a spell to look unpleasing and Ariel in The Little Mermaid wants to have legs like humans to meet her prince, these characters are disabled because they do not fit into society’s version of who they should be, according to Leduc. But, they can be their best selves as they are, even without societal approval and achieve happiness to a certain degree, like all of us. She reminds us, “I was never there in fairy tales. I never saw myself.” (pg. 89) Representation matters.

The text, however, gets a bit dry in some parts, which forced me to skim over some of the historical details that I don’t think made her points any more poignant than they were in the first place. I wasn’t sure why she included her medical notes from her surgeon and doctors, except to provider her own background. I think for me, it interrupted the flow of her essays. I would have preferred her to parse out the relevant parts and included them in the narrative of each chapter rather than add-ons.

Leduc raises a number of points through her essays on disability as seen in fables and other stories, including Disney interpretations of those princess stories. Her parallels are solid, and she admits that charity is a societal way of excluding the disabled because it focuses too much on helping individuals, rather than embarking on larger societal change. “Fairy tales and fables are never only stories: they are the scaffolding by which we understand crucial things. Fairness, hierarchy, patterns of behaviour; who deserves a happy ending and who doesn’t. What it means to deserve something in the first place; what happy endings mean in both the imagination and the world.” (pg. 233-4) On Fairy Tales, Disability, and Making Space by Amanda Leduc provides a great deal to think about, particularly as we continue to expose our children to fables and fairy tales. We need to think how these stories will skew their worldview.

RATING: Tercet

About the Author:

Amanda Leduc is the author of the novel THE CENTAUR’S WIFE (Random House Canada, 2021) and the non-fiction book DISFIGURED: ON FAIRY TALES, DISABILITY, AND MAKING SPACE (Coach House Books, 2020), which was shortlisted for the 2020 Governor General’s Award in Nonfiction and long-listed for the 2020 Barbellion Prize. She is also the author of an earlier novel, THE MIRACLES OF ORDINARY MEN (ECW Press, 2013). She has cerebral palsy and lives in Hamilton, Ontario, where she serves as the Communications Coordinator for the Festival of Literary Diversity (FOLD), Canada’s first festival for diverse authors and stories

A December to Remember by Jenny Bayliss (audio)

Source: Purchased
Audiobook, 11+ hrs.
I am an Amazon Affiliate

A December to Remember by Jenny Bayliss, narrated by Elizabeth Sastre, is a delightful reunion of three half sisters — Maggie, Simone, and Star — in a small village, Rowan Thorp, after the passing of their father. These sisters have not spoken or visited one another for many years, and all were affected by their traveling, unreliable, antiquing father, Augustus. These sisters return for their father’s funeral and the chill between them is palpable, until the reading of their father’s will requires them to work together in order to receive their inheritance.

Star is the new-age, hippie sister, while Simone is the high achiever, and Maggie is the one that stayed in the village with her children and raised them along after her husband passed away. Menopausal Maggie is having a secret fling with the grocer, while Simone has come to the village with a saddened heart as she and her wife try for a baby through IVF. Star seems carefree to her sisters, but her last boyfriend’s drug addiction cost her everything — job and home — leaving her little choice but to return to the village where she was a happy child until her sisters no longer came for the summer.

Bayliss is adept at crafting quirky characters and providing a well-rounded picture of the village and its residents. As she unravels the backstories of each sister and their lives after their blissful summers with their father ended, Bayliss sets the stage for a reset for these sisters and healing through a winter solstice celebration and the sifting through their father’s antique/junk shop. These characters feel like family, even the town busybodies. You can’t help but hope these sisters patch up their differences, learn to forgive, and work together.

A December to Remember by Jenny Bayliss is a sweet cup of cocoa with some dark, bitter chocolate thrown in. I loved these sisters and their squabbles, but even more so because they were able to grow and evolve.

RATING: Cinquain

Other Reviews:

About the Author:

A former professional cake baker, Jenny Bayliss lives in a small seaside town in the United Kingdom with her husband, their children having left home for big adventures. She is also the author of The Twelve Dates of Christmas, A Season for Second Chances, and Meet Me Under the Mistletoe.

Mailbox Monday #752

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Jane and the Final Mystery by Stephanie Barron for review.

March 1817: As winter turns to spring, Jane Austen’s health is in slow decline, and threatens to cease progress on her latest manuscript. But when her nephew Edward brings chilling news of a death at his former school, Winchester College, not even her debilitating ailment can keep Jane from seeking out the truth. Arthur Prendergast, a senior pupil at the prestigious all-boys’ boarding school, has been found dead in a culvert near the schoolgrounds—and in the pocket of his drenched waistcoat is an incriminating note penned by the young William Heathcote, the son of Jane’s dear friend Elizabeth. Winchester College is a world unto itself, with its own language and rites of passage, cruel hazing and dangerous pranks. Can Jane clear William’s name before her illness gets the better of her?

Over the course of fourteen previous novels in the critically acclaimed Being a Jane Austen Mystery series, Stephanie Barron has won the hearts of thousands of fans—crime fiction aficionados and Janeites alike—with her tricky plotting and breathtaking evocation of Austen’s voice. Now, she brings Jane’s final season—and final murder investigation—to brilliant, poignant life in this unforgettable conclusion.

Farhang: Book One by Patrick Woodcock for review.

Farhang honors the people, places, and things Patrick Woodcock has seen while working as a migrant writer, volunteer, and teacher for almost three decades. This book is the first of three that will celebrate, memorialize, or eulogize the myriad moments that impacted his life while also shaping the shade and content of his writing. Beginning in Poland in 1994 and ending in the hamlet of Paulatuk in the Northwest Territories in 2022, Farhang travels the globe through Lithuania, Russia, Iceland, Bosnia and Herzegovina, Oman, Saudi Arabia, Colombia, the Kurdish North of Iraq, Azerbaijan, Tanzania, Kenya, and Rwanda. From the salt mines in Wieliczka to the dirt paths to the Baraa government school in Tanzania, where he volunteered, Woodcock has tried to honor the moment before it becomes muddled, dulled, or romanticized. Some of the poems are about friends or students, others are about the cracked knuckles of strangers, the crawling and the abandoned. Art, language, architecture, politics, and the suffering from politicians left unchecked are also a focus. Sadly, many of the poems are for friends and locations lost to either time, neglect, or warfare. Farhang tries to chronicle some of what no longer exists or only lives on in the poet’s head and soul.

What did you receive?