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Music for the Dead and Resurrected by Valzhyna Mort

Source: Publisher

Hardcover, 112 pgs.

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Music for the Dead and Resurrected by Valzhyna Mort is a collection of poems that raises the dead in a new language of verse that recalls the past, including Antigone, and mingles it with more modern history in Belarus. This is a collection that hinges on history and the language of the past and present to create a new language and shared history. Mort’s verses recall the dead in the most beautifully grotesque ways. In “To Antigone, a Dispatch,” “My guts have been emptied/like bellows/for the best sound.//” In this poem, she imagines Antigone as her sister, a life in which death has become something that is an every day thing with bodies buried in hillsides and grave markers in abundance.

Mort’s poems call to the lost men whose “bodies” become “their graves” and the women whose dresses are torn from them and worn by Aryan women in “Singer” (pg. 41) The horrors are laid bare and the larger questions are left in the sound, waiting for answers that never come. “What could a tongue remember after loss and hunger?” (“Music Practice,” pg. 43-45)

Music for the Dead and Resurrected by Valzhyna Mort is lyricless song played on a breathless accordion, calling to the dead and those she wishes to resurrect/breathe life into again. She’s calling not only our attention to the sorrow and grief of her country, but to the loneliness we, ourselves, can cure through song and memory. Our memories may be imperfect and altered truth, but we can sing them and resurrect those we miss most. Mort cautions that in this process “borders spill.” (“Music for Girl’s Voice and Bison,” pg.81-92)

RATING: Quatrain

Mailbox Monday #600

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has it’s own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Leslie, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what we received:

The Guest List by Lucy Foley, which I purchased for Mom’s birthday.

The bride – The plus one – The best man – The wedding planner – The bridesmaid – The body

On an island off the coast of Ireland, guests gather to celebrate two people joining their lives together as one. The groom: handsome and charming, a rising television star. The bride: smart and ambitious, a magazine publisher. It’s a wedding for a magazine, or for a celebrity: the designer dress, the remote location, the luxe party favors, the boutique whiskey. The cell phone service may be spotty and the waves may be rough, but every detail has been expertly planned and will be expertly executed.

But perfection is for plans, and people are all too human. As the champagne is popped and the festivities begin, resentments and petty jealousies begin to mingle with the reminiscences and well wishes. The groomsmen begin the drinking game from their school days. The bridesmaid not-so-accidentally ruins her dress. The bride’s oldest (male) friend gives an uncomfortably caring toast.

And then someone turns up dead. Who didn’t wish the happy couple well? And perhaps more important, why?

In a Dark, Dark Wood by Ruth Ware, which I purchased for Mom’s birthday.

What should be a cozy and fun-filled weekend deep in the English countryside takes a sinister turn in Ruth Ware’s suspenseful, compulsive, and darkly twisted psychological thriller.

Sometimes the only thing to fear…is yourself.

When reclusive writer Leonora is invited to the English countryside for a weekend away, she reluctantly agrees to make the trip. But as the first night falls, revelations unfold among friends old and new, an unnerving memory shatters Leonora’s reserve, and a haunting realization creeps in: the party is not alone in the woods.

America the Beautiful: A Story in Photographs for review from the publisher.

America the Beautiful showcases the stunning spaces closest to our nation’s heart–from the woods in the Great Appalachian Valley that Davy Crockett once called home to the breathtaking sweep of California’s Big Sur coast to the wilds of Alaska. It also celebrates the people who have made this country what it is, featuring a wide range of images including the Arikara Nation in the early 1900s and scientists preparing for travel to Mars on a Hawaiian island. Culled from more than 130 years of National Geographic’s vaunted archives, this provocative collection depicts the splendor of this great nation as only National Geographic can, with a dramatic combination of modern and historical imagery–from the creation of architectural icons like the Golden Gate Bridge and Lady Liberty to the last of the country’s wild places currently preserved in our national parks.

Organized by chapters focused on region (west coast and the Pacific, east coast, the south, and the Midwest) that are themselves inspired by verses of the original poem America the Beautiful, this book also features a moving introduction offering perspective on the country’s unique journey. You’ll also find behind-the-scenes commentary from the world-renowned photographers who captured this unforgettable imagery, and observations from the conservationists, activists, and historians who help keep America beautiful today. Profound and inspiring, this is a book for everyone who has ever marveled at the beauty of the United States.

Music for the Dead and Resurrected by Valzhyna Mort for review.

With shocking, unforgettable lyric force, Valzhyna Mort’s Music for the Dead and Resurrected confronts
the legacy of violent death in one family in Belarus. In these letters to the dead, the poet asks: How do we mourn after a century of propaganda? Can private stories challenge the collective power of Soviet and American historical mythology?

Mort traces a route of devastation from the Chernobyl fallout and a school system controlled by ideology to the Soviet labor camps and the massacres of World War II. While musical form serves as a safe house for the poet’s voice, old trees speak to her as the only remaining witnesses, hosts to both radiation and memory.

Valzhyna Mort, born in Belarus and now living in the United States, conjures a searing, hallucinogenic ritual of rhythmic remembrance in a world where appeals to virtue and justice have irrevocably failed.

What did you receive?