Hardcover, 112 pgs.
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Music for the Dead and Resurrected by Valzhyna Mort is a collection of poems that raises the dead in a new language of verse that recalls the past, including Antigone, and mingles it with more modern history in Belarus. This is a collection that hinges on history and the language of the past and present to create a new language and shared history. Mort’s verses recall the dead in the most beautifully grotesque ways. In “To Antigone, a Dispatch,” “My guts have been emptied/like bellows/for the best sound.//” In this poem, she imagines Antigone as her sister, a life in which death has become something that is an every day thing with bodies buried in hillsides and grave markers in abundance.
Mort’s poems call to the lost men whose “bodies” become “their graves” and the women whose dresses are torn from them and worn by Aryan women in “Singer” (pg. 41) The horrors are laid bare and the larger questions are left in the sound, waiting for answers that never come. “What could a tongue remember after loss and hunger?” (“Music Practice,” pg. 43-45)
Music for the Dead and Resurrected by Valzhyna Mort is lyricless song played on a breathless accordion, calling to the dead and those she wishes to resurrect/breathe life into again. She’s calling not only our attention to the sorrow and grief of her country, but to the loneliness we, ourselves, can cure through song and memory. Our memories may be imperfect and altered truth, but we can sing them and resurrect those we miss most. Mort cautions that in this process “borders spill.” (“Music for Girl’s Voice and Bison,” pg.81-92)
RATING: Quatrain