Walking Home: A Poet’s Journey by Simon Armitage

Source: Liveright, W.W. Norton
Paperback, 285 pages
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Walking Home: A Poet’s Journey by Simon Armitage is part memoir and part travelogue, and the path he chooses to walk — while contrary to what is outlined in the guidebooks for the Pennine Way in England and part of Scotland — is literally a walk home for him.  He begins in Kirk Yethom, Scotland, and ends more or less in Edale, England, which is in the Peak District.  As a poet, readers may expect a deeper analysis of the journey or the travails he experiences, but as Armitage is nearly constantly accompanied by strangers, friends, fellow poets, and even his family, he has little time to contemplate more than the scant passerby or the physical obstacles in his path.  Much of the travelogue is focused on Armitage re-orienting himself by map or landscape or simply following someone who has offered to guide him over a particular leg of the 267 miles.  The first poem included in the book doesn’t come until he has pass nearly a third of the way through the trail — whether that is when inspiration hit him to write a poem during the journey or whether it was written afterward about that section of the trail is unclear.

“Prose fills a space, like a liquid poured in from the top, but poetry occupies it, arrays itself in formation, sets up camp and refuses to budge.  It is a dissenting and willful art form, and most of its practitioners are signed-up members of the awkward squad.” (page 5)

Armitage has help in coordinating his journey, which includes readings held at the end of each leg either in an inn, a home, a bar, or other venues, and he passes a sock about the room for collections, which he uses to fund his continued journey along the way.  He says that he sets out on the journey to get “out there,” rather than write about far-off places from his desk chair.  In a way, he sees it as a way to “clear his head.”  The path does not seem to clear his head so much as clutter it with more concerns and worries about himself and the physical health of others.

There is a point early on in which he gains a “regular” pace of walking and he feels as though he’s reached his stride, but he’s clearly not reached the most arduous parts of the journey.  Those parts of the journey clearly weigh on his psyche, as does his part of the journey when he is lost in the mist.  He nearly loses his sense of identity, but he continues onward.  Perhaps this is the crux of the prose, that poets lose themselves in the journey and that loss of self can be frightening unless the poet can plod forward.

Walking Home: A Poet’s Journey by Simon Armitage is a journey at the arm of a poet who does not find himself all that interesting and cannot seem to understand the reason why anyone would volunteer to go on the journey with him or even come to listen to him read his poems.  The one interesting moment in the memoir where he talks of spare rooms as the keepers of “family lore” and “memory vaults,” is grossly under-explored, as he seems to want to keep out of the private moments of the people who open their homes to him.  While the landscape is varied and the hardships he faces could be a cautionary tale against these kinds of treks, the journey does not live up to reader’s expectations about what a poet would write about, experience, or explore.

About the Poet:

Simon Armitage was born in 1963 in the village of Marsden and lives in West Yorkshire. He is a graduate of Portsmouth University, where he studied Geography. As a post-graduate student at Manchester University his MA thesis concerned the effects of television violence on young offenders. Until 1994 he worked as Probation Officer in Greater Manchester.

His first full-length collection of poems, Zoom!, was published in 1989 by Bloodaxe Books. Further collections are Xanadu (1992, Bloodaxe Books), Kid (1992, Faber & Faber), Book of Matches (1993, Faber & Faber), The Dead Sea Poems (1995, Faber & Faber), Moon Country (with Glyn Maxwell, 1996, Faber & Faber), CloudCuckooLand (1997 Faber and Faber), Killing Time (1999 Faber & Faber), Selected Poems (2001, Faber & Faber), Travelling Songs (2002, Faber & Faber), The Universal Home Doctor (2002, Faber & Faber), Tyrannosaurus Rex Versus the Corduroy Kid (2006, Faber & Faber, Knopf 2008), and Seeing Stars (2010, Faber & Faber, Knopf 2011).

Armitage’s 2012 nonfiction book Walking Home, an account of his troubadour journey along the Pennine Way, was a Sunday Times best-seller for over a month and is shortlisted for the 2012 Portico Prize.

Book 12 for the Dive Into Poetry Reading Challenge 2014.



6th book for 2014 European Reading Challenge; this memoir/travelogue takes place in England and Scotland.



18th book for 2014 New Author Challenge.





For today’s 2014 National Poetry Month: Reach for the Horizon tour stop, click the image below:

The Late Parade by Adam Fitzgerald

Source: Liveright, W.W. Norton
Hardcover, 112 pages
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The Late Parade by Adam Fitzgerald strikes a confusing pose upon first glance with its oftentimes odd image pairings and obscured references, but at its heart, there is a deep melancholy and longing in these poems.  There are moments that slip through the reader’s fingers as they slip through the narrator’s fingers, leaving both with a sense of loss.  We’ve come late to the parade and are sad for it.

From "Mid-Harbor" (page 66)

"All such gestures may be inventions of nostalgia,
ways of edging a tea-saucer future forward,
poised perilously on a gilded table's brink.

We glance at ourselves with plaster cables strung
over cheeks, snoozing the forest's alarm, turning
to a charmed gouache with oblivious sentiment."

Fitzgerald deftly melds pop culture with classic reading, cuing it up with a fantastic and unbelievable world of clouds, “buttered air,” and “dental waters.”  Like the poem “Two Worlds at Once” suggests, Fitzgerald is asking the reader to straddle reality and fantasy to enjoy the happiness of moments in love even if they have already passed us by or never came about in the first place — it is their existence and possibility that are the most poignant.

Filled with lush imagery that confuses and contradicts, readers minds will become full, at times overtaxed, but poems that force readers to expand their minds and contemplate every chosen word are those that engage us the most.  The Late Parade by Adam Fitzgerald is a debut collection not soon forgotten.

17th book for 2014 New Author Challenge.





Book 11 for the Dive Into Poetry Reading Challenge 2014.

For today’s 2014 National Poetry Month: Reach for the Horizon tour stop, click the image below:

Nefertiti in the Flak Tower by Clive James

Source: Liveright
Hardcover, 96 pages
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Nefertiti in the Flak Tower by Clive James is a collection of rhyming and metered poems that relies heavily on history, particularly that of WWII, to make connections about the resiliency of human kind in the face of horrifying adversity.  The title poem, Nefertiti in the Flak Tower, does use the history of the Nefertiti bust as a German treasure that was moved and protected in a Flak Tower during WWII, towers that were built to protect cities like Berlin from air raids with guns and shelter citizens.  Beyond the historically based poems, there are poems about the life of a writer and his friends and how even these glamorous lives of signing books can become mundane, but there are those moments that make even the most thankless jobs worthwhile.

From "Grief Has Its Time" (page 81)

"Free of such burdens, I pursue my course
Supposing myself blessed with the light touch,
A blithesome ease my principal resource.
Sometimes on stage I even say as much,

Or did, till one night in the signing queue
An ancient lady touched my wrist and said
I'd made her smile the way he used to do
When hearts were won by how a young man read

Aloud, and decent girls were led astray
By sweet speech. "Can you put his name with mine?
Before the war, before he went away,
We used to read together." Last in line

She had all my attention, so I wrote"

James comes across as both romantic and removed.  The rhyming poems can linger in the mind when the emotion is clear and connects with the reader, but there are other occasions when the rhymes seem forced and throw off the rhythm of the poem, creating a disconnect between the reader and the subject.  Nefertiti in the Flak Tower by Clive James is a mix of some really great poems that will leave a lasting impression and those that fall a little flat on first and second reading.

Book 10 for the Dive Into Poetry Reading Challenge 2014.




16th book for 2014 New Author Challenge.




For today’s 2014 National Poetry Month: Reach for the Horizon tour stop, click the image below: