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Poetry for Young People: African American Poetry edited by Arnold Rampersad and Marcellus Blount, illustrated by Karen Barbour

Source: Sterling Children’s Books
Hardcover, 48 pages
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Poetry for Young People: African American Poetry edited by Arnold Rampersad and Marcellus Blount, illustrated by Karen Barbour for ages 8+, includes poems from those well-known and those who may be new to readers, teachers, and parents alike.  Maya Angelou, Langston Hughes, Nikki Giovanni, and Lucille Clifton are just some of the poets you would expect in this collection, but also there is Elizabeth Alexander, Alice Walker, and others who are either known for other literary works or are not as well recognized by the public for their poetic accomplishments.  The editors include explanations of the poets’ lives, the poems, and vocabulary that may be unfamiliar.  The illustrations are very reminiscent of modern art with a bit of a mosaic quality.

From “We Wear the Mask” by Paul Laurence Dunbar (page 12)

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,–
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties,

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

In the introduction, the editors raise a good point about African-American poets and their sense of duty to balance not only their freedom to write about any subject, but also their internal obligation to write about the subject of race.  Two poets — Philis Wheatley and George Moses Horton — were given the freedom to learn to read and write as slaves and to publish or compile their own poetry collections, a “privilege” that was not lost on them.

For those early poets paving the way for other African-American poets, a new struggle began for them — writing in dialect and Standard English — and these poets soon began to feel as though their own work in dialect was a comic view of black American life, which was not at all how they wanted it portrayed.  This introduction is rich in information about these early poets and could be used to bridge conversations about poetry and history with young students and readers either in the classroom or at home.  Whether these poets explicitly talk about race or not, they are about freedom and some show an unvarnished look at our own shared history.

Poetry for Young People: African American Poetry edited by Arnold Rampersad and Marcellus Blount, illustrated by Karen Barbour, will generate discussion among teachers and students, parents and children, of all ages.  In addition to the historical and biographical information, the editors also offer some detail about poetic form, including haiku, which could be useful to generate classroom exercises among students or just for fun as a family activity.

Book 6 for the Dive Into Poetry Reading Challenge 2014.

 

 

Click below for today’s stop on the 2014 National Poetry Month: Reach for the Horizon blog tour:

Mailbox Monday #260

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has gone through a few incarnations from a permanent home with Marcia to a tour of other blogs.

Now, it has its own permanent home at its own blog.

To check out what everyone has received over the last week, visit the blog and check out the links.  Leave yours too.

Also, each week, Leslie, Vicki, and I will share the Books that Caught Our Eye from everyone’s weekly links.

Here’s what I received:

1.  Poetry for Young People: Robert Frost edited by Gary D. Schmidt, illustrated by Henri Sorensen for review from Sterling Children’s Books in April.

Whether he’s capturing a cold New England winter or the simple beauty of an old abandoned house, four-time Pulitzer Prize-winning poet Robert Frost creates magic. This stunning celebration of his best-loved work includes over 25 poems, including “Mending Wall,” “Birches” and, of course, “The Road Not Taken.” Henri Sorensen’s gorgeous images perfectly complement each verse.

2.  Poetry for Young People: Langston Hughes edited by David Roessel and Arnold Rampersad, illustrated by Benny Andrews for review from Sterling Children’s Books in April.

A fresh design and appealing new cover enliven this award-winning collection in the acclaimed Poetry for Young People series. Showcasing the extraordinary Langston Hughes, it’s edited by two leading poetry experts and features gallery-quality art by Benny Andrews that adds rich dimension to the words. Hughes’s magnificent, powerful words still resonate today, and the anthologized poems in this splendid volume include his best-loved works: “The Negro Speaks of Rivers”; “My People”; “Words Like Freedom”; “Harlem”; and “I, Too”–his sharp, pointed response to Walt Whitman’s “I Hear America Singing.”

3.  Poetry for Young People: African American Poetry edited by Arnold Rampersad and Marcellus Blount, illustrated by Karen Barbour for review from Sterling Children’s Books in April.

The newest addition to the acclaimed Poetry for Young People series shines a light on the power and beauty of African-American verse. Co-editors Arnold Rampersad and Marcellus Blount—both towering figures in literary criticism—have put together an impressive anthology that will open up a world of wonderful word images for children. The classic poems come from some of the most influential and celebrated African-American writers in history, including Langston Hughes, Gwendolyn Brooks, Countee Cullen, Lucille Clifton, and James Baldwin. Helpful and generous annotations, a lively introduction, and beautiful illustrations by Karen Barbour make this the ideal book to introduce young readers to the marvels of poetry.

4. Ode to Childhood: Poetry to Celebrate the Child edited by Lucy Gray for review in April from the publisher Batsford.

Celebrate children! Featuring work by some of the world’s great poets, this beautifully illustrated anthology captures all the charms, beauty, and love of childhood. The selections include William Blake’s gentle “A Cradle Song,” Walt Whitman’s “There Was a Child Went Forth,” and Henry Wadsworth Longfellow’s “The Children’s Hour,” as well as verses by Milton, Wordsworth, Christina Rossetti, and more.

5.  Here We Are Now: The Lasting Impact of Kurt Cobain by Charles R. Cross from It Books for review in March.

Charles R. Cross, author of the highly regarded, bestselling Kurt Cobain biography Heavier Than Heaven, examines the legacy of the Nirvana frontman and takes on the question: why does Kurt Cobain still matter so much, 20 years after his death?

 

6.  Black Lake by Johanna Lane from Little, Brown and Company for review in May.

A debut novel about a family losing grip of its legacy: a majestic house on the cliffs of Ireland.

For generations, the Campbells have lived happily at Dulough, an idyllic, rambling estate on the windswept coast of Ireland. But upkeep has drained the family coffers. Faced with the heartbreaking possibility of having to sell, John Campbell makes a very difficult decision; to keep Dulough he will turn the estate into a tourist attraction. He and his wife, daughter and son will move from the luxury of the big house to a small, damp caretaker’s cottage. The upheaval strains the already tenuous threads that bind the family, and when a tragic accident befalls them, long-simmering resentments and unanswered yearnings are forced to the surface. As each character is given a turn to speak, their voices tell a complex and fascinating story about what happens when the upstairs becomes the downstairs, and the legacy that remains when family secrets are revealed.

7.  The Midnight Witch by Paula Brackston, which came unexpectedly from St. Martin’s Press.

Lilith is the daughter of the sixth Duke of Radnor. She is one of the most beautiful young women in London and engaged to the city’s most eligible bachelor. She is also a witch.

When her father dies, her hapless brother Freddie takes the title. But it is Lilith, instructed in the art of necromancy, who inherits their father’s role as Head Witch of the Lazarus Coven. And it is Lilith who must face the threat of the Sentinels, a powerful group of sorcerers intent on reclaiming the Elixir from the coven’s guardianship for their own dark purposes. Lilith knows the Lazarus creed: secrecy and silence. To abandon either would put both the coven and all she holds dear in grave danger. She has spent her life honoring it, right down to her charming fiancé and fellow witch, Viscount Louis Harcourt.

What did you receive?