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123rd Virtual Poetry Circle

Welcome to the 123rd Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions (please nominate 2011 Poetry), visit the stops on the National Poetry Month Blog Tour from April.

Today’s poem is from A Wreath of Down and Drops of Blood by Allen Braden:

Grinding Grain (page 36)

The belt, tight as a razor strop,
whips from tractor to hammer mill
and scares out of our grain bin an owl.
Welded pipe coughs flour into bags

stenciled H & H or Logan’s Feed & Seed.
I take another off my father’s hands,
another cinched with his square knot
better than any I used to tie.

Easily I buck those bags onto the stack
that shoulders the granary wall.
The air thickens this morning light
sifting around the blurred belt.

When I turn back, he’s gone
inside a cloud bank of flour
the way burlap can swallow
so many pounds of ground durum.

All our lives we work this way.
He sacks and ties.
I lift and stack.
Our bodies slowly growing white.

What do you think?

122nd Virtual Poetry Circle

Today’s poem is from To Join the Lost by Seth Steinzor, which I reviewed earlier in the week and modernizes Dante’s Inferno:

Canto I (page 11-6)

Midway through my life’s journey, I found myself
   lost in a dark place, a tangle of hanging
vines or cables or branches – so dark! – festooning
   larger solid looming walls or
trunks or rocks or rubble, and strange shapes
   moving through the mist, silent or
howling, scuffling through the uneven dirt or
   dropping from the blotchy sky like
thicker clouds, so close sometimes I ducked in
   fright so that they never quite touched me.

Someone I had trusted had led me there.
   Perhaps it was persons, I could not remember,
only how their words and gestures, once so
   sensible and clear, gradually grew
obscure, how their features, once so individual
   and expressive – this lifted tuft of
eyebrow, that kindly smile, that belly laugh –
   smoothed to nothing in the murk,
and how at last they turned away, gibbering,
   gone. Without them was no path

that I could see. A bit ahead to the right the
   curtain seemed lighter, its patterns more
distinct and loosely entwined and permeable,
   so I stepped over that way, stumbling
on the occasional root or protuberance,
   until I splashed ankle deep
into a pool of sucking mud that spread
   among the blackened boles and mounds its
unforgiving mirror far as could be
   seen, and I could go no farther.

Perhaps, I thought, what I had followed, moth-like,
   was just the sky’s dim luminescence
the marsh cast back, and then I knew despair,
   and pulled my sodden shoe back out, and
turned, and a cry swelled in my throat. But just
   before I let it loose, another
shimmer caught my eye. Perhaps, I thought,
   I’d wandered off my course through tending
to my feet and not to where they were going;
   and holding my gaze level, and gingerly

feeling the way with toes that slid forward and sometimes
   up and around or suddenly down (so
my attention was sharply bifurcated
   while a third, unattended
part of me coordinated) towards that
   distant barely backlit scrim, while
yet a fourth part of my poor divided
   self was straining not to feel a
thing at all. Of all four tasks, this last was
   hardest. Hope and fear impelled me

“Run!” but who could run on that turf, rough and
   sharp as a grater? And vehement voices
muttering a flow of words so soft they’d
   lost their forms now clogged my hearing,
aural mush, except that here and there, as
   clear and hard as pebbles, numbers
struck me; and unseen hands behind me plucked my
   clothing, grabbed my shoulders, stroked my
hair. My knees gave way. I huddled there, in
   sudden lonely silence, long.

Then slowly, like a fern uncurling, I rose,
   not recalling having fallen
asleep or having passed the border into
   awareness of this dismal dawn.
Before me, jarringly stood the only straight
   and undistorted object in my
view: a man, tall and thin, head topped by
   what I took to be a red fleece
ski hat, barefoot, robed in simple brown he’d
   cinched about the waist with a cord.

His skinny neck, that sprouted from an itchy
   looking undergarment, upheld
a long and narrow face. A long and narrow
   nose, sharply hooked, ran like a
ridge between the hills of his high cheekbones,
   and the basins of his cheeks
converged upon a small and beautiful mouth.
   The upper lip was thin and long,
the lower shorter, plusher, so the top one
   drooped a little at the corners,

and they made an arc much like a bow
   whose arrows aim to pierce the clouds,
not quite primly frowning, more the meeting of
   strength and sensitivity. But his
great, sad, brown eyes! There’s a
   distant gaze that looks within,
and a regard like a net we cast upon the
   outer world, that in his eyes were
combined: alertly pensive, missing nothing.
   They were what held me. I stepped forward.

Glancing at my squelching shoes, “O voi che siete in piccioletta barca, ”
he said, “Oh you who follow me in
   little boats.” His voice was sweet and
soft, and the phrase was one of the few I knew in
   Italian. Odder to meet an Italian who
can’t quote Dante than one who can. Well!
   Humor was the last thing I’d
expected in that desolation. Taken
   quite aback, I paused, and at that

instant, growls, a vicious snarl, a rumble
   low and ominous, all issued
from behind the stumps of a shattered pylon
   thirty feet away. His robe
flaring, he whirled and faced the hidden beasts.
   “Whatever you were seeking, you won’t
find it here,” he said, glancing back.
   (Oddest: how I did not find it
odd to understand him.) “If you don’t lose your
   way yourself, those three will lose it

for you. Come, and I will show you the path
   out of here.” And backing slowly
towards me over shards and ankle-busting
   holes as if his feet had eyes,
he glided, holding all the while the animal
   danger at bay by looking at it with
fiercer focus than any predator, then
   guided me some yards away
behind a ragged rubbish berm. I thought he’d
   stop to talk, then. Instead, assured

I was still with him and unharmed, he whirled so his
   garment flared like a tulip again, and
strode away, impatiently gesturing at me
   to follow. Not that I had much choice,
but still I hesitated. Then I gathered
   in my hope and hurried after,
catching up with him a while before I
   caught my breath enough to ask him,
“Who are you? And what do you want with me?”
   He answered: “Last things first. You are

the one whose fifteenth year blossomed in the
   city by the Arno, where they were
drying the pages of books the river had drenched
   two years before?” My face froze. He nodded.
“And of course you’ve not forgotten her
   you stood with by the river wall,
your arms around each other’s waists, not holding,
   sweetly ratifying the seal your
bodies made from ankle to shoulder?” I could not
   move. He halted with me. “And how

you stood there, watched the brown-green flood,
   minute by minute on the brink of a kiss
that never came because you were afraid?
   Well, it was she who visited me
from one of those bright circles you cannot
   quite bring yourself to believe in, glowing
and slender and blonde and passionate, and she asked me
   to help you find your way. She called you
My Seth, whom I knew as a poet and one of love’s authors.
   She knew how to ask so her will would be mine.”

With finely calculated disregard
   for how much shock I could absorb,
he added, “As for who I am: that year
   you met and said good-bye to her
not knowing how long, you lived in my home town,
   the place they kicked me out of and
set death at the gate to keep me away. You lived
   in a small hotel off Via Fiume
named for her whose hand reached down for me
   as your Victoria reaches for you.”

Welcome to the 122nd Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions (please nominate 2011 Poetry), visit the stops on the National Poetry Month Blog Tour from April.

What did you think?

121st Virtual Poetry Circle

Welcome to the 121st Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

Today’s poem is from Three Women: A Poetic Triptych and Selected Poems by Emma Eden Ramos, which I’ll be reviewing next week:

Inferiority Complex (page 36-7)

I sleep on the kitchen floor when I'm alone.
Twenty-six-year-old virgin,
I moved to Sweden simply for the lack of sunlight.

Summer evenings are hardest --
I spend them behind blackout curtains,
tucked under used-to-be-white, stained flannel
sheets.

In grade school they called me Hobbit.
Fat-Ass-Farrah some years later.
My parents named me after a cute dead actress.
Cute? No
Dead?

It isn't that I don't try,
Only, how can I fix these size 36 hips?
This 25 inch waist? I swear I was born with it.
I'd give anything to refigure my upturned nose,
thin my full-bodied brown hair,
or just lengthen the 5'5" stature I've been cursed
with.

I love the winter months.
I can walk freely down the streets in Stockholm;
nobody notices.
I avoid the busy ones though,
the ones that are always well lit.
But sometimes I can't
and when I can't, it happens --
I'll catch a glimpse --
someone's looking,
somebody's seen.
The swollen-lipped whistle I dread,
the sharp sound that will inevitably trigger my dog-
like cower.
Because I am not stupid.
I know what he is thinking.
        ugly bitch!

No, I am not stupid.
That is not my problem.

What did you think? Share your thoughts.

120th Virtual Poetry Circle

Today’s poem is from Elizabeth Alexander’s American Sublime (page 32):

Autumn Passage

On suffering, which is real.
On the mouth that never closes,
the air that dries the mouth.

On the miraculous dying body,
its greens and purples.
On the beauty of hair itself.

On the dazzling toddler:
“Like eggplant,” he says,
when you say “Vegetable,”

“Chrysanthemum” to “Flower.”
On his grandmother’s suffering, larger
than vanished skyscrapers,

September zucchini,
other things too big. For her glory
that goes along with it,

glory of grown children’s vigil,
communal fealty, glory
of the body that operates

even as it falls apart, the body
that can no longer even make fever
but nonetheless burns

florid and bright and magnificent
as it dims, as it shrinks,
as it turns to something else.

Welcome to the 120th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

So what did you think?

119th Virtual Poetry Circle

Welcome to the 119th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

Today’s poem is from Waking by Ron Rash (page 6):

Sleepwalking

Strange how I never once woke
in a hall, on a porch step,
but always outside, bare feet
slick with dew-grass, the house
deeper shadow, while above
moon leaning its round shoulder
to the white oak's limbs, stars thrown
skyward like fistfuls of jacks.
Rising as if from water
the way dark lightened, it all
slow-returning, reluctant,
as though while I'd been sleeping
summoned away to attend
matters other than a child's
need for a world to be in.

So what did you think?

118th Virtual Poetry Circle

Today’s poem is from First World War Poetry edited by Jon Silkin (page 146)

That Exploit of Yours
by:  Ford Madox Ford

I meet two soldiers sometimes here in Hell
The one, with a tear in the seat of his red pantaloons
Was stuck by a pitchfork,
Climbing a wall to steal apples.

The second has a seeming silver helmet,
Having died from the fall of his horse on some tram-lines
In Dortmund.

These two
Meeting in the vaulted and vaporous caverns of Hell
Exclaim always in identical tones:
'I at least have done my duty to Society and the
   Fatherland!'
It is strange how the cliche prevails...
For I will bet my hat that you who sent me here to Hell
Are saying the selfsame words at this very moment
Concerning that exploit of yours.

Welcome to the 118th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

So what did you think?

117th Virtual Poetry Circle

Welcome to the 117th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

Today’s Poem is from Yusef Komunyakaa’s current collection, The Chameleon Couch: (page 113-4)

Ontology & Guinness

    Darling, my daddy's razor strop
is in my hands, & there's a soapy cloud
on my face.  I'm a man of my word.
Didn't I say, If Obama's elected,
I'll shave off this damn beard
that goes back to '68, to Chicago?
I know, I also said I'd kiss the devil,
but first let me revise this contract.
I can taste tear gas.  I hear a blur
of billy clubs when I hit the drums.
I haven't witnessed this mug shot
in decades, but I'm facing the mirror.
I'm still the same man.  Almost.
Led Zeppelin is still in my nogginbox.
Alan Watts, old guru of ghosts
& folksingers, I can still two-step
& do-si-do to Clifton Chenier.
But, in no time, this philosopher
will be going down the drain, baby.
Look at how a finely honed razor works.
I may be a taxi driver, but I know time
opens an apple seed to find a worm.
See, I told you, my word is gold,
good as making a wager against
the eternal hush.  The older I get
the quicker Christmas comes,
but if I had to give up the heavenly
taste of Guinness dark, I couldn't
live another goddamn day.  Darling,
you can chisel that into my headstone.

So what did you think?

116th Virtual Poetry Circle

Today’s poem is from Saul Williams’ She (page 72-3) (read my review):

I simply want to be
the love song
dangling from her lips
unfiltered
ever burning at the end
the beginning forever
at her lips
my dreams
on the tip of her tongue

she breathes
clouds of mystery
once mine
smoke signals
another lifetime
now dissolved
into thin air

and when
the mystery is gone
so is the fire

maybe if I came in packs
(like wolves)
but there’d still be the warning
for pregnant women
love’s suffering addiction
can turn hearts yellow

I want to be
the one she calls
on her cigarette break
not the cause of it

Welcome to the 116th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

So what did you think?

Virtual Poetry Circle #115

The Other Man is Always French (page 38-40)
by Richard Peabody from Buoyancy and Other Myths (my review)

The other woman can be
a blonde or a redhead
but the other man
is always French.

He dresses better
than I ever will.

He can picnic
and stroll
with a wineglass
in one upraised hand.

Munch pate,
drink espresso,
and tempt with
ashy kisses.

He hangs out
at Dupont Circle
because the trees
remind him of Paris.

Did I mention sex?

Face it--
he's had centuries
of practice.

I'm an American.
What do I know?

He drives a fast car,
and can brood like
nobody's business,
while I sit home
watching ESPN.

He's tall and
chats about art--
I don't even want
to discuss that accent.

He's Mr. Attitude.

My fantasy is to call
the State Department
and have him deported.

Only he'll probably
convince you to marry him
for a green card.

No way I'm going to win--
the other man is
always more aggressive,
always more attentive.

The other man
is just too French
for words.

From now on
I'm going out
with statuesque German women

so next time we run
into each other
they can kick his butt
for me.

As part of the 115th Virtual Poetry Circle, I’d like to welcome you and hope you will read the above poem more than once.

I find reading poems out loud is helpful in understanding what they are talking about.

Remember, this is just for fun and is not meant to be stressful.

Molly Peacock’s books are a great resource about how to examine a poem.  She suggests selecting a line, a stanza, sentences, and images and look at the poem in pieces.

I’m looking to you to describe what you like or don’t like; and offer an opinion. If you missed my review of Peacock’s book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry.

Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions (NOMINATIONS ARE OPEN through Dec. 31, 2011) and visit the stops on the National Poetry Month Blog Tour from April.

Above all, have fun and join the discussion.

Virtual Poetry Circle #114 & BBAW Shortlist

First, I want to thank everyone for their nomination of my blog for the Best Poetry Category in this year’s BBAW (Book Blogger Appreciation Week).  I’m so glad that the work I do with poetry and poets is reaching people and that they appreciate my efforts.  I hope that I can continue to keep everyone’s interest and bring new exciting events and projects to the Internet.

Please take the time to vote for the short list candidates, if you haven’t already, because voting closes today.

There are some great blogs nominated, and there are some great books and memes nominated as well. BBAW is about bringing the community together and all it needs to be a success is your participation.  I’ll be participating in the Interview swap on Tuesday, Sept. 13, and I’ll have some BBAW-related giveaways this week…so stay tuned for that.

Welcome to the 114th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

Today’s poem is from Nazim Hikmet:

Things I Didn’t Know I Loved (translated by Mutlu Konuk and Randy Blasing)

it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
                         and will trouble those after me
I know all this has been said a thousand times before
                         and will be said after me

I didn't know I loved the sky
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish
I hear voices
not from the blue vault but from the yard
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest
beeches are Russian the way poplars are Turkish
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
                         lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief
                                        to a pine bough for luck

I never knew I loved roads
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea
                                                          Koktebele
                               formerly "Goktepé ili" in Turkish
the two of us inside a closed box
the world flows past on both sides distant and mute
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
                                        when I was eighteen
apart from my life I didn't have anything in the wagon they could take
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
                                       going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand
   his grandfather has on a fez and is wearing the fur coat
      with a sable collar over his robe
   and there's a lantern in the servant's hand
   and I can't contain myself for joy
flowers come to mind for some reason
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky
I didn't know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars
I love them too
whether I'm floored watching them from below
or whether I'm flying at their side

I have some questions for the cosmonauts
were the stars much bigger
did they look like huge jewels on black velvet
                             or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't
   be upset comrades but nonfigurative shall we say or abstract
   well some of them looked just like such paintings which is to
   say they were terribly figurative and concrete
my heart was in my mouth looking at them
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind
I didn't know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors
but you aren't about to paint it that way
I didn't know I loved the sea
                             except the Sea of Azov
or how much

I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois
strikes me
I like it

I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my
   heart leaves me tangled up in a net or trapped inside a drop
   and takes off for uncharted countries I didn't know I loved
   rain but why did I suddenly discover all these passions sitting
   by the window on the Prague-Berlin train
is it because I lit my sixth cigarette
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty
   to find it out sitting by the window on the Prague-Berlin train
   watching the world disappear as if on a journey of no return

                                                     19 April 1962 Moscow

Let me know your thoughts, ideas, feelings, impressions. Let’s have a great discussion…pick a line, pick an image, pick a sentence.

I’ve you missed the other Virtual Poetry Circles. It’s never too late to join the discussion.

Virtual Poetry Circle #113

Welcome to the 113th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

Today’s poem is from Adam FouldsThe Broken Word (Excerpt) (It is the winner of the Costa Poetry Award):

The Broken Word (page 16-7)

4:  Facing Ngai

Mid-morning after rain.
Mountains flowing rapidly under clouds.
The valley paths a freshened red
with yellow puddles, glittering weeds.

Tom walked between the lines
of coffee for half a mile,
knocking fragments
of water onto his sleeves --
little bubble lenses
that magnified the weave
then broke, darkening in.
He walked to within earshot
and no further.

A surprisingly dull sound of ceremony,
one voice then many voices,
one voice then many voices,
that recalled school chapel
although probably they were spared hymns.
Tom remembered the hymns,
the light, weakly coloured by the windows,
falling on the boys opposite,
standing, opening their mouths;
and the hymn books,
the recurrent pages greyish,
worn hollow like flagstones
with pressure of thumbs, over years,
years of terms, the books staying always
on their dark shelves in the pews.
The days he wanted to stay
all day alone in the pretty, scholarly chapel.

And then over the voices,
another sound.
Faintly, from behind the house,
Kate practising with a pistol,
its faint, dry thwacks
a fly butting against a window pane.

Let me know your thoughts, ideas, feelings, impressions. Let’s have a great discussion…pick a line, pick an image, pick a sentence.

I’ve you missed the other Virtual Poetry Circles. It’s never too late to join the discussion.

112th Virtual Poetry Circle

Welcome to the 112th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

Today’s poem is from Nikki Giovanni‘s Quilting the Black-Eyed Pea collection:

A Robin's Nest in Snow (page 6)

Outside the window of my den
Where I sit usually counting clouds
Or airplanes or chipmunks scurrying by
On a snowy day I still see
The nest through the flurries

Snowflakes are so delicate they melt
     On your tongue
Sit proudly
     on your shoulders
Tangle themselves
     in your braids

Last spring I didn't know
A bird had made a home
In my river birch
There was activity but I thought
It was the crepe myrtle
Only when the tree exhaled
Did the life reveal itself

The snow piled up neatly
Filling the crevice
Hopefully destroying the viruses and bacteria
That can attack the young still blind robins
And I a survivor of lung cancer nestle
Hope in my heart that no harm will remain
When Spring and birds return

Let me know your thoughts, ideas, feelings, impressions. Let’s have a great discussion…pick a line, pick an image, pick a sentence.

I’ve you missed the other Virtual Poetry Circles. It’s never too late to join the discussion.