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Tea & Other Ayama Na Tales by Eleanor Bluestein

Welcome to the TLC Book Tour stop for Eleanor Bluestein‘s Tea & Other Ayama Na Tales. Today, we have a bunch of things in store for you. After my review, please take a trip through Eleanor’s writing space (complete with photos) and enter the giveaway for her short story book, Tea & Other Ayama Na Tales.

About the Book:

The ten stories in Tea and other Ayama Na Tales take place in the fictional country of Ayama Na, a small Southeast Asian nation recovering from a devastating internal coup and a long drought, both of which have left the population reeling.

The fictional country of Ayama Na is inspired by the sights and sounds of Southeast Asia. A street of fortune tellers in Ayama Na borrows details from one in Singapore; royal palaces, Buddha shrines, and hill tribes echo their counterparts in Thailand; sidewalk cafes in Ayama Na’s capital roll up corrugated metal exteriors and blare music to the street as they do in Viet Nam. But in emotional content and historical detail, Ayama Na most closely resembles Cambodia, where a brave young population, still rebuilding both country and culture in the wake of the Khmer Rouge genocide, operates with a seriousness of purpose and good humor that fills the author of this collection with awe and admiration.

Bluestein’s short stories read like morality plays in which flawed characters struggle with what actions will lead them on the right path and bring about justice. From the McDonald’s worker, Mahala, who wants to set things right for her friend, co-worker, and fellow student, Raylee, to Dali-Roo, a down-on-his-luck farmer working at a Sony factory to make ends meet, Bluestein uses scene breaks to build tension and quicken the pace for some of her more ambitious story lines. She also does an excellent job of weaving in details of her fictional South Asian location, Ayama Na, including the setting, the language, and Asian mysticism.

“Home was a houseboat in a floating village not far from the mouth of the lake, a squalid kitchen and cramped bunk beds ruled over by a mother who hadn’t attended school three days in her life, who worked morning to night cooking and mending nets for Song’s father and brothers, whose stained and wrinkled hands smelled of shrimp and dried fish. The houseboat lapped up and down and moved in and out at the mercy of the weather, and in the dry season, it flowed with the whole floating village closer to the center of the lake, exposing garbage-strewn banks.” (“Skin Deep,” Page 77)

Readers will enjoy many of the stories in this volume, including “Skin Deep,” in which a university student, Song, enters a beauty pageant and takes a year off from school. She has no talents to speak of, but eventually writes and recites three poems before the local judges and wins the competition. Once at the nationals, she concludes she needs a more dazzling talent and embarks upon a journey. She becomes an amateur ventriloquist. The scenes between Song and her mother are wrought with tension because Song is not fulfilling her destiny, and her automaton, Lulu, agrees. The final scene of this story drives the moral home and–like many of the other stories in this book–with a bang.

“While he waited for the artist to take a breath and notice him, Jackman studied the tiny iridescent beetle exploring the edge of Faraway’s beard, the grime sloshing in the creases of his sweaty forehead, the shivers regularly shaking a body swaddled for a brisk fall Philadelphia day.” (“The Artist’s Story,” Page 94)

Each of these stories highlights the struggles facing the people of Ayama Na, which may mirror the struggles of many emerging nations today, as they strive to hold onto their traditions in the face of modernization and globalization. In many cases the modern world is juxtaposed with the cultural norms of this fictional society, and almost all of the characters are faced with a moral dilemma. From the surprise endings in “Skin Deep” and “Pineapple Wars” to quieter changes in character in “The Artist’s Story,” Bluestein is a gifted storyteller who will have readers examining their own lives and learning how to integrate their own cultural roots into their modern lives. These stories also help us examine larger societal issues, like providing aid to devastated nations and cities like New Orleans and China and providing assistance to developing nations. Bluestein’s short story collection showcases her talents, and the book will provide fodder for book club discussion.

Also Reviewed By:

Meghan
The Bluestocking Society
Bookstack
Nerd’s Eye View
Lotus Reads
8Asians
1979 Semi-finalist…
Ramya’s Bookshelf
Feminist Review
Trish’s Reading Nook
Everything Distils Into Reading
Hey Lady! Whatcha Readin’?

About the Author:

Eleanor Bluestein grew up in Brookline, Massachusetts, and attended Tufts University. After graduating with a degree in biology, Eleanor taught science in public school, first in New York and then in Maryland.

For a decade, along with an early literary mentor, Mel Freilicher, Eleanor co-edited Crawl Out Your Window, a San Diego based journal featuring the work of local writers and artists.

Eleanor spent a year in Paris, France, writing fiction and studying French at the Alliance Française. Later, she completed a Professional Certificate in Teaching English as a Second Language at U.C. San Diego. These experiences found their way into the novel Syntax, a current project.

I’d like for you to welcome Eleanor to Savvy Verse & Wit at its new domain.

Above my desk, on the wall to the right of my computer screen, there’s a framed collage created by Matt Foderer, an artist I worked with some years ago. Along with other writers, designers, artists, and computer programmers, Matt and I sat at cubicles in a vast office space, producing multimedia educational products. I wrote words; Matt did computer graphics to accompany the text.

We were as creative as we possibly could be, mindful of the kids who would use these instructional products. But Matt and I both wished we were somewhere else—he creating his own art in the studio behind his house, I at my computer in my narrow home office writing stories.

I have purchased several works of art from Matt—two oil paintings for my living room and the collage on the wall that you see in the photo of my office. I want to describe it to you a little more in words and tell you what it means to me. You can also see it in detail at Matt Forderer.

The collage is one in a series Matt calls “Typewriterheads.” In each work in this series, against some intriguing setting, Matt has placed a human figure who has an antique typewriter where his head should be. In the collage I own, standing with his back to the ocean, is a person I imagine to be a waiter, apron-clad, towel in his hands, an old Underwood for a head. To the waiter’s right a plane lands on the water, a goat on a rock rises from the ocean, and in the sky, looking for all the world like a flying saucer, a huge shell whirls against the clouds.

I bought this collage because, to me, it portrays the poignant life of a writer who needs to work for a living while his head teems with the fantastic stories he dreams of writing. And also because Matt’s collage represents what I aspire to in my own work. Like his art, I want my writing to be funny, smart, evocative, hyper-imaginative, a bit surreal, and poignant, all at the same time. That’s a tall order, and probably why there are so many pages on my cutting room floor.

I no longer live a “cubicle life.” I am fortunate. So many individual’s creative lives are limited or outright thwarted by poverty, illness, war, and the myriad other forms bad luck takes. So if I struggle to get the words on the page, if they fall short of what I hope for, if some days the delete key gets more pounding than any other, if I even think of forgetting how lucky I am, I can look up at my wall. There’s that waiter with his back to the ocean and the untyped words swirling in his funny old typewriter head, wishing he were me, sitting at my desk, making up stories.

Thank you so much Eleanor for an inspiring guest post! Now readers, if you would like to read Eleanor’s short story collection, Tea & Other Ayama Na Tales, check out the giveaway details below.

***Giveaway***

This is open internationally.

1. Leave a comment on this post about what you enjoyed most about this tour stop or what inspires you as a writer.

2. Spread the word about this giveaway and leave me a link on this post for a second entry.

3. Become a follower and leave me a comment telling me that you did (If you already do follow me, please leave me a comment about that) for a third entry.

Deadline is May 6, 2009; 11:59PM EST

Check out the other stops on the tour:

Wednesday, April 1st: The Bluestocking Society

Monday, April 6th: Bookstack

Thursday, April 9th: Nerd’s Eye View

Friday, April 10th: Lotus Reads

Monday, April 13th: 8Asians

Wednesday, April 15th: 1979 Semi-finalist…

Friday, April 17th: Ramya’s Bookshelf

Monday, April 20th: Feminist Review

Thursday, April 23rd: Trish’s Reading Nook

Tuesday, April 28th: Medieval Bookworm

Wednesday, April 29th: Savvy Verse and Wit

*** Giveaway Reminders***

There’s a giveaway for 5 copies of Girls in Trucks by Katie Crouch, here; deadline is April 29, 2009, 11:59 PM EST.

A giveaway of The Mechanics of Falling by Catherine Brady, here; Deadline is May 1 11:59 PM EST

5 Joanna Scott, author of Follow Me, books giveaway, here; Deadline May 4, 11:59 PM EST.

Follow Me by Joanna Scott

Welcome to the April Hachette Group Early Bird Blog Tour for Joanna Scott’s Follow Me.

About the Book (From Hachette Website):

On a summer day in 1946 Sally Werner, the precocious young daughter of hardscrabble Pennsylvania farmers, secretly accepts her cousin’s invitation to ride his new motorcycle. Like so much of what follows in Sally’s life, it’s an impulsive decision with dramatic and far-reaching consequences. Soon she abandons her home to begin a daring journey of self-creation, the truth of which she entrusts only with her granddaughter and namesake, six decades later. But when young Sally’s father–a man she has never known–enters her life and offers another story altogether, she must uncover the truth of her grandmother’s secret history.

At more than 400 pages, Joanna Scott’s Follow Me is a very detailed account of Sally Werner’s background as told by her granddaughter, Sally. Scott has a gift for detail, which can become a drawback when Sally Werner is wandering in the woods after leaving her baby with her parents. The twists and turns Sally’s life takes are driven by her fear and her desire to fit in without revealing her true self in each new location, but often the poetic prose gets in the way. It isn’t until page 53 that readers discover Sally has red hair, and readers find this out at the moment when Sally is getting her hair dyed blond. Scott’s writing vacillates from run-on sentences to short fragments, both of which readers may find slow down the plot.

“Running, Running, Running up the jagged slope behind the rows of new corn, over the stone wall, through the woods and meadows. Sting of nettles. Gray sky of dawn. Bark of a startled deer.” (Page 15)

In some cases, the narrative opts for telling the reader what’s going on, rather than showing the action and development through character interaction. Moreover, detailed backgrounds of side characters like Gladdy Toffit are asides that do not propel the plot or character development forward.

“Other days she’d [Gladdy] dress in one of the three rayon skirt-suits she owned, gather bills from the rolltop desk in the living room, and get in the car and drive to the bank in Amity to confer with the person she called her financial adviser. Late in the afternoon she’d come back home to pour her bourbon, urging Sally to join her because, as she claimed, she didn’t like to drink alone.” (Page 119)

Scott introduces Mole into Sally’s life, and that’s when readers will begin to cheer her on, hoping she will take this new opportunity to turn her life around, grab onto her responsibilities, and emerge a stronger woman. When these characters come together, the scene is full of playful tension and drama as he and his friends sit in a room playing Russian Roulette.

“It was similar to a dream, inevitable and natural and illogical. A slanting light shone from the lantern; the radio crackled its song; the river splashed; the crickets chirped; the tension made breathing impossible; the air was so thick the boy could hardly lift his arm, raising the gun to his head in an attenuated motion, the effort exhausting him, drenching him in sweat, the heat of fear turning his pale skin into melting wax.” (Page 104)


About halfway into Follow Me–which as a title works well for this journey type of novel–the drama heats up forcing Sally Werner to make a tough choice, and these scenes were the most vivid and well crafted. These scenes are the most vivid because they propel the plot, they are full of action, and you are right there with Sally in the thick of it, watching how these events bring out her inner strength and how they are bound to impact and force her to take conscious action.

“It meant she had to cover her face, so the next time he hit her his knuckles struck the back of her hand, bouncing her head away from him but not actually hurting her, which only enraged him more, and with a swift movement he yanked her arm away . . . his fist caught her in the mouth, driving into her gullet, shattering bone, filling her vision with a blank darkness that matched the sky.” (Page 206)

“But Sally could guess what the sound signified and looked up in time to catch a glimpse of Leo leaping from the peaked roof above the door. But she didn’t know he had landed on Benny Patterson until she felt her attacker veer backward. He would have pulled her with him if she hadn’t ripped herself free from his grasp. He stumbled, tripped over the corner of the step, and as the cat leaped forward, Leo’s weight exacerbated Benny’s fall; he plunged backward, his feet came out from under him, and his head snapped hard against the brick wall of Potter’s hardware.” (Page 208)

Overall, it takes a long time to be drawn into this book, and readers may have a difficult time getting a fix on Sally Werner’s character. It was hard to feel sympathetic toward her when many of the problems she faces are self-created and she often portrays herself contrary to her own actions. For instance, she considers herself a hard worker and reliable, but she gives birth and leaves her child within 24 hours of bringing him into the world, which is not a prime example of a reliable woman. Scott’s prose is beautiful, but readers can easily lose their footing in the world Scott tells rather than shows her readers. Clearly, Scott is a gifted writer and uses description well to create a vivid scene, but this story may have worked better if it was told in a different way. Those readers who enjoy generational novels and coming of age stories may be interested in this novel unless they have a rough time with overly descriptive novels.

About the Author:

Joanna Scott is the author of nine books, including The Manikin, which was a finalist for the Pulitzer Prize; Various Antidotes and Arrogance, which were both finalists for the PEN/Faulkner Award; and the critically acclaimed Make Believe, Tourmaline, and Liberation. A recipient of a MacArthur Fellowship, a Guggenheim Fellowship, and a Lannan Award, she lives with her family in upstate New York.

Some of the Hachette Group Early Birds Blog Tour Participants:

Peeking Between the Pages
Bermudaonion
My Friend Amy
S. Krishna’s Books
Booking Mama
The Tome Traveller
Diary of an Eccentric
A Novel Menagerie
Necromancy Never Pays
Caribousmom
Drey’s Library
Redlady’s Reading Room
The Burton Review
A Bookworm’s World
Jenn’s Bookshelf

***Giveaway Details***

Hachette Group has offered one lucky U.S./Canadian reader a set of Joanna Scott’s books: Follow Me, Make Believe, Everybody Loves Somebody, Liberation, Tourmaline.

1. One entry, leave a comment on this post other than “pick me” or “enter me”
2. Second entry, blog, Facebook, Twitter, or spread the word and leave a link or comment on this post that you’ve done so.
3. Third entry, follow this blog and let me know.

Deadline is May 4, 2009, 11:59 EST.

*** Giveaway Reminder***

Don’t forget to enter the Keeper of Light and Dust giveaway, here and here. Deadline is April 28 at 11:59 PM EST.

There’s a giveaway for 5 copies of Girls in Trucks by Katie Crouch, here; deadline is April 29, 2009, 11:59 PM EST.

A giveaway of The Mechanics of Falling by Catherine Brady, here; Deadline is May 1 11:59 PM EST

The Mechanics of Falling by Catherine Brady

Welcome to the TLC Book Tour for The Mechanics of Falling and Other Stories by Catherine Brady. You’re in for a real treat today, not only a review, but also an interview and giveaway for my U.S. readers.

They came back inside to find Owen still at the table, a shot glass engulfed by his long, broad-tipped fingers. He was older than the others, his face taut and creased, so tall that he had to slouch in his chair to keep his knees from banging the table. He claimed he was the only black man within a radius of ten miles. What am I doing here? he said. I can’t walk through the campgrounds alone at night. (“Looking for a Female Tenet,” Page 7)

Catherine Brady’s had a lot of practice writing short stories, and it shines through in The Mechanics of Falling & Other Stories. In “Slender Little Thing,” Brady modifies a poetic form, known as Pantoum, in which the second and fourth lines of the first stanza are repeated as the first and third lines of the next stanza. The Pantoum is a variation of the Villanelle, in which the first and third lines in a three line stanza poem are repeated as a refrain alternately throughout the poem. Here’s an example of a Pantoum and an example of a Villanelle. Poets interested in form will enjoy this story because it uses a version of these forms to hammer home the heart of the story where a mother, Cerise, struggles with her lot in life as a nanny to richer parents and as a nurse assistant in a nursing home while trying to raise her daughter, Sophie, to be more than she is.

“The Dazzling World” packs a punch when Judith and Cam are robbed at gunpoint in a foreign country on their way to meet Judith’s sister at her archaeological dig site. Not only does this story immerse readers in a foreign nation, it also leads them on a journey of discovery, almost rediscovery for Judith.

While these stories are each around 20-30 pages each, the characters are complex and on the verge or dealing with a perspective shattering event. Many of these characters are somber, and more than complacent–resigned–until an event jars them awake to look at their world through different eyes.

She pulled a compact from the purse that still hung open on her arm, angling the mirror to examine her hair, reaching up to snag unruly strands. Of the beautiful, fluttering girl, only this artlessness remained. (“Scissors, Paper, Rock,” Page 85)

Settings in this volume of short stories are varied; the characters share common traits, but lead different kinds of lives–two young waitresses trying to pay for college and find themselves, a horse rancher and his roommate’s game of relationship chess, a mother trying to raise her daughter successfully and send her off to college, a couple whose relationship is disintegrating, and many more. Readers will enjoy the surface of these stories as well as their deeper meanings beneath the layers of protective skin. Brady’s prose is captivating and thought provoking all in just a few lines, and she easily fuses poetic lines and techniques into her narratives. (I should have asked her if she writes poetry.)

I want to thank Catherine Brady for her time in answering my questions about her writing. Check out the giveaway details after the interview. Without further ado, here are her answers:

1. I noticed on your website that you’ve published a number of successful short story collections. What is it about your execution of the genre that you think has made it so successful and do you have plans to expand into novel writing?

I feel lucky to have published three collections and for my work to be included in Best American Short Stories. I have a little bit of trouble defining success. If I were fully satisfied by any of my stories, I could quit and take it easy. I think you keep writing because you haven’t achieved all your ambitions for your work. The short story is such a challenging form that there’s plenty left for me to shoot for, and I really, really love the form. I could probably do a better job of defining what I am aiming for than guessing whether I’m successful or not.

I believe a good story satisfies any reader in the most basic way—you care about the characters and their fate. Art always opens a door for any reader, so if you like the plot, or connect with the characters, or enjoy the language, or even dissect every sentence, the story should reward you for whatever effort you are willing to make (and reward you more for more effort). The kind of story I hope to write is one that asks the reader to do some of the imagining and promises to engage her heart as well as her mind.

I am working on a novel right now, and I’ve really been enjoying the writing, which has never been true when I’ve attempted a novel before. So maybe someday I’ll have a novel.

2. Do you find publicizing your short story collections is more challenging that it would be to market a novel? Why?

Yes. It’s more difficult to promote stories. People assume they’re going to be literary and obscure and more difficult than a novel, and nobody really expects you to sell very many copies. It’s much easier to label a novel as being about a specific subject, and what people most enjoy about novels is the chance to get really intimate with a character. A book of stories keeps moving you on to a new set of characters and then another new set. BUT . . . each story should offer you the sudden, deep knowledge of another person that you experience in life when you’re thrown together with someone in a crisis. Which is a different kind of satisfaction.

3. Would you like to share some of your obsessions and how they keep you motivated or inspired?

In a story collection, you’re often writing about people whose lives have unexpected things in common. You get to explore how different people might be dealing with similar or related predicaments, and for me, the best thing about this is that each story poses its own truth, and each truth is partial. I’m obsessed with “yes, but” kinds of questions.

I’m also really motivated to write because you don’t know what will happen once you really get to work. You might think the story is headed in a particular direction, but nine times out of ten, surprises crop up. I often anticipate a story is going to end at a certain point, and I’ll be writing away when all of a sudden, much sooner than I’d expected, the ending just leaps up and declares itself. I’m also obsessed with grammar—prim pince-nez correctness but also the way that you can use sentence structure to build out a story, to make it more three-dimensional. I have strong personal feelings about punctuation, I like to pile up things in a long list, I hate semi-colons—you get the idea. Writing is something of a fetish. But it’s also a craft, and I want to get better at making a beautiful object. Musical sentences. Surprising images. Intricate little tricks that a reader might never notice, but I’ll know that they are there. So, for example, in The Mechanics of Falling and Other Stories, there are images of boxes and containers in nearly all the stories, which makes sense for a collection that’s concerned with how people are held in place in their lives, when that feels like safety and when it feels like a trap. I like knowing that there is this “below the radar” connection among the different stories.

4. If you could choose your favorite story from The Mechanics of Falling and Other Stories, what would it be and why?

I probably have a few favorites. I’m partial to “Slender Little Thing,” because it has a form that uses repetition in ways that aren’t supposed to be used in stories. I like to break rules once in a while, and this is also a story that means a lot to me personally. The main character is someone whose life can seem really hemmed in if you take a certain view of her, and one of the reasons I wanted to use repetition was to get that perspective on the page, so that I could then try to counter it. Let the reader see what’s wearingly repetitive and also what can’t be accounted for by a simple summing up of her life.

I also like “Dazzling World” and “Looking for Female Tenet.” I like “Wicked Stepmother” at least in part because some people have mentioned they didn’t much like the main character, and you always defend the child who’s being criticized by someone else.

5. Please describe your writing space and how it differs (if at all) from your ideal writing space.

I like the space that I’m working in. My home office opens on to our tiny back yard so I’ve got great light and I can look out at our garden. I’ve crammed in as many books as will fit, and I have a great big desk so that I can make a mess when I’m working and scatter papers all over. I really need to have my favorite books close by—when I get stuck, I just open a book of Pablo Neruda’s poems or Alice Munro’s story so I can remember that anything is possible, that a sentence might lead anywhere. It also helps to bow several times before Chekhov’s collected stories.

About the Author (From Brady’s Website):

Catherine Brady’s most recent collection, The Mechanics of Falling & Other Stories, was published in 2009. Her second short story collection, Curled in the Bed of Love, was the co-winner of the 2002 Flannery O’Connor Award for Short Fiction and a finalist for the 2003 Binghamton John Gardner Fiction Book Award. Brady’s first collection of short stories, The End of the Class War, was a finalist for the 2000 Western States Book Award in Fiction. Her stories have been included in Best American Short Stories 2004 and numerous anthologies and journals. Click Here to Read more about Catherine. Read some excerpts, here. Check out Catherine Brady’s list of appearances and her other tour stops with TLC Book Tours.

***Giveaway Details (Only for U.S. Residents)***

Catherine Brady has offered 1 copy of The Mechanics of Falling and Other Stories to one of my U.S.-based readers.

1. Leave a comment on this post about the review or interview and you receive one entry.

2. Blog or spread the word about this giveaway and leave a comment here with a link.

Deadline is May 1, 2009, 11:59 PM EST.

THIS GIVEAWAY IS NOW CLOSED!

***My Other Giveaways***

Don’t forget to enter the Keeper of Light and Dust giveaway, here and here. Deadline is April 28 at 11:59 PM EST.

There’s a giveaway for 5 copies of Girls in Trucks by Katie Crouch, here; deadline is April 29, 2009, 11:59 PM EST.

Winners of The Traitor’s Wife by Susan Higginbotham


Wow, what a response to this great historical fiction novel. Out of 67 U.S./Canada entrants, Randomizer.org selected 3 winners

66. Melissa of SHHH I’m Reading
14. Nightdweller of Bibliophiles R Us
33. Annell of Dragonflowers and Books

Of the 6 International entrants, Randomizer.org selected one winner:

#1 VioletCrush

I’ve contacted all of you. Congrats again! I hope you all enjoy The Traitor’s Wife.

Please respond with your mailing addresses by Friday, April 24 at 5PM. Thanks.

***Giveaway Reminder***

Don’t forget to enter the Keeper of Light and Dust giveaway, here and here. Deadline is April 28 at 11:59 PM EST.

There’s a giveaway for 5 copies of Girls in Trucks by Katie Crouch, here; deadline is April 29, 2009, 11:59 PM EST.

Girls in Trucks by Katie Crouch Giveaway

Hatchette Group has graciously offered 5 copies of Girls in Trucks by Katie Crouch for U.S./Canada residents.

About the Book:

Sarah Walters, the narrator of GIRLS IN TRUCKS, is a reluctant Camellia Society debutante. She has always felt ill-fitted to the rococo ways of Southern womanhood and family, and is anxious to shake the bonds of her youth. Still, she follows the traditional path laid out for her. This is Charleston, and in this beautiful, dark, segregated town, established rules and manners mean everything.

But as Sarah grows older, she finds that her Camellia lessons fail her, particularly as she goes to college, moves North, and navigates love and life in New York. There, Sarah and her group of displaced deb sisters try to define themselves within the realities of modern life. Heartbreak, addiction, disappointing jobs and death fail to live up to the hazy, happy future promised to them by their Camellia mothers and sisters.

When some unexpected bumps in the road–an unplanned birth, a family death–lead Sarah back home, she’s forced to take another long look at the fading empire of her youth. It takes a strange turn of events to finally ground Sarah enough to make some serious choices. And only then does she realize that as much as she tried to deny it, where she comes from will always affect where she ends up. The motto of her girlhood cotillion society, “Once a Camellia, always a Camellia,” may turn out to have more wisdom and pull to it than she ever could have guessed.

Check out this video and this podcast.

Giveaway Details:

5 copies of Girls in Trucks by Katie Crouch for U.S./Canada residents. No P.O. Boxes.

1. Leave a comment here about one of your latest obsessions.

2. Spread the word about this giveaway on your blog, Twitter, Facebook, etc. and leave a link and comment here about it.

3. Refer someone to the giveaway and have them mention your name for a third entry.

Deadline is April 29, 2009, 11:59 PM EST.

***Giveaway Reminder***

Don’t forget to enter The Traitor’s Wife giveaway, here and here. Deadline is Tonight at 5pm.

Don’t forget to enter the Keeper of Light and Dust giveaway, here and here. Deadline is April 28 at 11:59 PM EST.

Keeper of Light and Dust by Natasha Mostert

Natasha Mostert‘s Keeper of Light and Dust is an elegant fusion of martial arts, tattooing, Eastern philosophy and medicine, and biophoton and chronobiological science set in modern London, England. Mostert deftly meshes information with characterization and plot, and there is never a dull moment in this spiritual thriller.

Some readers may find the science or Eastern philosophy and medicinal information daunting at first look, but readers will quickly become absorbed in the plot of this novel, cheering on the main characters and yelling at them when they fail to realize the dangers they face.

Mia Lockhart is a Keeper, who protects her marked fighters from danger and from failure in the ring; Nick Duffy is a skilled fighter with a lot of heart, Mia’s childhood friend, and a successful businessman with his own social networking business (KIME) for fighters and enthusiasts; Adrian Ashton (Ash) is a scientist, fighter, trainer, and vampire, though not in the traditional sense–he feeds on the chi of others.

In the following conversation between Ash and Mia, readers can garner a sense of each character’s personality and their perspective. Dialogue in this novel will have readers chuckling and thinking in the same breath.

“He shrugged again. ‘Who’s to say this light is chi? I believe it is; many scientists do not. Some are still struggling with the whole idea of light-inside-the-body to begin with. But it’s not just humans, of course: all living things emit a permanent current of photons, from only a few to a few hundred. Plants, animals. . . people.’

‘Shiny happy people. I like that. It’s very R.E.M.'” (Page 148)

The dynamic between the three characters is fluid and will have readers guessing. Readers will love watching these characters evolve and grow together. Mostert is a phenomenal writer with a gift for description. Check out the passage below for a taste of how well Mostert weaves the narrative and creates a world that is very tangible.

“Mia opened the first box. Inside was a nest of stainless-steel acupuncture filament needles–already sterilized by autoclave–and a small plastic filled with sticks of moxa: herb mixture.

She carefully touched the flame from needle to needle and ignited the moxa, causing it to smoulder. Breathing out slowly, slowly, she inserted the first needle into her skin approximately two finger widths away from the crease in her left wrist. Almost immediately she could feel the dequi sensation at the point of insertion. The second and third needles went into the be and gu points in the web between the thumb and the palm and the fourth at the base of her throat. She could feel her skin turning warmer from the conducted heat.” (Page 89)

Unlike some other novels, this novel sprinkles in some unique side characters, but those characters like Flash and Chilli stay on the periphery in their subordinate roles to help the main characters uncover the mysteries behind the deaths of several fighters and the mysterious The Book of Light and Dust.

Keeper of Light and Dust is great for readers who enjoy Eastern medicine, philosophy, and marital arts, as well as those that enjoy suspense/thrillers and fantasy/science fiction novels. However, the main characters in this novel are dealing with more than just spiritual and martial arts dilemmas, they are dealing with emotions, life-changing events, and the dynamics of friendship. This novel defies normal convention in the science fiction/fantasy category and transcends those confines to deliver a well constructed drama.

About the Author (From her Web site):

She is the author of five novels. Her latest novel, Keeper of Light and Dust (published in the UK under the title The Keeper) joins together ancient mysteries with cutting-edge science and introduces a fascinating heroine who belongs to a long line of Keepers: women who are healers, warriors and protectors of men who are engaged in hand-to-hand combat. Tattoos, quantum physics, chi and martial arts all combine in an intricately crafted plot.

Her fourth novel, Season of the Witch, is a modern gothic thriller about techgnosis and the Art of Memory and won the Book to Talk About: World Book Day 2009 Award. Her debut novel was The Midnight Side, a story of obsessive love and a ghost manipulating the London Stock Exchange. In The Other Side of Silence, a sinister computer game becomes the key to unravelling the riddle of the Pythagorean Comma: one of the oldest and deadliest mysteries in the science of sound. Her third novel, Windwalker, is a story of fratricide, redemption, ghost photography and soul mates searching for each other.

Educated in South Africa and at Columbia University, New York, Mostert holds graduate degrees in Lexicography and Applied Linguistics and a bachelors in Modern Languages majoring in Afrikaans, Dutch, English and German. She worked as a teacher in the Department of Afrikaans and Dutch at the University of the Witwatersrand, Johannesburg and as project coordinator in the publishing department of public television station WNET/Thirteen in New York City. Her political opinion pieces have appeared on the op-ed page of The New York Times, in Newsweek, The Independent and The Times (London).

Interests aside from writing include music, running and kickboxing. Future goals include writing poetry, executing a perfect spinning backkick and coming face to face with a ghost.

Check out Natasha Mostert’s Keeper Game. I ended up being The Thief; I’m not sure that’s a good thing.

The Thief

Dragonfly

Your sign is the Ninja. Your code word is stealth. Your totem is the dragonfly. You are highly focused in your goals but do not believe in knocking your head against a brick wall and will rather bide your time and wait for the most favourable moment. You can be ruthless and unsentimental, but also capable of great passion. You usually succeed in what you set out to do. Your head rules your heart unless you become obsessive, which you tend to be.

Your true mate is The Healer. Your opposite sign is The Warrior.

***Giveaway***

This giveaway is international. There is 1 copy of this fantastic book up for grabs.

To enter, play The Keeper Game and leave a comment about your results.

For a second entry, leave a comment on the interview from April 20.

For a Third Entry, leave a link to where you Twitter, Facebook, blog, or advertise this giveaway.

Deadline is April 28, 2009, at 11:59 PM EST.

Check Out These Other Reviews:

Literate Housewife

A Novel Menagerie

Literary Escapism

Wrighty’s Reads

Peeking Between the Pages

Jo-Jo Loves to Read

J. Kaye’s Book Blog

Winner of An Offer You Can’t Refuse


Thanks to everyone who entered the Jill Mansell giveaway for An Offer You Can’t Refuse. I wish I had books for all of you. Out of 66 entrants to the giveaway, Randomizer.org selected:

#57 Cheryl S.

Please email me by April 14 at 5pm EST with your address.

Thanks again, and I hope you enjoy your book.

After Dark Giveaway

Check out this great giveaway here, where you could win:

Grand Prize: $100 GC to Amazon.com
Runner Up: $25 GC to B&N and a box of surprise paperbacks and other goodies (like chocolate, bath goodies, ect). This is going to be a NICE prize!
Runner Up: $25 GC to B&N and a box of surprise paperbacks and other goodies. (same as above)

Plus chances to win books (almost) every day for a month!

Go to http://www.anyabast.com/blog/ for details on how to enter.

***GIVEAWAY REMINDER***

I have 1 copy of Jill Mansell’s An Offer You Can’t Refuse; get two entries, comment on my review and my interview. Deadline is April 11 at Midnight.

An Offer You Can’t Refuse by Jill Mansell

I received my ARC of Jill Mansell’s An Offer You Can’t Refuse from Sourcebooks for review.

An Offer You Can’t Refuse is witty, charming, engaging, and Chicklit to the max.

“‘I didn’t know reading could be like that, I had no idea. I’ve just never been a booky person. All these years I’ve been missing out.’

‘Ah, but now you’ve seen the light.’ . . . ‘You’ve become one of us. Welcome to our world; you’re going to love it here.'” (Page 100)

For a reviewer this was a treat to find in a book, this is definitely how many of us feel about books and reading, and reading these lines instantly cemented my attention to this book.

Lola is a young girl in love with a boy, Dougie, whose family is wealthy and whose mother hates her guts. His mother makes her an offer that she can’t refuse, so she takes it and says goodbye to the love of her life in a “Dear John” letter. Fast-forward to the present day and we find Lola has grown up physically, but still wears the same teenage, low-cut clothes and finds herself being mistaken for a prostitute when she walks into London bookstore after living in Majorca for about a decade. Eventually, Lola becomes more grounded and is the bookshop manager, but just as she thinks her life is stabilizing and in a good place, things get all topsy-turvy again.

This novel starts off in Lola’s past, but readers may find that more background is necessary, particularly where her relationship with Dougie is concerned. The only drawback of this novel, which really isn’t one, is that Lola’s story is pushed to the sidelines quite a bit as the Sally’s story takes center stage. However, Mansell carefully weaves the narration back to Lola and the resolution of her story. Readers may want to see more of Dougie, since he is one of the main characters but does not share equal narrative footing with the other narrators: Lola, Sally, and Lola’s friend Gabe.

“Aloud she said, ‘I’m guessing you don’t go into many bookshops.’

‘Me? No way.’ Proudly the boy said, ‘Can’t stand reading, waste of time. Hey, fancy a drink?’

‘No thanks. Can’t stand drinking, waste of time.’

He looked shocked. ‘Really?’

‘Not really. But drinking with you would be a huge waste of time.’ Lola excused herself and made her way over to the bar where Gabe, whose leaving party it was, was chatting to a group of friends from work.” (Page 37, 38)

Mansell’s writing is engaging, and though some of her characters, like Lola and Dougie’s sister Sally, are shallow at first, the complications in their lives force them to look beyond their own lives and come to terms with themselves, their families, and their love lives. Mansell’s An Offer Your Can’t Refuse is recommended for readers who love British humor, chicklit, and are in need of summer reading.

About the Author:

Jill Mansell lives with her partner and children in Bristol, and writes full time. Actually that’s not true; she watches TV, eats fruit gums, admires the rugby players training in the sports field behind her house, and spends hours on the internet marvelling at how many other writers have blogs. Only when she’s completely run out of displacement activities does she write.

***Giveaway***

Sourcebooks has offered 1 copy of Jill Mansell’s An Offer You Can’t Refuse to one lucky U.S. or Canadian reader.

All you have to do is comment on this post with something other than “pick me” or “enter me.”

Deadline is April 11, Midnight EST.

Come back tomorrow for my interview with Jill Mansell and another opportunity to enter the giveaway!

Also Reviewed By:
A Bookworm’s World
Diary of an Eccentric
Booking Mama
Book Escape
Reading Adventures

Winner of Plum Spooky by Janet Evanovich


Ok, there were only 14 entrants to the Plum Spooky Giveaway, but Randomizer.org to once again select a winner.

Randomizer Selected #4 Dar of Peeking Between the Pages

Thanks to all the entrants for taking a chance. Don’t worry there will be more opportunities to win books and audiobooks in the future.

Galway Bay Winners


Out of 61 entrants to the Galway Bay Giveaway hosted by Hatchette Group, Randomizer.org selected three winners:

#5 Amanda of Historical Fiction Reading Challenge Book Reviews, Life and Times of a “New” New Yorker, and a couple of other blogs.

#31 Monica of Monniblog

#52 Bcteagirl of Fabulous Canadian Freebies

Of the 7 entrants into the International portion of my giveaway, Randomizer.org selected:

#1 Marg of Reading Adventures

If you haven’t emailed me your mailing address, please do so before Wednesday, April 1 at 5PM.

Thanks to everyone who entered the giveaway. I wish I could have given you all a copy, but I highly recommend this historical novel. It’s definitely going on my top 10 list for 2009.

Writing Goal Week #12

The last writing goal was to write some newer poems for Marked issue of Blossombones, but life interfered again. With changes at work and bad news on the money front as a result, I was a bit distracted this past week.

Writing Goal Week #12

I vow to be less distracted this week and buckle down to finish my goal of writing new poems for the Marked issue or just some new poems in general.

Thanks for your continued support.

***Giveaway Reminder***

3 Copies of Galway Bay by Mary Pat Kelly for U.S./Canada residents
1 copy of Galway Bay by Mary Pat Kelly for an international resident
Deadline is March 24, 5pm EST

1 copy of Plum Spooky Audiobook by Janet Evanovich; Deadline is March 26 at 5PM