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Writing Goal Week #11

The last writing goal was to continue creating poems for the Marked issue of Blossombones. I still have until April 30, 2009 to finish a bunch of poems for this issue, so this will probably be my goal for a couple of weeks.

This week I finished the third and fourth poems I began a couple weeks ago.

Writing Goal Week #11

I plan on writing some newer poems for the Marked issue. Thanks for your support.

***GIVEAWAY REMINDER***

I have two copies of Diana Raab‘s My Muse Undresses Me and one copy of Dear Anaïs: My Life in Poems for You. Deadline is March 18 at 5PM EST.

One gently used ARC of Reading by Lightning by Joan Thomas; Deadline is March 20 at Midnight EST.

Winners of Mr. & Mrs. Darcy: Two Shall Become One


Of the 43 entrants into this giveaway, Randomizer.org selected #20 and #40.

The winners of Mr. & Mrs. Darcy: Two Shall Become One by Sharon Lathan are:

Teddy Rose of So Many Precious Books, So Little Time

Willow of Free Books and Other Contests and Willow’s Inner Thoughts

I will be contact the winners via blog or email, and they will have until March 17 at 5PM EST to reply

***GIVEAWAY REMINDER***

I also have two copies of Diana Raab‘s My Muse Undresses Me and one copy of Dear Anaïs: My Life in Poems for You. Deadline is March 18 at 5PM EST.

One gently used ARC of Reading by Lightning by Joan Thomas; Deadline is March 20 at Midnight EST.

Interview With Poet Andrea Defoe

I’ve been working on a interview project with Deborah at 32 Poems magazine, and she kindly allowed me to interview past contributors to the magazine. We will be posting the interviews throughout the coming months, and our seventh interview posted on Deborah’s Poetry Blog of 32 Poems on March 10.

I’m going to provide you with a snippet from the interview, but if you want to read the entire interview, I’ll provide you a link for that as well.

Previously published in Rattle:

“FOR A PIANO ABANDONED IN THE BREADBASKET

Perhaps it was too heavy
for the horses to haul it all the way west
or something else just mattered more.
Maybe someone was jealous
of how the girl played it
as if sweet little veeries were flying out her fingertips:
Snow White of the new frontier.
Maybe she hated it, but probably
it was her favorite thing and alone
nights nothing to smother the hollering
silence she rocked herself and thought
of her piano gathering snow, envisioned
the prairie rodents caching their food
between its wires, elk nosing the keys
in a song so random they could only
think of it like thunder. Maybe some Indian
had found it and grasped its beauty, hauled
it home to pay his dowry. But in the best
of these dreams she was sleeping and the piano’s
legs came to life–this didn’t frighten her,
she’d always known her piano was alive–
and worked its sunken heels out of the soil,
began to march then trot in the path
of the last wheels to pass this way
till one wind-rattled night she’d hear
a peculiar tap and find it there in the dark,
waiting for her to make it sing.

For now, let me introduce to you 32 Poems contributor, Andrea Defoe:

1. You are a contributor to 32 Poems, but what else can you tell us about yourself and your writing life? What do you find difficult about your writing practices?

I’m a stay-at-home parent and presently work from a high traffic area of the house, sharing computer time with my husband and three kids. The most difficult aspect for me is finding time to write when there are few distractions (I choose the word “few,” as there is always some). Functioning as a writer with ADHD is challenging for me, as well — particularly when it comes to reading. I have a lot of books that I’ve begun to read, but relatively few that I’ve been able to finish. A great appeal of poetry is that I can pick up a volume of it, open to any page and read a while without that Ugh! Yet another thing I couldn’t finish… feeling.

2. Do you see spoken word, performance, or written poetry as more powerful or powerful in different ways and why? Also, do you believe that writing can be an equalizer to help humanity become more tolerant or collaborative? Why or why not?

My greatest preference is to go somewhere quiet and be alone with a collection. I fixate heavily on individual lines and phrasings — often walking away, returning, and rereading several times before I finally feel ready to appreciate a poem as a whole package. When the poem is simply read to me in a straight stretch, I feel deprived of that — and at times it feels like an imposition, being told how to hear a poem. I’m of the mindset that a poem belongs to its reader. Having said that, some people give fabulous readings that truly do lend a strong voice to their work, so I can’t say this is how it is all of the time.

“Writing” is such an encompassing word. Even if it’s narrowed to mean simply “poetry” I do think the potential for impact is still huge. Elizabeth Alexander’s recent reading at President Obama’s inauguration springs most readily to my mind. The reading itself sapped the luster out of a good poem, but the discussion it inspired, the attention turned to poetry, were positive things.

3. Do you have any obsessions that you would like to share?

I do have an incredibly studly gray cat I call Sir Otter Von Klaus, but I prefer to keep him to myself.

Want to find out what Andrea’s writing space looks like? What music she listens to while she writes? Find out what she’s working on now, her obsessions, and much more. Check out the rest of my interview with Andrea here. Please feel free to comment on the 32 Poems blog and Savvy Verse & Wit.

Poet Bio:

Andrea Defoe lives with her husband, three children and several pets on the Red Cliff Indian Reservation in Wisconsin. Her poems have appeared in various literary journals, most recently Margie, New American Writing, Now Culture and 32 Poems. In addition to writing she enjoys drawing and painting, but is quite bad at both.

***GIVEAWAY REMINDER***

I have two copies up for grabs of Sharon Lathan’s Mr. & Mrs. Darcy: Two Shall Become One; the giveaway is international and the deadline is March 14 at Midnight EST.

I also have two copies of Diana Raab‘s My Muse Undresses Me and one copy of Dear Anaïs: My Life in Poems for You. Deadline is March 18 at 5PM EST.

One gently used ARC of Reading by Lightning by Joan Thomas; Deadline is March 20 at Midnight EST.

Reading by Lightning by Joan Thomas

Reading by Lightning by Joan Thomas, published by Goose Lane Editions, made its way into my mailbox from Mini Book Expo. It’s a coming of age novel at a time that the world is on the brink of World War II, particularly in England.

It took me a long while to get into this book, more than 100 pages, which was disheartening. In Book One readers will wander through Lily Piper’s musings and her interactions or lack thereof with her parents. The wavering narrative and tangents of Lily drag on for long stretches, and readers may have a hard time following along. Her relationship with her mother is cantankerous at times and Lily is often portrayed as a wayward child led by the sin in her heart. There are a number of instances where Lily wanders off with boys alone, which in many ways should ruin her reputation.

“Wonderful for your maidenly inhibitions (going to hand me the flask and then reaching around me to unscrew it himself and in the process circling me with both arms). The way we tussled around and he pressed the mouth of the flask to my mouth and I resisted or pretended to resist, whiskey meanwhile sliding hotly in through my lips and dribbling down my chin and onto my bathing suit.” (Page 88)

Her relationship with her father is more of silent understanding, but again this relationship is not something a girl can cling to when she needs reassurance or strength. Lily’s interactions with her brother are few and not enlightening at all, revealing little of her character or his. Through side stories and discussions about her father’s immigration to Canada and the Barr Colony, Lily learns about her father’s journey, how it came to pass, and the secret illness that prohibits him from leading a normal life.

In Book Two, Lily is sent to England to take care of her grandmother, her father’s mother, and this is where the novel picks up in pace and Lily grows into an adolescent and falls in love with her cousin George. Thomas’ writing is detailed and poignant from this point on in the novel and had me riveted.

“But tears would begin to course down her [Lily’s grandmother’s] cheeks, which already looked like the leaves of a book damaged by rain. So I would sit with her, because I’d nothing else to do. I’d want to ask about my father, and at first I did. Oh, he was a lovely lad, she’d say vaguely and start to tell me about him crawling through a hole in the wall into the next house, and then she’d get confused as to whether that was Willie or Hugh or Roland, or even her own little brother when she was a girl.” (Page 140)

There are passages in these sections that offer suspense and insight into Lily and what she is seeking to learn from her relatives and about herself. However, death seems to follow Lily on her journey and lead her back home to Canada in Book Three.

The truest moments in the novel are when the air raid sirens sound and the women and children board themselves up in shelters or in their homes in preparation for war with Germany and when the bombs are falling outside and they huddle in the dark living room comforting one another with stories of the mundane. These scenes are well crafted and tangible for readers, transporting them to another era. Once back in Canada, Lily succumbs to her previous manner in the home of her mother, but the letters from her cousins abroad continue to bring the reality of war home.

I read this novel as part of the War Through the Generations: WWII Reading Challenge. This is my first completed book for the challenge. I’ve been a bit slow.

About the Author:

Joan Thomas has been a regular book reviewer for the Globe and Mail for more than a decade. Her essays, stories, and articles have been published in numerous journals and magazines including Prairie Fire, Books in Canada, and the Winnipeg Free Press. She has won a National Magazine Award, co-edited Turn of the Story: Canadian Short Fiction on the Eve of the Millennium, and has served on the editorial boards of Turnstone Press and Prairie Fire Magazine. She lives in Winnipeg.

Also Reviewed By:
Diary of an Eccentric

***Giveaway Details***

This giveaway will be international. I have one gently used ARC copy of this book available.

Leave a comment on this post and randomizer.org will select the winner.

Deadline is March 20 at Midnight EST.

***GIVEAWAY REMINDER***

I have two copies up for grabs of Sharon Lathan’s Mr. & Mrs. Darcy: Two Shall Become One; the giveaway is international and the deadline is March 14 at Midnight EST.

I also have two copies of Diana Raab‘s My Muse Undresses Me and one copy of Dear Anaïs: My Life in Poems for You. Deadline is March 18 at 5PM EST.

Interview with Poet Diana Raab

I’d like to welcome poet Diana Raab to Savvy Verse & Wit. Yesterday, I reviewed her poetry collection, Dear Anaïs: My Life in Poems for You. You can read my review of her collection, here.

Please welcome Diana:

1. Do you see spoken word, performance, or written poetry as more powerful or powerful in different ways and why? Also, do you believe that writing can be an equalizer to help humanity become more tolerant or collaborative? Why or why not?

I find all forms of poetry powerful—spoken word, performance and written poetry. Poetry nurtures the soul and expresses core emotions and for this reason it can serve as an equalizer to help us all become more tolerant. This is particularly true for what I call “accessible poetry,” or poetry that reaches out with words that the reader can understand, feel or touch.

2. Do you have any obsessions that you would like to share?

My obsession is writing and getting my words out into the universe. I spend at least ten hours a day in my office, either creating or marketing my work. My other passion is reading. I suppose there is a fine line between having an obsession and a passion. For me, writing and reading wear both of these hats.

3. Most writers will read inspirational/how-to manuals, take workshops, or belong to writing groups. Did you subscribe to any of these aids and if so which did you find most helpful? Please feel free to name any “writing” books you enjoyed most (i.e. Bird by Bird by Anne Lamott).

I have been writing since the age of ten, so it would be impossible to list all the books and resources which have inspired me as a writer.

In the 1980s and 1990s, I attended many writing conferences and workshops. There was something contagious about being around other writers producing work. Both The University of Iowa’s Summer Writing Program and AWP have sparked a great deal of interest for me. These days I teach at the conferences and even as a teacher it is inspiring.

As a journaling advocate, I have found that reading the journals of Anaïs Nin helped me find my own voice. This is the main reason I have decided to dedicate this latest book of poems to her.

4. Poetry is often considered elitist or inaccessible by mainstream readers. Do poets have an obligation to dispel that myth and how do you think it could be accomplished?

I think the idea of poetry being elitist and inaccessible is an old concept. Much of contemporary poetry is accessible. I believe that the former poet laureate of the United States, Billy Collins, is greatly responsible for this change. He brought poetry 180 into the schools. His accessible poetry has inspired many people, including myself, to write poetry.

5. When writing poetry, prose, essays, and other works do you listen to music? Do you have a particular playlist for each genre you work in or does the playlist stay the same? What are the top 5 songs on that playlist? If you don’t listen to music while writing, do you have any other routines or habits?

The decision to listen to music while writing depends upon my mood. Sometimes I need music, other times, any bit of noise irks me. If I do listen to music, I might listen to the words of Leonard Cohen and also some instrumental music such as new age music geared towards productivity and concentration.

My writing habit entails working on a few projects at the same time, often times in different genres. I enjoy the variety and find that each genre feeds off the other. However, if I have an impending deadline, I am able to focus and wrap up a project if I either put a ‘Do Not Disturb,’ sign on my door or just go away to an undisclosed place for a writing retreat.

6. In terms of friendships, have your friendships changed since you began focusing on writing? Are there more writers among your friends or have your relationships remained the same?

This is difficult to answer, since I have always written. I have a mix of literary and non-literary friends.

7. How do you stay fit and healthy as a writer?

I work out at the gym with a trainer three times a week. I try to walk every day with my dog anywhere from 30-60 minutes. I also do restorative yoga once a week and meditate every day. All these activities help me focus on my work.

8. Do you have any favorite foods or foods that you find keep you inspired? What are the ways in which you pump yourself up to keep writing and overcome writer’s block?

I do not believe in writer’s block. It’s just an excuse not to write. I think that those who keep journals rarely experience writer’s block. If I am not feeling creative, I will just free-write in my journal and usually something interesting will come of it. Sometimes I read the words of my favorite writers to inspire me. I also often read the journals of Anaïs Nin because both her sensibilities and voice seem to resonate with me.

9. Please describe your writing space and how it would differ from your ideal writing space.

I have a writing studio which is my favorite room in the house. In taking Virginia Woolf’s advice quite seriously, I have found a room with a view overlooking the mountains of southern California. I use a laptop on my desk and there are many bookshelves behind my desk with my favorite books, most of them autographed. I have a painting by Edward Hopper hanging on the wall opposite my desk.

Other framed items include the book jacket of my memoir, Regina’s Closet: Finding My Grandmother’s Secret Journal, and a quote by Mark Twain which says, “The difference between the almost right word and the right word, is really large matter—it’s the difference between the lightening bug and the lightening.” I am a lover of quotations and over the years, I have collected many favorite ones.

10. What current projects are you working on and would you like to share some details with the readers?

I have just finishing editing an anthology I compiled called Writers and Their Notebooks. It is forthcoming by the University of South Carolina Press in February 2010. I am very excited about this collection. It includes essays written by well-published writers who used journals in their practice, such as Dorianne Laux, Sue Grafton, John DuFresne, Kim Stafford, Ilan Stavans, Michelle Wildgen. The preface was written by Phillip Lopate.

I am also working on another poetry collection and a memoir.

11. I’ve noticed reading some of your initial poems that there is an ironic sense near the end of these verses. Was this sense of irony intentional? Like in “Jones Beach” where the mother is an environmentalist and yet serves her children cookies that are appetite suppressants.

Yes. My poems just come out of me in one fell-swoop. They are not premeditated or calculated.

12. Anaïs Nin was a diarist and your poems seem to be like diary entries as well. Did all of these poems come immediately following your in-depth reading of her work or did they evolve over time? Would you consider Dear Anaïs representative of all of your work or do you craft a variety of poem forms and types?

All of my poems were born on the pages of my journal. I create best with pen in hand. I devoted this latest collection to Nin because reading her journals helped me find my voice. I am a narrative poet and yes, my latest book of poetry is a fair representation of my work. I will be experimenting with other forms, but this is representative of my work at this point in time.

Thank you Diane for taking the time out of your busy schedule to answer my questions. I wish you luck with your latest projects and look forward to seeing your latest projects in print.

And now, for the giveaway information: (3 Winners)

Diana has graciously offered one copy of Dear Anaïs: My Life in Poems for You and 2 copies of her chapbook My Muse Undresses Me.

1. Leave a comment about what inspired you to give this collection a try on my review post, here.

2. Comment on this interview with something other than “pick me” or “enter me.”

Deadline is March 18, 5PM EST.

Randomizer.org will select the three winners; the first number selected will win Dear Anaïs: My Life in Poems for You.

Dear Anais by Diana Raab

I received Dear Anaïs: My Life in Poems for You by Diana M. Raab from the author for review, I’m thrilled to say that Raab’s use of language in a format that resembles diary entries is fantastic. The volume begins with a letter to Anaïs about how she inspired Raab through her journals, particularly Anaïs’ entries about the house Eric Lloyd Wright built for her.

Each poem provides the reader with an insider’s look at Raab’s life and her interactions with family and others. Mirroring Anaïs Nin’s style, Raab seeks to demonstrate how important love is to humanity and how important it is to maintain our connections to one another.

Here’s her poem, “Weekly Lottery“:

Giving into his obsessions
was one thing my father did
almost every day of his life
for the fifty years which
he lived after The Holocaust
which robbed him of his parents
and baby brother Josh, putting
he and his brother in Dachau’s
kitchen, slicing potatoes and
saving friends from starvation
as the Nazis dined off Rosenthal
plates confiscated from Jews
tossed into frigid barracks and
stripped of everything ever
important to them.

Dad’s first treat, after arriving
in the United States with his brother Bob,
was using his factory paycheck for
a weekly lottery ticket, awaiting
the easy windfall, a sham of
good fortune, as if winning
the lottery was a ticket for
a new freedom boat. His
bliss stretched to winning five
tickets, five more scratches of
horizontal square boxes with
the same 1945 nickel which
he always carried in his pocket
for good luck, maybe not
enough cents to keep the
inveterate smoker alive past 70.

Raab’s poetry is detailed, vivid, and critical of its own subject matter and the narrator’s voice is often ironic in the final stanza or lines, reminding readers of how haiku can shed light on the most mundane of natural circumstances. In this poem, “Weekly Lottery,” Raab uses short lines and long sentences to build momentum, which invariably builds suspense for the reader.

Poems about the holocaust and WWII and war in general often attract my attention, which is probably why this poem has stuck with me since I first read Dear Anaïs. And I’ve already read through this book several times. There are a number of poems in here about Raab’s relatives and their dealings with war and the concentration camps.

This is an enjoyable collection of contemporary poems for every reader. Readers can connect with Raab through her poetry, including the hardship of loss and the nuances of daily living. Writers will enjoy her poems that deal with the writing process such as “Sketch of a Writer’s Studio” and “Sheets.” My personal favorite in this section was “On Demand,” which is about much more than just writing poems upon request.

About the Poet:

Diana M. Raab, MFA is a memoirist, essayist and poet. She teaches memoir, journaling and poetry in the UCLA Writers Program and the Santa Barbara Writers Conference. She also narrates and teaches workshops around the country.

Diana has been writing from an early age. As an only child of two working parents, she spent a lot of time crafting letters and keeping a daily journal. In university she studied journalism, health administration and nursing, all serving as platforms for her years as a medical and self-help writer.

Raab’s memoir, Regina’s Closet: Finding My Grandmother’s Secret Journal (2007) won the National Indie Excellence Award for Memoir and was the recipient of many other honors.

Raab’s work has been published in numerous literary magazines and has been widely anthologized. She has one poetry chapbook, My Muse Undresses Me and one poetry collection, Dear Anaïs: My Life in Poems for You (2008).

She’s editor of a forthcoming anthology, Writers and Their Notebooks (USC Press, 2009) which is a collection of essays written by well-known writers who journal, including Sue Grafton, Kim Stafford, Dorianne Laux, John DuFresne, James Brown and Michael Steinberg, to name a few. The foreword is written by the world-renowned personal essayist, Phillip Lopate.

Stay Tuned for my Interview with Diana, tomorrow March 12.

And now, for the giveaway information: (3 Winners)

Diana has graciously offered one copy of Dear Anaïs: My Life in Poems for You and 2 copies of her chapbook My Muse Undresses Me.

1. Leave a comment about what inspired you to give this collection a try.
2. Tune in tomorrow and comment on my interview with Diana

Deadline is March 18, 5PM EST.

Randomizer.org will select the three winners; the first number selected will win Dear Anaïs: My Life in Poems for You.




THIS GIVEAWAY IS NOW CLOSED!

***Another Giveaway***

Check out this link to win a copy of Mr & Mrs Darcy: Two Shall Become One by Sharon Lathan.

***In Other News***

Savvy Verse & Wit has a spotlight guest post up at She Is Too Fond of Books; Check out my bookstore spotlight about Politics & Prose.

Sharon Lathan and Her Writing Guest Post

I am so honored by Serena allowing me to guest blog for the day. Especially when she agreed to the arrangement before reading my novel! I can imagine it must have been a happy relief when she read Mr. and Mrs. Fitzwilliam Darcy ~ Two Shall Become One and actually loved it. It certainly was for me. Receiving glowing reviews doesn’t get old, I assure you.


I never tire of talking about my novels and the adoration for the Darcys that I possess. I suppose it is fortuitous that I am still enamored by these characters and the life I have created for them since I am required to incessantly dwell upon some aspect of my series in the course of writing these essays. The immense satisfaction and passion I bear for my saga makes it easy to answer the questions Serena asked for this blog, but I am afraid the answers are rather boring. You see, she requested I chat about my writing routine and what inspires me. The truth is I have little in the way of routine since my life is extremely hectic, and inspiration is typically wildly forthcoming! But let me see if I can novelize it into something riveting. LOL!


Routine is a foreign word to me. I have worked as an RN on 12-hour night shifts for close to twenty years. My shifts fall in a haphazard fashion that no one in my family can begin to keep track of. Heck, I have to check my calendar several times a week to avoid a mishap! Between strange sleeping patterns, family obligations, and housewife chores, sitting down to focus on writing ends up being fit in wherever possible. Fortunately I am blessed with an amazingly understanding and supportive husband and children. They have gradually assumed more responsibility so I can lose myself on the laptop. It can be a challenge to arrange my necessary quiet, concentration time into their individual schedules, but they are fabulous in their encouragement and assistance.


Case in point: When I began writing I used the computer designated for the children. That soon became a serious time-allotment issue as my obsession grew. I can remember so many forlorn, pleading glances sent my way as one of them politely begged to be allowed to play a game or finish a report! After 2 months my husband insisted on buying me a laptop – a move that I saw as a heinous extravagance for my ‘hobby’ – but he did it anyway. Needless to say my Toshiba is now one of my best friends and I think I would probably curl up in a fetal ball if it ever died on me. *crossing fingers and knocking on several wooden surfaces* Then, this past summer as he saw me struggling with the noisy distractions as I worked from my comfy recliner in the living room, he insisted we buy a desk and ergonomic chair for our bedroom. If that meant another set of expenses and total rearranging of our bedroom, the end result was propitious. I not only got the bedroom spotlessly cleaned and a ton of junk thrown away, but I now have a perfect place to write AND keep all my publishing related stuff. Cool!


What I have learned throughout these years since my journey began is that I need quiet. Some ambient noise is nice, such as the bubbling of my fish tank or the hum of the heater or tumbling of the dryer. But generally I prefer to sink into my solitary zone. Therefore, I move back and forth from my recliner and desk depending on who is home with the TV and/or Xbox blaring. Both places are set up to suit my personal needs, i.e. – a place to sit my espresso, a table top for notebooks, pillows for lap and back support, and good lighting. Nothing fancy, but functional and organized. I am rather OCD about these things!


Yet, interestingly enough, as much as I prefer all environmental elements to fit the prescribed mode, if my handsome muse is inspiring me, I can get lost no matter what is going on externally. I have done some of my best writing while riding in the car, while on vacation in our tiny trailer, while half-asleep after a long night at work, and while the family watches some action flick! It is also fortunate that after over two decades of a nurse’s bizarre time-table and rapid refocusing skills, it means I instinctively adjust to the needs of the moment. I may LIKE to have utter silence, but I can function just about anywhere. Nice, huh?


So what tricks must my handsome muse employ to get me into writing-mode? Whatever they are, I think he is hiding them up his fine-woolen jacket sleeve for now because I have rarely required any formulas or kicks in the tushie to get me motivated. The truth is that I so adore writing a happy, yes, mostly angst/conflict-free story of Regency life for my favorite couple that I do not have to push myself all that hard. Generally the ideas and vivid dreams are blasting at me so vigorously that my only trouble is keeping them ordered.


This whole ‘writing thing’ is new in my life and a huge surprise; thus I have zero experience or frame of reference. I take it one day at a time with minimal knowledge of how it usually is – if there is a ‘usual.’ From the beginning I had a simple vision, a clear vision of bringing fans of Elizabeth and Darcy into the inner sanctum, sharing in their happiness and intimacy while traveling down the road of an accurate accounting of life in the early 1800s. I was never aiming for sensationalism or heavy drama, but rather an exploration of normalcy. Perhaps that is one reason why the story has been so delightful and easy to tell. I rarely struggle over what trauma to throw in their path, what horrid secret to toss in to cause division, or what dilemma to create so they can fight. The Regency world is fascinating and the English culture of the day beautiful. I prefer to write my characters into that setting as they love and dance and live, taking the reader along for the ride! What drama I do add is usually of a typical type, or if bigger – like a duel – written plausibly and resolved in a timely manner.


Some specifics: I write using Microsoft Word, breaking the whole into parts for me to easily access. I have tried one writer’s program, but did not like it, so I am sticking with the basics! I backup constantly on a secondary hard drive, on CDs, and on a smart-stick. I am terrified of losing my material! I have sticky-pads and notebooks in handy places so I can quickly jot an idea or fact. Since my Darcy Saga has now spanned over 2 years, I have created detailed character lists, timelines, and family trees so I can reference info fast. I have several dictionary, thesaurus, and vocabulary-related websites bookmarked and open as I write. I also have easily a hundred or more historical or other data-related sites bookmarked, all organized into a dozen folders that I can click on when I need clarification or research. I have friends and contacts in the UK who assist me with details. I have hundreds of pictures of England terrain, places, and historical people and items to aid with accurate descriptions.


Many ideas for storylines are inspired simply by reading through English history or geography. I keep Austen’s Pride and Prejudice in my desk drawer and although I do not pull it out as often now since the characters have evolved into my own, I certainly did in the early days! I must have read that book a thousand times, even if it was in pieces. Of course I love the 2005 movie, and the poster on my wall and array of stills flashing across my laptop screen keep me in the proper frame of mind.


The last question Serena asked was what inhibits my writing. The answer falls into two stages. Early on, when I was just writing for fun and to please a steadily growing number of fans of JAFF, nothing inhibited me. Then I discovered something that threw me for a loop and took me many long months, years almost, to come to grips with. That is, the critics. I know this is a normal part of the process, and without going into a long dissertation, let’s just say that there are people in this world whose soul purpose is to tear down. Long before I even thought of getting published, the nasties began to attack, purely for the joy of causing pain. Once I did take steps into the publishing world, they came out in droves, utterly convinced that it is their duty to tell me how I should or should not write. Being such a novice, and very ignorant of this part of the machine, it brought me to my knees more than once and I can’t tell you how often I almost gave up. Fortunately I had amassed far more devoted fans than naysayers. So I persevered, grew a tougher skin, learned to shrug it off, and now have a deeper understanding of motivations.


Now what inhibits me is simply time. Getting published is the greatest thing on the earth and I have NO REGRETS! But, it comes with a tremendous amount of responsibility and work attached. There are long lulls when I am waiting for the next part of the process to occur, and I latch onto that for furious writing. Then there are the frantic times with several deadlines, approaching launch dates, edits, website chores, endless phone calls, and so on! It is fabulous, but don’t let anyone tell you it isn’t hard work.


There you have it! The oh-so-NOT-glamorous life of this here author. Be assured I am not holding my breath for the call to be on Oprah!


For even more information about me or my Darcy Saga series of novels, come to my website.

***Giveaway Details:***

Want to win a copy of Mr. & Mrs. Darcy: Two Shall Become One? This contest is international because I am donating my gently used copy to the cause and the U.S./Canada winner will receive one directly from Sourcebooks. So there will be 2 winners!

1. To enter, leave a comment here (other than “Enter Me” or “Pick Me”)

2. Spread the word about the contest to others, and come back here leaving me a comment with a link to your blog post or other form of “word-spreading.”

Deadline will be March 14 at Midnight EST. Good Luck!

Mailbox Monday #20

Welcome to another Mailbox Monday, sponsored by Marcia of The Printed Page.

I cannot believe the influx of books I received this week. It amazes me that every week I get a new book in the mail to read and review. I really enjoy reading and reviewing books here from a variety of genres and I love interviewing and speaking with authors and poets.

Ok, enough of my jabbering, here’s what came in the mailbox this week:

1. Wintergirls by Laurie Halse Anderson, which I won from In Bed With Books. Published by Penguin Group.

2. The Last Prince of the Mexican Empire by C.M. Mayo (a longtime instructor at the local Writer’s Center in Bethesda, Md.), which I received from Unbridled Books for a May blog tour.

3. The Italian Lover by Robert Hellenga, which I won on A Circle of Books. Published by Hatchette Group.

4. The 8th Confession by James Patterson and Maxine Paetro, which I received from Hatchette Group–Mom will be reviewing this one.

5. Rubies in the Orchard by Lynda Resnick, which I received from the author for review. This is published by Doubleday.

6. Torched Verse Ends by Steven Schroeder, which I received from the poet whom I interviewed for 32 Poems. I’ll let you know when the interview is up and ready. His book is published by BlazeVOX.

From Poet H.L. Hix:

7. Estonian Elegy and Selected Poems; a translation of Juri Talvet’s poems

8. Legible Heavens

I also received the following from the great people at Soho Press:

9. Haunting Bombay by Shilpa Agarwal

10. Caravaggio’s Angel by Ruth Brandon

11. Silesian Station by David Downing, which may qualify for the WWII Reading Challenge.

12. Zoo Station by David Downing, which qualifies for the WWII Reading Challenge.

13. Exiles by Elliot Krieger

14. God of Luck by Ruthanne Lum McCunn

15. A Deadly Paradise by Grace Brophy, which may qualify for the WWII Reading Challenge.

The Kingmaking Winners…

Thanks to all who entered the giveaway for Helen Hollick’s The Kingmaking.

There were only 2 entrants to the international portion of the giveaway, so I had the hubby pick number 1 or number 2 to choose the winner, and I used Randomizer.org for the U.S./Canada entrants, which totaled 71.

The winner of the International portion of the giveaway is:

#2 Blodeuedd of Book Girl at the Court of Mur-y-Castell

For the U.S./Canada Winners:

#13 Bingo of Bookin’ With Bingo
#44 Heatherlo of Book Addiction
#54 DebsDesk of DebsDesk

I’ve emailed everyone, so please get your snail mail addresses to me by March 9 at 5PM. Or I will pick new winners.

Writing Goal Week #10

The last writing goal was to continue work on the third poem I started or to create additional poems. I didn’t go back to the third poem this week, but I did wake up in the middle of the night and write down a couple of stanzas to a fourth poem.

I’m aiming to submit a few poems to blossombones for their Marked issue. These two poems I’ve started, are just two of the ones I’m looking at submitting. I have until April 30, 2009.

Writing Goal Week #10

So, the goal for this week is to continue my efforts to create poems for the Marked issue. Thanks for all of your continued support. I appreciate it.

My Blog, Fabulous?!


This is the first time I’ve received this blog award. Liviania from In Bed With Books bestowed this cutie on me.

Here are the rules:

1) List five things you are obsessed with.

2) Nominate five blogs you think are fabulous.

Five Things I’m obsessed with:

1. My keeshond because he is too cute. I just can’t help talking to him like he’s a person!

2. Reading and reviewing and blogging about these great books finding their way into my mailbox.

3. Pride & Prejudice; I read and re-read parts of the book, the whole book, and love watching movie adaptations

4. Phantom of the Opera; I read and re-read parts of this book, the whole book, and love seeing play and movie adaptations.

5. Music; I obsessively collect the albums of Tori Amos, Godsmack, Staind, and several other bands even if the albums contain songs I already have. I’ll even buy movie CDs with their songs on them.

Ok, now for the blogs that I think are Fabulous:

1. Lezlie of Books ‘N Border Collies
2. Sandra of Fresh Ink Books
3. Musings of a Bookish Kitty
4. Gautami of Reading Room
5. Anna of Diary of an Eccentric

Oops, breaking the rules and nominating a 6th blog:
Naida of The Bookworm

There are so many more of you that I think are fabulous.

Winners of Drood by Dan Simmons


Thanks to all who entered the Drood giveaway for the Book Giveaway Carnival.

There were 103 entrants to this contest, but sadly I could only pick 3 winners using randomizer.org.

The winners are:

#18 Linda
#33 OlympianLady of The Phantom’s Lair
#60 Qwill

I’ve sent you all emails, so send along those snail mail addresses so I can get them to Hatchette Group.

Also, since this contest was so popular, if you don’t email the address by 5PM Monday, March 9, I will choose another winner.