Quantcast

Guest Post & Giveaway: Dubious History of Austen’s Romances Opens Door to Story of Love by Collins Hemingway

Collins Hemingway has visited us before with Vol. II of The Marriage of Miss Jane Austen. And I’m happy to announce that he’s back with Vol. III, which will be published on Nov. 30.

About the book:

In the moving conclusion to The Marriage of Miss Jane Austen, Jane and her husband struggle with the serious illness of their son, confront a bitter relationship with the aristocratic family who were once their friends, and face the horrific prospect of war when the British Army falters on the continent. The momentous events of the Napoleonic wars and the agonizing trials of their personal lives take Jane and Ashton to a decision that will decide their fate—and her future—once and for all.

Stay tuned for the giveaway details below.  Let’s give Collins a warm welcome:

Dubious History of Austen’s Romances Opens Door to Story of Love

Jane Austen’s life is relatively well documented, as a dozen biographies attest. We know she was born and raised at Steventon, Hampshire, moved to Bath (unhappily, it seems) when her father retired in 1801, and moved in 1809 to the now famous cottage in Chawton where she dedicated the rest of her short life to fiction.

But what of the years between her middle twenties until she went to Chawton? Unlike the rest of her life, this seven-year period between 1802 and 1809 goes puzzlingly blank. She remained in Bath until after her father died in 1805 and then, along with her mother, sister Cassandra, and family friend Martha, shuttled around southern England looking for cheap places to live. That effort ended at Chawton when their brother Edward, adopted heir of the Knight family, gave them a permanent home.

Two things are interesting about the seven-year period. First, this spans the years of which her beloved sister Cass destroyed virtually all her correspondence, along with any journals she may have kept. Second, it’s when Jane had one or more serious romantic relationships. One can calculate that there must be a connection.

From the time Jane’s extant letters begin in 1796 until they end with her death in 1817, the surviving correspondence is relatively steady at ten or so letters a year. Yet in her mid-twenties, this dramatically changes.

In this time, we have a three-and- a-half- year gap in Jane’s letters, 1801-1804; a year-long gap, mid-1805 to mid-1806; and a 16-month gap, February 1807-June 1808. We have only 13 letters—not quite 2 a year—from 1801 to late 1808, when they begin again with some regularity. Besides the occasional passing reference to her in other people’s letters and diaries, we know nothing of Jane’s whereabouts or doings for this time.

The romances are of this time, too. According to the family, in 1828 Cassandra saw a man who reminded her of a one-time suitor of Jane, and she told her nieces Caroline and Louisa that they had met the beau on the Devonshire coast in 1801, he and Jane had fallen in love, and they were to meet again, when a proposal was expected. Instead Jane learned that he had died. Cass says he was “pleasing and very good looking,” but never provides the man’s name.

Manydown Park, where Jane Austen attended many balls and, according to one niece, accepted and rejected a marriage proposal.

What’s odd is that Cass does not mention this story until 1828— more than a quarter-century after it is supposed to have happened! The nieces cannot even agree about where on the Devonshire coast this romance occurs. Cassandra spreads more confusion than information about that circumstance.

Even speaking about this expected proposal, she apparently fails to mention to her nieces a proposal that Jane supposedly did receive in December 1802. Biographers dutifully recount the engagement to Harris Bigg-Wither, when (the story is) she accepted a proposal from the wealthy but boorish young man, recanted it overnight, and, humiliated, fled back to her parents in Bath.

Harris Bigg-Wither was supposed to have proposed to Jane Austen, but the provenance of the story is confusingly suspicious.

What is strange, however, is that this purported engagement and refusal, which would have created a scandal, does not appear to show up in any surviving contemporaneous letters or journals by anyone who knew Jane. The event is not recorded until nearly 70 years later by one of same nieces, Caroline, who was not even alive when it supposedly occurred in 1802!

Caroline sourced the story to her mother, Mary, who died in 1843—26 years after Jane died, 41 years after the event, and 27 years before Caroline’s telling. How would Mary have recalled the exact dates, December 2-3, 1802, of a proposal involving a sister-in- law she was not close to?

The proposal is recounted in the first memoir of Jane, put together by James Edward, Caroline’s older brother, with Caroline’s help. James Edward was 19 when Jane died—he attended her funeral on behalf of his father—yet he sources his younger sister for the tale of the botched proposal. Wouldn’t he have heard the story around the dining room table from his parents himself?

How is it this story is handed down by a niece too young to have known about it directly but not by the many other nieces and nephews who were alive?

Both of these “romances” come across as a bit unreal. There are too many specifics in one major encounter (Bigg-Wither) and far too few in another (the mysterious suitor on the beach). Were there separate romantic encounters, each one ending disastrously, or perhaps one relationship that these inconsistent stories point to—or are designed to point away from?

When Austen began to be famous and her family took notice, society was now in the middle of the repressed Victorian era. As the memoir makes clear, her nieces and nephews were happy to bury any suggestion that Austen would have ever done anything untoward such as write to make
a living or—fall in love. (The author Virginia Woolf, in contrast, says that “Persuasion” proves that Austen had loved intensely and by 1817 no longer cared who knew.)

One does not have to be a conspiracy theorist to envision the possibility that there may have been a very serious relationship overlooked or even hidden by her prim and proper descendants. What if Jane Austen had married? What if she had met someone very much her equal but also the sort of man a Victorian might want to lose in the mists of time?

What kind of man might that be? How would their relationship have begun? (Might bits and pieces of the history be true?) How would it have developed? How would it have ended? This possibility led me on a lengthy research and writing project culminating in the release this week
of the third and last volume of “The Marriage of Miss Jane Austen.”

The trilogy spans these seven years of 1802-1809: Volume I, a love story; Volume II, a deep psychological portrait of a woman’s first year of marriage; Volume III, which tests Austen’s courage and moral convictions as she must face the most difficult choices of life.

My goal was to tell a tale of a meaningful relationship built upon the “understanding” Austen often writes about. I wanted to see how, as a married woman, she might have fit into the large and turbulent world of the Regency. Perhaps most important, I wanted to see how the archetypal
woman of the period would have handled all that marriage meant for a woman of that day.

Giveaway Info: (open internationally)

Enter by Dec. 5, 2017, to win one e-book volume of your choice from Collins Hemingway or a print copy if you live within the United States.

Guest Post & Giveaway: How Austen Seduced Hemingway by Collins Hemingway

Vol 2 Final 07-08-16If you’ve been reading this blog long enough, you know that I love Jane Austen, particularly Pride & Prejudice, and that I sometimes read variations and re-tellings of her work, or novels that have Jane Austen as a character.

The Marriage of Miss Jane Austen: Vol. 2 looks at how Austen would have fared had she married and had a family.

About the Novel:

The Marriage of Miss Jane Austen trilogy by Collins Hemingway respectfully reimagines the beloved English author’s life and resolves the biggest mystery around the actual historical records about her life during the Regency era in England: What really happened during the “missing years” of her twenties? Why did her sister destroy all of her letters and records of her life then? Why have rumors of a tragic lost love persisted for two hundred years? www.austenmarriage.com

Please welcome, Collins Hemingway, the author of The Marriage of Miss Jane Austen, to the blog today as he talks about how Austen seduced him.

Since embarking on my Jane Austen journey, I’ve been asked many a time why a present-day man, who spent most of his career involved with computers, marketing, and aviation, would explore the “what ifs” of the life of a literary woman from two hundred years ago.

The answer goes back primarily to Dr. Duncan Eaves, my graduate school instructor and an expert in Eighteenth Century literature. He and another wonderful instructor at my school, Dr. Ben Kimpel, wrote the definitive biography of Samuel Richardson, usually considered the first English novelist, and Dr. Eaves edited an edition of Richardson’s novel Pamela.

Dr. Eaves could recite Gray’s “Elegy Written in a Country Graveyard” as mournfully as the tolling of a bell, or playfully rattle off long stretches of Pope’s satiric heroic couplets. He could convince his students, by good humor alone, to finish Richardson’s agonizingly dull Pamela or Clarissa.

Jane Austen herself found Richardson gratifying, according to her brother Henry, who was careful to add, however, that “her taste secured her from the errors of his prolix style and tedious narrative.”

Dr. Eaves eschewed the usual Jane Austen reads, Pride and Prejudice and Sense and Sensibility, for Emma, which he considered much the superior work.

At this same time, in a class on modern poetry, I read a poem—by Anne Sexton or Maxine Kumin, I believe—that described what life would have been like for Romeo and Juliet had they not “escaped” with a romantic death: squalling babies, money hassles, arguments over daily life.

I had married young, had a child, and was struggling financially. I knew, even at the age of 21, that courtship and marriage were radically different things.

The situation led to animated exchanges with Dr. Eaves about Austen. My view was that she was a brilliant but superficial writer simply because courtship did not lend itself to investigation of the deepest feelings of the heart or the substance of life. Her books, I told Dr. Eaves, ended where they should have begun: with marriage.

Dr. Eaves told me to come back and read Austen every ten years or so. As I gained experience, he said, I would see more of life woven into the fabric of her work and less of the comedy of manners. Over time, his prediction came true. Austen pushed the bounds of convention, and likely her own sense of propriety, by addressing substantive issues obliquely—premarital sex and the slave trade, to mention two.

Even the delightful Emma, with its breezily misguided protagonist, manages to provide “perfect happiness” for a scandalous situation, that of Harriet’s illegitimacy. Interestingly enough, her being a “natural” daughter turns out not to be nearly as important as whether her father was a gentleman, as Emma supposes, or a tradesman, as turns out to be the case.

Novels of the day often addressed the question of a lady’s virtue but never seriously addressed other matters of consequence, before or after the wedding. Austen’s secondary characters are the ones involved in dubious—thus consequential—activities, and she often leaves open the question of future happiness for them. The main characters, meanwhile, skip off gaily into the future.

I felt that there had to be a way to capture Austen’s spirit and insight while also bringing the more serious issues of Austen’s day out of the background and into the light. I wanted to see how an intelligent woman of the early 1800s would respond if personally tested by those issues.

For many, many years, while mastering computer products during the day, I continued to study the history of the Regency period and to read Austen and what biographers had to say about her. All of the matters above percolated in my head.

My wife and I visited southern England several times, from the coast of Kent to Land’s End. On one of these trips, in 2006, we took the train down to Bath, where we spent several days seeing the sights and visiting some of Austen’s haunts. I picked up more books and bios.

Bath was not Austen’s favorite locale, but I was affected by being where she had walked and shopped and visited with her family—and had many of her own characters interacting. At the end of the weekend, I was struck by a thought as sharp as Emma’s arrow: Write my story.

I understood immediately. Write the story of Jane Austen living to the fullest the personal life that most women then experienced. Write the story of the public life she would have undertaken if she had had the opportunity to engage in the exciting, chaotic maelstrom that was the Regency period. Write as she would have, freed from the restrictions and conventions that stifled women authors then.

On the train back to London, I pulled out my journal and began to jot down notes under a title that wrote itself: The Marriage of Miss Jane Austen.

A decade later, I’m returning to Bath to launch the second volume of the trilogy that, I hope, does justice to the voice that struck me: the voice of Jane Austen.

Thank you for stopping by.

Please leave a comment below with an anecdote or piece of advice about marriage or finding love?

Deadline to enter for U.S./Canada residents is Sept. 16, 2016, 11:59 PM EST. Good Luck!

***GIVEAWAY HAS ENDED***