
“Manuel used his forearms to part the stalks of corn. His blood coursed through him. He forged ahead, swiping at the brittle stems, nursing the anger that had pressed on him ever since he had arrived back home and Silvia had said no.” (page 97)
De Sa uses a fast-paced narrative intertwined with folklore, tradition, and imagery to paint a picture of Manuel’s life, his homeland, and his new home in a way that they become almost surreal. Is this man truly living his life here or is this his dream/nightmare made real. Once Antonio takes over the narrative, the nightmare grows more surreal as family members become more like caricatures rather than people.
At times the narrative is disjointed and jostles readers from one point in time to another, making them wonder what happened in the intervening years. However, the story does not lose its edge. It demonstrates that love, even between father and son, mother and son, and even siblings is not always smooth and without obstacles. Can forgiveness and love triumph over the wrongs each feels the other has done and will their dreams become reality?
“‘My husband used to say that men are all barnacles. A barnacle starts out lie swimming freely in the ocean. But, when it matures, it must settle down and choose a home. My dear husband used to say that it chooses to live with other barnacles of the same kind so that they can mate.'” (page 108)
Barnacle Love relies heavily on ocean imagery and the surreal-ness of its characters to illustrate the hurt that comes with family, but also the great love that stirs beneath its bristling core. Anthony De Sa has created a memorable journey of Portuguese-Canadian immigrants that will leave readers wanting more and spending additional time trying to figure out the characters’ motivations.
This is my 46th book for the 2010 New Authors Reading Challenge.




