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157th Virtual Poetry Circle

Welcome to the 157th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Nina Cassian:

Summer X-Rays

I.

Fabulous days
with endless swims,
with algae around my waist
and convex tears on my cheeks.

Far away on the shore:
children shouting,
dogs with golden rings
circling their muzzles,
and rumors of abandoned memories.

I know what's awaiting me—
the winter of my discontent.
I have a reservation
outside on a hard bench
holding a bag of frostbitten potatoes.

That's why I swim so far out,
willing prisoner
inside the sea's immense green magnifying glass.


II.

Despite all my inner crumblings,
I'm still able to recognize a perfect day:
sea without shadow,
sky without wrinkles,
air hovering over me like a blessing.

How did this day escape
the aggressor's edicts?
I'm not entitled to it, 
my well-being is not permitted.

Drunk, as with some hint of freedom,
we bump into each other,
and laugh raucously
on an acutely superstitious scale
knowing that it's forbidden.

Could it be just a trap
this perfection
this impeccable air,
this water unpolluted by fear?

Let's savor it as long as we can:
quickly, quickly, quickly.

What do you think?

156th Virtual Poetry Circle

Welcome to the 156th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Mark Twain:

Warm Summer Sun

Warm summer sun,
    Shine kindly here,
Warm southern wind,
    Blow softly here.
Green sod above,
    Lie light, lie light.
Good night, dear heart,
    Good night, good night.

What do you think?

155th Virtual Poetry Circle

Welcome to the 155th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Carl Sandburg:

Back Yard

Shine on, O moon of summer.  
Shine to the leaves of grass, catalpa and oak,  
All silver under your rain to-night.  
  
An Italian boy is sending songs to you to-night from an accordion.  
A Polish boy is out with his best girl; they marry next month;
     to-night they are throwing you kisses.
  
An old man next door is dreaming over a sheen that sits in a
     cherry tree in his back yard.  
  
The clocks say I must go—I stay here sitting on the back porch drinking
     white thoughts you rain down.  
  
     Shine on, O moon,  
Shake out more and more silver changes.

What do you think?

154th Virtual Poetry Circle

Welcome to the 154th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Natasha Trethewey, our new U.S. Poet Laureate:

Pilgrimage

Vicksburg, Mississippi


Here, the Mississippi carved
            its mud-dark path, a graveyard

for skeletons of sunken riverboats.
            Here, the river changed its course,

turning away from the city
            as one turns, forgetting, from the past—

the abandoned bluffs, land sloping up
            above the river's bend—where now

the Yazoo fills the Mississippi's empty bed.
            Here, the dead stand up in stone, white

marble, on Confederate Avenue. I stand
            on ground once hollowed by a web of caves;

they must have seemed like catacombs,
            in 1863, to the woman sitting in her parlor,

candlelit, underground. I can see her
            listening to shells explode, writing herself

into history, asking what is to become
            of all the living things in this place?

This whole city is a grave. Every spring—
            Pilgrimage—the living come to mingle

with the dead, brush against their cold shoulders
            in the long hallways, listen all night

to their silence and indifference, relive
            their dying on the green battlefield.

At the museum, we marvel at their clothes—
            preserved under glass—so much smaller

than our own, as if those who wore them
            were only children. We sleep in their beds,

the old mansions hunkered on the bluffs, draped
            in flowers—funereal—a blur

of petals against the river's gray.
            The brochure in my room calls this

living history. The brass plate on the door reads
            Prissy's Room. A window frames

the river's crawl toward the Gulf. In my dream,
            the ghost of history lies down beside me,

rolls over, pins me beneath a heavy arm.

What do you think?

153rd Virtual Poetry Circle

Welcome to the 153rd Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Christopher Merrill:

A Boy Juggling a Soccer Ball

after practice: right foot
to left foot, stepping forward and back, 
   to right foot and left foot,
and left foot up to his thigh, holding 
   it on his thigh as he twists
around in a circle, until it rolls 
   down the inside of his leg,
like a tickle of sweat, not catching 
   and tapping on the soft
side of his foot, and juggling
   once, twice, three times,
hopping on one foot like a jump-roper 
   in the gym, now trapping
and holding the ball in midair, 
   balancing it on the instep
of his weak left foot, stepping forward 
   and forward and back, then
lifting it overhead until it hangs there; 
   and squaring off his body,
he keeps the ball aloft with a nudge 
   of his neck, heading it
from side to side, softer and softer, 
   like a dying refrain,
until the ball, slowing, balances 
   itself on his hairline,
the hot sun and sweat filling his eyes 
   as he jiggles this way
and that, then flicking it up gently, 
   hunching his shoulders
and tilting his head back, he traps it 
   in the hollow of his neck,
and bending at the waist, sees his shadow, 
   his dangling T-shirt, the bent
blades of brown grass in summer heat; 
   and relaxing, the ball slipping
down his back. . .and missing his foot.

   He wheels around, he marches 
over the ball, as if it were a rock
   he stumbled into, and pressing
his left foot against it, he pushes it
   against the inside of his right 
until it pops into the air, is heeled
   over his head--the rainbow!-- 
and settles on his extended thigh before
   rolling over his knee and down 
his shin, so he can juggle it again
   from his left foot to his right foot
--and right foot to left foot to thigh--
   as he wanders, on the last day
of summer, around the empty field.

What do you think?

152nd Virtual Poetry Circle

Welcome to the 152nd Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Elizabeth P. Glixman:

Laughing With My Father

My father’s body is dust. Yet darkness never comes.

Light sifts through memory. It is  bright.

I think of when he was here, vespers fly through my mind,

Not like praise but like a Halloween witch’s scream  
Scaring me to forget. Her crooked nose

Leads down the net path of dreams.  
I catch the light find how it weaves

Through the glass prism of wonderland.

No matter how I resist a different shape

My father is on my sleeping pillow

In my supermarket dreams. I pay

for lettuce at the cash register. He speaks. 
The world spins without vacation. He tells

Me to not forget the way his hair smelled  
Was full and dark, the way his Oldsmobile

hauled  newspapers, old mail, cancelled checks,

nose plugging sneakers and  Hershey Candy wrappers,

The way his stories were pliable as stale gum,

Only he would laugh at the boredom of this joke.

He tells me to not forget the way he hit the golf ball

No matter if it moved or not or flew

over the lake greens and disappeared. It didn’t matter,

Since he would always exist. Never be plucked.

The day is done. The darkness is full of a light that does not fade.

This dark is a gradation on the color chart of breathing

In a world that never can stop.

I watch late night TV in the blank hours

The shroud of gray filters out howling. I  rest 

in the dizziness of recall. The wind blows concisely outside

It writes the end chapter in our novel.

The crab apple trees in bloom.

On my pillow or in the supermarket isle he watches 
He sings yes, we have no bananas, a favorite song  
And tells me the darkness will not come, to go to bed  
Drink my milk, Don’t stay up late,

Be a good girl. Never sleep with boys.

Marry well.

What do you think?

151st Virtual Poetry Circle

Welcome to the 151st Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Osip Mandelstam’s Stolen Air:

Mandelstam Lane (Page 54)

What the hell sort of street is this?
Mandelstam Lane.
Diabolical name!
Twist and twist
And it all comes out the same:
More kinked than the kinks in a madman's brain.

Well, a ruler he was not.
I'll say, and his morals hardly lily.
And that's why this street,
Or rut, really,
Or pit pickaxed to the tune of Goddamn! --
Goes by the name of Mandelstam.

What do you think?

150th Virtual Poetry Circle

Welcome to the 150th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from John Ashbery:

Daffy Duck in Hollywood

Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's 
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of 
   happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight 
   micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering, 
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore) 
   leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is 
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in 
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its 
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others, 
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited 
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better 
For him we ought to be! And how little, finally, 
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our 
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination. 
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself. 
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the 
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we 
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind 
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us, 
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.

What do you think?

149th Virtual Poetry Circle

Welcome to the 149th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Deborah Digges:

Trapeze

See how the first dark takes the city in its arms 
and carries it into what yesterday we called the future. 

O, the dying are such acrobats. 
Here you must take a boat from one day to the next, 

or clutch the girders of the bridge, hand over hand. 
But they are sailing like a pendulum between eternity and evening, 

diving, recovering, balancing the air. 
Who can tell at this hour seabirds from starlings, 

wind from revolving doors or currents off the river. 
Some are as children on swings pumping higher and higher. 

Don't call them back, don't call them in for supper. 
See, they leave scuff marks like jet trails on the sky.

What do you think?

148th Virtual Poetry Circle

Welcome to the 148th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Gary Soto; Happy Cinco de Mayo:

A Red Palm

You're in this dream of cotton plants.
You raise a hoe, swing, and the first weeds
Fall with a sigh. You take another step,
Chop, and the sigh comes again,
Until you yourself are breathing that way
With each step, a sigh that will follow you into town.

That's hours later. The sun is a red blister
Coming up in your palm. Your back is strong,
Young, not yet the broken chair
In an abandoned school of dry spiders.
Dust settles on your forehead, dirt
Smiles under each fingernail.
You chop, step, and by the end of the first row,
You can buy one splendid fish for wife
And three sons. Another row, another fish,
Until you have enough and move on to milk,
Bread, meat. Ten hours and the cupboards creak.
You can rest in the back yard under a tree.
Your hands twitch on your lap,
Not unlike the fish on a pier or the bottom
Of a boat. You drink iced tea. The minutes jerk
Like flies.

	         It's dusk, now night,
And the lights in your home are on.
That costs money, yellow light
In the kitchen. That's thirty steps,
You say to your hands,
Now shaped into binoculars.
You could raise them to your eyes:
You were a fool in school, now look at you.
You're a giant among cotton plants.
Now you see your oldest boy, also running.
Papa, he says, it's time to come in.


You pull him into your lap
And ask, What's forty times nine?
He knows as well as you, and you smile.
The wind makes peace with the trees,
The stars strike themselves in the dark.
You get up and walk with the sigh of cotton plants.
You go to sleep with a red sun on your palm,
The sore light you see when you first stir in bed.

What do you think?

147th Virtual Poetry Circle

Welcome to the 147th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the National Poetry Month Blog Tour from April 2011 and beginning again in April 2012.

Today’s poems is from William Stafford:

Once in the 40's

We were alone one night on a long
road in Montana. This was in winter, a big
night, far to the stars. We had hitched,
my wife and I, and left our ride at
a crossing to go on. Tired and cold--but
brave--we trudged along. This, we said,
was our life, watched over, allowed to go
where we wanted. We said we'd come back some time
when we got rich. We'd leave the others and find
a night like this, whatever we had to give,
and no matter how far, to be so happy again.

What do you think?

***For Today’s National Poetry Month post, go to Wordcoaster.

146th Virtual Poetry Circle

Welcome to the 146th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the National Poetry Month Blog Tour from April 2011 and beginning again in April 2012.

Today’s poems is from Diana Raab’s Listening to Africa:

Tse Tse Paradise (page 55)

An early evening game ride
rolls us through high savannah grass,
to where sleeping sickness lurks
and a bug blanket forms
to burrow under
our glistening white skins
coated with toxic repellants
which my doctor says
are better than
the disease they protect against.

We relentlessly duck and swat them away,
those pregnant noiseless flies
smothering us with their bug shower,
my son with a woolen blanket suspended
over his twenty-year-old head,
as we all dart from what could be
the absolutely fatal bite.

What do you think?

About the Poet:

Diana M. Raab is a memoirist, essayist and poet. She has a B.S. in Health Administration and Journalism, and an RN degree from Vanier College in Montreal, in addition to an MFA in Nonfiction Writing from Spalding University’s Low-Residency Program.

Diana has been writing from an early age. As a child of two working parents, she spent a lot of time crafting letters and keeping a daily journal. A journaling advocate and educator, Diana teaches creative journaling and memoir in workshops around the country. She frequently speaks and writes about the healing powers of writing.

***For today’s National Poetry Month Tour stop, Solid Quarter‘s Megan Burns visits Savvy Verse & Wit.***