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Testimony by Anita Shreve

Testimony by Anita Shreve, which will be released on Oct. 21, was such a surprise in my mailbox from Hachette Group’s Miriam Parker. Thanks, Miriam! I met Anita Shreve at the 2002 National Book Festival signing in Washington, D.C. I’ve been in love with her writing since I first read The Pilot’s Wife many years before that, and I will admit here that I’ve tried to emulate her style in my own writing, though my writing has not met muster.

Testimony is one of those novels that slowly draws you into a prep school known as Avery Academy in Vermont where four boys and one girl make a decision that will change their lives and the lives of other students, teachers, administrators, families, and neighbors for years to come. Testimony is given throughout the novel from a number of characters–minor and major characters–illustrating the depth to which decisions of one or several people can impact others who are seemingly unconnected to the decision-makers. Jacqueline Barnard, a researcher from the University of Vermont, receives the interviews either in written form or through personal encounters with several of the characters.

The videotape that surfaces in Avery Academy Headmaster Mike Bordwin’s office is central to the story that unfolds in the novel, but another decision among a pair of adults also impacts the students and others in the town. Shreve is a master of character development and setting. I was drawn into the bitter cold winter snow of Vermont and the coziness of the town and the school, as well as the dark undercurrents in each of these characters’ lives. Shreve is adept at highlighting the nuances of how underage sex and drinking affects the students, the faculty, and others, while not preaching to the reader.

Silas and Noelle, two of the main adolescents in the novel, share a deep connection to one another at a tender age. It was tough to watch how this connection was tested and ultimately severed. Silas and his mother, Anna, also have a tight bond and naturally this connection is tested. Another adolescent boy, J. Dot and his bravado, serves as a foil to Silas’ hard-working, compassionate, and dutiful persona. Noelle is the naive and romantic girl-next-door, while Sienna is the wild girl looking for trouble even if it is on a subconscious level.

As always, Shreve has outdone herself in this novel, weaving a series of disjointed testimonies into a coherent and heart-wrenching story of love, loss, responsibility, and adolescence. I’ve often wondered if Shreve has ever tried her hand at poetry because the language she creates on the page paints a vivid image, and those images often conjure deeper meanings and emotions for the reader.

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