Many Pride & Prejudice variations are focused on Mr. Darcy and Elizabeth Bennet, but what attracts me to Sue Barr’s variation is that it focuses on Miss Bennet’s nemesis, Caroline Bingley. (OK, maybe nemesis is a strong word) Caroline has focused on Mr. Darcy for so long, what happens to her after Darcy marries Elizabeth? How does she cope with that loss and what does she focus on now that he’s out of the picture? Today, Sue Barr will share with us the musical influences of Jane Austen and how it plays in Caroline’s life.
But first, read more about the book below.
Whatever happened to Caroline Bingley after her brother and unrequited love interest married a Bennet sister? Join me in this story of redemptive love and the healing of broken dreams.
Caroline Bingley, beyond frustrated with her brother, Charles and Mr. Darcy both proposing to the Bennet sisters, dreads their upcoming nuptials. For three years, her sole focus has been on attaining a marriage proposal from one Fitzwilliam Darcy of Pemberley, only to be foiled by a country miss with ‘fine eyes’. Adrift and not sure of her place in life, she meets the mysterious and devastatingly handsome Lord Nathan, who equally vexes and intrigues her.
Lord Nathan Kerr, third in line to a Dukedom, had a well-earned reputation as a Rake. He cast all that and his noble title aside to become Mr. Darcy’s vicar in Kympton, finding contentment in leading his small flock and doing the Lord’s work. His plan for a quiet, country life is thrown into upheaval when he meets the fiery Miss Bingley. Can he reconcile his rising desire for the spoiled miss with how a vicar’s wife ‘should’ behave?
Please give Sue a warm welcome.
Thank you, Serena, for inviting me to your lovely blog today to discuss my latest book, Caroline. Today, I look forward to sharing this post with your readers that discusses the musical influences in Jane Austen’s own life, as well as in Caroline Bingley’s story too.
When it comes to musical talents, I have learned that Jane Austen really was somewhat of a proficient and a rather accomplished lady in her musical achievements. From the age of 12 years old, Jane practiced the piano nearly each and every morning. In the evenings, she could often be found performing at the piano for her family and friends.
Even at the age of 20, she was still taking weekly lessons and learning new techniques, which happened to be unusual, even for the accomplished women of her class. Even though her family existed on a limited budget, Jane was always able to have access to a good quality piano. Due to the costs of printed music, Jane belonged to an “informal, women-driven network” of music copyists and borrowers.
In my story, Caroline, I was able to connect Austen’s love for music as we discover that Caroline also has a passion for music which soothes her soul. Whenever troubled, she gravitates to the pianoforte and plays. Personally, I love Mozart and was so glad that he lived prior to the time frame of my story.
One of my favorite movies is Amadeus, not for the characterization of Wolfgang Amadeus Mozart and his protagonist, Antonio Salieri but for the music. There is one song, when the last of the high notes hang in the air before crashing to the end, which gives me goose flesh. The genius of Mozart’s compositions is beyond compare. His piano concerto No. 26 has so many layers in nuance and timing, also any of his Clarinet Concertos, … and who doesn’t love Eine Klein Nachtmusic? Most people listen to the piece with only stringed instruments, but the piano solo, accompanied by woodwinds and stringed instruments is achingly beautiful. I have a CD of his music and love it.
I also wanted Caroline to have layers with her love of music and there were many great Masters to choose from, but I looked for something different. I Googled popular composers in the time of 1812 and Ignaz Pleyel popped up. You Tube is a wonderful place to lose yourself and I listened to many tracks until I found his sonata in F Major. I thought I’d share a link to the scene from Amadeus where Solieri, played by F. Murray Abraham, is describing the music of Mozart to a young priest. I think he won the Oscar from this scene alone.
I challenge you to listen to some classical music, if you don’t already love it. Really, really hear what these Masters composed. Imagine flutes, oboes and clarinets, joined by an bassoon providing the much needed lower layer and then along comes the violin, piercing the air with each rising crescendo in harmony alongside the cello and in the background, bass drums, like a heartbeat.
Can you hear it?
Reference: JOHNSON, CLAUDIA L. and CLARA TUITE (eds). A Companion to Jane Austen. Blackwell Publishing, 2009. Blackwell Reference Online. 25 February 2017
Thanks, Sue, for sharing this with us. I can hear the music now. I’m sure my readers can, too, and I bet they’re excited to enter to win!
About the Author:
Sue Barr resides in beautiful Southwestern Ontario with her retired Air Force hubby, two sons and their families. She’s also an indentured servant to three cats and has been known to rescue a kitten or two, or three … in an attempt to keep her ‘cat-lady- in-training’ status current. Although, she has deviated from appointed path and rescued a few dogs as well.
Sue is a member of Romance Writers of America and their affiliate chapter, Love, Hope and Faith as well as American Christian Fiction Writers. For more information about her other books, visit her website, her blog, and on Pinterest, Facebook, GoodReads, and Twitter.
Enter the Giveaway:
Three winners will receive a paperback copy of Caroline and a Jane Austen Journal and three separate winners will receive an ebook copy of this book. (All giveaways are open to international winners.)