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Magnetic Poetry Magic

I hope to provide some fun activities this month for you to think outside the box about poetry. Today, is magnetic poetry magic! I just love magnetic poetry tiles. You can put them on the fridge and let the magic happen.

What is magnetic poetry?

You can buy kits with words on individual tiles to place on your fridge. No, you don’t have to put the entire box on the fridge. You can change out words once a week, once a month, or even once a year. It doesn’t matter because the combinations are endless.

The beauty of these tiles is that they can be arranged and rearranged on the fridge to create phrases or sentences and full poems.

You can buy the magnetic poetry kits online at Amazon, or just about anywhere and start creating as a family. You can also give it a try online.

Here’s a word bank for you that I created, and I hope that you’ll share any of your poetic creations in the comments. Be crazy. Have some fun!

blue   canoe    orange   dog   there  here  is   as   the   balloon  help   slip   dump   rise  sunset  happiness

fuzz    slim   green   grass   spring  daffodils   life   love   crime   demolition   strike   gowns   goddess

phenomenal    crisp   wait   run   shrink   dwindle  laugh  yellow  was  forever   at  or  about  and  a  can

have   left  right   create   beauty   subtract  add  arrange  lift   bridge   train   lap  tree   shade   flight

I can’t wait to see what poems you come up with!

2023 Poetry Reading Challenge

Steps:

1. Choose Your Level of Participation
2. Comment with your level and where you’ll post or leave a link in Mr. Linky
3. Read poetry between Jan. 1, 2023, and Dec. 31, 2023
4. Share your reviews or experiences on your blog, GoodReads, Story Graph, Twitter, Facebook, Instagram or wherever you log your reading

Levels of Participation:

1. Sign up for the Academy of American Poets Poem-a-Day service
2. Read at least 1 book of poetry; you can find some I’ve reviewed
3. Set a personal reading goal (5 books, 10 books, etc.) and share your reviews or comments with me

If you accept one of the options or the whole challenge, leave a comment with where you will be posting about your year in poetry. Or link to your blog or other page in Mr. Linky:

Have a great 2023 year in poetry.

Results & Schedule: Poetry Read-a-Long for August

The poll results are in! The August Read-a-Long will be for:

Call Us What We Carry by Amanda Gorman:

Formerly titled The Hill We Climb and Other Poems, Amanda Gorman’s remarkable new collection reveals an energizing and unforgettable voice in American poetry. Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.

Reading poetry can be a solitary venture. I’d like us to read and talk about Gorman’s book on a weekly schedule.

For every Friday in August, I will post my initial thoughts about the given section and leave the comments open for you to either share your favorite poems, pose questions about the poems, or add to the discussion.

Here’s the read-a-long schedule for August (I hope you’ll join and encourage others to do so):

  • First Discussion Post for sections Requiem and What a Piece of Wreck is Man: Aug. 5
  • Second Discussion Post for sections Earth Eyes and Memoria: Aug. 12
  • Third Discussion Post for section Atonement: Aug. 19
  • Final Discussion Post for sections Fury & Faith and Resolution: Aug. 26

If you’ve joined this year’s Poetry Reading Challenge, this can count as your 1 book of poetry you read this year. Join us and have fun! Remember you don’t have to like all the poems.

Poll: August Read-a-Long for Poetry

As I noted in the post for the 2022 Poetry Reading Challenge, I wanted to host a read along in August.

Each week, most likely on Thursday or Friday, I will have a post for everyone to comment on about the pages they read. By the end of August, you will have read 1 poetry book.

The poetry book selection I’m leaving to you.

Information about each book:

Call Us What We Carry by Amanda Gorman:

Formerly titled The Hill We Climb and Other Poems, Amanda Gorman’s remarkable new collection reveals an energizing and unforgettable voice in American poetry. Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.

Make Me Rain by Nikki Giovanni:

For more than thirty years, Nikki Giovanni’s poetry has inspired, enlightened, and dazzled readers. As sharp and outspoken as ever, this artist long hailed as a healer and a sage returns with this profound book of poetry in which she continues to call attention to injustice and give readers an unfiltered look into the most private parts of herself.

In Make Me Rain, she celebrates her loved ones and unapologetically declares her pride in her black heritage, while exploring the enduring impact of the twin sins of racism and white nationalism. Giovanni reaffirms her place as a uniquely vibrant and relevant American voice with poems such as “I Come from Athletes” and “Rainy Days”—calling out segregation and Donald Trump; as well as “Unloved (for Aunt Cleota)” and “”When I Could No Longer”—her personal elegy for the relatives who saved her from an abusive home life.

Stirring, provocative, and resonant, the poems in Make Me Rain pierce the heart and nourish the soul.

The Tradition by Jericho Brown:

Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex―a combination of the sonnet, the ghazal, and the blues―testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while revelling in a celebration of contradiction.

Please vote for one of the following:

3
August Poetry Read-a-Long

 

THE POLL IS NOW CLOSED!

Challenges While Photographing for Poetry: Himalayas by Jon Meyer, author of Clouds: love poems from above the fray

Today’s guest post is from Jon Meyer, author of Clouds: love poems from above the fray, which is a available digitally or as a coffee table book.

Here’s a little more about the book:

Clouds: love poems from above the fray features beautiful black and white photographs from around the world, paired with Jon’s reflective and inspirational poetry and stories behind the photographs. One such story explains the unforgettable experience behind Jon’s photo of a small plane surrounded by the snow-capped Himalayas in Nepal:

After sitting in the tiny airport in Pokara, Nepal for 5 hours, I started to get restless. We still had not taken off to fly up into the Himalayas.  So, I asked a man wearing a pilot’s uniform when we would board and take off. “When I can see blue sky,” he replied, “because in Nepal, the clouds have rocks in them.” (Jon Meyer, 2022) (#21)

Please give Jon Meyer a warm welcome:

Photography for use with poetry requires patience, sometimes requiring hours of waiting for the right light or having a cloud in the right place, or even the position of a cold midnight reflection.

Traveling to take a photograph can be a macro or micro adventure. The micro may be just walking around the corner or into a nearby forest. A macro adventure sometimes requires visiting a new country, learning about new (to me) cultures, or finding places that illustrate previous writing. Capturing the right image may require climbing mountains, flying to remote destinations, trudging through mud or snow, riding in a car on a steep mountain road without guard- rails and having the brakes fail, or even barely avoiding an avalanche.

The latter experience occurred when trekking in the high Himalaya and taking photos of their magnificent snow- covered peaks. The tiny villages along the Annapurna Circuit trek in Nepal are basic. The most prosperous of the small dwellings are made of carefully placed stone, and some are covered with whitewash. At the time that I was there, my guide and I stayed overnight in hut/ homes with minimal heating that consisted of a cooking fire inside, and most villages at altitude did not have electricity nor running water. The villagers were always welcoming and gracious with Namaste greetings to all strangers. We were happy to take shelter from the night’s wind and cold. The views of the ice- covered Himalayan peaks remain unsurpassed. Homes are now starting to acquire solar for lighting and essentials.

We passed by the prayer flags in the cover photo for Clouds on our trek up toward Thorong La, the world’s highest pass at 18,000 feet (over 5,400 meters). That morning, we had a good start before dawn, and by 10 AM we were well above the tree line at 16000 feet in a steep valley. Above us to the left was a peak with a sheer, high degree inclination, and on that smooth stone face was a thick ice field extending down from 26,000 feet to just above the rock- strewn trail we were scrambling on. The continuous ice was more than a mile wide.

By this time of morning, the strong sun was out with scattered clouds, similar to those in the photo. As we passed below the ice field, my guide and I both noticed the increase of water pouring down the smooth black mountain from below the ice field. It was really a rushing river. A shiver shook my body at the thought that in a moment the whole ice field could collapse, avalanche down, and cover the narrow valley we were in.

We looked for large boulders to crouch behind if the ice let go, but there were few with no guarantee that the ice wouldn’t roll them over us if we took cover there or back down the trail. So, we increased our pace but the altitude’s reduced oxygen made progress slower than necessary. With help from adrenaline, we pushed on and up. It was like a dream of running as fast as possible but still very slowly. When I was in High School, I ran sprints while on sports teams. The longest I could go was less than 30 seconds all out. This time, after 45 minutes of a maximum effort slow sprint and my repeating Love’s name with great intensity, we reached a point on the trail out of peril.

Just then I heard a loud crack, like a rifle shot too close to my ear. The ice field had let go, and cascaded down over the trail where we had just been. Since we were now ‘above the fray’ my stress and determination changed to gratitude. The Ancient One, Lord of the Mountains sent a lesson and a message, “Now that’s the way to remember Me always.”

Clouds: love poems from above the fray has been a project spanning more than four decades containing poems influenced by visiting many places, giving lectures, and witnessing beautiful vistas, in towns, cities, and above all, in nature. Over my career, I have been invited to speak at universities and cultural centers across the US and in a number of other countries, and I took photographs while in those places. Thousands of those photos are now in my archive. Hundreds of five- line quintain poems were written down, from which 64 were chosen for Clouds. These were then matched with photos in my archive.

Thank you, Jon, for sharing your poetry, photos, and stories.

About the Poet:

Jon Meyer has written for The Village voice, ARTnews, ARTS, New Art Examiner, Visions Quarterly, CRITS, Q, Dialog, Art New England, Fictional Café, and many more publications. As Department Chair, Meyer led a small team producing a film about one of his students, Dan Keplinger. This film, King Gimp, won the Oscar for best short documentary at the 2000 Academy Awards. Meyer’s work has been in 60 solo and group exhibitions (18 museum exhibitions) and 20 museum/public collections globally. He has received 12 grants, including a National Endowment for the Arts grant.

COVID Chronicle #6

It’s been since June I’ve written about the state of things here in Maryland.

The first weeks of school really had me stressed. After a short week one, my daughter’s entire grade was quarantined and learning from home as a staff member showed symptoms at school. We were not required to test her and she never showed symptoms, so we were relieved for that, but the week of at-home learning was chaotic and the teachers had little time to prepare. It showed, but it went as well as it could as not only teachers and students had to adapt.

The second week of school, the fourth grade class was quarantined, similar reason. When my daughter returned to school, the only kids at the bus stop were her grade, first, second, and third grade. Kindergarten and fourth grade were out for another week. It was an exhausting start to the year. Now, it seems everyone is doing well and only a few kids are home and quarantined at a time, and yes, my daughter had her first COVID test as one of her best friends in the neighborhood passed a viral infection to others (not COVID).

I’m simply exhausted.

My office is still not required to be back to work because of D.C.’s different restrictions, but our counterparts in Chicago are back to the office at least once per week. It seems as though things are returning to normal, even with Delta around. I’m all for normal. I crave being able to do things we normally do, and I’m keeping my fingers crossed that we can do something for my daughter’s favorite holiday, Halloween. No word on Trick or Treating as yet, but the school is planning their annual Trunk or Treat.

BEYOND this angst and exhaustion, I do have some GOOD News to share (if we’re friends on Facebook, you’ve probably seen this already):

  • My poem, “In the Distance” published in Mom Egg Reviews premiered on The Poetry Channel as a precursor to my first in-person reading in a long time at Poetry at the Port in Silver Spring. Great little restaurant!
  • 3 of my poems were published in Bourgeon Online.
  • You can view part of the in-person reading. and this one here.
  • Forthcoming reading with This Is What America Looks Like Anthology poets at Cafe Muse on Oct. 20 over Zoom. If you’re interested, I can email you the zoom link or you can catch it on Facebook.

I hope you’ll share your good news or latest up dates. I’d love to hear from you.

Quintessential Listening: Poetry Online Radio with Dr. Michael Anthony Ingram

Dr. Michael Anthony Ingram is the host of Quintessential Listening: Poetry Online Radio, and he hosts poets on his show to talk about writing poetry, the role of poetry in society, poetic influences, and more.

I was definitely nervous as always reading before “the people” (yes, even when I can’t see you, I get nervous). However, Dr. Ingram has a great style and helps put you at ease about 10 minutes before the start of the show.

I was told to have 10-12 poems ready to read, and I think I had a hard time narrowing them down because I had poems out I didn’t even read. I had a great time talking about some of my favorite poets and providing other writers with advice on the submissions process (thanks, John Sibley Williams).

If you haven’t listened to the July 7 episode, here’s your chance. Click the photo below:

Let me know what you think? Have a favorite poem? Who are your favorite poets?

Poetry Reading Challenge 2021

In 2020, I read 21 books of poetry and listened to one collection on audio. Some were published last year, but some were languishing on my bookshelf for no good reason. All of these books were 4 and 5 stars.

I think last year’s challenge went well, so the options will remain the same:

  • One of the easiest, and possibly most difficult, will be getting people to sign up to read a poem-a-day through the Academy of American Poets Poem-a-Day service. The challenge is to read a poem-a-day for a week once per month and write about which poems were your favorite and why. You can write up a short blurb on your Facebook page, Twitter, Instagram, or your blog. I’d love for you to share your experience in the comments each month.
  • Second, read at least 1 book of poetry (doesn’t have to be cover-to-cover) and write about your favorite poems and what you learned about yourself while reading those poems.
  • Third, if you want to go all out, feel free to read as many books of poetry as you can in one year and link to your reviews in the comments.

If you accept one of the options or the whole challenge, leave a comment with where you will be posting about your year in poetry.

If you want to leave your blog link, sign up in a post and leave your blog URL to your post below:

Don’t forget to grab the image!

Publications

I spend a lot of time touting the writing of others, but this is my little list of publications.

 

Check them out:

 

Poetry:

 

Essays/Interviews:

  • “What Is the One Thing the Pandemic Has Taught You About Writing” at Brevity (2021)
  • “Writers and Creators Discuss What It Means to Make Art in the Trump Era” at Electric Literature (2017)
  • “The Poetry Scene – Twenty Years Later” at Modern Creative Life (2017)
  • “Overnight Success Is Overrated: A Book Bloggers Journey” at Luna Luna Magazine (2016)
  • “Blogging: Savvy Verse & Wit” at Writer’s Center (2011)

 

Books:

Podcast Interview/Readings:

Takoma Park Arts Poetry Series – Poetry of Struggle and Solidarity:

Poetic Lines with Elizabeth Lund:

Poetic Lines – Serena Agusto-Cox from NewTV on Vimeo.

Poets in the Blogosphere: There’s A Poem In This Place Reading:

There’s a Poem in This Place from Elizabeth Gauffreau on Vimeo.

DiVerse Gaithersburg: Celebration of The Great World of Days anthology at Java Junction (posted on The Poetry Channel)

Quintessential Listening: Poetry Online Radio with Dr. Michael Anthony Ingram

And I Thought Ladies, which also can be watched below on YouTube:

And here is the audio from the And I Thought Ladies:

Online Readings:

Poets v. the Pandemic (about 20:55):

 

Poets on the Patio at Literary Hill BookFest 2021 (about 2:57:20):

The Literary Hill BookFest 2021:

The Inner Loop and This Is What America Looks Like (about 14:15):

The Poetry Channel with Indran Amirthanayagam:

The Plague Papers Reading #2 at Inlandia Institute (about 21:39):

Book Spine Poetry

Many book bloggers have participated in online memes where we’ve taken photos of our book stacks and our bookshelves. But have you ever wondered if you took some extra care, you could arrange those books’ titles to create your very own poem?

I’d love to see your book spine poems, feel free to tag @SavvyVerseWit on Twitter and use the #bookspinepoetry

Here’s what I came up with:

Girls like us
partial genius
Other voices, other lives
said through glass

What poem did you create?

Erasure Poetry

I’ve always loved blackout poetry, taking an existing text and erasing parts of it to create something new. Erasure poetry enables not only the poet but the reader to see an older work in a new way.

According to the Academy of American Poets, one famous erasure poet, Ronald Johnson, took the form to a new level when he revised the first four books of John Milton’s Paradise Lost.

One of my favorite collections of this type of poetry is from Heather Aimee O’Neill and Jessica Piazza, Obliterations. You can check out my review of that book from 2016.

Here’s Robert Frost’s Nothing Gold Can Stay (with my erasures):

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Here’s the clean version:

Nature's first green
hardest to hold
early flower
subsides to leaf.
grief,
goes down
Nothing can stay.

Give it a try and see what you can come up with.

Poem: won’t you celebrate with me by Lucille Clifton

Today’s poem I share is from Lucille Clifton and is a poem about hope and perseverance in times of adversity. You can listen to the poem, here.

won’t you celebrate with me

won't you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

What poems have you found during our pandemic lockdown?