From “The Box”: “Miss Holly raises empty palms. ‘At this point motives are immaterial. All we can manage now are the consequences.’” (pg. 4)The opening story, “The Box,” finds a number of dolls languishing in the darkness not only of the physical place, but the emotional space. They are unsure why they have been removed from their children and why they can no longer be in the playroom, but once the consequences of events that “happened to them” and were “beyond their control” are revealed, the parallels between these dolls and many young women become clear. The uncertainty, the fear, the anxiety, the shaming. It is all here in this short story, and if it makes you uncomfortable, it should. It should also make you rethink your actions and reactions to young women who find themselves similarly situated, especially when things beyond their control occur. Sympathy, rather than judgment, should be given, along with a helping hand. Campbell’s stories are haunting and unsettling. They will leave readers looking for the flashlight to not only provide themselves with a sense of hope, but to also reveal some harsh truths. Cabinet of Wrath: A Doll Collection by Tara Campbell is a delight in horror and twisted storytelling that shouldn’t be missed. The last story I read that had dolls in it was hugely disappointing. You can check out my review of The Birthing House. RATING: Cinquain
With a BA in English, an MA in German, and an MFA in Creative Writing, Tara Campbell has a demonstrated aversion to money and power. Originally from Anchorage, Alaska, she has also lived in Oregon, Ohio, New York, Germany and Austria. She currently lives in Washington, D.C.
She is the recipient of the following awards from the DC Commission on the Arts and Humanities: the 2016 Larry Neal Writers’ Award in Adult Fiction, the 2016 Mayor’s Arts Award for Outstanding New Artist, and Arts and Humanities Fellowships for 2018 – 2022. She is also a 2017 Kimbilio Fellow and winner of the 2018 Robert Gover Story Prize.
Tara earned her MFA from American University in 2019, and is a fiction editor at Barrelhouse. She teaches fiction with American University, the Writer’s Center, Politics and Prose, and the National Gallery of Art’s Writing Salon. Follow her on Twitter and Instagram.






