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When My Brother Was an Aztec by Natalie Diaz

When My Brother Was an Aztec by Natalie Diaz, published by Copper Canyon Press and ordered for me by my local bookstore Novel Places, is a culture clash of Native Americans integrating into mainstream society and the struggles the children of these family have reconciling their home lives with the differences they find at school and among their new childhood friends and society.  The narrator battles with her mother about why she cannot have a sandwich like the white kids rather than raisins, and insinuates that she’d rather be like the white kids.  By the same token, the narrator experiences first hand the bullying of the white kids in her neighborhood because of her ethnicity — a dichotomy that resurfaces throughout the collection.

“The Red Blues” (page 11-13) is a creative look at a young girl’s blossoming into womanhood, getting down to the gritty reality of menstruation.

There is a dawn between my legs,
a rising of mad rouge birds, overflowing
and crazy-mean, bronze-tailed hawks,
a phoenix preening
sharp-hot wings, pretty pecking procession,
feathers flashing like flames

Diaz is creative and surprising in her imagery and frankness.  She tackles stereotypes, truths, and the history of her ancestors.  From the takeover of their lands by the whites to the current marginalization of her people, Diaz calls attention to the underhanded and sometimes overt discrimination that takes place.  At the same time, she is careful to demonstrate how even Native Americans are plagued by similar struggles with drugs and fitting in that other cultures face.  But there are poems that no matter the ethnicity of the narrator, readers can see the internal and external struggles fought with a loved one who is addicted to drugs.  In “How to Go to Dinner With a Brother on Drugs” (page 46-51), the narrator walks a fine line between telling her brother the truth about his appearance and behavior and avoiding the inevitable fight that would ensue should the conversation be too frank.  The reader gets a glimpse of how manipulative and careful the narrator has to be to get the brother to change his clothes before heading out to dinner, etc.

Your brother will come back down again,
this time dressed as a Judas effigy.
I know, I know, he’ll joke. It’s not Easter. So what?
Be straight with him. Tell him the truth.
Tell him, Judas had a rope around his neck.
When he asks if an old lamp cord will do, just shrug.
He’ll go back upstairs, and you will be there,
close enough to the door to leave, but you won’t.
You will wait, unsure of what you are waiting for.”

But it is more than that, it is the struggle of waiting for a loved one to smarten up, to become all that they can be before your eyes and not fall back into the same patterns over and over. There is a sense of loyalty in these lines, but also a sense of hopelessness.  Diaz speaks of her own pain, the anguish of watching a brother addicted to drugs and the heartbreak of watching parents who love both children struggle to save one from himself and fail.  Each poem’s surface meaning is easy to discern, but upon another read through readers can easily see the emotional torrent of each line and image.  Each poem is layered with multiple images and emotions demonstrating the tumult that infuses familial relationships, particularly those conflicted by cultural clashes and drug addiction.

When My Brother Was an Aztec by Natalie Diaz is a glimmering debut collection that hums in the back of the mind and generates an emotional aftermath that will leave readers speechless.  Following a brief pause, readers will want to pass this book onto others to read and discuss.  As far as book club selections go, this would be a welcome addition as the language is easy to follow, the emotions are raw, and the themes covered are modern and relevant in today’s world.

About the Poet:

Natalie Diaz, a member of the Mojave and Pima Indian tribes, attended Old Dominion University on a full athletic scholarship. After playing professional basketball in Austria, Portugal, Spain, Sweden, and Turkey she returned to ODU for an MFA in writing. Her publications include Prairie SchoonerIowa ReviewCrab Orchard Review, among others. Her work was selected by Natasha Trethewey for Best New Poets and she has received the Nimrod/Hardman Pablo Neruda Prize for Poetry. She lives in Surprise, Arizona.  Please check out this interview.

This is my 60th book for the New Authors Reading Challenge 2012.

 

 

This is the 19th book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

The Marriage Price by Alma Katsu

The Marriage Price by Alma Katsu is another short story from The Taker series and it reunites readers with Jonathan’s hometown just before he marries child-like Evangeline.  Told from Evangeline’s point of view, readers will get a taste of her less than innocent side as she talks of the finery and the house that will be hers once she is married to Jonathan.  There’s is clearly not a love match in more ways than one as Jonathan’s family chose her for him, and she clearly has ulterior motives of her own.

She’s a naive girl who is chosen by his family to become his wife as Jonathan’s father declines in health. While Lanore from The Taker and The Reckoning does not appear in the short story, her presence is clearly felt by Evangeline, who — while naive about the sexual relationships between men and women — is not blind to the emotional connection between Jonathan and Lanore.

Evangeline’s character becomes more nuanced through this short story. Although she is portrayed as innocent in The Taker and even child-like, she is more of a strategist in The Marriage Price. She’s looking forward to the big house and the finery she can obtain through her marriage, and while Jonathan is preternaturally gorgeous, his behavior toward her is forward and aggressive by her standards. Their relationship is more student-teacher, though Evangeline’s eyes are more on the prize than on the “love” they can share together.

“Now, it was all she could think about, those shameful things Jonathan had coerced her into doing. That was why she was certain a woman would come forward on her wedding day: it would be a punishment for what she did with Jonathan before they were legally wed.” (Kindle short story)

Katsu creates a dynamic subordinate character that can stand on her own and gets a taste of what her married life will become.  Evangeline may have thought she would gain a great deal through her marriage, but she may have fooled herself into believing that what happened between them in the marriage bed would stay there.  The short story raises questions about arranged marriages, marrying for money and position, and the dark secrets that spouses can hide about not only their pasts, but also their passions.

About the Author:

Alma Katsu is a 30-year DC veteran who lives in two worlds: on one hand, she’s a novelist and author of The Taker (Simon & Schuster/Gallery Books). On the other hand, she was a senior intelligence analyst for CIA and NSA, and former expert in multilateral affairs.  Check out this Interview With Alma.

This completes my first series for the Finishing the Series Reading Challenge 2012.

The Book Club Cook Book (revised edition) by Judy Gelman and Vicki Levy Krupp

The Book Club Cook Book (revised edition) by Judy Gelman and Vicki Levy Krupp is a second edition that includes more book recommendations from book clubs across America and recipes from the authors of those books.  The book is the brain child of two voracious readers who love to share their reading and the recipes they pair with their own book club selections.  After surveying more than 500 book clubs, including some contacted for the previous version, Gelman and Krupp filled out the cook book with some of the latest books being discussed, while retaining the ones that remain book club picks.

Additionally, they sought to include some vivid, color photos to demonstrate the breadth of new recipes included in the latest version of the cookbook.  If there were one nitpick with this cookbook, it would be that each recipe or most should include a photograph of the food created from the authors’ recipes — either from book clubs or the authors providing the recipes.

What’s unique about this cookbook is that each book is described in detail, complete with publisher and publication information, and information from one or more book clubs about the recipe used to accompany the book club discussion of the book.  Following the recipe, “Novel Thoughts” offers up a bit more from book clubs about what they felt and discussed about the book and how it inspired them to cook or read another book they found to be related, and more.  In “More Food for Thought,” book clubs offer full menus for certain books or how books generate culinary creativity.

In the back of the book, there are ideas about what makes book clubs successful and how books can be selected, etc.  Moreover, the authors include ideas on where to look for food inspiration in books that don’t explicitly mention meals, such as paying attention to the time period, the setting, or culture.  The Book Club Cook Book (revised edition) by Judy Gelman and Vicki Levy Krupp is an excellent cookbook for book clubs and those just looking for new recipes to try out, and paired with the Website even novice cooks can wow their families.

***I had the joy of meeting both these passionate readers and cooks at the Gaithersburg Book Festival in May, and I’m eager to check out their other books.

About the Authors:

Judy Gelman and Vicki Levy Krupp, are cooks, book enthusiasts and friends. Seeking to combine their passion for books, food, and book clubs, they met over stacks of books and endless cups of coffee at a local sandwich shop, where The Book Club Cookbook was born. The revised edition of The Book Club Cookbookwill be published in March, 2012.

They were motivated to write their second book, The Kids’ Book Club Book, after librarians, parents, and teachers who attended their talks asked for a similar book for the growing number of youth book clubs across the country.

Table of Contents features book related recipes from fifty of today’s most popular authors.

Their latest book is the revised edition of The Book Club Cookbook, featuring 20 new book club titles and recipes.

Judy and Vicki enjoy speaking about book clubs, and appreciate their ongoing conversations, both in person and via their websites, with book and food enthusiasts across the country.

They live with their families in the Boston area.

This is my 55th book for the New Authors Reading Challenge 2012.

A Farewell to Arms by Ernest Hemingway

Happy 4th of July, Everyone!

A Farewell to Arms by Ernest Hemingway is an emotionally draining novel about Tenente Frederic Henry, an American serving in the ambulance corps of the Italian army during World War I, and the impact of war on its soldiers, displaced populations, and others.  Some critics say that the novel is semi-autobiographical given that Hemingway did indeed serve in the Italian Army as an ambulance driver during the Great War; learn more about the autobiographical elements here.

While WWI and the front is always in the background and weighing heavily on the characters, much of the focus is on Henry and his relationship with Nurse Catherine Barkley of Britain.  When they meet, it seems as though both are contriving a romance out of thin air, and when Barkley’s past is revealed readers understand her desperation, though they may not like it.

“‘This is the third day. But I’m back now.’
She looked at me, ‘And you do love me?’
‘Yes.’
‘You did say you loved me, didn’t you?’
‘Yes,’ I lied. ‘I love you.’ I had not said it before.
‘And you call me Catherine?’
‘Catherine.’ We walked on a way and were stopped under a tree.
‘Say, “I’ve come back to Catherine in the night.”
‘I’ve come back to Catherine in the night.’
‘Oh, darling, you have come back, haven’t you?'” (page 30)

Henry is another matter, with the distant, first-person account of events in the past, readers will know little of how he makes decisions or how he feels unless he speaks aloud.  In many ways, the reader must focus on what is not said to catch a glimmer of the hopelessness of his situation and the conviction he has in remaining with the Italian army even as it appears that they are losing the war.  The silences of his mind and the things left unsaid in conversation make a surface reading of this novel inadequate (please check out Jeanne’s posts on this book from the read-a-long with War Through the Generations).

“I was afraid we would move out of the eddy and, holding with one hand, I drew up my feet so they were against the side of the timber and shoved hard toward the bank. I could see the brush, but even with my momentum and swimming as hard as I could, the current was taking me away. I thought then I would drown because of my boots, but I thrashed and fought through the water, and when I looked up the bank was coming toward me, and I kept thrashing and swimming in a heavy-footed panic until I reached it.” (Page 227)

There are moments where the supply shortages are noted, but there seems to be a never-ending supply of alcohol, which Henry uses to deal with the pain in his leg and the war that continues to rage on without an end.  He loses friends, he loses his way, he must escape the enemy, and he must survive.  There is desperation and scrambling for comfort and a sense of normalcy, but the hopelessness pervades everything in the novel and highlights the truth of war.  Hemingway’s terse sentences, little insight into his main character, and the over-the-top antics and subservience of Barkley to Henry can get overwrought.  However, in the latter portion of the novel there are moments of tenderness between Barkley and Henry are good to see and temper the uneasiness readers may feel about their relationship and its lack of depth.

A Farewell to Arms by Ernest Hemingway is a stark look at the emotional and psychological effects of war on soldiers, residents, and nurses, but it also raises questions about courage and bravery, whether peasants are beaten before they even enter the war, and how everyone, even the most dedicated, have a breaking point.  Readers may find the novel plodding and ridiculous, and the characters distant and obnoxious at times, but with the threat of war at the backdoor, it must be hard to remain rational and unemotional.  However, in this way, Henry’s actions often seem super-human, particularly during his knee surgery and other events.

Check out the read-a-long discussions for week 1, week 2, week 3, and week 4 at War Through the Generations.

This is my 12th book for the WWI Reading Challenge.

Wonderstruck by Brian Selznick

Wonderstruck by Brian Selznick is a quick read even at 600+ pages, and is a middle grade novel that pairs words and images to tell a heartfelt story of family, discovery, and understanding.  Ben, who has one good ear, has lost his mother in a car accident in 1977 Minnesota and is thrust into his aunt’s home with his cousin Robby, who isn’t too keen on sharing his room.  Ben by all accounts is a curious and shy boy, whom his mother showered with love and attention, encouraging him to scavenge for mementos along the way, which he kept in his museum box.  The loss of his mother weighs heavily on him, and upon discovering his other cousin, Janet, in his mother’s room, he decides to remain behind and feel closer to her.

Meanwhile, Rose’s story is told in drawings set in New Jersey and New York City.  The narration shifts from the present (1977) and Ben’s story to Rose’s story in 1927.  Their stories parallel one another at various points after Ben makes the fateful decision to run away to find the father he has never known.  Wolves, nature, and the Big Apple loom large in both stories as Ben and Rose make their way into the unknown.

Selznick’s prose has an easy flow between the illustrations and the text, and given that both stories are told in separate mediums, it is easy for younger readers to keep them straight. Most readers will note the parallels in the two stories and likely will uncover the final destination long before the last page is turned. The illustrations are detailed in some cases, but there are moments where the illustrations seem to be just filler pages to increase the suspense associated with Ben’s story of self-discovery. Rose’s story could have been told in fewer pages and more sparsely spaced throughout the book and the connections would still have been present.

“The curator then must decide exactly how the objects will be displayed.  In a way, anyone who collects things in the privacy of his own home is a curator.  Simply choosing how to display your things, deciding what pictures to hang where, and in which order your books belong, places you in the same category as a museum curator.” (page 98-9)

Additionally, readers may find that they wanted more about the teasing Ben endures as a boy with only one good ear and who does not know sign language, as well as more about Rose’s story as a young deaf girl in the late 1920s who is sheltered a little too much by her parents.  However, Selznick doesn’t always need a pencil to paint a picture of readers, especially when he can do it so well with words.

“Jamie came and sat next to him as the sky filled with shooting stars.  The projector rotated, the view changed, and the boys found themselves inside a meteor, hurtling across the sky.  They flew to the moon and bounced between craters.  One by one, the planets drifted into view, and soon they were out beyond the solar system, gazing down on the universe like ancient gods.  Ben thought of the glow-in-the-dark stars in his room, and the Big Dipper, and the quote about the stars, and his mom.  The glowing lights above him spun and swirled, tracing endless patterns against the perfect dome of the ceiling like a million electric fireflies making constellations in the dark.”  (page 406)

Wonderstruck by Brian Selznick definitely will appeal to younger readers and illustrators, but it should not be discounted as a fluffy YA novel.  There is a deeper message about finding one’s place outside your own family, about discovering new places and wonders, and about finding the courage to take chances.

What the Book Club Thought (beware of spoilers):

Wonderstruck was the selection of our youngest member, The Girl from Diary of an Eccentric. She prepared discussion questions ahead of time to see what everyone thought of the entire book, the way the two stories were told, and whether anything surprised us. We also discussed what each of us would put in our own museum boxes, and answers ranged from coin collections and shells to Red Sox and Patriots stuff to pictures, stuffed animals, and other sentimental items.

We had an interesting discussion about the “Captain Obvious” nature of some of the prose (The Girl’s words, not ours), and about whether who Rose was or how the stories came together surprised any of us. Most of us were not surprised to find out who Rose was, but I was surprised to learn who Walter was. Many of us agreed that Rose’s ability to cut up a book for the deaf and create a paper replica of NYC was fantastic, and I particularly liked how one of the buildings she made had the picture of the mouth on it from the book. One of the male members liked elements of the story individually, but not how they came together as a whole. Overall, it seemed like most of us enjoyed the book, though two members were absent from the discussion this time around.

Next month is my selection, When She Woke by Hillary Jordan, and one of our members has already finished it and is itching for discussion.

About the Author:

Brian Selznick is the illustrator of “Frindle” by Andrew Clements, “Riding Freedom” and “Amelia and Eleanor Go For A Ride,” both by Pam Munoz Ryan; as well as his own book “The Houdini Box,” winner of the 1993 Texas Bluebonnet Award. Mr. Selznick lives in Brooklyn, New York.

 

This is my 47th book for the New Authors Reading Challenge 2012.

Revenge (6:1 Series, Volume 2) by Janel Gradowski

Revenge (6:1 Series, Volume 2) by Janel Gradowski is even more well crafted than the first volume of short stories and flash fiction, beginning and ending with a wallop.  Once again there are six stories in this collection: “Persistent Foe,” “Kaboom,” “Check Out,” “Inconvenience,” “Anniversary,” and “Addendum.”  Some are longer than others, but each is well paced, with only one typical revenge story — “Kaboom.”

Agnes from “Persistent Foe” is the neighbor you wish you could be when you have loud, inconsiderate neighbors of your own.  While she does not complain too much outright and doesn’t call the cops, she exacts her revenge little by little each day envisioning a big payoff in the end.  And the ending of this one is inspired and unique. Gradowski does a great job of foreshadowing in this short story as well: “She plucked the invasive vine out the basket and dropped it into the tangle of weeds flourishing on the other side.  ‘Time to join your ancestors.'”  Readers will be sitting alongside Agnes as she watches the show unfold in her neighbors backyard one late evening.

“Kaboom” was the most predictable of the stories, but what made this one heart-pumping was the descriptions Gradowski uses as she tells the revenge yarn from the point of view of the perpetrator as she’s performing the act of revenge on her ex.  Meanwhile, Josie’s revenge is only possible because of Erik’s pride in “Check Out.”  Working as a grocery store check out clerk can be incredibly mundane and tiring, but there are moments in life when even that kind of job can be satisfying, especially when you exact revenge on a boy who ditches you across town.  “Inconvenience” brings to the surface many of the emotions that swirled about following the financial crisis and the persistent unemployment born by much of the U.S. population in recent years.  With bills to pay, should the “breadwinner” in the family swallow his pride and take any paying job to support the family, or should he hold out for a better position?  The short story tackles this question and more, but the revenge exacted in this story will leave readers agape.

“Anniversary” is not the happy occasion you expect, but it twists the idea of a celebration into a revenge scenario that celebrates the ability to break free.  Gary has some serious concerns about his wife and his boss, but being an accountant, he takes stock of the situation — its pros and cons — and comes up with the best solution for everyone.  Bartender Amelia doesn’t have a clue how her luck is about to change when Gary walks into her bar.  “Addendum” is one of the longer short stories in the collection, and Karen is a bit of an enigma given her risk averse mentality when it comes to guys and her reaction to her boyfriend Don’s cheating ways.  In an apartment that has eyes and ears in the form of Mrs. Conway, its hard to keep secrets.  “She was either a gossip super hero or had bugged everybody’s apartments with microphones and hidden cameras.”  Living under a microscope must have added undue pressure on Karen.  There is a great deal at work in this short story, and could be a precursor to something longer from Gradowski.

Revenge (6:1 Series, Volume 2) by Janel Gradowski is an even more well rounded collection of short stories and flash fiction pieces with characters that are dynamic and crafty.  The characters she creates in this collection will have readers snickering and smirking as they are reminded of the revenge plots they’ve created when wronged by lovers, neighbors, and friends.  Deliciously devilish, a joy to read.

About the Author:

Janel Gradowski grew up, and still lives, in the mitten of Michigan. She is a wife and mother whose writing companion is a crazy Golden Retriever named Cooper. In the past she has worked many jobs. Renting apartments, scorekeeping for a stock car racetrack and selling newspaper classified advertisements are some of the experiences that continue to provide inspiration for her stories. Now she writes short fiction and is also a beadwork designer and teacher.

Her work has appeared in many publications, both online and in print. The 6:1 Series features themed collections of her stories. Each volume will have six stories, a mix of flash and short fiction, that are based on the title’s theme.  Visit her blog, Janel’s Jumble.

***And yes, for those keeping track, this is the third item I’ve read on my Kindle.

Haunted (6:1 Series, Volume 1) by Janel Gradowski

Haunted (6:1 Series, Volume 1) by Janel Gradowski is part of her six stories with one theme series and was the first she published as an ebook after much success in publishing her flash fiction in literary journals.  This collection is a quick read and can be read in about a day.  There is a surprising breadth of characters and situations representing the theme from a woman haunted by her jilted lover to a ghost unaware of his present state.

There are six stories in the collection: “Sequestered,” “New Friends,” “Retirement,” “Grandma’s Treasures,” “Uncleansed,” and “Strangers.”  Each cast of characters is haunted in one way or another whether by the past, the supernatural, or their deeds.  Among some favorites in the collection are “Sequestered,” “Strangers,” “Grandma’s Treasures,” and “Uncleansed” that have very dynamic characters in normal situations that turn a bit abnormal.  However, “New Friends” reminded me of other stories involving ghost children causing mischief in houses and mothers who don’t believe their children at first and think that their kids are exhibiting signs of trauma.  Readers may want a new twist in this kind of story, but the characters of Wendy and her daughter Mia are playful and have a charming relationship that makes them endearing.

In “Sequestered,” Stacie is jilted by her fiance and escapes to the woods to forget.  Haunted by a unrequited love and a future that can never be, she gets more than she bargains for.  The ending will knock the socks off readers, and there are some great descriptions in this short story.

“Naked trees contorted like tortured skeletons in the frigid, autumn wind.”

“Wisps of fog rose from the lake’s glassy water, materializing like an army of ghosts.”

Even in “Retirement,” Gradowski has a way of painting the scene so that readers are captured by the moment and emotionally charged.  “Autumn thunderstorms are always more vicious than their summer counterparts, like they are enraged by the cold air.”  She generates the heartache of Cecily as a palpable being that reaches beyond the page, haunting not only the character created, but also the reader.

Readers can identify with the oddities of family members from the crazy grandmother to the strange behavior of parents after a tragic event and the rituals they rely upon to keep their sanity.  “Grandma’s Treasures” and “Uncleansed” explore these relationships and their odd rituals in a unique way and each story uncovers family secrets that the protagonists Lindsey and Eva, respectively, never expected.

Haunted (6:1 Series, Volume 1) by Janel Gradowski is an excellent debut from a talented flash fiction and short story writer.  Short story is a difficult form to generate connections between readers and characters, but Gradowski achieves this easily through her word choices and narrative flow.  Haunting prose, unique characters, and surprising twists will keep readers coming back for more.

About the Author:

Janel Gradowski grew up, and still lives, in the mitten of Michigan. She is a wife and mother whose writing companion is a crazy Golden Retriever named Cooper. In the past she has worked many jobs. Renting apartments, scorekeeping for a stock car racetrack and selling newspaper classified advertisements are some of the experiences that continue to provide inspiration for her stories. Now she writes short fiction and is also a beadwork designer and teacher.

Her work has appeared in many publications, both online and in print. The 6:1 Series features themed collections of her stories. Each volume will have six stories, a mix of flash and short fiction, that are based on the title’s theme.  Visit her blog, Janel’s Jumble.

***And yes, for those keeping track, this is the second item I’ve read on my Kindle.

This is my 44th book for the 2012 New Authors Challenge.

The Time It Snowed in Puerto Rico by Sarah McCoy

The Time It Snowed in Puerto Rico by Sarah McCoy is a coming of age novel about a young girl, Maria — also known as Verdita — in Puerto Rico during the debate about whether or not the nation should become a member of the United States or remain independent.  Part of Maria Ortiz-Santiago’s family lives in the United States and part lives on the island in a little barrio, and readers get a taste of the differences between the two lives when Omar, her cousin, comes back to visit.  As the two grow older and grow apart, Verdita continues to ramp up her competitive spirit when he’s near to retain her hold on her father.  She’s always had a fear that a boy would usurp her father’s affections, especially after her mother becomes pregnant.

“For my eleventh birthday, Papi made piraguas.  He left balloons of water in the freezer until they were solid, then peeled the plastic off like bright banana skins.  On the veranda, he used his machete to shave the globes into ice chips.  Hard bits of cold spit out where the ball and blade met, landing on my arms and legs, cheeks and nose.  Papi said it was a Puerto Rican snowfall, and laughed long and deep.”  (page 1)

Verdita is a willful girl and very curious about everything around her, including the independence debate, the cock fights at the local bar, and the United States.  Readers will find that she’s obsessed with the United States and how different it is from her home in the barrio.  She wants to be blond, listen to Elvis, and learn English.  She wants to remain close with her father, but push her mother away.  All this mixed up emotion and desire in one girl is so vibrant on the page, female readers especially will remember what it was like to become a senorita and leave girlhood behind and all of the mixed and high emotions that brought with it.

“I ate until my stomach pushed into the table ledge.  I didn’t even really like the hamburger, but I liked that it came from America — that I was eating like an American.  It made me feel bigger than my finca on the mountain, bigger than the whole island.  I’d seen the States, even if I hadn’t seen President Kennedy.  My stomach was full of America.”  (page 59)

Even as she sees the goodness in her roots and her family, she still longs for the foreignness of the United States.  She becomes accustom to sharing her life with a sibling, but still longs to break break free.  She’s struggling between the desire to grow beyond her roots, deeply earthed in Puerto Rico, but barely realizing that she can grow taller and broader by taking the leap without having to sever her ties to home.

McCoy’s choice of first person point of view is spot on for a coming of age story, and while filtered through Verdita’s eyes rather than the other characters, readers will not feel as though they have missed anything.  She’s observant, opinionated, curious, and eager to explore.  The Time It Snowed in Puerto Rico is not only about growing up, but about taking chances and spreading wings to find out who we are, who we want to be, and how we can make the best of everything we are given in terms of familial support and available opportunities.

This was a book I just had to pick up at the Gaithersburg Book Festival when Sarah McCoy was in town.  She’s a lovely writer and woman, and it was great to see her again and get another autograph.  I cannot wait to read her next novel.

About the Author:

SARAH McCOY is author of the novel, The Time It Snowed in Puerto Rico. She has taught English writing at Old Dominion University and at the University of Texas at El Paso. The daughter of an Army officer, her family was stationed in Germany during her childhood. She calls Virginia home but presently lives with her husband and dog, Gilbert, in El Paso, Texas. The Baker’s Daughter is her second novel. She is currently working on her next.

Archie’s War: My Scrapbook of the First World War 1914-1918 by Marcia Williams

Archie’s War: My Scrapbook of the First World War 1914-1918 by Marcia Williams is the story of ten-year-old Archie Albright, who receives a scrapbook from his uncle Colin.  Archie is a boy living in East London, England, who’s in love with drawing and comics, and he’s a got a best friend named Tom and a dog named Georgie.  In the book he explains a little bit about his family, particularly his 16-year-old sister’s interest in voting.  Once talk about Austria declaring war on Serbia begins, Archie’s house becomes divided with his grandmother and father in favor of Britain entering the war, and his sister against the war and eager for peace to remain.  Once Germany invades Britain’s ally Belgium, Britain has little choice but to enter the war.  Archie’s scrapbook includes a nice break down of which countries were allied with Germany and which were allied with Britain, and it includes copies of news articles reminiscent of the time period.  Plus, there is a running body count, which is something that young boys would likely keep track of.

Unlike other scrapbooks that merely use memorabilia and newspaper articles, etc. to depict the time period and the events in the story, Williams has incorporated comics as a young boy would draw them, complete with images of his family in hilarious poses, slapping and biting of siblings, and other typical family events of the time period.  Even in spite of Archie’s jokes and comics, it is clear that the war has him rattled as adults talk about German residents as if they could be spies.  He even pees out the window of his room rather than go to the outside bathroom to avoid a German attack, though when his grandmother finds out about his antics, he’s scolded and yet resolved to continue peeing out the window rather than go outside.

There are other more serious moments, like when Archie’s father goes off to war with his Uncle Derek and his mother and older brother begin working outside the home.  Nurse Edith Cavell‘s story is depicted in comic form as well, with Archie saluting her bravery.

Archie’s War: My Scrapbook of the First World War 1914-1918 by Marcia Williams is a fun way to introduce WWI to kids and provides parents an interactive tool to teach history to children in a way that will not bore them.  The colorful drawings are things that children can easily relate to, and the newspaper clippings provide the book a nuanced historical accuracy.  Williams does well including letters and mementos as well as stories that accurately depict the times of rationing, women heading to work outside the home, soldiers dying or returning shell shocked, and more.  Archie’s world changes before his eyes, and he can do little else but roll with the punches and record his family’s history.

About the Author and Illustrator:

Marcia Williams is famous for her retellings of classic stories. From Shakespeare and Dickens to the Canterbury Tales and Greek Myths, her humorous comic-strip illustration is hugely popular all over the globe. She lives in London.  Visit her fun Website.

This is my 11th book for the WWI Reading Challenge.

 

 

 

This is my 43rd book for the 2012 New Authors Challenge.

Stolen Air by Osip Mandelstam, translated by Christian Wiman

Stolen Air by Osip Mandelstam, translated by Christian Wiman is a selection of poems from Mandelstam’s entire career translated from his non-native Russian into English.  The introduction is rather long, but with good reason as it strives to capture a poet that was always evolving and striving to breath new life into the Russian language and to provide a voice to those seen as outsiders of the government.  Living through WWI and a Russian revolution, Mandelstam — a Poland born Jew who moved to Russia with his parents — became an exile and later died in a Siberian transit camp in 1938 after being arrested.

“From the inarticulate comes the new harmony.  The lyric poet wakes up the language:  the speech is revealed to us in a new unexpected syntax, in music, in ways of organizing the silences in the mouth.”  (Page XIX)

Mandelstam and Wiman approach poetry in much the same way, according to the introduction — not through word-for-word translation, but through the silences and the music of the lines.  The collection is broken into three sections beginning with his early poems between 1910 and 1925 and ending with the poems written between 1934 and 1937.  Mandelstam’s work is very musical and generally uses a great deal of rhyme and alliteration, but the ways in which these poems are translated, they are neither cutesy nor predictable.

Interrogation (page 21)

Official paper, officious jowls, unswallowable smells
Of vomit, vodka, cells, bowels,
And all these red-tape tapeworms gorging on reports.

Choir, stars, your highest, your holiest silences...
But first, sign here on the dotted line
That they may grant you permission to shine.

The poems are song-like, but ripe with derision for Stalin’s totalitarianism and the control over freedom, which provided many with the guise of free expression that was received at a high price. Mandelstam speaks of a life choreographed by others and punishments that are deeply harsh when spontaneity strikes. His words are like hammers on the chains attached to boulders in prisons of old, making sure the lack of freedom is felt most acutely. From the “legislated” freedoms to the starvation and lack of heat, it is all present in Mandelstam’s roving poetry. He moved from city to city, presumably fleeing the government, and this movement is in poems like “Night Piece” and “Prayer” but it also is in the other poems through their quick imagistic movements from one moment to the next — the narrator always in motion.

Stolen Air by Osip Mandelstam, translated by Christian Wiman is not only about the absence of freedom, but finding that freedom within that totalitarian regime — grabbing onto it, stealing the air to breathe creatively. The narrator has learned to grab onto that stolen air and run with it, traipsing through beauty and finding the music everywhere, even in the darkness.  The translation does not read as such with very few moments where the verse stumbles, and this is the best tribute to a poet — a translator who hears the same music even across time.  Well done and highly recommended.

About the Poet (from Poets.org):

Born in January, 1891, in Warsaw, Poland, Osip Emilievich Mandelstam was raised in the imperial capital of St. Petersburg, Russia. His father was a prominent leather merchant and his mother a teacher of music. Mandelstam attended the renowned Tenishev School and later studied at the Sorbonne, the University of Heidelberg, and the University of St. Petersburg, though he left off his studies to pursue writing. He published his first collection, Kamen, or Stone (1913), when Russian Symbolism was the dominant persuasion.

The Bolsheviks had begun to exert an ever increasing amount of control over Russian artists, and Mandelstam, though he had initially supported the Revolution, was absolutely unwilling to yield to the political doctrine of a regime that had executed Gumilev in 1921. The poet published three more books in 1928—Poems, a collection of criticism entitled On Poetry, and The Egyptian Stamp, a book of prose—as the state closed in on him. Mandelstam spent his later years in exile, serving sentences for counter-revolutionary activities in various work camps, until his death on December 27, 1938, in the Gulag Archipelago.

About the Translator:

Christian Wiman was born and raised in West Texas. He is the editor of Poetry and the author of three collections of poems, Every Riven Thing, Hard Night, and The Long Home, and one collection of prose, Ambition and Survival: Becoming a Poet.

This is the 16th book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

 

 

This is my 41st book for the 2012 New Authors Challenge.

 

 

 

This is my 10th book for the WWI Reading Challenge.

City of Thieves by David Benioff

City of Thieves by David Benioff, which was the May book club selection, is set during WWII on the Western front of the war between 1942 and 1945, though mostly during the nearly 900 day siege of Leningrad, which was cut off from supplies of food and more.  Lev and Kolya are thrown together by circumstance when Lev is arrested as a looter when a dead German is found in his neighborhood and he’s discovered taking items off the body and is sent to the Crosses.  Kolya a Red Army deserter is thrown in the Crosses where he meets Lev.  The dynamic between these characters is full of initial paranoia, which morphs into irritation and finally camaraderie.  Kolya loves to chat about anything and everything, but he’s particularly boastful about his sexual exploits and his experience with just about everything related to war.  He’s pompous but in a comical way, and he reminds me of those wise jesters in the king’s court who uses humor to slice to the root of truth, even at times when it could be fatal.  Lev is a young boy who often portrays himself as an older young man or younger as it is convenient to the situation.

“There was something oddly comforting in Kolya’s consistency, his willingness to make the same jokes — if you could call them jokes — over and over again.  He was like a cheerful senile grandfather who sat at the dinner table with beet soup splattered on his collar, telling once more the story of his encounter with the emperor, though everyone in his family could recite it now from memory.” (page 161)

The beginning almost sets it up as a framed story in which the author or someone with the same name as the author hears the story from his grandfather, the knife fighter.  It’s not a far stretch to imagine the beginning chapter sets the story up to read similar to a memoir of David’s grandfather, Lev Beniov.  However, the frame is never closed literally by the end of the story, which is good in this case because it provides the story with a greater emotional impact.

“Wick lamps lit the small apartment and out long shadows crept across the walls, across the frayed rugs on the floor, the brass samovar in the corner, and a white sheet hanging on the far side of the room — partitioning off the sleeping area, I assumed.  When the giant closed the door, the sheet billowed like a woman’s dress in the wind.  In the moment before it settled down I saw what lay behind it — not a bed, no furniture at all, just slabs of white meat hanging from hooks, suspended from a heating pipe by heavy chains, with a canvas drop cloth on the floor to collect the drippings.”  (page 59)

Lev and Kolya embark on a journey to find eggs — yes, that is a chicken in the far snowy distance on the cover — to save their own hides, a deal offered by a powerful Soviet colonel.  They mean cannibals, partisans, and of course Germans bent on killing them.  While there is darkness, mystery, and suspense, there also is a quaint feeling to the setting and the interactions between Lev and his new friend.  The absurdity of their situation is never lost on them, and it attempts to mirror the absurdity of war.  Despite the danger they find themselves in, they often joke and rag on one another as if they are playing baseball in the streets of Leningrad.

City of Thieves is a well written coming-of-age story at a time when the world was at war, but in spite of the danger, Lev and Kolya form an unbreakable bond.  It’s easy to see their tentative interactions blossom into true friendship, a bond that keeps them alive and watching each other’s backs throughout the novel.  While in the midst of German attacks, in the rural farmhouses appropriated by Germans as whorehouses, and even in a remote hunting cabin, the journey they are on is not only one in search of eggs, but in search of the faith and strength they need to survive.  Another for the best of list.

Here’s what Book Club thought (Caution may contain spoilers):

We actually had a rather long discussion about this book from the prologue and the interjection of the author in the prologue as the grandson of one of the main characters to what the eggs symbolized.  One of the members thought that the eggs symbolized the absurdity of war, while another thought it was the fragility of human life.  As for the prologue, most said that they had forgotten about it, while two others (including myself) thought it was the author’s ego leading him to place himself in the story.  Although it’s an interesting device, it also seems to make the story appear true when it is not — given that in interviews the author has said he was never able to ask his grandparents about their time in Germany during WWII before they died.  And the prologue is not the only instance of the author interjecting his family subtly into the novel — i.e. Lev Beniov is one of the main characters, a close last name to David Benioff.

There also was quite a lot of discussion about the “Courtyard of the Hound,” which was talked about as a great work of Russian literature by Kolya and whether it was a great work of literature, could be a great work of literature, or was merely a boring story about a shut in who finally leaves his apartment because of a dead dog.

Other elements we discussed is the lack of care with human life by the generals on both sides of the war — whether the Russian colonel sending Kolya and Lev on an absurd journey to find eggs when all Russians are starving or the callous way in which the Germans used Russian women as sexual play things.  One member also highlighted the seeming lack of outrage regarding the cannibals compared to the outrage displayed against the women who were being used as whores by the Germans and acquiesced so that they could survive — why was one form of survival better than another or at least more acceptable.  Another interesting point was made about the cinematic feel of the latter half of the book where there were dramatic scenes lumped together one after another from the dogs used to carry bombs under tanks to the German whorehouse and the showdown with the German elite assassins.  It seemed to be very packed in and gave the reader little time to breath or be deeply impacted by the events at hand, which I did notice that this half of the book read more like a screenplay (haphazard of the author’s screenwriting occupation perhaps?).

Also, please read Diary of an Eccentric‘s review.

About the Author:

David Benioff worked as a nightclub bouncer in San Francisco, a radio DJ in Wyoming and an English teacher/wrestling coach in Brooklyn before selling his first novel, The 25th Hour, in 2000.

He later wrote the screenplay for Spike Lee’s adaptation of Hour starring Edward Norton and Phillip Seymour Hoffman. In 2005, Viking Press published Benioff’s collection of short stories, When the Nines Roll Over.

Benioff’s screenwriting credits include Troy (2004), directed by Wolfgang Petersen, and Stay (2005), directed by Marc Forster, and The Kite Runner (2007). Jim Sheridan produced Benioff’s screenplay Brothers, and Hugh Jackman reprised his role as the clawed mutant in Benioff’s Wolverine. Viking published his most recent novel, City of Thieves, in May 2008.

Benioff is married to actress Amanda Peet; the couple has one daughter, Frances Pen. Also check out his interviews.  And another interview.

This is my 39th book for the 2012 New Authors Challenge.

You and Three Others Are Approaching a Lake by Anna Moschovakis

You and Three Others Are Approaching a Lake by Anna Moschovakis, which was awarded the James Laughlin Award by the Academy of American Poets, is a collection of four long poems with a prologue and epilogue poem that discusses and assesses four books — The Tragedy of Waste by Stuart Chase, Death as a Way of Life by Roger A. Caras, The Human Machine by Arnold Bennett, and In Search of Wealth by Cyril S. Belshaw — from the twentieth century that the poet discovered in a used bookshop in South Kortright, New York.  The poems share the same titles as the books, and the title of the collection makes its appearance in the first poem.

Moschovakis makes a great many assumptions about the readers knowledge of the industrial revolution and their understanding of economics.  First she compares the lake to supply and the men and women entering the wood and approaching the lake as demand, but later, the lake becomes more ambiguous.  From the cycles of supply and demand in the markets and the growth of the workforce to the incessant bombardment of advertising, the narrator of the poem is questioning the capitalistic ways of society and whether those are not wasteful in terms of time and energy spent.  She also postulates that we are no different from nature in how we react to available resources, which begs the question just how civilized are we when we succumb to our basest instincts to use everything around us?

From "The Tragedy of Waste (page 27)

Behind the desk there is a window

A woodpecker is attacking the house
The sun is attacking the snow on the pavement

Everything helping itself
to everything else
 From "The Tragedy of Waste" (page 30)

dwarfed and shadowed by mighty buildings
subway trains wild as elephants

One goes blindly back to one's desk

In the second poem, death as a way of life is broken down into how it affects “the Other” and not necessarily the surface theory that death is merely a part of the life cycle.  In many ways this poem is about the necessity to kill and the pleasure in killing, and where are the lines to be drawn between animals and humans being killed or something more refined.  There also is speculation about what rights we have as humans to kill and is naming the “Other” just as violent as not naming it?  “I want to know about the ‘other birds’//Were they species unknown to the hunters/or insignificant birds not worth noting by name/or mutilated/beyond recognition/”

“The Human Machine (Thirty Chances)” poem is a bit repetitive and generates a sci-fi-like quality as chatbots talk to human machines.  Readers are likely to find this poem the most puzzling, though ultimately a kernel of understanding will emerge about the “people” we believe we are and who we actually are — in that we all have failings and do fail ourselves and others.  But it also touches upon what makes us truly human — an ability to empathize, which could mean that should a robot be able to do so, we would have to consider it a person worthy of saving and no longer “Other.”

“In Search of Wealth” is the final poem before the epilogue.  In this poem there are digs at a variety of religions, including Scientology and its ties to Hollywood’s elite, and there are ramblings on pay inequality that seem to go on incessantly.  In the collection, this poem seems to be more of a rambling and a rant then a well crafted argument.  If it were issued forth in a debate on wealth and capitalism, listeners would likely begin throwing rotten tomatoes if they had any in their pockets for the occasion.  The prologue sets up the collection to be poems that take up certain positions on the topics at hand, and while by all accounts they do, some are more well crafted than others.  The epilogue goes further to explain that the reason to take a position is to generate disagreement, which is closely linked with desire and ensures that life is anything but boring.

You and Three Others Are Approaching a Lake by Anna Moschovakis touches on themes of wealth, “otherness,” conviction, and a host of other topics, but without having read the books mentioned in the acknowledgements, some of the references may be lost or misunderstood.

Poet Anna Moschovakis

About the Poet:

Anna Moschovakis is the author of two books of poems, I Have Not Been Able to Get Through to Everyone (Turtle Point Press 2006) and You and Three Others Are Approaching a Lake (Coffee House Press 2011) and of several chapbooks, including The Blue Book (Phylum Press), Dependence Day Parade (Sisyphus), No Medea (a Tinyside from Big Game Books), The Tragedy of Waste (Belladonna) and The Human Machine (Dusie). Her translations from the French include texts by Henri Michaux, Claude Cahun, Theophile Gauthier, Pierre Alféri, and Blaise Cendrars, as well as the books The Jokers by Albert Cossery (New York Review Books), The Possession by Annie Ernaux (Seven Stories Press), and The Engagement by Georges Simenon (New York Review Books).

Currently a freelance editor and a visiting professor in the Writing department at Pratt Institute, she splits her time between Brooklyn and Delaware County, NY. Anna has been working with UDP since 2002 as an editor, designer, administrator, and printer.

 

***For today’s National Poetry Month Blog Tour stop, visit Caribousmom.

 

 

 

 

This is my 32nd book for the 2012 New Authors Challenge.

 

 

This is the 14th book for my 2012 Fearless Poetry Exploration Reading Challenge.