Thanks for sharing your writing space with us. To enter for 1 copy of Henry Tilney’s Diary by Amanda Grange: 1. Leave a comment on this post about what Austen villain you’d like to see write a diary. 2. Blog, Tweet (@SavvyVerseWit), or Facebook the giveaway for up to 3 more entries. 3. Follow this blog and let me know for another entry. Deadline Dec. 20, 2011, at 11:59PM EST. US/Canada onlyI do a lot of my writing in my head before I commit anything to paper. When I’m writing my Jane Austen retellings, I start by rereading the original novel. If it’s a nice day, I do this outside, often going to a nearby stately home or formal garden so that I can soak up the elegant, leisurely atmosphere of days gone by. As I read, I let my mind wander over all the questions that occur to me. What was Henry like as a child and young man? What kind of relationship did he have with his parents and siblings? What was life like for him when his mother died? When did he discover a love for Gothic novels? Where did he read them? I have a very visual imagination, and as I ask the questions, I build pictures in my mind. This is easier if I’m somewhere spacious and elegant, as I can look around and imagine the characters walking round a corner or sitting in an arbour.
Sometimes I will start writing longhand, on a large notepad, and I often do this out of doors if the weather is good. I’ve written quite a few scenes sitting on the bench in the photo, which is at a nearby stately home. Then, once I’m in full flow I move onto the computer. My study is very plain, because once I get down to the actual business of writing, I don’t like distractions. The walls are a neutral colour without any pictures and there is no furniture apart from essential office furniture. My desk is large because I’m an untidy worker and I need space for all my notes, as well as my research books. I start off in an organised fashion, making neat notes in a word document, but I soon resort to scribbling things down on any piece of paper that comes to hand – an envelope, a copy of the Radio Times, anything. If I’m out, I make notes in a notebook I keep in my handbag, except when I forget it, which is often. Then I will scribble ideas down on an old receipt, train ticket or in fact anything that can be written on. I end up with a jumble of papers on my desk and I daren’t throw anything away in case it turns out to be vital. Once the book is finished, I throw everything away with a great sense of freedom and tidy my study, which remains pristine until I start the next book. I always say I will take a break before starting the next book, but in fact I get itchy fingers and it’s usually only a week or so before I’m raring to go again.
I do a lot of my writing in my head before I commit anything to paper. When I’m writing my Jane Austen retellings, I start by rereading the original novel. If it’s a nice day, I do this outside, often going to a nearby stately home or formal garden so that I can soak up the elegant, leisurely atmosphere of days gone by. As I read, I let my mind wander over all the questions that occur to me. What was Henry like as a child and young man? What kind of relationship did he have with his parents and siblings? What was life like for him when his mother died? When did he discover a love for Gothic novels? Where did he read them?
I have a very visual imagination, and as I ask the questions, I build pictures in my mind. This is easier if I’m somewhere spacious and elegant, as I can look around and imagine the characters walking round a corner or sitting in an arbour.
Sometimes I will start writing longhand, on a large notepad, and I often do this out of doors if the weather is good. I’ve written quite a few scenes sitting on the bench in the photo, which is at a nearby stately home. Then, once I’m in full flow I move onto the computer. My study is very plain, because once I get down to the actual business of writing, I don’t like distractions. The walls are a neutral colour without any pictures and there is no furniture apart from essential office furniture. My desk is large because I’m an untidy worker and I need space for all my notes, as well as my research books. I start off in an organised fashion, making neat notes in a word document, but I soon resort to scribbling things down on any piece of paper that comes to hand – an envelope, a copy of the Radio Times, anything. If I’m out, I make notes in a notebook I keep in my handbag, except when I forget it, which is often. Then I will scribble ideas down on an old receipt, train ticket or in fact anything that can be written on. I end up with a jumble of papers on my desk and I daren’t throw anything away in case it turns out to be vital.
Once the book is finished, I throw everything away with a great sense of freedom and tidy my study, which remains pristine until I start the next book. I always say I will take a break before starting the next book, but in fact I get itchy fingers and it’s usually only a week or so before I’m raring to go again.
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