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Fixed Star by Suzanne Frischkorn

November 16, 2022 by

Source: Purchased
Paperback, 72 pgs.
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Fixed Star by Suzanne Frischkorn is an amalgam of found poetry and structure poems mirroring the culture and identity that many of us have over time. We find that there are fixed points in our culture and identity and that there also are found parts of those segments of ourselves that we incorporate willingly. There’s a deep restlessness in each of these poems as they deftly move from one to the next, when reading in succession, and it is a skill to be admired.

Frischkorn’s opening poem, “Cuban Polymita,” begins the collection with: “Birth cleaved me in half” If that line alone doesn’t give you a sense of restlessness, the rest of the collection certainly will. It is from this instant of birth in which the narrator begins to move away from her origins: “A lace dress. A first language./All myths once we move north./” (“II”, pg. 2) In these earlier poems, the narrator is looking for the truth in those myths, unraveling the mystery of her heritage. But the narrator is keenly aware that to unravel these hidden pasts is also likely to reveal “what is tarnished,” and to question is it worth the risk?

Once I Dove Into the Caribbean Sea (pg. 36)
Isla de Cozumel, ’93

Cuba, its tide strove to draw me towards you and failed. I departed with a smooth shell and wisps of surrogate sky. How cool marble caressed my bare soles, how heat plied my skin bronze. Not until I slide the silver bracelets from my wrist will the strains of your shore ebb.

Frischkorn’s Fixed Star is an attempt to excavate the movement from past to present to pinpoint the evolution, to understand something that was lost. In that adventure toward discovery, a restlessness propels each of these poems forward and back into the past again, signaling the push and the pull of who and what has birthed us to who and what we become.

RATING: Cinquain

Other Reviews:

About the Poet:

Suzanne Frischkorn is the author of Fixed Star (JackLeg Press, September 2022) as well as the books, Girl on a Bridge, and Lit Windowpane (both from Main Street Rag Press), and the chapbooks American Flamingo, Spring Tide, Red Paper Flower, Exhale, and The Tactile Sense.

She is the recipient of The Writer’s Center Emerging Writers Fellowship for her book Lit Windowpane, the Aldrich Poetry Award for her chapbook Spring Tide, selected by Mary Oliver, and an Individual Artist Fellowship from the Connecticut Commission on Culture & Tourism.

Filed Under: challenges, poetry, Poetry Reading Challenge, purchased, Read in 2022, reviews Tagged With: , , ,

Mailbox Monday #706

October 31, 2022 by

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Thank you to Velvet for stepping in when Mailbox Monday needed another host.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s What I Received:

Fixed Star by Suzanne Frischkorn, which I purchased.

The opening poem, “Cuban Polymita,” from which the title Fixed Star arises, serves as the scaffolding device for Frischkorn’s manuscript. Like the beautiful painted snails it references, the book, too, is a series of spirals: mainly, a pair of sonnet coronas whose recursive lines twine through the manuscript, both framing and bracing it. Navigating splits in language, geography, government, culture, and family-Frischkorn guides us through poems that are, contrapuntally, both luxuriant and lean. Swirling through this compact, honed manuscript is a series of citations (Shakespeare, John Cage, Muriel Rukeyser, John Keats, Normando Hernández González), and geographies (Cuba, Spain, Florida, Pennsylvania) that create transit across decades and differing terrains. Constellated with Latin jazz, jasper, sea glass, bougainvillea, contradanza, and coral reefs, Fixed Star is a brilliant treatise on violence, division, loss, longing, and the search for song. ―Simone Muench

Country of Glass by Sarah Katz, which I purchased.

Country of Glass is the debut poetry collection from Sarah Katz, who offers an exploration of the concept of precariousness as it applies to bodies, families, countries, and whole societies. Katz employs themes of illness, disability, war, and survival within the contexts of family history and global historical events. The collection moves through questions about identity, storytelling, displacement, and trauma, constructing an overall narrative about what it means to love while trying to survive. The poems in this book—which take the form of free verse, prose poems, sestinas, and erasures—attempt to address human fragility and what resilience looks like in a world where so much is uncertain.

Taste: A Book of Small Bites by Jehanne Dubrow, which I purchased.

Taste is a lyric meditation on one of our five senses, which we often take for granted. Structured as a series of “small bites,” the book considers the ways that we ingest the world, how we come to know ourselves and others through the daily act of tasting.

Through flavorful explorations of the sweet, the sour, the salty, the bitter, and umami, Jehanne Dubrow reflects on the nature of taste. In a series of short, interdisciplinary essays, she blends personal experience with analysis of poetry, fiction, music, and the visual arts, as well as religious and philosophical texts. Dubrow considers the science of taste and how taste transforms from a physical sensation into a metaphor for discernment.

Taste is organized not so much as a linear dinner served in courses but as a meal consisting of meze, small plates of intensely flavored discourse.

What did you receive?

Filed Under: mailbox monday, meme Tagged With: , , , , ,

Mailbox Monday #686

June 6, 2022 by

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

The Catch by Alison Fairbrother for review from NetGalley.

Two years out of college, Ellie Adler has a job in journalism, an older lover, and a circle of smart friends. Her beloved father, James, who has children from three marriages, unites the family with his gentle humor and charisma, but Ellie has always believed she is her father’s favorite. When he suddenly dies, she finds herself devastated by the unexpected loss. Then, at the reading of his will, she learns that instead of leaving her his prized possession—a baseball that holds emotional resonance for them both—he has left her a seemingly ridiculous, even insulting gift. Worse, he’s given the baseball to someone no one in the family has ever heard of.

In her grief, Ellie wonders who could have possibly meant more to her father than she did. Setting out to track this person down, she learns startling information about who her father really was and who she herself is becoming. Moving, witty, and unforgettable, The Catch is a story of the gifts we’re given over the course of a lifetime, by family, friends, and strangers—the ones we want and the ones that catch us unawares.

Fixed Star by Suzanne Frischkorn for review.

The opening poem, “Cuban Polymita,” from which the title Fixed Star arises, serves as the scaffolding device for Frischkorn’s manuscript. Like the beautiful painted snails it references, the book, too, is a series of spirals: mainly, a pair of sonnet coronas whose recursive lines twine through the manuscript, both framing and bracing it. Navigating splits in language, geography, government, culture, and family-Frischkorn guides us through poems that are, contrapuntally, both luxuriant and lean. Swirling through this compact, honed manuscript is a series of citations (Shakespeare, John Cage, Muriel Rukeyser, John Keats, Normando Hernández González), and geographies (Cuba, Spain, Florida, Pennsylvania) that create transit across decades and differing terrains. Constellated with Latin jazz, jasper, sea glass, bougainvillea, contradanza, and coral reefs, Fixed Star is a brilliant treatise on violence, division, loss, longing, and the search for song. ―Simone Muench

The Book Haters’ Book Club by Gretchen Anthony for review.

All it takes is the right book to turn a Book Hater into a Book Lover…

That was Elliott’s belief and the reason why he started The Book Haters’ Book Club—a newsletter of reading recommendations for the self-proclaimed “nonreader.” As the beloved co-owner of Over the Rainbow Bookstore, Elliott’s passion and gift was recommending books to customers. Now, after his sudden death, his grief-ridden business partner, Irma, has agreed to sell Over the Rainbow to a developer who will turn the cozy bookstore into high-rise condos.

But others won’t give up the bookstore without a fight. When Irma breaks the news to her daughters, Bree and Laney, and Elliott’s romantic partner, Thom, they are aghast. Over the Rainbow has been Bree and Laney’s sanctuary since childhood, and Thom would do anything to preserve Elliott’s legacy. Together, Thom, Bree and Laney conspire to save the bookstore, even if it takes some snooping, gossip and minor sabotage.

Filled with humor, family hijinks and actual reading recommendations, The Book Haters’ Book Club is the ideal feel-good read. It’s a celebration of found family and a love letter to the everyday heroes who run bookstores.

What did you receive?

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Lit Windowpane by Suzanne Frischkorn

May 12, 2011 by

Suzanne Frischkorn’s Lit Windowpane is a slim collection of poems, published by small press Main Street Rag, that examines what humanity has done to the environment and yet at the same time praises the unfettered beauty of nature.  Like the men in the tavern of “The Mermaid Takes Issue With the Fable” (page 3), humans have “blackened” the Earth and “laughed” along the way as we’ve entertained ourselves without a single moment’s pause about what our actions have caused — and in some cases irreparably damaged.

Many of these poems are like gazing through a lit windowpane at the wildness of nature, watching it from afar and not interacting or obstructing it — enabling it to just be.  Frischkorn’s lines are short, yet powerful in that readers immediately picture the scene and the action.  Upon further reflection, they come to see the message beneath the lines — from preserving nature to decrying the harm that has come to nature at the hands of humanity.

Youth Drowns in Housatonic River (page 4)

He swam across
+++ the inlet near Beard’s Island,

and I was lying in my river bed
+++ watching light ripple the surface.

I saw him swim a straight line
+++ through the sun. I had no choice

but to eat fish from the river,
+++ and the soil, it finds its way into

my skin. I am the river and the river
+++ is contaminated. The river is dying

and I am dying. His body was lean
+++ and strong, yet the cold shut down

his circulation. His arms. His legs.
+++ Please tell his mother I brushed

the hair from his forehead and sang
+++ sweet songs until the divers came

a day later. Tell her, he swam a straight line.

In “Youth Drowns in Housatonic River,” the narrator not only becomes the river, but also tells the tale of a drowning youth and the interconnectedness of humans and their environment. “The river is dying/and I am dying,” shows this connection, as do the lines in which the narrator is eating fish from the contaminated river.  Frischkorn’s images grown up and out, twisting around the reader, weaving a scene that gets under the skin and causes readers to rethink their own actions toward the environment.  A perfect example of this is her poem “‘A Stone, A Leaf, An Unfound Door,’ T. Wolfe.”  The narrator talks about being reincarnated as a stone, a leaf, and unfound door, and through each scene readers see how easily a stone or a leaf can be treasured one moment and either discarded or forgotten in the next moment.

Overall, Lit Windowpane by Suzanne Frischkorn is a collection that seeks to quietly raise awareness among its readers, while cultivating a new appreciation for the beauty and mystery of the natural world.

About the Poet:

Suzanne Frischkorn is the author of Girl on a Bridge (2010), and Lit Windowpane (2008) both from Main Street Rag Publishing. In addition she is the author of five chapbooks, most recently American Flamingo (2008).

Her poems have appeared in numerous journals and anthologies including Ecotone, Indiana Review, Margie, Verse Daily, and other publications. She has new poems forthcoming, or in the current issues of Barn Owl Review, Copper Nickel, North American Review, PALABRA, Printer’s Devil Review, and Puerto del Sol.

From 2001 to 2005 she served as an editor for Samsära Quarterly and is currently an Assistant Editor for Anti-.

A 2009 Emerging Writers Fellow of The Writer’s Center, her honors also include the Aldrich Poetry Award for her chapbook, Spring Tide, selected by Mary Oliver, and an Individual Artist Fellowship from the Connecticut Commission on Culture & Tourism.

 

This is my 11th book for the Fearless Poetry Exploration Reading Challenge.

 

 

This is my 18th book for the 2011 New Authors Reading Challenge.

 

 

 

This is my 10th book for the 2011 Wish I’d Read That Challenge.  I’ve wanted to read this since the poet sent it to me for review, but life got in the way.

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, New Authors Challenge, poetry, Read in 2011, review copy, reviews, Wish I'd Read That Challenge 2011 Tagged With: ,