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2nd DiVerse Gaithersburg Poetry Reading Recap

This past weekend’s DiVerse Gaithersburg Poetry Reading and Open Mic was once again at the Gaithersburg Public Library, with featured poets Joanna Howard from A Splendid Wake, Alan King, and Sarah Browning of Split This Rock fame (celebrating 10 years this April).

I was really looking forward to this event because I’ve seen and connected with Sarah Browning on a couple of occasions, more recently through Facebook than anything, and I wanted to chat with her in person. I’ve also never heard her read her own work! What have I been doing? She’s dynamic as a speaker and a poet.

If you missed out on this event, you better not miss the next one in March.

Alan King and Joanna Howard are new-to-me poets, and I enjoyed Alan’s work so much I bought both his books at the event.  Joanna’s book is forthcoming and I cannot wait to get my hands on that too.  Please check out the Facebook Live of the event.

Here are some photos from the event:

We had a smaller than usual open mic session this go around, but I did read another poem this month.  I’m really making good on a promise I haven’t voiced aloud to anyone — I want to read more in public and more of my own poems. I hope to read at every one of these events, though some poems may be older as newer ones are not coming along fast enough.

If you’re in the Gaithersburg area on March 11, 2-4pm, I hope you’ll stop by and join us when Michele Wolf, Jennifer Wallace, and Maritza Rivera read their poems. Here’s the 2018 calendar of events.

2017 Honorable Mentions

It was a tough decision this past year, but I’ve selected my favorites.

These are those that nearly made the list — my honorable mentions for 2017:

What books were your favorites last year?

Killing Summer by Sarah Browning

Source: the poet
Paperback, 100 pgs.
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Killing Summer by Sarah Browning begins in the heat of summer in which a woman walks her neighborhood and does not cross the street because there is a black man there and there is a man stabbing women on the loose.  But look closer at “Pentworth, Early Evening” and you see a narrator who thinks about doing just that, who has fear deep down that she’ll be a victim of violence by a black man.  Like her, we want “to tear history” from us, free ourselves from that ingrained habit that those unlike us are something to fear.

From “Flag of No Walls” (pg. 93)

I want the flag of talking,
of sitting on the disintegrating
wall and gabbing, gossiping,
negotiating, waving that flag
of no walls. That flag.

Through Browning’s open endings, her poems seek change and there is a glimmer of hope that changes are coming and that transformation could be for the better (at least for those who come after us).  Her poems are ripped from the headlines, but they also are reflective of the past — a societal angst that was gone and has returned.  From an adolescent student seeking the courage to be seen by the boys in the courtyard to the pull between the ingrained fear and the inability to reconcile an ancestry of slave owners, there is a tension throughout the collection that simmers, wearing us down.

From “The Blueberry Seasons” (pg. 77)

I can’t stop admiring you, how you run
like that, bring your bucket now to show me.

Summer is often referenced as a time of being carefree, and there is some of that here in poems such as “The Blueberry Seasons,” but Browning is quick to remind us that life is not carefree for everyone — not the amputee, not those touched by foreclosure, and not those falsely imprisoned.  Her poems ask us to view ourselves and our actions through the eyes of others, to see how we are perceived and to begin again and become better, more compassionate, and connected.

Killing Summer by Sarah Browning reminds us that even in the most turbulent political times, we should not be blind to our roles and we should not passively watch or read. We must act if we hope to make change.

RATING: Quatrain

About the Poet:

Sarah Browning is co-founder and Executive Director of Split This Rock. She is an Associate Fellow of the Institute for Policy Studies and a featured writer for Other Words. Author of Killing Summer (Sibling Rivalry Press, forthcoming 2017) and Whiskey in the Garden of Eden (The Word Works, 2007), and coeditor of D.C. Poets Against the War: An Anthology (Argonne House Press, 2004), she is the recipient of artist fellowships from the DC Commission on the Arts & Humanities, a Creative Communities Initiative grant, and the People Before Profits Poetry Prize. Browning has been guest editor or co-edited special issues of Beltway Poetry Quarterly, The Delaware Poetry Review, and POETRY magazine. Since 2006, she has co-hosted the Sunday Kind of Love poetry series at Busboys and Poets in Washington, DC. She previously worked supporting socially engaged women artists with WomenArts and developing creative writing workshops with low-income women and youth with Amherst Writers & Artists. She has been a community organizer in Boston public housing and a grassroots political organizer on a host of social and political issues.