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Death With Interruptions by Jose Saramago, translated by Margaret Jull Costa

May 8, 2014 by

Source: Public Library
Hardcover, 238 pages
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Death with Interruptions by Jose Saramago, translated by Margaret Jull Costa, (on Kobo) reads like a fable with the anthropomorphization of dogs and death.  Saramago’s style lacks punctuation, dialogue separations, and other grammatical elements that many readers come to rely upon, but in this case, these omissions are done with purpose.  Once readers immerse themselves into the narrative, these grammatical signals are not warranted.  The “what-if” scenario in this novel is what would happen if death took a vacation, and no one died — but remained just on the cusp of death and life, unable to improve and get better and unable to fully pass away. 

What transpires is a country in chaos, hospitals overflowing with patients in a sort of stasis before death and nursing homes unable to care for all of the ailing in the most dignified way.  His prose is heavy handed against the government, religion, and business, as well as human nature in general, particularly when explaining the motivations behind the care and disposal of the living-dead.  The absurdity of the scenario and the satire are focused heavily on the internal decision makers and the elite of the church bureaucracy.  Readers will either find his prose humorous in his treatment of these elements, or they will be confused or taking it too seriously that they find the story too limited in scope or too focused on the mundane.

“And then, as if time had stopped, nothing happened.  The queen mother neither improved nor deteriorated, she remained there in suspension, her frail body hovering on the very edge of life, threatening at any moment to tip over onto the other side, yet bound to this side by a tenuous thread to which, out of some strange caprice, death, because it could only have been death, continued to keep hold.” (page 3)

Amidst the heavy handed and grim dealings of the government, religion, and medical fields to deal with the crisis of no on being able to die and be buried, Saramago offers readers a look at the darker side of humanity following an initial euphoria that immortality had been achieved.  A deeply philosophical fable, this novel is almost of two minds — focused on the human institutions and their reaction in one half and then focused on the reasons why death has ceased and wanted a vacation from it all.  While the latter half of the book is very reminiscent of those old myths about the gods falling for humans, Saramago never loses sight of who death is and how manipulative and tactless she can be.  She’s romancing a cellist, but in the only way death can, with veiled threats of harm and mystery about her intentions.  Some readers will either love the last third of the book or find it too cliche.

Death with Interruptions by Jose Saramago, translated by Margaret Jull Costa — our April book club selection — examines what it means to face death or the knowledge of death, whether you get your affairs in order and atone for past sins or go out in a blaze of glory.  Saramago will have readers questioning their own mortality.

What the Book Club Thought:

The book club was all over the place with this one, with some really finding it humorous, a few not even finishing the book, and a few others that simply hated it.  While many abhorred the writing style, others didn’t mind it as much, but wanted a more impactful story about individual families or characters — they wanted to see the more human side of things.  None of the members agreed on who the narrator could be, though some suspected God, the Scythe, or Love as the narrators.  While I was dealing with a toddler during this meeting and a migraine, I probably missed a lot of the discussion, which is unfortunate for me, since I’ve read a few of this novelist’s books before and may have been able to help with a bit of the background, etc. for him and his writing.  There is definitely a great number of issues to talk about and definitely will raise dilemmas, but the members will have to get through the book first.

About the Author:

José de Sousa Saramago (1922–2010) was a Portuguese writer and recipient of the 1998 Nobel Prize in Literature.  He was a member of the Portuguese Communist Party.  His works, some of which can be seen as allegories, commonly present subversive perspectives on historic events, emphasizing the human factor rather than the officially sanctioned story. Saramago was awarded the Nobel Prize for literature in 1998. He founded the National Front for the Defense of Culture (Lisbon, 1992) with among others Freitas-Magalhaes. He lived on Lanzarote in the Canary Islands, Spain, where he died in June 2010.

Filed Under: borrowed copy, fiction, Read in 2014, reviews Tagged With: , , , , ,

Journey to Portugal: In Pursuit of Portugal’s History and Culture by José Saramago, translated by Amanda Hopkinson and Nick Caistor

September 17, 2013 by

Source: Public Library
Hardcover, 464 pages
I am an Amazon Affiliate

Journey to Portugal: In Pursuit of Portugal’s History and Culture by José Saramago, translated by Amanda Hopkinson and Nick Caistor from Portuguese, is a travelogue, but not in a traditional sense of naming specific destinations, their locations, and offering impressions in a straightforward manner.  Readers looking for a travel guide would be best served looking for another book about Portugal.  Saramago refers to himself as the traveler, which can be wearisome throughout 400 pages of text, and many of the visits he makes throughout the country are to either museums or religious locations/buildings, which is odd given his atheism and tenuous relationship with the Catholic church after writing The Gospel According to Jesus Christ.  Moreover, this travelogue is as close to being a memoir as it can be given Saramago’s reflections, daydreams, and observances about the more modern Portugal around him.  (He exiled himself, a Communist, to the Spanish island of Lanzarote following The Carnation Revolution in 1974 where he remained until his death in 2010.)  However, he does say that he wishes these religious relics and pieces to be preserved as works made by human hands.

“The traveller thanks him, and sets off in the direction indicated.  There the palheiros survive, huge barracks made of wooden slats blackened by the wind and the sea, a few already stripped beams exposed to the gaze.  A few are still inhabited, others have lost their roofs to the wind.  It won’t be long before nothing will remain beyond a photographic record.” (page 146)

In many ways, Saramago is reflecting on the life he’s led, the perceptions he’s had and still has, and how as time moves on the ornaments of those memories and perceptions are stripped bare, leaving only the barest outline of the past — until the emotions and personal connections are lost and all that is left is a photo out of context.  “During the lengthy voyage that took nearly six months, the conviction was born in me that in every place I passed through there was a piece of old Portugal bidding farewell to the traveller I was, an ancient Portugal which was beginning, finally, while still doubting whether it wanted to or not, to move towards the twentieth century,” he says. (page xii)  He reconciles the past with the present, as seen through a melancholy perspective, and like the villages and people the traveller approaches slowly, he passes through one town to another, gets lost, and meditates on what he encounters.

Saramago reflects on stonework quite a bit and its ability to stand the test of time, and through his ruminations, readers are likely to see his struggle with the endurance or inability of workers and tributes to stand the test of time — there are some shrines and other edifices he finds hold stories that are no longer accessible.  Journey to Portugal: In Pursuit of Portugal’s History and Culture by José Saramago, translated by Amanda Hopkinson and Nick Caistor, may suffer from poor translation, but there are moments of great reflection and insight that shouldn’t be missed, even if they are mired in melancholia and dark moods, by patient readers.

About the Author:

José de Sousa Saramago is a Nobel-laureate Portuguese novelist, playwright and journalist. He was a member of the Portuguese Communist Party.  His works, some of which can be seen as allegories, commonly present subversive perspectives on historic events, emphasizing the human factor rather than the officially sanctioned story. Saramago was awarded the Nobel Prize for literature in 1998. He founded the National Front for the Defense of Culture (Lisbon, 1992) with among others Freitas-Magalhaes. He lived on Lanzarote in the Canary Islands, Spain, where he died in June 2010.

This is my 57th book for the 2013 New Authors Challenge.

Filed Under: borrowed copy, challenges, New Authors Challenge, nonfiction, Read in 2013, reviews Tagged With: , ,

Library Loot #10

July 22, 2013 by

Library Loot is a weekly event co-hosted by Claire from The Captive Reader and Marg from The Adventures of an Intrepid Reader that encourages bloggers to share the books they’ve checked out from the library. If you’d like to participate, just write up your post-feel free to steal the button-and link it using the Mr. Linky any time during the week. And of course check out what other participants are getting from their libraries.

 

1.  Raised from the Ground by José Saramago

First published in 1980, the City of Lisbon Prize–winning Raised from the Ground follows the changing fortunes of the Mau Tempo family—poor landless peasants not unlike Saramago’s own grandparents. Set in Alentejo, a southern province of Portugal known for its vast agricultural estates, the novel charts the lives of the Mau Tempos as national and international events rumble on in the background—the coming of the republic in Portugual, the two world wars, and an attempt on the dictator Salazar’s life. Yet nothing really impinges on the grim reality of the farm laborers’ lives until the first communist stirrings.

2.  Journey to Portugal by José Saramago

When José Saramago decided to write a book about Portugal, his only desire was that it be unlike all other books on the subject, and in this he has certainly succeeded. Recording the events and observations of a journey across the length and breadth of the country he loves dearly, Saramago brings Portugal to life as only a writer of his brilliance can. Forfeiting the usual sources such as tourist guides and road maps, he scours the country with the eyes and ears of an observer fascinated by the ancient myths and history of his people. Whether it be an inaccessible medieval fortress set on a cliff, a wayside chapel thick with cobwebs, or a grand mansion in the city, the extraordinary places of this land come alive.

And for the little one:

What have you picked up lately?

Filed Under: Library Loot, meme Tagged With: ,