Henry Tilney’s Diary by Amanda Grange provides readers with the inner thoughts and past of Northanger Abbey‘s hero. Like his sister Eleanor, Henry has a passion for the written word, which mirrors Austen’s homage to readers in the original novel. Grange steeps her prose in Gothic tales of secret passages and story telling between brother and sister and between Henry Tilney and Catherine Morland. Drawing inspiration from Mrs. Radcliff and her novels, A Sicilian Romance and The Mysteries of Udolpho.
Unlike Austen’s version, Tilney reads Gothic novels for pleasure, a pleasure he shares with his sister, and while he remains very logical in his thinking about finding a wife, he is soon swept up by the charms of Catherine. His requirements in a wife are listed on more than one occasion with a tongue-in-cheek sense of humor.
“‘When I marry – if I marry – my wife must love to read. I shall make it the one condition. Her dowry is unimportant, her family is irrelevant, but she must be a lover of novels, or else no wedding can take place!'” (page 63)
Although he does say that she must love novels, he also realizes that a love of novels can go too far, and in that way Grange has paralleled the character development of Catherine in the original Northanger Abbey. Through diary entries, readers come to know Tilney more intimately as he worries for his brother and his sister and grows increasingly concerned about his father’s seeming change of heart where money and titles are concerned. Tilney grows from a younger son into a man of his own means and career, but he is still loyal to his family despite his budding feelings for Catherine.
Another winner from Grange that builds upon the character arcs and complex story lines left behind by Austen. Her Tilney is a kind, gentle man with a clear vision of how his life should be, and while he remains loyal to his family, his heart guides his move. His frank nature and his compassion bloom in Grange’s hands. Austinites and those looking for a well-paced romance with Gothic highlights will enjoy Henry Tilney’s Diary.
I’d like to see Grange tackle a few more villains in her diary series of books!
About the Author:
Amanda Grange was born in Yorkshire and spent her teenage years reading Jane Austen and Georgette Heyer whilst also finding time to study music at Nottingham University. She has had sixteen novels published including six Jane Austen retellings, which look at events from the heroes’ points of view.
If you haven’t entered the giveaway to win you’re own copy, please check out the guest post.
I do a lot of my writing in my head before I commit anything to paper. When I’m writing my Jane Austen retellings, I start by rereading the original novel. If it’s a nice day, I do this outside, often going to a nearby stately home or formal garden so that I can soak up the elegant, leisurely atmosphere of days gone by. As I read, I let my mind wander over all the questions that occur to me. What was Henry like as a child and young man? What kind of relationship did he have with his parents and siblings? What was life like for him when his mother died? When did he discover a love for Gothic novels? Where did he read them?
Sometimes I will start writing longhand, on a large notepad, and I often do this out of doors if the weather is good. I’ve written quite a few scenes sitting on the bench in the photo, which is at a nearby stately home. Then, once I’m in full flow I move onto the computer. My study is very plain, because once I get down to the actual business of writing, I don’t like distractions. The walls are a neutral colour without any pictures and there is no furniture apart from essential office furniture. My desk is large because I’m an untidy worker and I need space for all my notes, as well as my research books. I start off in an organised fashion, making neat notes in a word document, but I soon resort to scribbling things down on any piece of paper that comes to hand – an envelope, a copy of the Radio Times, anything. If I’m out, I make notes in a notebook I keep in my handbag, except when I forget it, which is often. Then I will scribble ideas down on an old receipt, train ticket or in fact anything that can be written on. I end up with a jumble of papers on my desk and I daren’t throw anything away in case it turns out to be vital.



