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A Farewell to Arms by Ernest Hemingway

Happy 4th of July, Everyone!

A Farewell to Arms by Ernest Hemingway is an emotionally draining novel about Tenente Frederic Henry, an American serving in the ambulance corps of the Italian army during World War I, and the impact of war on its soldiers, displaced populations, and others.  Some critics say that the novel is semi-autobiographical given that Hemingway did indeed serve in the Italian Army as an ambulance driver during the Great War; learn more about the autobiographical elements here.

While WWI and the front is always in the background and weighing heavily on the characters, much of the focus is on Henry and his relationship with Nurse Catherine Barkley of Britain.  When they meet, it seems as though both are contriving a romance out of thin air, and when Barkley’s past is revealed readers understand her desperation, though they may not like it.

“‘This is the third day. But I’m back now.’
She looked at me, ‘And you do love me?’
‘Yes.’
‘You did say you loved me, didn’t you?’
‘Yes,’ I lied. ‘I love you.’ I had not said it before.
‘And you call me Catherine?’
‘Catherine.’ We walked on a way and were stopped under a tree.
‘Say, “I’ve come back to Catherine in the night.”
‘I’ve come back to Catherine in the night.’
‘Oh, darling, you have come back, haven’t you?'” (page 30)

Henry is another matter, with the distant, first-person account of events in the past, readers will know little of how he makes decisions or how he feels unless he speaks aloud.  In many ways, the reader must focus on what is not said to catch a glimmer of the hopelessness of his situation and the conviction he has in remaining with the Italian army even as it appears that they are losing the war.  The silences of his mind and the things left unsaid in conversation make a surface reading of this novel inadequate (please check out Jeanne’s posts on this book from the read-a-long with War Through the Generations).

“I was afraid we would move out of the eddy and, holding with one hand, I drew up my feet so they were against the side of the timber and shoved hard toward the bank. I could see the brush, but even with my momentum and swimming as hard as I could, the current was taking me away. I thought then I would drown because of my boots, but I thrashed and fought through the water, and when I looked up the bank was coming toward me, and I kept thrashing and swimming in a heavy-footed panic until I reached it.” (Page 227)

There are moments where the supply shortages are noted, but there seems to be a never-ending supply of alcohol, which Henry uses to deal with the pain in his leg and the war that continues to rage on without an end.  He loses friends, he loses his way, he must escape the enemy, and he must survive.  There is desperation and scrambling for comfort and a sense of normalcy, but the hopelessness pervades everything in the novel and highlights the truth of war.  Hemingway’s terse sentences, little insight into his main character, and the over-the-top antics and subservience of Barkley to Henry can get overwrought.  However, in the latter portion of the novel there are moments of tenderness between Barkley and Henry are good to see and temper the uneasiness readers may feel about their relationship and its lack of depth.

A Farewell to Arms by Ernest Hemingway is a stark look at the emotional and psychological effects of war on soldiers, residents, and nurses, but it also raises questions about courage and bravery, whether peasants are beaten before they even enter the war, and how everyone, even the most dedicated, have a breaking point.  Readers may find the novel plodding and ridiculous, and the characters distant and obnoxious at times, but with the threat of war at the backdoor, it must be hard to remain rational and unemotional.  However, in this way, Henry’s actions often seem super-human, particularly during his knee surgery and other events.

Check out the read-a-long discussions for week 1, week 2, week 3, and week 4 at War Through the Generations.

This is my 12th book for the WWI Reading Challenge.

Final Week: Ernest Hemingway A Farewell to Arms Read-a-Long

For the WWI Reading Challenge, we did a group read of Ernest Hemingway’s A Farewell to Arms.

For the final week, participants of the challenge and non-participants read chapters 31-END. Each Friday, we posted discussion questions and answers on the War Through the Generations blog.

Head on over today to check out what we’re discussing, but be aware that there could be spoilers.

Stay tuned for my full review on July 4th!

Week 3: Ernest Hemingway A Farewell to Arms Read-a-Long

For the WWI Reading Challenge, we’re doing a group read of Ernest Hemingway’s A Farewell to Arms.

For the second week, participants of the challenge and non-participants read chapters 21-30. Each Friday, we’ll be posting discussion questions and answers on the War Through the Generations blog.

Head on over today to check out what we’re discussing, but be aware that there could be spoilers.

Week 2: Ernest Hemingway A Farewell to Arms Read-a-Long

For the WWI Reading Challenge, we’re doing a group read of Ernest Hemingway’s A Farewell to Arms.

For the second week, participants of the challenge and non-participants read chapters 11-20.  Each Friday, we’ll be posting discussion questions and answers on the War Through the Generations blog.

Head on over today to check out what we’re discussing, but be aware that there could be spoilers.

Week 1: Ernest Hemingway A Farewell to Arms Read-a-Long

For the WWI Reading Challenge, we’re doing a group read of Ernest Hemingway’s A Farewell to Arms.

For this first week, participants of the challenge and non-participants read chapters one through 10.  Each Friday, we’ll be posting discussion questions and answers on the War Through the Generations blog.

Head on over today to check out what we’re discussing, but be aware that there could be spoilers.

Ernest Hemingway’s A Farewell to Arms Read-a-Long

Even if you aren’t participating in the War Through the Generations WWI Reading Challenge this year, you’re still welcome to participate in the annual read-a-long.

This year, Anna and I selected Ernest Hemingway’s A Farewell to Arms for the read-a-long book.

If you’re interested, we’ll be posting discussion questions and answers each week on the Friday.  Here’s the schedule:

Week 1 — June 1-8 Chapters 1-10

Week 2 — June 9-15 Chapters 11-20

Week 3 — June 16-22 Chapters 21-30

Week 4 — June 23-29 Chapters 31-41

We hope you’ll join us for some great reading and discussion.

Mailbox Monday #165

Mailbox Mondays (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. This month’s host is the Metro Reader.

Kristi of The Story Siren continues to sponsor her In My Mailbox meme.

Both of these memes allow bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received this week:

1. Nostalgia for the Criminal Past by Kathleen Winter, which I purchased.

2. The Receptionist by Janet Groth, which came unrequested from Algonquin.

3. A Wedding in Haiti by Julia Alvarez, which came unrequested from Algonquin.

4. Elegy for Eddie by Jacqueline Winspear, which I receive from Harper.

5. A Lesson in Secrets by Jacqueline Winspear, which I received from Harper for a TLC Book Tour.

6. Hurrah’s Nest by Arisa White, which I received from the poet.

7. Real Courage by Michael Meyerhofer, which came from the poet.

8. A Farewell to Arms by Ernest Hemingway, which I bought at Novel Places for the WWI Read-a-Long this year.

9. Harlem’s Hell Fighters by Stephen L. Harris, which I bought at Novel Places.

10. Star Wars & Philosophy by Kevin Decker and Jason Eberl, which I bought at Novel Places for Book Club in March.

11. City of Thieves by David Benioff, which I bought at Novel Places for Book Club in May.

What did you receive?

Guest Interview: Rock Band Glossary’s Joey Knieser Gets Literary by Vicki Keire

While I often talk a lot about books, poetry, writing, and author and publishing events, I rarely talk about music here, even though it is one of my passions.  I could go on and on about the reasons I love certain bands and certain genres of music, and why I dislike other bands and other genres of music.  However, rather than listen to me ramble on about my tastes and thoughts, I thought I’d share with you an interview from Vicki Keire with Glossary‘s Joey Knieser and his thoughts on books.  (Click on the band name for a few YouTube videos of their songs)

Without further ado, please welcome Vicki and Joey.

The summer before I met Joey Knieser of the rock band Glossary, I was hundreds of miles from home writing the novel that would eventually become The Chronicles of Nowhere (volume one released today through Curiosity Quills Press.) I spent the weeks preceding our meeting wandering beaches bleached white as bone, watching as BP oil-choked kelp rolled in and strangled the shoreline.

Armed only with a battered laptop, I propped it open and listened to my modest music library while watching the waves, waiting for them to carry away the personal disaster that had driven me here. That’s when Glossary started to haunt me. One album in particular became a favorite, on almost constant repeat: their album Feral Fire, with the aptly named “Your Heart to Haunt” in heavy rotation. If the band hadn’t planned a stop in my hometown that summer, I’m not sure I would have come home. But come they did, and I had the genuine pleasure of both hosting them in my home and seeing them play one of the songs most influential to my writing. Naturally, Glossary is at the top of my list when I think about writing and music, and how, for me, the two often intersect.

I caught up with guitarist/ singer-songwriter Joey Knieser to find out if books had a reciprocal power with musicians. Joey, along with most of the band, lives in Murfreesboro, TN, just outside of Nashville. He graciously agreed to answer questions on everything from his favorites books to the impact of the digital revolution on books and music:

Q: What books are you reading now or want to read?

A: I am currently in the middle of reading Tom Franklin’s novel, Hell at the Breech. I’d like to read the rest of Tom Franklin’s stuff. There are a couple Walker Percy books that I haven’t read, and I hope that I will be able to some day.

Q: What are some of your all time favorite books?

A: My all-time favorite books are Twain’s Huckleberry Finn and Lee’s To Kill a Mockingbird.  Just like the music I seem to go back and listen to over and over again, these classic books just seem to have in them something that appeals to me. You could pick up these two books at any time and read a couple sentences, and before you know it, you’re back into reading it for the millionth time. Being a Southerner, these books have become really important to me.

Q: Do you prefer eReaders or “regular” books, and why?

A: I prefer eReaders because I’m legally blind, and before the eReader, I was limited in what I could read. I had to read only what I could find in large print. But now, with an eReader, I can read any book by just increasing the size of the font.

Q: Do you think the digital revolution will have similar effects on the book industry as it has had on the music industry?

A: Absolutely. It will have the same effect in that content is delivered directly to the customer, which, as a result, changes the current business model that both those industries have had up to this point. In the music industry, there seems to be less and less of an importance to have major labels. In the same way, in the book publishing industry, it seems that the major publishing companies have less and less importance. The digital revolution has put the power in the hands of the artist. The way an artist can connect with an audience is simple and direct. The only problem the artist will have now is to find their audience.

Q: Your album Feral Fire got its name from Cormac McCarthy’s The Road. What about the novel appealed to you?

A: The quote from the novel had little to do with the novel itself. I liked the novel, but they were two words that poked out to me. I thought the alliteration had a real sense of longing. I could never really get that title out of my head while I was writing the songs for the album. It seemed like “feral fire” had a sense of longing and desperation, and basically I felt the songs on the record reflected those emotions.

Q: Are any of your songs influenced by books, and if so, which ones?

A: There are several. In To Kill a Mockingbird, Calpurnia takes Scout and Jem to a church and they sing a hymn that talks of heaven being, “the sweet forever.” I thought that was a great way to describe eternity. I used that phrase to actually title one of my songs in Feral Fire. I did write “Adalina” after I read The Sun Also Rises, because the song deals with a man that can’t have the woman that he wants much like the narrator in The Sun Also Rises can’t have Lady Brett. I actually used a line in “Adalina” that is straight from the book: “of all the ways to be wounded.” I just used it in the same way that Hemingway does, that there are a million ways to be wounded in this world, but that one person you love so much doesn’t love you the same way, and that’s the deepest sort of pain you’ll ever experience.

Q: What particular genres interest you?

A: Being a Southerner, I’m always drawn to Southern writers. Southern goth, too. Anything that deals with the issues of Southern culture and identity, books that deal with the Southern culture and way of life.

About the Band:

Glossary just released its seventh album, Long Live All of Us, available from This Is American Music and Last Chance Records. Glossary has been featured on NPR’s World Café, mentioned in USA Today, Paste magazine, and numerous other acclaimed music publications while being routinely featured on too many “Best of” lists to count. The band consists of bassist Bingham Barnes, singer/percussionist Kelly Knieser, pedal steel/guitarist Todd Beene, drummer Eric Giles, and frontman/ guitarist Joey Knieser.

 

Vicki Keire

About the Interviewer:

Vicki Keire grew up in a 19th Century haunted house in the Deep South full of books, abandoned coal chutes, and plenty of places to get into trouble with her siblings. She has taught writing and literature at a large, football-obsessed university while slipping paranormal fiction in between the pages of her textbooks. She is the author of the bestselling Angel’s Edge series, which includes Gifts of the Blood and its sequel, Darkness in the Blood. She is included in the Dark Tomorrows anthology with J.L. Bryan and Amanda Hocking and now writes full time. You can find her online.

 

This post is part of the Curiosity Quills Blog Tour 2012.

Curiosity Quills is a gaggle of literary marauders with a bone to grind and not enough time for revisions – a collective, creating together, supporting each other, and putting out the best darn tootin’ words this side of Google.

Curiosity Quills also runs Curiosity Quills Press, an independent publisher committed to bringing top-quality fiction to the wider world. They publish in ebook, print, as well as serialising select works of their published authors for free on the press’s website.