Quantcast

A Weekend of Firsts at the 2011 National Book Festival

It was a weekend of firsts for the National Book Festival and “Wiggles.”

For the first time, Wiggles rode on an escalator, the subway, went to Washington D.C., saw the Washington Monument, the Vietnam Wall Memorial, the National Mall, the National Book Festival, and Jill from Rhapsody in Books and her husband (forgive me I cannot remember his name — having a sleepy brain moment).  She also met the Cat in the Hat, a Honker from Sesame Street, and got her own first free books from a publisher, Penguin.

That leads me to the firsts for the festival.  For the first time in its 11-year history, it was held over two days. And both days were chock full of authors and activities, which made it even more worthwhile to go since one day was no better than the other, depending on your author preferences.

Additionally, while they have generously offered Library of Congress programs, bags, bookmarks, and audio samplers from classics, publishers do not frequent the festival and offer free books.  Imagine our surprise when Penguin was there offering giveaways of children’s books — which may be related to this year’s theme of reading aloud — in addition to all of their other fun activities for kids.  Wiggles was too young for the activities, but The Girl from Diary of an Eccentric had some fun making bookmarks.

Kelly Cherry--VA Poet Laureate

Another first for the festival was a tent on Sunday dedicated to the States’ Poets Laureate, though they only had poet laureates from Maryland, Virginia, Washington, D.C, California, and Maine.  They did indicate at the beginning of the program that it was an experiment to see how popular it would be.  It had a decent crowd for the poets we saw, Kelly Cherry (pictured above) and Stanley Plumly, (pictured below) who was introduced by the Architect of the Capitol — a big fan of his poetry. Unfortunately, we only heard bits and pieces from these two poets because Wiggles was in need of a diaper change, but I’ve read Plumly’s work before and Cherry’s presence gave me another poet to check out.

Stanley Plumly -- MD Poet Laureate

Most of the poetry I experienced was on Sunday, rather than Saturday, which we spent mostly wandering around with “Wiggles” to places like the Washington Monument to check out the cracks from the earthquake and the Vietnam Wall memorial. The only poet we heard read was Kimiko Hahn, who was a boring speaker. I haven’t read much of her poetry, but I have a feeling that its more academic than most and you’d have to spend time reading it on the page, rather than listening to it being read. I missed Rita Dove earlier in the day on Saturday, thanks to the lovely Metro track work.

Please check out the slideshow of the photos I took:

Sunday was the day I looked forward to all month — meeting Yusef Komunyakaa for the first time; I consider him a rock star of poetry to be honest. I did actually speak to him about my Vietnam Veteran uncle and writing for a bit, and learned there is an anthology being worked on with poetry from family members of Vietnam veterans, which would be incredibly interesting.

Yes, I picked up his new book. Yes, I was tongue-tied talking to him, and yes, I was in awe. So in awe, that I forgot to give him a business card for both Savvy Verse & Wit and War Through the Generations. Beyond that, hearing him read his poems in his own voice is just what I imagined it to be — each has a soul and a rhythm that you can imagine, but it is SO MUCH better to hear from the source.

Hence, my YouTube video for you of his recitation of Grenade:

I did upload another of his poems being read, but I didn’t catch the name of it and someone walked through my video, so you’ll have to ignore that if you check it out. The crowd to hear Yusef gives me hope that poetry has a wide audience that only has room to grow further. It was a packed audience, no empty chairs, and standing room only.

How was your experience?

Guest Review: Delights & Shadows by Ted Kooser

Today’s guest review of Ted Kooser’s Delights & Shadows is by a good friend and blogging pal of mine, Anna from Diary of an Eccentric.  It didn’t take too much arm twisting to get her to participate in Celebrating Indie & Small Press Month; All I had to do was give her a book to read.  She also gets to count this one for the Fearless Poetry Reading Challenge I’m hosting . . . see how diabolical I am?!

Ok, on with the review:

Former U.S. Poet Laureate Ted Kooser won the Pulitzer Prize for Delights & Shadows, which was published by Copper Canyon Press in 2004. Kooser’s poetry is what one would call “accessible” because it doesn’t take much deciphering or pondering to get at least a surface understanding, though some of his poems go much deeper.

Delights & Shadows is a collection of quiet poems touching upon such themes as memory, aging, death, and nature. Kooser obviously spends a lot of time observing his surroundings, and many of his poems bring ordinary objects or simple moments to life. When Kooser looks at the world, he sees things that many of us would miss, and the descriptions of what he sees are fascinating. In “Tattoo,” Kooser describes an old man browsing a yard sale and contemplates his past after he sees a tough-guy tattoo on his arm. In “A Rainy Morning,” he compares a woman pushing herself in a wheelchair to a pianist, writing “So expertly she plays the chords/of this difficult music she has mastered” (page 15).

Kooser manages to say so much in just a line or two. In “Father,” in remembering his father’s illness, he writes “you have been gone for twenty years,/and I am glad for all of us, although/I miss you every day” (page 36). In “Horse,” he calls a horse “the 19th century” (page 56), which calls to mind civilization’s past dependence on the animal. Other poems compare a pegboard to ancient cave drawings, describe the moment in which a bike rider pedals off, and use a spiral notebook to conjure memories of the past.

Delights & Shadows also includes a couple of narrative poems, poems that tell a story in verse. In “Pearl,” Kooser talks about visiting his mother’s childhood playmate to tell her that his mother has died. My favorite poem in the collection is “The Beaded Purse,” about a man taking home the coffin containing the body of his daughter, who’d left home to pursue an acting career and hadn’t been home in years.

Kooser is a master of quiet observation and finding the extraordinary in the ordinary. In Delights & Shadows, he describes the delights in these simple things, as well as the shadows of the past that these objects and observations conjure up.

Delights & Shadows was published by Copper Canyon Press, which was founded in 1972 and publishes only poetry. The company’s pressmark is the Chinese character for poetry, which stands for “word” and “temple.”

Disclosure: I borrowed Delights & Shadows from Serena to review for Independent and Small Press Month. I am an IndieBound affiliate and an Amazon affiliate.

Thanks, Anna, for participating in Celebrate! Indie & Small Press Month!  Seems to me that you really enjoyed this collection.  What other Kooser books will you be reading?