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Mailbox Monday #705

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Thank you to Velvet for stepping in when Mailbox Monday needed another host.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s What I Received:

DC Poets for DC Schools edited by Robert Bettman, purchased from DayEight.

The DC Poets for DC Schools anthology includes twenty-six poems by nine area poets. The poems in this collection were selected to introduce students to topics and techniques, history, and character. Included works explore growing up in Washington, D.C., sexuality, Blackness, aging, violence, womanhood, and more. Authors range from internationally renowned award winners to highly regarded and still very young poets.

Diaspora Cafe: D.C. edited by Jeffrey Banks and Maritza Rivera, purchased from DayEight.

An anthology by AfroLatinx writers, Diaspora Cafe D.C. is a collective investigation of survival by writers within a system that deprioritizes their existence.

Diaspora Cafe D.C. is edited by Jeffrey Banks and Maritza Rivera and the contributors include: Ethelbert Miller, Saleem Abdal-Khaaliq, J. Joy “Sistah Joy” Alford, Jane Alberdeston, Kamilah Mercedes Valentín Díaz, Nick Leininger, Stephani E.D. McDow, Manuel Méndez, Hermond Palmer, henry 7. reneau, jr., Allison Whittenberg, Christine Williams, alongside poems by the editors.

While some poems consider identity and relationships, and others are love poems to family and lovers, all are united by a thread of resistance against invisibility.

Some Days the Bird by Heather Bourbeau and Anne Casey, which I purchased from Beltway Editions.

Throughout 2021, as COVID and climate change battled for supremacy in the hearts and minds of the world, American poet Heather Bourbeau and Irish-Australian poet Anne Casey engaged in a poetry conversation back and forth across the globe, alternating each week, to create 52 poems over 52 weeks. With poems anchored in their gardens, they buoyed each other through lockdowns and exile from family, through devastating floods, fires, wild winds and superstorms. Some Days The Bird, a collection of internationally recognized and award-winning poems, is the result of their weekly communiqués from different hemispheres (and opposing seasons) in verse.

Inheritance by Taylor Johnson, which was gifted to me by the new Takoma Park Poet Laureate.

Inheritance is a black sensorium, a chapel of color and sound that speaks to spaciousness, surveillance, identity, desire, and transcendence. Influenced by everyday moments of Washington, DC living, the poems live outside of the outside and beyond the language of categorical difference, inviting anyone listening to listen a bit closer. Inheritance is about the self’s struggle with definition and assumption.

What did you receive?

The Far Mosque by Kazim Ali

Source: Purchased
Paperback, 80 pgs.
I am an Amazon Affiliate

The Far Mosque by Kazim Ali is a collection of poems in which a journey toward enlightenment is not what the narrator expects.  The Far Mosque is a place where enlightenment can be reached.  Many of these poems are not about a journey to a place but a journey within the self.  Ali plays with language in these poems, with many relying on homophones to carry a dual meaning.

From "Night Boat" (pg. 19-20)

Unfurl your hands to say: You will no longer here
The trees are rapt with silence

The burning bird settling in the rocks
Stand ever among the broken vowels:

You will no longer hour

The silent groundswell, the swell of silence.

Silence is a pervading theme throughout as the narrator tries to quiet his own beating heart to enjoy the silent moments of nature in “One Evening,” or when Yogis open their mouths to drink rain, rather than speak in “Rain.” The journey has taken this narrator many places, but many of these trips have done little to achieve peace or calm. The narrator is looking for a way to separate from the known self, to find that inner place (“The River’s Address”) where he can return again when the world or his state of mind requires re-balance.

The Far Mosque by Kazim Ali is a meditation of its own, with poems evoking ties to nature and its quiet beauty, but also its tumultuous moments and chaotic presence. Some of these poems will require greater meditation from the reader.

RATING: Tercet

About the Poet:

Kazim Ali is an American poet, novelist, essayist and professor. His most recent books are The Disappearance of Seth (Etruscan Press, 2009) and Bright Felon: Autobiography and Cities (Wesleyan University Press, 2009). His honors include an Individual Excellence Award from the Ohio Arts Council. His poetry and essays have been featured in many literary journals and magazines including The American Poetry Review, Boston Review, Barrow Street, Jubilat, The Iowa Review, West Branch and Massachusetts Review, and in anthologies including The Best American Poetry 2007.

 

 

 

 

 

New Authors Reading Challenge 2017

Here, Bullet by Brian Turner

Here, Bullet by Brian Turner, who served in the U.S. army for seven years after receiving his MFA and was a team leader for one year in Iraq with the 3rd Stryker Brigade Combat Team, won the 2005 Beatrice Hawley Award and was printed by Alice James Books — a nonprofit cooperative poetry press.  (The title poem, Here, Bullet,” was recently profiled in the Virtual Poetry Circle.)  The collection is broken down into four sections, and each section is preceded by a quote relevant to it, with some even quoting the Qur’an.  Turner is adept at illustrating the violence of war, but also the humanity that accompanies it.  From the startling nature of rockets going off over head to the silence of bullets as they enter the body, he provides a keen eye into how those instruments of war impact both sides of the battle equally psychologically, physically, and spiritually.

Soldiers who craft wartime poetry have generally either fallen into the category of using graphic violence to shock and awe the reader or using quieter imagery to bring about reader understanding about psychological impacts of battle.  There also are those that have political poems that are heavy on criticism or propaganda, but those would fall less into the wartime poetry category.  Turner combines both violence and peace in his imagery, but in a unique way that has violence silently creeping into the lines and shocking readers.  For instance, in “Eulogy” (page 20), readers may hardly notice the suicide of Private Miller because he takes “brass and fire into his mouth,” but once the birds fly up off the water by the sound, it is clear the brass and fire are from a gun.  While outright, violent images can be eye-opening for readers, the quiet power in some of Turner’s lines are that much more lasting.

From “Katyusha Rockets” (page 32), “Rockets often fall/in the night sky of the skull, down long avenues/of the brain’s myelin sheathing, over synapses/and the rough structures of thought, they fall/into the hippocampus, into the seat of memory–/where lovers and strangers and old friends/entertain themselves, unaware of the dangers/headed their way, or that I will need to search/among them.”  These poems not only pay tribute to soldiers on all sides, but the civilians, the heroes, and a soldier’s fears and his regrets.  Some poems are infused with deep sadness, while others are steeped in great pride.

Here, Bullet by Brian Turner and the title poem are a testament to war and all of its trappings.  Readers will enjoy the quiet power these poems hold and the deft hand with which Turner paints the humanity of both sides in war.  The collection also contains moments of observation that will have readers thinking about war in the greater context of our own “supposed” morality as espoused by the Bible and the Qur’an, noting in “Dreams From the Malaria Pills (Turner)” (page 46), “He knows the Qur’an and the Bible/have washed page by page to the shore,/their bindings stripped loose, their ink/blurred into the sea.//”

About the Poet:

Brian Turner is a soldier-poet who is the author of two poetry collections, Phantom Noise (2010) and Here, Bullet (2005) which won the 2005 Beatrice Hawley Award, the New York Times “Editor’s Choice” selection, the 2006 Pen Center USA “Best in the West” award, and the 2007 Poets Prize, among others. Turner served seven years in the US Army, to include one year as an infantry team leader in Iraq with the 3rd Stryker Brigade Combat Team, 2nd Infantry Division. Prior to that, he was deployed to Bosnia-Herzegovina in 1999-2000 with the 10th Mountain Division. Turner’s poetry has been published in Poetry Daily, The Georgia Review, and other journals, and in the Voices in Wartime Anthology published in conjunction with the feature-length documentary film of the same name.

 

This is my 48th book for the 2011 New Authors Reading Challenge.

 

 

This is my 22nd book for the Fearless Poetry Exploration Reading Challenge.