The Far Mosque by Kazim Ali

Source: Purchased
Paperback, 80 pgs.
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The Far Mosque by Kazim Ali is a collection of poems in which a journey toward enlightenment is not what the narrator expects.  The Far Mosque is a place where enlightenment can be reached.  Many of these poems are not about a journey to a place but a journey within the self.  Ali plays with language in these poems, with many relying on homophones to carry a dual meaning.

From "Night Boat" (pg. 19-20)

Unfurl your hands to say: You will no longer here
The trees are rapt with silence

The burning bird settling in the rocks
Stand ever among the broken vowels:

You will no longer hour

The silent groundswell, the swell of silence.

Silence is a pervading theme throughout as the narrator tries to quiet his own beating heart to enjoy the silent moments of nature in “One Evening,” or when Yogis open their mouths to drink rain, rather than speak in “Rain.” The journey has taken this narrator many places, but many of these trips have done little to achieve peace or calm. The narrator is looking for a way to separate from the known self, to find that inner place (“The River’s Address”) where he can return again when the world or his state of mind requires re-balance.

The Far Mosque by Kazim Ali is a meditation of its own, with poems evoking ties to nature and its quiet beauty, but also its tumultuous moments and chaotic presence. Some of these poems will require greater meditation from the reader.

RATING: Tercet

About the Poet:

Kazim Ali is an American poet, novelist, essayist and professor. His most recent books are The Disappearance of Seth (Etruscan Press, 2009) and Bright Felon: Autobiography and Cities (Wesleyan University Press, 2009). His honors include an Individual Excellence Award from the Ohio Arts Council. His poetry and essays have been featured in many literary journals and magazines including The American Poetry Review, Boston Review, Barrow Street, Jubilat, The Iowa Review, West Branch and Massachusetts Review, and in anthologies including The Best American Poetry 2007.






New Authors Reading Challenge 2017

Here, Bullet by Brian Turner

Here, Bullet by Brian Turner, who served in the U.S. army for seven years after receiving his MFA and was a team leader for one year in Iraq with the 3rd Stryker Brigade Combat Team, won the 2005 Beatrice Hawley Award and was printed by Alice James Books — a nonprofit cooperative poetry press.  (The title poem, Here, Bullet,” was recently profiled in the Virtual Poetry Circle.)  The collection is broken down into four sections, and each section is preceded by a quote relevant to it, with some even quoting the Qur’an.  Turner is adept at illustrating the violence of war, but also the humanity that accompanies it.  From the startling nature of rockets going off over head to the silence of bullets as they enter the body, he provides a keen eye into how those instruments of war impact both sides of the battle equally psychologically, physically, and spiritually.

Soldiers who craft wartime poetry have generally either fallen into the category of using graphic violence to shock and awe the reader or using quieter imagery to bring about reader understanding about psychological impacts of battle.  There also are those that have political poems that are heavy on criticism or propaganda, but those would fall less into the wartime poetry category.  Turner combines both violence and peace in his imagery, but in a unique way that has violence silently creeping into the lines and shocking readers.  For instance, in “Eulogy” (page 20), readers may hardly notice the suicide of Private Miller because he takes “brass and fire into his mouth,” but once the birds fly up off the water by the sound, it is clear the brass and fire are from a gun.  While outright, violent images can be eye-opening for readers, the quiet power in some of Turner’s lines are that much more lasting.

From “Katyusha Rockets” (page 32), “Rockets often fall/in the night sky of the skull, down long avenues/of the brain’s myelin sheathing, over synapses/and the rough structures of thought, they fall/into the hippocampus, into the seat of memory–/where lovers and strangers and old friends/entertain themselves, unaware of the dangers/headed their way, or that I will need to search/among them.”  These poems not only pay tribute to soldiers on all sides, but the civilians, the heroes, and a soldier’s fears and his regrets.  Some poems are infused with deep sadness, while others are steeped in great pride.

Here, Bullet by Brian Turner and the title poem are a testament to war and all of its trappings.  Readers will enjoy the quiet power these poems hold and the deft hand with which Turner paints the humanity of both sides in war.  The collection also contains moments of observation that will have readers thinking about war in the greater context of our own “supposed” morality as espoused by the Bible and the Qur’an, noting in “Dreams From the Malaria Pills (Turner)” (page 46), “He knows the Qur’an and the Bible/have washed page by page to the shore,/their bindings stripped loose, their ink/blurred into the sea.//”

About the Poet:

Brian Turner is a soldier-poet who is the author of two poetry collections, Phantom Noise (2010) and Here, Bullet (2005) which won the 2005 Beatrice Hawley Award, the New York Times “Editor’s Choice” selection, the 2006 Pen Center USA “Best in the West” award, and the 2007 Poets Prize, among others. Turner served seven years in the US Army, to include one year as an infantry team leader in Iraq with the 3rd Stryker Brigade Combat Team, 2nd Infantry Division. Prior to that, he was deployed to Bosnia-Herzegovina in 1999-2000 with the 10th Mountain Division. Turner’s poetry has been published in Poetry Daily, The Georgia Review, and other journals, and in the Voices in Wartime Anthology published in conjunction with the feature-length documentary film of the same name.


This is my 48th book for the 2011 New Authors Reading Challenge.



This is my 22nd book for the Fearless Poetry Exploration Reading Challenge.