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Brave Like Mom by Monica Acker

November 3, 2022 by

Source: Media Masters Publicity
Hardcover, 32 pgs.
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Brave Like Mom by Monica Acker, illustrated by Paran Kim, is a story of two young girls whose mom is battling cancer and her girls see her as strong and brave. They want to be like her and not shed tears. But these girls are strong when they strive to climb walls, ride horses, and so much more. But their mom reminds them that it is ok to be scared and to cry.

Acker does a good job of showing how mom is brave for her girls, but also how neighbors, their dad, and others help her every day. What the girls see is the actions of their mother, not the helping hands. The illustrations are simple and colorful.

What I wanted was less telling and more showing of this relationship between the kids and the mother and the family in general. Brave Like Mom by Monica Acker, illustrated by Paran Kim, does have a great story with advice for young children of parents struggling with illness.

RATING: Tercet

About the Author:

Monica Acker is a writer and educator. She holds a BA in creative arts and a MAT degree in childhood education. Monica is a member of SCBWI, 12×12, and Children’s Book Insider. She lives in Reading, Massachusetts, with her family.

Filed Under: challenges, children's fiction, New Authors Challenge, Read in 2022, review copy, reviews Tagged With: , , , ,

Love the Dark Days by Ira Mathur

October 27, 2022 by

Source: the author
Paperback, 232 pgs.
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Love the Dark Days by Ira Mathur is a surreal memoir that weaves between a distant past in post-colonial India and ancestral stories and a married woman looking for guidance on writing her own memoir. The narrative digs deep into the past of her ancestry pulling the thread of pain forward into her present. Mathur says in more than one place that she doesn’t feel like she belongs. She’s looking throughout the memoir for her place in the world.

This sense of drift carries readers through the memoir, which reads like a nightmare in places. Her grandmother Burrimummy has fits of anger and sadness, and her rages seem like a woman battling mental illness, though that isn’t outwardly articulated. Shifting from India to Trinidad and other places, Mathur is weaving place with family history, much of it violent and abusive. Whether subject to emotional abuse and dejection or the physical abuse her mother felt as a child at the hands of her own mother, these instances reverberate throughout the female line in the family. These women are damaged and traumatized, but it is unclear if these women  ever sought help or tried to break the cycle.

“When she is angry like this, I don’t know what to feel. I hate it when she thrashes me but am sadder when she doesn’t notice me at all.”

“The servants, sensing my lower status, are careless with me.”

“I’m too dark, too rebellious.”

Mathur’s view of herself is skewed from an early age, and she carries that doubt with her as she matures. She is never good enough. She even says, “Twenty-four years, and in some ways, nothing had changed for me.” But later as she’s seeking to understand this generational violence and neglect, she absolves everyone of responsibility.

“They are like Russian dolls. I understand now. Mummy blames Burrimummy for being unkind. Burrimummy blames Mumma for ill-treating her, and Mumma blames Sadrunissa for thrashing her. They all took out whatever anger they felt over their own lives on their daughters. no one is responsible.”

The sections when Mathur is interacting with poet Sir Derek Walcott are overly long and fawning of a poet whom she admits was accused of harassing women. Her admiration of his poetry is clear, and she does recognize his faults, but if these scenes were meant to tie in with her family’s saga, they did not fit seamlessly into the narrative. They often pulled me out of her story and made me wonder when she would get back to her family. When she does get back to her family, there are still questions that linger about her husband’s behavior, his family’s acceptance/rejection of her, and her relationship with her own children that remain unanswered. Perhaps that’s a future memoir?

In many ways, this memoir is about a woman still coming to terms with her trauma. Intimate, harrowing, and sad, Mathur’s memoir reminds us that “when brutality is normalized, it is passed on, like a legacy, like DNA.” Love the Dark Days by Ira Mathur is most engaging when she speaks about her family and its legacy and its impact on her as a woman and successful journalist.

RATING: Tercet

About the Author:

Ira Mathur is an Indian born Caribbean freelance journalist/writer working in radio, television and print in Trinidad, West Indies. She also is currently a Sunday Guardian columnist and feature writer. Follow her on Instagram, Twitter, and LinkedIn.

Filed Under: ARC, challenges, fiction, New Authors Challenge, Read in 2022, review copy, reviews Tagged With: ,

Dear Wild Child by Wallace J. Nichols and Wallace Grayce Nichols, illustrated by Drew Beckmeyer

October 11, 2022 by

Source: Media Masters Publicity
Hardcover, 32 pgs.
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Dear Wild Child: You Carry Your Home Inside You by Wallace J. Nichols and Dr. Wallace Grayce Nichols, illustrated by Drew Beckmeyer, is based on a letter from a father to a grown daughter after the 2020 CZU Lightning Complex Fires destroyed her childhood home on the Slow Coast north of Santa Cruz, California, following a brilliant lightning storm.

The book opens before the birth of the child in the story, as the parents are planning and designing their home in the redwoods. The illustration of the house as a patchwork of trees is beautiful and abstract. Opening up to the inside of the home, it’s cozy and filled with books and music and love. Like the strength of the trees making up the floors and walls of the house, the young girl grows stronger each day, learning to sing, and enjoy nature, and explore all that the woods has.

Beckmeyer lends his skills as an imaginative artist with crayons (or at least it gives that child-like impression). His illustrations are deep and textured, resembling the crayon wax that is left behind on the page when a child colors. This effect ensures readers will see the trees as three-dimensional and coarse with bark.

Dear Wild Child: You Carry Your Home Inside You by Wallace J. Nichols and Dr. Wallace Grayce Nichols, illustrated by Drew Beckmeyer, shares the beauty of a home filled with love, and though it may no longer exist in physical form, all of that love and those memories are carried inside that “wild child.” While loss can be extremely devastating, this books illustrates the beauty of memory and love, as well as that beauty in destructive forces.

RATING: Cinquain

***To help those communities impacted by these destructive wildfires, please consider helping After the Fire.***

About the Authors and Illustrator:

Wallace Grayce Nichols is a student of sustainable design, problem solver, and water lover. Her father, Dr. Wallace J. Nichols, is a marine biologist and the author of the bestselling book Blue Mind: The Surprising Science That Shows How Being Near, In, On, or Under Water Can Make You Happier, Healthier, More Connected, and Better at What You Do. Home is the slow coast of California. Drew Beckmeyer is a fine artist, illustrator, and elementary school teacher. He lives in Northern California.
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My Dog, Hen by David Mackintosh

October 4, 2022 by

Source: Media Masters Publicity
Hardcover, 40 pgs.
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My Dog, Hen by David Mackintosh is a cute story about a boy and his new dog from the shelter. Hen is a “good as new” dog but he has some things to learn. He wants to chew everything in sight from the dog bowl to his bed and all of his toys. The chewing seems never-ending until the boy’s grandmother comes to the rescue.

The illustrations are simple sketches of the house, the dog, and the people. Many of the drawings resemble kids’ drawings when they are young. What I loved about this book was the message that not all old things should be discarded because they can be mended or made into something new with a different purpose.

The paragraphs are made up of simple sentences that young readers can easily read, though the paragraphs are a bit longer than in other picture books. This could be a bridge book for those who are struggling readers who need images and simpler sentences.

My Dog, Hen by David Mackintosh not only reminds us to be patient and repair the old, but it also reminds us that we all have things to learn when we’re young. We all need a little direction, even Hen.

RATING: Quatrain

About the Author:

David Mackintosh loves books with pictures in them, flying, visiting cities, and being read to. His picture book Marshall Armstrong Is New to Our School was short-listed for the Roald Dahl Funny Prize and long-listed for the Kate Greenaway Medal. He lives in London.

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I Am Coco: The Life of Coco Chanel by Isabel Pin

September 15, 2022 by

Source: Media Masters Publicity
Hardcover, 96 pgs.
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I Am Coco: The Life of Coco Chanel by Isabel Pin takes a brief look at the amazing life of an independent woman, Gabrielle Chanel, a young girl left at an orphanage by a wandering father after her mother’s death. Chanel’s life took a positive turn in the convent when she learned how to sew.

In the section on her life in the orphanage, we found the gray background a little too dark for the black type to show well. We struggled to read that section in a dimmer lit room. Overall, the illustrations are fun, colorful, and characteristic of an artist finding her way in the world as an independent woman at a time when women were not necessarily encouraged to be businesswomen.

When Chanel worked in Moulins and joined the cabaret, one of her songs about a missing dog became her signature and ultimately led to her name change from Gabrielle to Coco. Chanel received a lot of support from men in her life but it was her innovative ideas and focus on comfort for women that really made her fashion work popular.

I Am Coco: The Life of Coco Chanel by Isabel Pin is a quick look at her fashion evolution and the growth of her business. I wanted a little more about her WWII years, but the focus of the book was on fashion and its evolution. Pin definitely provides children with enough information to get them intrigued about Chanel and her life, possibly leading to further interest in her life.

RATING: Quatrain

Filed Under: challenges, children's fiction, New Authors Challenge, nonfiction, Read in 2022, review copy, reviews Tagged With: , , ,

The Power of Architecture by Annette Roeder, illustrated by Pamela Baron

September 7, 2022 by

Source: Media Masters Publicity
Hardcover, 64 pgs.
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The Power of Architecture: 25 Modern Buildings from Around the World by Annette Roeder, illustrated by Pamela Baron, offers a taste of what modern architecture looks like and can do. From a small city contained in a beehive-shaped apartment building to airport terminals shaped like birds, Roeder wants to explore the oddities and beauty of modern architecture.

The book opens with a map and key depicting where here 25 selected buildings are located, and she says right in the introduction that it was hard to choose just 25, but reminds readers that they are in no particular order of importance or favoritism. Surprisingly, my dad picked up this book first and leafed through it, which means it will likely appeal to more than one level of reader.

One thing I wish had been included in the book is a pronunciation key for some of the terms and building names because they are from different parts of the world and I would like to know how to pronounce them correctly.

I do love that Roeder provides information on what the architect was inspired by or thinking about when they created their structures, and each of them is beautifully rendered in water color. It would have have interesting to see a side-by-side of the water color depiction and an actual photo of each building or even just photos in the back of the book to provide readers with a sense of them being in a real place.

The Power of Architecture: 25 Modern Buildings from Around the World by Annette Roeder, illustrated by Pamela Baron, definitely showcases the infinite possibilities of architecture and the ability of the human mind to create something with a purpose in mind — whether that is reducing carbon emissions or incorporating the land or paying homage to a culture.

RATING: Quatrain

About the Author:

Annette Roeder, born in Munich in 1968, is an author, illustrator and architect. She has been writing picture books and children’s books, as well as novels for adults for over 20 years. Her 10-book series Die Krumpflinge (‘The Crumplings’) is much loved by children aged 6+, and she won the Kalbacher Klapperschlange prize for her book Vacations in the Closet.

About the Illustrator:

Pamela Baron is a watercolor illustrator who has a special love of architecture. She lives in a breezy town outside of San Francisco with her husband and twenty-one miniature fruit trees.

Filed Under: challenges, children's fiction, New Authors Challenge, nonfiction, Read in 2022, review copy, reviews Tagged With: , , , ,

HAIR: From Moptops to Mohicans, Afros to Cornrows by Katja Spitzer

September 1, 2022 by

Source: Media Masters Publicity
Hardcover, 40 pgs.
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HAIR: From Moptops to Mohicans, Afros to Cornrows by Katja Spitzer is a look at hairstyle from as long ago as 300 years or more. In the opening pages, there are images that look like noodles, but they also could be clipped pieces of hair before you get to the title page. What’s clear from the start of the book is that humanity has been obsessed with self-expression through hair since the dawn of time.

I loved that the book started with information about why hair grows and what cells make up the color of our hair and why our hair grows gray as we age. From the tall hairstyles of the Rococo period to the Ancient Egyptians, readers will learn about hair and why certain styles became fashionable. The background about the Afro, however, focuses too much on why Blacks straightened their hair, which is important, but doesn’t really explain the hairstyle itself. Some sections are more detailed about how the style is created than this one.  One of the best parts of the book is that there’s a final page that kids can use to draw their own favorite hairstyle.

For a quick history lesson on hair styles, HAIR: From Moptops to Mohicans, Afros to Cornrows by Katja Spitzer can help young kids learn about the past, present, and future of hair, including beards and man-buns.

RATING: Tercet

Filed Under: challenges, children's fiction, New Authors Challenge, nonfiction, Read in 2022, review copy, reviews Tagged With: , , , ,

All the Rivers Flow into the Sea and Other Stories by Khanh Ha

August 23, 2022 by

Source: the author
Paperback, 210 pgs.
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All the Rivers Flow into the Sea and Other Stories by Khanh Ha, winner of the EastOver Prize for Fiction, are stories in which cultures seem insurmountable until there’s an undercurrent of emotion the breaks through those external barriers. Underneath these stories is the roiling tide, pushing and pulling these characters toward and away from one another.

“He makes me homesick. I realize I’m in a foreign country. I can speak its language, live its habits, think its thoughts, but I’ll never be part of it.” (pg. 178, “The Children of Icarus”)

In the opening story, “The Woman-Child,” there’s a tension between a young Vietnamese man, who returns to Vietnam as part of his research of how shrimp farmers are affecting the waterway, and a young woman who cooks for her fisherman father and feels like the woman at the inn is like a mother. He grew up in America and looks at her through an American lens, but she is a young, independent woman who wants to show no weakness in front of him. These moments of passionate tension and the strength of independence enable the tension to break without the characters themselves breaking under the weight.

“I stared at him. He could have stabbed me and still not have hurt me as much as the tone of his voice did.” (pg. 62, “The Dream Catcher”)

Ha’s characters are complex and struggling against cultural expectation and tempting passions. They are looking for their path, but often find they are pulled into a direction they never expected. There is a tumbling of light and dark into a gray sea that flows between each character who is being tossed on their adrift boat. Ha reminds us that tragedy touched everyone, but it is not always apparent on the surface.

All the Rivers Flow into the Sea and Other Stories by Khanh Ha is another collection that will capture your imagination. From the magical market to the tragedy of lost lives, Ha’s stories are fairy tales in which characters face tragedy head on and seek solace in life and the blessings they have. I didn’t want to reach the end of this collection.

RATING: Cinquain

***Also check out Ha’s poem, a Book Signing Horror Story.

Other Reviews:

About the Author:

Multi award winning author Khanh Ha is the author of Flesh, The Demon Who Peddled Longing, and Mrs. Rossi’s Dream. He is a seven-time Pushcart nominee, finalist for the Mary McCarthy Prize, Many Voices Project, Prairie Schooner Book Prize, and The University of New Orleans Press Lab Prize. He is the recipient of the Sand Hills Prize for Best Fiction, the Robert Watson Literary Prize in Fiction, The Orison Anthology Award for Fiction, The James Knudsen Prize for Fiction, The C&R Press Fiction Prize, and The EastOver Fiction Prize.

Mrs. Rossi’s Dream was named Best New Book by Booklist and a 2019 Foreword Reviews INDIES Silver Winner and Bronze Winner. All the Rivers Flow into the Sea & Other Stories has already won the EastOver Fiction Prize. Visit him on Facebook and Twitter.

ENTER THE GIVEAWAY HERE.

Filed Under: fiction, giveaway, Read in 2022, review copy, reviews, short stories Tagged With: , ,

Scale Model of a Country at Dawn by John Sibley Williams

July 7, 2022 by

Source: the poet
Paperback, 85 pgs.
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Scale Model of a Country at Dawn by John Sibley Williams, winner of the 2020 Cider Press Review Book Award, is a collection that defies categorization. The opening poem, “The Gift,” establishes the poet’s framework for the collection, crafting a gift for the reader that will endure despite his loss and contain the harsh and beautiful moments of life. “Just a rough little box built from my bones/to keep the bones you’ll collect in.//” (pg. XIII)

Although there are more personal stories and imaginings within these poems, Williams is taking us (the reader) on a journey into the darker underbrush, the innate desire to seek out and understand the underbelly of humanity and life. “We all need something to scream into,” he says in “Ordinary Beasts.” This poem leads us to the build up of frustration and anger that can come with being part of society, family, and life in general. He further examines this darkness in humanity with “Like a plague of locusts,” in which it is clear that our presence and our actions have led to changes in the landscape: “This is not the sky/our grandmothers taught us to pray to;//this canvas of bald trees & splintered/schools not like anything//we can shape a childhood from./” (pg. 6)

Williams is building to something in this collection; he’s not espousing a particular philosophy or way of thinking. He’s merely building the framework that is humanity in all its emotions and faults. In the title poem, “Scale Model of a Country at Dawn,” he lays down what it means to be a father and raise a “man,” but the choice always remains with the son, just as it did with him as a boy. How do we take what has been taught and modeled for us and become our own person?

As It Is on Earth (pg. 26)

It's like that sometimes. A man bends
so completely he begins believing in
his own holiness. An empty house
kids are too scared to vandalize sees itself
in time as haunted. Even the moon
our dogs wail to each night as if in prayer
fears a response is expected. The war
my brother brought home & the home he 
pined for in war converge in an unruly
absence. Is it finally fair to say like gods
we make images to pour ourselves into?
Like rivers, how they tend to move
farther from the source? What skin
remembers & the mind reimagines:

between them a truth serrated as light.

Throughout Williams’ collection, there is a tension between what we desire and what is reality and between what we envision and what becomes. “Sinkholes” is a gem of a poem that illustrates this idea of ideals and memories versus reality and the uncontrollable. The “scale model” is the start of the country, but how we build it and repair it is the legacy. “Like the sky, roofs are meant to leak, bow./& replacing the buckets every night is a ritual//” (pg. 78, “Restoration”)

RATING: Cinquain

Other Reviews:

About the Poet:

John Sibley Williams is the author of seven poetry collections, including Scale Model of a Country at Dawn (Cider Press Review Poetry Award), THE DROWNING WORKS (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), and Summon (JuxtaProse Chapbook Prize). A twenty-six-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, Phyllis Smart-Young Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.
Filed Under: challenges, poetry, Poetry Reading Challenge, Read in 2022, review copy, reviews Tagged With: , , ,

Inventory of Doubts by Landon Godfrey

June 2, 2022 by

Source: Publisher
Paperback, 84 pgs.
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Doubts follow us in our daily lives, much like the little devils on the shoulders of cartoon characters. Listing our doubts in a journal or simply writing a list when we tackle something new or challenge ourselves can help reduce our anxiety and fear. Landon Godfrey explores these ideas in the collection, Inventory of Doubts, but rather than rely on a human voice, Godfrey has anthropomorphized objects like a feather boa, a dishrag, a box, and many others.

In her prose-like stories, these objects come alive, they become more than the discarded thing. An antique inkwell is not as sophisticated or as academic as it is perceived, and the attic stuffed with discarded items that we no longer care for wishes to be eaten away by termites so it could see the sky and be in awe. Godfrey has collected the uncollectable — silence. We know these objects and their purposes because we have assigned them, but in the silence, is that all that they are? Only what we’ve determined them to be? “Unable to fit in anyone’s pocket, a jealous boulder considers cures for loneliness while it pauses on a cliff.” (“Boulder,” pg. 7)

These objects are stand-ins. They are placeholders for greater questions about our own purposes and our own determinations of what is good and useful and what is to be praised and what is to be frowned upon. Like the dishrag that “experiments with justice, releasing some moisture back into the freedom of air, while retaining a few drops of water indefinitely in a grease-guarded cell.” (pg. 17) Our own experiments, like that of the dishrag, often do not have the best results, but there is always time for change, for reparations. Just like the rag, we too can be reshaped and given new purpose.

Godfrey’s Inventory of Doubts are as fantastical as they are rooted in our own realities. Our conversations with ourselves and our constant “little voices” often have us running in circles or falling into circular patterns of logic, leaving us little room to expand. This collection is an exploration of the human condition: “The seep and clot of it. The furtive fingers of it. The blob and spread of it. The orgy of it. The impossible to remove of it.” (“Stain,” pg. 64) Gloriously imaginative, surprising, and haunting.

RATING: Cinquain

About the Poet:

Landon Godfrey is the recipient of a 2013 Regional Artist Project Grant and a 2011-2012 North Carolina Arts Council Artist Fellowship. In selecting her first book, “Second-Skin Rhinestone-Spangled Nude Soufflé Chiffon Gown,” for the Cider Press Review Book Award, David St. John writes, “Never has the sumptuous materiality of language felt more seductive than in Landon Godfrey’s remarkable debut collection, ‘Second-Skin Rhinestone-Spangled Nude Soufflé Chiffon Gown.’ These exquisite poems are both sensually compelling and intellectually rigorous—a rare feat indeed. The iridescence of this marvelous volume continues to glow long after one has turned out the lights.” Printed at Asheville BookWorks, a limited edition letterpress chapbook, “In the Stone: Three Prose Poems,” will be published in Spring 2013. Landon’s poems have appeared in journals and anthologies—including The Southeast Review, Lyric, Chelsea, POOL, Studium in Polish translation, and Best New Poets 2008—featured at Verse Daily and Broadsided, and nominated for a Pushcart Prize. Her prose on poetry has been published by Q Avenue Press and Gulf Coast, and is forthcoming from Voltage Poetry. Born and raised in Washington, DC, she now lives in Black Mountain, NC, with her husband, poet Gary Hawkins.

Filed Under: ARC, challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2022, review copy, reviews Tagged With: , ,

The Drowning House by John Sibley Williams

May 17, 2022 by

Source: the poet
Paperback, 102 pgs.
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The Drowning House by John Sibley Williams digs deep into masculinity’s myths and confronts its history of violence and of atrocities committed against people of different backgrounds. It is a look at America’s past that is coming into the light and begs us to reckon with it, acknowledge it, and move forward with forgiveness and compassion. For those in the current time who have not committed heinous acts, we still must face what we’ve inherited by the privilege of whiteness and maleness and seek the best path forward for the future or there may be little of it left for anyone.

In the “My American Ghost” section’s opening poem, “Pantomime,” the music of the wind is reviving the sheets into bodies as “We wait/for the well out back to//illuminate its drowned coins,/all the gods overrun by prayers//” (pg. 5) In this section, there are poems that try to tackle the issue of racism in this country with poems about Emmett Till//Edward Hopper, Prometheus//Trayvon Martin, Rosa Parks//Banksy, internment, and more. This section is a hard read as I think about whether we need another “white” man telling us about tragedy or civil rights, but these poems want us to question that and turn that questioning gaze unto ourselves as the privileged class of Americans who benefit the most from the systems of oppression. Hopper’s oil paintings of lone characters in dim settings mirror the shadows of Till’s murder and how “Skin can be its own//broken republic.” (pg. 7)

The Dead Just Need to Be Seen. Not Forgiven. (pg. 8)

That old man in the photo our family never talks about,
known best for tracking runaway slaves; tonight

we drag him from the basement up these loose
wood stairs & set out a plate of salted cabbage & rabbit--

so long since I've asked why the empty chair at our table.
With all the warmth a body has to give, we give up on

measuring the darkness between men. Dust & dusk enter
& are wiped from the room. The names we call each other

linger luminous & savage. Still. That tree I used to hang
tires from holds tight its dead centuries. The light

swinging from its branches we call rope-like,
which implies there's no longer rope. Tonight, we'll wash

the burnt out stars from his hair, all the crumbs from his beard.
The misfired bullet of his voice we let burn as it must.

It is clear that America’s past is part of who we are. In “Internment,” the narrator says, “This country goes/weak at the knees at the thought of you, how you nourish/the earth//” Further in this section, an abusive father appears in a story told to the narrator’s own children where the ending is changed to make it more palatable for kids’ ears. But we need to hear the full story, not just a rosy colored version, as the narrator reminds us in “My American Ghost,” “light strikes a coin/differently after a train/flattens its face:” … “our mouths, nestfuls of promises,/we shall open them almost/fully: swallow & speak for what/we’ve swallowed: a whole/new language of witness./” (pg. 30)

The Drowning House by John Sibley Williams is an America that fails to look its past in the eye, accept what has come before, and right that ship. “Is it true this ruin has been ours//the whole time?” (“Incendiary Device,” pg. 35) or can we be the narrator: “It turns out I was born with a matchbook/in my hands.” and “There’s a reason we refuse/to leave, even now.” (“Incendiary Device,” pg. 35). While exploring American darkness, Williams is reaching for the light with a hopeful hand for the next generation.

RATING: Cinquain

Other Reviews:

About the Poet:

John Sibley Williams is the author of seven poetry collections, including Scale Model of a Country at Dawn (Cider Press Review Poetry Award), THE DROWNING WORKS (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), and Summon (JuxtaProse Chapbook Prize). A twenty-six-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, Phyllis Smart-Young Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.
Filed Under: challenges, Events, national poetry month, poetry, Poetry Reading Challenge, Read in 2022, review copy, reviews Tagged With: , , ,

What Flies Want by Emily Perez

April 12, 2022 by

Source: GBF
Paperback, 96 pgs.
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What Flies Want by Emily Perez, winner of the Iowa Poetry Prize, is a surreal painting of the rotting fruit flesh we hide behind closed doors and with tranquil, civilized facades. Perez takes a close look at mental illness, gender and racial identity, and so much more in these pages. What do the flies want? They want that exposed flesh – to feed off of it, to get fat on our misery.

From "My Son Is" (pg. 1-2)

...
....He needs 

the shock
of a thing done.
Something stronger
      than his anger, something
      forcing fortune out of him.

            He crowds the dark he darks
            into his boyhood wears
                his hood unhinged.

Every word, every line is nuanced. Even as boys play childhood games with Nerf guns, the violence is there, under the surface, lurking. In “Battle Song” and in “My Children Use the American Flag,” Perez’s lines are commenting subtly on the roles of boys, the expectation of violence, the training it takes even when it is just pretend. She juxtaposes this with her poem “Before I Learned to Be a Girl,” in which the narrator is a “wind unwound,” and she is a fire all her own. She needs no one; she is a force that can take down the darkness, the pirates, the gunman.

Nightwatch (pg. 6)

We killed the mockingbird
and killed so many more. Foolish
to believe that we were ever growing
out of our armored selves, sealed off
like walnuts, small brained and fearful.
We did not want to be vulnerable. We did
not want to stand alone, skin exposed
to the night, trembling against
whatever wind was rising.

There is the constant push and pull between civilization and the feral wilds of ourselves. But even with civility, there needs to be limits because “The thing about privacy//is it narrowed who knew/what forces//tipped the walls./” (“Outbound Flight,” pg. 7) Even in “Accoutrements,” the bounds of marriage need to be reexamined, with everything seeming well from the outside as long as you don’t look too closely.

What Flies Want by Emily Perez, winner of the Iowa Poetry Prize, is stunning in its examination of the pressures we put on ourselves and the pressures society levies bluntly. We have to do more than protect ourselves from outside forces, we need to protect ourselves from our own expectations while holding onto out whole selves, not just portions of us.

RATING: Cinquain

About the Poet:

Emily Pérez is the author of What Flies Want, winner of the Iowa Prize, forthcoming in May 2022. With Nancy Reddy she edited The Long Devotion: Poets Writing Motherhood, forthcoming in March 2022. Her other books and chapbooks include House of Sugar, House of Stone, Backyard Migration Route, and Made and Unmade. She graduated with honors from Stanford University and earned an MFA at the University of Houston, where she served as a poetry editor for Gulf Coast and taught with Writers in the Schools. A CantoMundo fellow and Ledbury Emerging Critic, she has received grants and scholarships from Hedgebrook, the Community of Writers, the Washington State Artist Trust, Jack Straw Writers, Bread Loaf Writers’ Workshop, Summer Literary Seminars, and Inprint, Houston. Her poems have appeared in journals including Copper Nickel, Fairy Tale Review, Prairie Schooner, Poetry, Diode, and DIAGRAM. She teaches English and Gender Studies in Denver where she lives with her family.

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