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Mailbox Monday #743

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

A woman is no man by Etaf Rum for my work’s book club pick and I picked up from the library.

Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children—four daughters instead of the sons Fareeda tells Isra she must bear.

Brooklyn, 2008. Eighteen-year-old Deya, Isra’s oldest daughter, must meet with potential husbands at her grandmother Fareeda’s insistence, though her only desire is to go to college. Deya can’t help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. But her grandmother is firm on the matter: the only way to secure a worthy future for Deya is through marriage to the right man.

But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family—knowledge that will force her to question everything she thought she knew about her parents, the past, and her own future.

What did you receive?

Mailbox Monday #742

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

The Deeper the Water the Uglier the Fish by Katya Apekina, which I borrowed from the library’s audio app. (my review)

It’s 16-year-old Edie who finds their mother, Marianne, dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother’s dark moods.

After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success. The girls, grieving and homesick, are at first wary of their father’s affection, but soon Mae and Edie’s close relationship begins to fall apart – Edie remains fiercely loyal to Marianne, convinced that Dennis is responsible for her mother’s downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne’s romantic past clicks into focus, the family fractures further.

Moving through a selection of first-person accounts and with a sinister sense of humor, The Deeper the Water the Uglier the Fish powerfully captures the quiet torment of two sisters craving the attention of a parent they can’t, and shouldn’t, have to themselves.

My Sister, the Serial Killer by Oyinkan Braithwaite, borrowed from the library for my work’s book club.

Korede’s sister Ayoola is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead, stabbed through the heart with Ayoola’s knife.

Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood (bleach, bleach, and more bleach), the best way to move a body (wrap it in sheets like a mummy), and she keeps Ayoola from posting pictures to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit.

Korede has long been in love with a kind, handsome doctor at the hospital where she works. She dreams of the day when he will realize that she’s exactly what he needs. But when he asks Korede for Ayoola’s phone number, she must reckon with what her sister has become and how far she’s willing to go to protect her.

Exits by Stephen C. Pollock for review.

“Pollock’s poetry is brilliant”

— Kristiana Reed, editor in chief, Free Verse Revolution

Stephen C. Pollock’s poetry collection Exits nods to the literary traditions of years past while simultaneously speaking to the present moment. Multilayered and musical, the poems in Exits have drawn comparisons to the work of Eavan Boland and Seamus Heaney. With bold imagery, attention to form, and a consistent through line rooted in the theme of mortality, Pollock’s collection responds to contemporary anxieties surrounding death and the universal search for meaning in life’s transience.

“Exits…is a magnificent work”

— Rich Follett, Readers’ Favorite Reviews, 5.0 stars

“Exits exemplifies the musicality of language”

— Foreword-Clarion Reviews

“Full of wit, insight and provocative imagery, Exits is a masterful collection”

— IndieReader, 5.0 stars

The Unempty Spaces Between by Louis Efron for review.

A beautiful creation of song and scar, of emotional complexity and simple witness, Louis Efron’s debut collection The Unempty Spaces Between mingles the natural and human worlds in a series of accessible, personal, universal poems. From lush to bare, the landscapes he presents us with are so intertwined with and impacted by our actions that we realize the two have always been one. Brimming with meditations deep as winter snow and boundless compassion and curiosity, these vibrant poems remain grounded in a universal familiarity that opens us up to something greater. -John Sibley Williamsauthor of As One Fire Consumes Another

Louis Efron’s collection The Unempty Spaces Between reveals a reverence for nature and personal connection that reminds us of Mary Oliver’s gorgeous nature poems. He uses language beautifully to tell us that tides “scar the sand,” “petals color the earth/a sweet jazz composition,” and “death can be a beautiful thing . . . unleashing the pent-up coil spring.” These poems are a deep meditation on emptiness and the searching soul. -Karol Nielsenauthor of Small Life

The Unempty Spaces Between by Louis Efron is a refreshing work of poetry. Refreshing is the respect given to the craft of poetry. In the poetic world, where prose poetry dominates the landscape, it’s refreshing to read poems marked by form and end-rhymes; notwithstanding, the journey the reader will take processing the metaphoric. Evidence of form, rhyme, and the metaphoric are signified in the poems Lost, A Candle with Two Wicks, and Spaces Between, to name a few. This work of poetry is worthy of a good read and the time of those who enjoy serious writing. -Emmett Wheatfallauthor of Our Scarlet Blue Wounds

Haunting, harrowing and frighteningly incisive, Louis Efron’s dark narrative poems incite terror, provoke gut wrenching memories and invite personal reflection. A nightmarish adventure-what could be better? The Unempty Spaces Between is one of my favorite afternoon reads in a decade. In his own words, “a poetic inferno,” but to my mind it’s “a welcome assault on the senses.” -Jim Volz, Ph.D.Editor, Shakespeare Theatre Association’s Quarto

What did you receive?

Mailbox Monday #741

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

What did you receive?

Mailbox Monday #740

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Piranesi by Susanna Clarke, borrowed from the library for the 12 books recommended by 12 friends challenge.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

What did you receive?

Mailbox Monday #739

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

The Last to Vanish by Megan Miranda from my mom.

Ten years ago, Abigail Lovett fell into a job she loves, managing The Passage Inn, a cozy, upscale resort nestled in the North Carolina mountain town of Cutter’s Pass. Cutter’s Pass is best known for its outdoor offerings—rafting and hiking, with access to the Appalachian trail by way of a gorgeous waterfall—and its mysterious history. As the book begins, the string of unsolved disappearances that has haunted the town is once again thrust into the spotlight when journalist Landon West, who was staying at the inn to investigate the story of the vanishing trail, then disappears himself.

Abby has sometimes felt like an outsider within the community, but she’s come to view Cutter’s Pass as her home. When Landon’s brother Trey shows up looking for answers, Abby can’t help but feel the town closing ranks. And she’s still on the outside. When she finds incriminating evidence that may bring them closer to the truth, Abby soon discovers how little she knows about her coworkers, neighbors, and even those closest to her.

Where the Crawdads Sing by Delia Owens, purchased from Audible.

For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens.

Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.

What did you receive?

Mailbox Monday #738

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

ANOTHER QUIET WEEK!

What did you receive?

Mailbox Monday #737

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Nothing to see here!

What did you receive?

Mailbox Monday #736

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Searching for the Butterflies You Crushed Last Night by Valax Malum, which is for review.

This collection of poetry expresses a significant amount of suicidal ideation as a means for processing trauma. As such, it references self-harm to varying degrees. This most often manifests as drug use, a distinct lack of self-preservation, and risky romantic entanglements.

We’re all seeking a high that will help us feel good, whether it’s a person, a substance, or an ending. We all want to forget sometimes.

If you think this will help you to feel less isolated in your own experiences, read on. If you think this will trigger your ideation… perhaps revisit Butterflies at another time.

What did you receive?

Mailbox Monday #735

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received from Gaithersburg Book Festival:

Disbound by Hajar Hussaini, one of the featured poets.

Hajar Hussaini’s poems in Disbound scrutinize the social, political, and historical traces inherited from one’s language. The traces she finds—the flow of international commodities implied in a plosive consonant, an image of the world’s nations convening to reject the full stop—retrieve a personal history between countries (Afghanistan and the United States) and languages (Persian and English) that has been constantly disrupted and distorted by war, governments, and media. Hussaini sees the subjectivity emerging out of these traces as mirroring the governments to whom she has been subject, blurring the line between her identity and her legal identification. The poems of Disbound seek beauty and understanding in sadness and confusion, and find the chance for love in displacement, even as the space for reconciliation in politics and thought seems to get narrower.

Red London by Alma Katsu, one of the featured presenters.

After her role in taking down a well-placed mole inside the CIA, Agent Lyndsey Duncan arrives in London fully focused on her newest Russian asset, deadly war criminal Dmitri Tarasenko. That is until her MI6 counterpart, Davis Ranford, personally calls for her help.

Following a suspicious attack on Russian oligarch Mikhail Rotenberg’s property in a tony part of London, Davis needs Lyndsey to cozy up to the billionaire’s aristocratic British wife, Emily Rotenberg. Fortunately for Lyndsey, there’s little to dissuade Emily from taking in a much-needed confidante. Even being one of the richest women in the world is no guarantee of happiness. But before Lyndsey can cover much ground with her newfound friend, the CIA unveils a perturbing connection between Mikhail and Russia’s geoplitical past, one that could upend the world order and jeopardize Lyndsey’s longtime allegiance to the Agency.

Red London is a sharp and nuanced race-against-the-clock story ripped from today’s headlines, a testament to author Alma Katsu’s thirty-five-year career in national security. It’s a rare spy novel written by an insider that feels as prescient as it is page-turning and utterly unforgettable.

Breaking the Blank by Dwayne Lawson-Brown and Rebecca Bishophall, who were both featured poets.

Breaking the Blank is a spirited dialogue between poets—and a meditation on love, parenting, gentrification, money, and the literary life. In accessible free verse, haiku, sonnets, and other forms, Dwayne Lawson-Brown and Rebecca Bishophall honor the African American experience, make sacred the ordinary, and remind the reader of the marvelous in the everyday.

Breaking the Blank is a contemporary treasure.” —Sistah Joy, Poet Laureate of Prince George’s County, Maryland

“Crisp, riveting, and often tender meditations on love, parenting, and—to paraphrase the title of a National Public Radio program—This African American Life.” —Reuben Jackson, author of fingering the keys and Scattered Clouds: New & Selected Poems

Rebecca Bishophall and Dwayne Lawson-Brown met each other as juniors in high school in the late 1990’s and have been literary colleagues, and friends, ever since. Rebecca Bishophall has featured at Spit Dat, Afrocentric Book Expo, and others, and works in member services for a non-profit organization. She graduated from Trinity University in 2006 with a major in Communications. Dwayne Lawson-Brown, aka the Crochet Kingpin, is co-host of Spit Dat, the longest running open mic in Washington, D.C. Their poems were recently published in 2022 Pride Poems, they co-authored the Helen Hayes nominated play, From Gumbo to Mumbo, and they are an editor of the literary magazine Bourgeon.

Alchemy of Yeast and Tears by Patricia Davis-Muffett, one of the featured poets.

In her captivating collection, Alchemy of Yeast and Tears, Patricia Davis-Muffett lays bare the world of motherhood and daughterhood with a voice from the crossroads of these states. From what is passed “from hand to hand” across generations to choices that have no easy options, these poems offer us the compassionate and fiery voice of experience. These poems, like the leatherback turtle featured in “Never enough,” “plant hope” in the shifting sands of responsibility, love, celebration, and especially grief, in its multitude of guises. —Merie Kirby, Author of The Thumbelina Poemsand The Dog Runs OnPatricia Davis-Muffett’s Alchemy of Yeast and Tears is a self-aware collection that vacillates from yearning to wildness. These poems marvel through close attention. We are instructed about the tyranny of time. Loss interweaves with what it means to mother. There is an underlying theme questioning how we can hold our grief. From “Night Terrors”: “The person you were will die. / I hope the new one is strong, / fierce enough to survive.” How do we balance this desire to mend without letting slip the sacred remembrances of our past? The poet suggests what we can try to do. Because trying matters. —Mark Danowsky, Editor-in-Chief, ONE ART: a journal of poetry

Patricia Davis-Muffett dedicates this tenderly touching chapbook to a mother who taught her anything was possible. In “What to do with your grief III,” she proclaims: “I do what my mother taught me./Butter. Sugar. Flour. Salt./I bring this to you./….This piece of my day./I am doing what I know.” What the poet knows is that yeast and tears are inherent in all forms of mother/child relationships. Whether focused on a dying mother, the challenges presented by children, or the maternal impulses of leatherbacks, jellyfish, elephants, and orcas, Davis-Muffett’s poems are exquisitely rendered in language that touches the heart as it delights the mind. This chapbook is a gift to those who love authentic poetry. —Carolyn Martin, Ph.D., Poetry Editor, Kosmos Quarterly: Journal for Global Transformation

This Far by Kathleen O’Toole, who was a moderator of a poetry panel.

This collection offers a rich harvest taken from one season in the poet’s creative life. Like movements in a musical composition, these poems share leitmotifs  ̶  grief and the desire to honor those “saints” who have passed on; the sacramental power of nature; and, how works of art illuminate and console as they do. They point to the tension between the practice of monastic silence and the urge to bear witness, interrogating faith in the light of crises facing the earth and our human community. At the same time, the poet celebrates encounters that offer blessings of hope, inviting us to join her in a pilgrimage that leads us, with her, “this far,” and gestures to what lies beyond.

You Cannot Save Here by Tonee Moll, who was a featured poet.

Winner of the 2022 Jean Feldman Poetry Prize from the Washington Writers’ Publishing House, You Cannot Save Here is a collection of poems about how we live when each day feels like the world is ending. The poems ask what we do with the small moments that matter when so much around us-climate disaster, gun violence, pandemics, wars-makes these days feel apocalyptic. The book is a bit speculative and a bit confessional. It’s queer, punk, and woven tightly with cultural allusion-from visual art to video games, pop culture to counterculture.

Lo by Melissa Crowe, a featured poet.

Lo maps the deprivation and richness of a rural girlhood and offers an intimate portrait of the woman—tender, hungry, hopeful—who manages to emerge. In a series of lyric odes and elegies, Lo explores the notion that we can be partially constituted by lack—poverty, neglect, isolation. The child in the book’s early sections is beloved and lonely, cherished and abused, lucky and imperiled, and by leaning into this complexity the poems render a tentative and shimmering space sometimes occluded, the space occupied by a girl coming to find herself and the world beautiful, even as that world harms her.

In Kind by Maggie Queeney, a featured poet.

“This poet knows that to transform pain and anguish into words is to call on the ancient goddesses—earth women who spun new sources of nourishment, showing how to do the work that centuries of women poets, seers, makers, mothers, and wanderers would take up, take in, and become. How many ways can a poet invent to survive? Maggie Queeney shows us the old ways are infinite, umbilically connected to our now-howling, our new bodies beautiful amid the ageless brutality. No one can destroy this poet’s lived knowledge, though she speaks of destruction, because she also speaks of this regenerative line of women’s lived histories. In Kind is a book that mothers will relive, daughters will recognize, and the patriarchy will, if there is any justice of the kind Queeney imagines, shake in its boots. Shake then crumble, while Arachne spins triumphant.”—Brenda Shaughnessy, judge, Iowa Poetry Prize

Elegies for an Empire by Le Hinton, a featured poet.

Emily Dickinson is known for saying: “If I feel physically as if the top of my head were taken off, I know that is poetry.” Le Hinton’s poetry is that poetry—what happens when words erupt from the spirit to physically, emotionally, impact us—edify us. His work in Elegies for an Empire is concussive with craft, timeliness, reverence for Black life, family—and for every being timestamped to our fleeting days. The picture of living is never removed from dénouement, although we are often loathe to face its inevitable frame. Hinton faces it with authenticity and grace. Moreover, a depth of concern over the state of our fragile planet is clearly evident in the layers of his poems. In that light, this collection carries the solemnity of prayer. Therein lies its hymnal-like  power, in any meaningful literary service. ~ Truth Thomas, Poet, Editor, Founder of Cherry Castle Publishing

String by Matthew Thorburn, a featured poet.

A book-length sequence of poems, Matthew Thorburn’s String tells the story of a teenage boy’s experiences in a time of war and its aftermath. He loses his family and friends, his home and the life he knew, but survives to tell his story. Written in the boy’s fractured, echoing voice―in lines that are frequently enjambed and use almost no punctuation―String embodies his trauma and confusion in a poetic sequence that is part lullaby, part nightmare, but always a music that is uniquely his.

Bookish People by Susan Coll, a featured presenter. Sadly I missed her signing due to volunteer obligations.

Independent bookstore owner Sophie Bernstein is burned out on books. Mourning the death of her husband, the loss of her favorite manager, her only child’s lack of aspiration, and the grim state of the world, she fantasizes about going into hiding in the secret back room of her store.

Meanwhile, renowned poet Raymond Chaucer has published a new collection, and rumors that he’s to blame for his wife’s suicide have led to national cancellations of his publicity tour. He intends to set the record straight—with an ultra-fine-point Sharpie—but only one shop still plans to host him: Sophie’s.

Fearful of potential repercussions from angry customers, Sophie asks Clemi—bookstore events coordinator, aspiring novelist, and daughter of a famed literary agent—to cancel Raymond’s appearance. But Clemi suspects Raymond might be her biological father, and she can’t say no to the chance of finding out for sure.

This big-hearted screwball comedy features an intergenerational cast of oblivious authors and over-qualified booksellers—as well as a Russian tortoise named Kurt Vonnegut Jr.—and captures the endearing quirks of some of the best kinds of people: the ones who love good books.

The Banned Bookshop of Maggie Banks by Shauna Robinson, who was a presenter. Sadly I missed her signing due to volunteer obligations.

When Maggie Banks arrives in Bell River to run her best friend’s struggling bookstore, she expects to sell bestsellers to her small-town clientele. But running a bookstore in a town with a famously bookish history isn’t easy. Bell River’s literary society insists on keeping the bookstore stuck in the past, and Maggie is banned from selling anything written this century. So, when a series of mishaps suddenly tip the bookstore toward ruin, Maggie will have to get creative to keep the shop afloat.

And in Maggie’s world, book rules are made to be broken.

To help save the store, Maggie starts an underground book club, running a series of events celebrating the books readers actually love. But keeping the club quiet, selling forbidden books, and dodging the literary society is nearly impossible. Especially when Maggie unearths a town secret that could upend everything.

Maggie will have to decide what’s more important: the books that formed a small town’s history, or the stories poised to change it all.

What did you receive?

Mailbox Monday #734

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Happy Place by Emily Henry, purchased from Audible.

Harriet and Wyn have been the perfect couple since they met in college—they go together like salt and pepper, honey and tea, lobster and rolls. Except, now—for reasons they’re still not discussing—they don’t.

They broke up five months ago. And still haven’t told their best friends.

Which is how they find themselves sharing a bedroom at the Maine cottage that has been their friend group’s yearly getaway for the last decade. Their annual respite from the world, where for one vibrant, blissful week they leave behind their daily lives; have copious amounts of cheese, wine, and seafood; and soak up the salty coastal air with the people who understand them most.

Only this year, Harriet and Wyn are lying through their teeth while trying not to notice how desperately they still want each other. Because the cottage is for sale and this is the last week they’ll all have together in this place. They can’t stand to break their friends’ hearts, and so they’ll play their parts. Harriet will be the driven surgical resident who never starts a fight, and Wyn will be the laid-back charmer who never lets the cracks show. It’s a flawless plan (if you look at it from a great distance and through a pair of sunscreen-smeared sunglasses). After years of being in love, how hard can it be to fake it for one week…in front of those who know you best?

A Season for Second Chances by Jenny Bayliss, purchased from Audible.

Annie Sharpe’s spark for life has fizzled out. Her kids are grown up, her restaurant is doing just fine on its own, and her twenty-six-year marriage has come to an unceremonious end. Untethered for the first time in her adult life, she finds a winter guardian position in a historic seaside home and decides to leave her city life behind for a brand-new beginning.

When she arrives in Willow Bay, Annie is enamored by the charming house, the invigorating sea breeze, and the town’s rich seasonal traditions. Not to mention, her neighbors receive her with open arms—that is, all except the surly nephew of the homeowner, whose grand plans for the property are at odds with her residency. As Christmas approaches, tensions and tides rise in Willow Bay, and Annie’s future seems less and less certain. But with a little can-do spirit and holiday magic, the most difficult time of her life will become…a season for second chances.

What did you receive?

Mailbox Monday #733

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Crying in H Mart by Michelle Zauner from the library for my work’s May book club.

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.

As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band–and meeting the man who would become her husband–her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother’s diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

Love in the Time of Serial Killers by Alicia Thompson from the library for my buddy read with Anna of Diary of an Eccentric.

PhD candidate Phoebe Walsh has always been obsessed with true crime. She’s even analyzing the genre in her dissertation—if she can manage to finish writing it. It’s hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her obnoxiously good-natured younger brother, and grappling with the complicated feelings of mourning a father she hadn’t had a relationship with for years.

It doesn’t help that she’s low-key convinced that her new neighbor, Sam Dennings, is a serial killer (he may dress business casual by day, but at night he’s clearly up to something). It’s not long before Phoebe realizes that Sam might be something much scarier—a genuinely nice guy who can pierce her armor to reach her vulnerable heart.

Vagabonds! by Eloghosa Osunde , which is for my work’s June book club, from the library.

As in Nigeria, vagabonds are those whose existence is literally outlawed: the queer, the poor, the displaced, the footloose and rogue spirits. They are those who inhabit transient spaces, who make their paths and move invisibly, who embrace apparitions, old vengeances and alternative realities. Eloghosa Osunde’s brave, fiercely inventive novel traces a wild array of characters for whom life itself is a form of resistance: a driver for a debauched politician with the power to command life and death; a legendary fashion designer who gives birth to a grown daughter; a lesbian couple whose tender relationship sheds unexpected light on their experience with underground sex work; a wife and mother who attends a secret spiritual gathering that shifts her world. As their lives intertwine—in bustling markets and underground clubs, churches and hotel rooms—vagabonds are seized and challenged by spirits who command the city’s dark energy. Whether running from danger, meeting with secret lovers, finding their identities, or vanquishing their shadowselves, Osunde’s characters confront and support one another, before converging for the once-in-a-lifetime gathering that gives the book its unexpectedly joyous conclusion.

Blending unvarnished realism with myth and fantasy, Vagabonds! is a vital work of imagination that takes us deep inside the hearts, minds, and bodies of a people in duress—and in triumph.

What did you receive?

Mailbox Monday #732

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Once Upon a River by Diane Setterfield, purchased from Audible.

A body always tells a story – but this child’s was a blank page.

Rita reached for the lantern on its hook. She trained its light on the child’s face.

“Who are you?” she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence.

Only a very short time ago – two hours or not much more – the body and soul of this little girl had still been securely attached. At this thought, and despite all her training, all her experience, Rita found herself suddenly in the grip of a storm of feeling. All the old rage at God – for not being kind, for not being fair, and finally for just not being – swept her up all over again and she felt tears of anger on her face. She took the child’s hand in hers – the perfect hand with its five perfect fingers and their perfect fingernails – and the words fell out of her that she had not known were there:

“It should not be so! It should not be so!”

And that is when it happened.

What did you receive?