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As Close As I Can by Toni Stern

Source: publicist
Paperback, 85 pgs.
I am an Amazon Affiliate

As Close As I Can by Toni Stern looks deeply into what it means to live, presenting the reader with both the good and bad. She begins her collection with “Hwy 154-Between Two Fires” to demonstrate the in between, first calling to mind the adage that “a man alone is in bad company” and juxtaposing it with “hell is other people.” This initial set up allows Stern to call acute attention to appearance of the now versus the individual reality of now.  Like the “towhee” that tweets a song that is enjoyable to the listener, who may find it beautiful, but the listener is unaware that she is a widowed bird longing for someone who has left this life.

Stern has a wry wit, which appears in a number of her poems. I loved the wit on display in “Pine Sol.” Each poem showcases how our life experiences shape us as people, and how not all of these experiences necessarily are good. The title poem speaks of a mother making room for her child in her full life, carving out a space for this young person whose name is like music.  From our first moments, we are given a name, and even just this name and its sounds will shape us.

As Close As I Can by Toni Stern is a collection of life’s beauty, the tarnished and the shiny.  There is life in between those moments that is lived, and those in-between moments are just as precious as the others that are burned into our memories.

RATING: Quatrain

About the Poet:

Born and raised in Los Angeles, Toni Stern enjoyed a highly productive collaboration with singer-songwriter Carole King. Stern wrote the lyrics for several of King’s songs of the late ’60s and early ’70s, most notably “It’s Too Late,” for the album Tapestry. The album has sold more than 25 million copies worldwide, and received numerous industry awards.  In 2012, Tapestry was honored with inclusion in the National Recording Registry to be preserved by the Library of Congress; in 2013, King played “It’s Too Late” at the White House. That song and Stern’s “Where You Lead” feature in the Broadway hit Beautiful: The Carole King Musical.  “Where You Lead” is also the theme song for the acclaimed television series Gilmore Girls.  Stern’s music has been recorded by numerous artists throughout the years.

As Close as I Can is her second volume of poetry.  She lives with her family in Santa Ynez, California.  Her website is https://www.tonistern.com.

Interview with Toni Stern, author of As Close as I Can

It’s been 2 years since I reviewed Toni Stern’s work when WET appeared on my blog. I cannot wait to read her new collection, As Close as I Can.

About her new collection:

The eagerly awaited new poems from the author of Wet. Toni Stern enjoyed a highly productive collaboration with the singer-songwriter Carole King. Stern wrote the lyrics for several of King’s songs, most notably “It’s Too Late” for the album Tapestry. Here, with affection and insight, she examines the breadth and boundaries of family, place, language, and self. As Close as I Can is her second volume of poetry.

Today, please give Toni a warm welcome as she answers questions about her poetry and her hobbies:

Tell us about your latest book, As Close as I Can.

These poems, written over the last three to four years, continue to explore the recurring themes of family, place, language, and self. There are stories in As Close as I Can that have followed me my entire life. It’s been a cathartic experience, examining, through poetry, the emotional and formative impact those experiences have had on me.

What are your favorite poems in As Close as I Can?

I’m fond of “State of Emergency” and “As Close as I Can.” They surprise me. I’m especially fond, too, of some of the shorter poems: “Self Portraits,” “Pyrolysis,” “The Paved Road,” “Everything is Singing.” I enjoy their directness and economy. My favorite poem though, is always the next one. The one I’ve yet to write.

Wet, your first volume of poetry was well received. What has been the most rewarding part of the publication process so far? The most challenging part?

Working with my editor, Trish Reynales, was divine. I loved the few readings I did. I especially loved the laughter. I discovered I’m an unapologetic ham. The most challenging part is explaining myself outside the medium of poetry.

What made you decide to release the poems in As Close as I Can and Wet in book formats? Will any of these poems become songs?

After having written a hundred or so poems, I decided I wanted to create a chapbook-size book; something that looked beautiful and fit happily in the hands. It was a very tactile desire. The poems were never intended as songs.

When did you begin writing? Did you initially decide to write “straight” poetry and transition into music, or was music always the goal?

Music was always the goal. Carole King was my very first reader. She was looking for a new writing partner after her divorce from lyricist Gerry Goffin. I’d recently written four lyrics and sent them to my friend and producer, Bert Schneider, who, during a meeting with Carole, showed her what I’d written. I was a complete unknown. You might say I started at the top. I didn’t even know if the lyrics I created could be fashioned into song. I think it speaks to Carole’s prescience that she chose to work only with me, an opportunity I am forever grateful for. I was twenty-three years old.

How do you structure your work day? Do you work in an office.

I work at the dining room table. I get down to it early, especially if I’m working on a poem I’ve already begun. I can’t sit still for long, so I also work standing at the banquette. Vera, my Jack Russell terrier, often lays on the table, beside my laptop, overseeing my efforts.

You are also an artist. When did you begin painting?

I began painting in the early nineties. I wanted to know, if possible, what it felt like to paint something wonderful. I painted myself off my feet for twenty years. I made pilgrimages to New York city twice a year, for several years, to work at the Art Students League with master Knox Martin. Painting has informed me more than any other art form about the creative process and the commitment it requires.

What advice do you have for aspiring poets and songwriters?

Read and listen to the best. Only the best. If you have something to say, say it. Keep your chops up. Art is noble and necessary. It is akin to love.

What are you working on now?

My next book. The poems are structured very differently. They’re story-poems, in paragraph form. The autobiographical “I,” evident in my last two books is absent. It’s very engaging territory.

Thanks, Toni.  I cannot wait to read the latest collection.

About the Poet:

Born and raised in Los Angeles, Toni Stern enjoyed a highly productive collaboration with singer-songwriter Carole King. Stern wrote the lyrics for several of King’s songs of the late ’60s and early ’70s, most notably “It’s Too Late,” for the album Tapestry. The album has sold more than 25 million copies worldwide, and received numerous industry awards.  In 2012, Tapestry was honored with inclusion in the National Recording Registry to be preserved by the Library of Congress; in 2013, King played “It’s Too Late” at the White House. That song and Stern’s “Where You Lead” feature in the Broadway hit Beautiful: The Carole King Musical.  “Where You Lead” is also the theme song for the acclaimed television series Gilmore Girls.  Stern’s music has been recorded by numerous artists throughout the years.

As Close as I Can is her second volume of poetry.  She lives with her family in Santa Ynez, California.  Her website is https://www.tonistern.com.

 

Mailbox Monday #453

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has a permanent home at its own blog. To check out what everyone has received over the last week, visit the blog and check out the links. Leave yours too.

Also, each week, Leslie, Martha, and I will share the Books that Caught Our Eye from everyone’s weekly links.

Here’s what we received:

Veronica and the Volcano by Geoffrey Cook, illustrated by Gabrielle Shamsey for review.

Veronica and the Volcano by Geoffrey Cook is an exciting adventure story for grades 3 – 5 about a brave, curious young girl named Veronica, who lives on the side of a volcano. Eruptions are a part of life, as she watches from the protective shields of her home or from her family’s well-equipped Lava Car.
When Veronica leaves on a quest to find rare white volcano pearls on the far side of Mount Mystery, she leads her father, her best friend Maddy, and her friend’s dad, the blustering Captain John, into a series of incredible adventures. But when the colossal volcano erupts, fears wins an election, and Veronica must square off against a fear-mongering villain: the Man-in-White.
Cook’s story blends science with science fiction, straddling the world of the believable and fantastical and combining the latest earth science with incredible action. While writing, Cook extensively researched volcanoes, even visiting one. The most important volcanoes in the book are all based on real-world volcanoes like Krakatoa, Crater Lake, Mt. Pelee, and Tambora.

The Adventures of Taxi Dog: Maxi and the Bark in the Dark by Bill Kroyer, illustrated by Todd Dakins for review.

During another magical sunset in New York, Maxi the Taxi Dog and Jim are playing their “Guess what street we are on?” game. They’re soon interrupted by their first fare, Tupa. Tupa is in a hurry to get to his night custodian job at the Museum, but they quickly discover that Tupa has a problem. Tupa must clean dark galleries in the museum at nighttime but is afraid of the dark. Even being in the room long enough to turn on the light is making it very hard for him to do his job. Maxi jumps to the rescue and decides to sneak into the museum with Tupa to help Tupa overcome his fear. Maxi makes Tupa feel so confident by helping him throughout his shift, that when Tupa must go back into a room alone he has all the skills he needs to overcome his fears. Maxi and the Bark in the Dark is one of four stories in The Adventures of Taxi Dog series.

Maxi Taxi-Saurus by Melinda LaRose for review. (in Spanish)

As Close as I Can by Toni Stern for review.

The eagerly awaited new poems from the author of Wet. Toni Stern enjoyed a highly productive collaboration with the singer-songwriter Carole King. Stern wrote the lyrics for several of King’s songs, most notably “It’s Too Late” for the album Tapestry. Here, with affection and insight, she examines the breadth and boundaries of family, place, language, and self. As Close as I Can is her second volume of poetry.

Dangerous to Know: Jane Austen’s Rakes & Gentlemen Rogues by Joana Starnes,‎ Amy D’Orazio, Katie Oliver, Karen M Cox, Jenetta James,‎ Beau North, J. Marie Croft, Christina Morland, Lona Manning, and Brooke West which I purchased.

“One has all the goodness, and the other all the appearance of it.” —Jane Austen

Jane Austen’s masterpieces are littered with unsuitable gentlemen—Willoughby, Wickham, Churchill, Crawford, Tilney, Elliot, et al.—adding color and depth to her plots but often barely sketched. Have you never wondered about the pasts of her rakes, rattles, and gentlemen rogues? Surely, there’s more than one side to their stories.
It is a universal truth, we are captivated by smoldering looks, daring charms … a happy-go-lucky, cool confidence. All the while, our loyal confidants are shouting on deaf ears: “He is a cad—a brute—all wrong!” But is that not how tender hearts are broken…by loving the undeserving? How did they become the men Jane Austen created?

In this romance anthology, eleven Austenesque authors expose the histories of Austen’s anti-heroes. “Dangerous to Know: Jane Austen’s Rakes & Gentlemen Rogues” is a titillating collection of Georgian era short stories—a backstory or parallel tale off-stage of canon—whilst remaining steadfast to the characters we recognize in Austen’s great works.

What say you? Everyone may be attracted to a bad boy … even temporarily … but heaven help us if we marry one.

What did you receive?

WET by Toni Stern

Source: Wiley D. Saichek Publicity
Paperback, 76 pgs
I am an Amazon Affiliate

WET by Toni Stern begins with poems close to home and the latter half of the collection is about the wider world as the narrator explores contemporary life.  Some of these poems display humor, like in “Greetings Issa!” where the narrator speaks to a spider and assuages her fears that she could be squashed with a broom.  In “Turn Off,” the narrator laments the deaths of insects she watches flying into the lamp even as she continually attempts to get engrossed in a book that is clearly not grabbing her attention.  Other poems read like lyrics from songs, which makes sense given her history as a songwriter with Carole King.

From "Natural Resources" (page 58)

In this winter of 2013-14
California's stricken,
a drought-ridden
Eden.

Edible California,
I am your homegrown daughter,
I fill my mouth with water,

bittersweet.

Stern’s verse is vivid on the page and lyrical, particularly in “Jamming” — a poem that could remind readers of The Beatles more whimsical songs like “I am the Walrus.”

From "Jamming" (page 38)

Ragged euphorbias
tall as a man,
weather this tight-fisted,
iron-poor land.
Pink floribundas
jockey for space,
poise and predation
adorn every face.

Stern is open and honest in her poems, and had fun with her verse and rhymes. Each poem brings a freshness to its subject. “True Love” was one of my favorites because it demonstrates in so few words what true love ought to be.  WET by Toni Stern is delightful, fun, and energized.

About the Poet:

Born and raised in Los Angeles, Toni Stern enjoyed a highly productive collaboration with singer/songwriter Carole King. Toni wrote the lyrics for several of King’s songs of the late ’60s and early ’70s, most notably “It’s Too Late,” for the album Tapestry. Listed among Rolling Stone’s “500 Greatest Albums of All Time,” the top-selling album of its day, Tapestry has sold more than 25 million copies worldwide, received numerous industry awards, and, in 2012, was honored with inclusion in the National Recording Registry to be preserved by the Library of Congress. Rolling Stone named “It’s Too Late”—Tapestry’s biggest hit—as one of the “500 Greatest Songs of All Time.

In 2013, King performed the song at the White House. “It’s Too Late” also features in the hit Broadway show and soundtrack album Beautiful: The Carole King Musical. Stern’s music has been recorded by many artists, including Gloria Estefan, Barbra Streisand, Faith Hill, Amy Grant, Andy Williams, the Carpenters, the Isley Brothers, the Stylistics, Helen Reddy, Dishwalla, Drag On, and many others. She has published several illustrated books and has also enjoyed success as a painter, studying with Knox Martin at the Arts Students League in New York. Wet is her first volume of poetry. She lives with her family in Santa Ynez, California. Photo credit: George Scott

 

 

 

 

 

Mailbox Monday #304

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has a permanent home at its own blog.

To check out what everyone has received over the last week, visit the blog and check out the links.  Leave yours too.

Also, each week, Leslie, Vicki, and I will share the Books that Caught Our Eye from everyone’s weekly links.

Here’s what I received:

1.  Revival by Stephen King for Christmas from my parents.

In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs. Jacobs; the women and girls feel the same about Reverend Jacobs — including Jamie’s mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.

2.  One Thing Stolen by Beth Kephart, a happy surprise!

Set in Florence, Italy, One Thing Stolen follows Nadia Cara as she mysteriously begins to change. She’s become a thief, she has secrets she can’t tell, and when she tries to speak, the words seem far away.

 

3.  Wet by Toni Stern from Saichek Publicity for review.

Toni Stern enjoyed a highly productive collaboration with the singer-songwriter Carole King. Stern wrote the lyrics for several of King’s songs, most notably “It’s Too Late” for the album Tapestry. Now, through the expansive medium of poetry, she continues her spirited exploration of contemporary life.

4.  Paradise Drive by Rebecca Foust from the author for review.

5.  River House by Sally Keith from Milkweed Editions for review.

These are poems of absence. Written in the wake of the loss of her mother, River House follows Sally Keith as she makes her way through the depths of grief, navigating a world newly transfigured. Incorporating her travels abroad, her experience studying the neutral mask technique developed by Jacques Lecoq, and her return to the river house she and her mother often visited, the poet assembles a guide to survival in the face of seemingly insurmountable pain. Even in the dark, Keith finds the ways we can be “filled with this unexpected feeling of living.”

6. The Red List by Stephen Cushman from Louisiana State University Press for review.

The “red list” of Stephen Cushman’s new volume of poetry is the endangered species register, and the book begins and ends with the bald eagle, a bird that bounded back from the verge of extinction. The volume marks the inevitability of such changes, from danger to safety, from certainty to uncertainty, from joy to sadness and back again. In a single poem that advances through wordplay and association, Cushman meditates on subjects as vast as the earth’s fragile ecosystem and as small as the poet’s own deflated fantasy of self-importance: “There aren’t any jobs for more Jeremiahs.” Simultaneously teasing the present and eulogizing what has been lost, Cushman speaks like a Shakespearean jester, freely and foolishly, but with penetrating insight.

7.  The Heroes’ Welcome by Louisa Young from Harper for review.

The Heroes’ Welcome is the incandescent sequel to the bestselling R&J pick My Dear, I Wanted to Tell You. Its evocation of a time deeply wounded by the pain of WW1 will capture and beguile readers fresh to Louisa Young’s wonderful writing, and those previously enthralled by the stories of Nadine and Riley, Rose, Peter and Julia.

 

 

8.  Intermezzo: A Pride & Prejudice Variation by Abigail Reynolds from the author.

“Intermezzo” is a short story and is available in an expanded version along with 4 other short stories in A Pemberley Medley by Abigail Reynolds.

 

 

9. A Sudden Light by Garth Stein from Anna and her family.

When a boy tries to save his parents’ marriage, he uncovers a legacy of family secrets in a coming-of-age ghost story by the author of the internationally bestselling phenomenon, The Art of Racing in the Rain.

In the summer of 1990, fourteen-year-old Trevor Riddell gets his first glimpse of Riddell House. Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia—to a graduated living facility, sell off the house and property for development into “tract housing for millionaires,” divide up the profits, and live happily ever after.

What did you receive?