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rosemary winslow

Rosemary Winslow Interview, Part 2

by Serena on July 29, 2009

You might remember Rosemary Winslow’s first interview on Savvy Verse & Wit where we talked about her writing habits.

You also may remember my review of her book, Green Bodies.

Recently, she kindly agreed to answer some more pointed questions about her book, its cover art, and contemporary poetry for Examiner.com.

I hope you will all check it out because this will be a first in a number of literary interviews on my D.C. Literature Examiner page.

If you haven’t signed up for email alerts for my latest posts or as a subscriber and you love reading, authors, and poets, you are missing out on some great articles.

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FTC Disclosure: Clicking on title and image links will lead you to my Amazon Affiliate page; No purchase necessary, though appreciated. © 2010, Serena Agusto-Cox of Savvy Verse & Wit. All Rights Reserved. If you're reading this on a site other than Savvy Verse & Wit or Serena's Feed, be aware that this post has been stolen and is used without permission.

Green Bodies by Rosemary Winslow

by Serena on July 23, 2009

Rosemary Winslow’s Green Bodies is divided into three parts, with the first section of poems steeped in deep grief and struggle for understanding following the death of a brother. From “To a Fish” (Page 14-15), “I see a knife/once put to me,/bone opened white to daylight,/red floor on concrete.” Many of these poems have an inner rhythm and musical quality, though the music is dark and somber.

The second section’s narrator begins with poems of cutting oneself off from the outer world and possibly the grief felt in the first section. From “The Gothic Truth” (Page 40), “not making a sound, she watches the grindstone/wobbling hung turning him spitting not stopping/” Throughout the second section, the poems examine the paralysis felt by the narrator by that oppressive grief. From “Carnal” (Page 37), “crumpled and blooded she curled/under a stairwell in hay”

In the final section of this volume, the narrator is rising from the darkness and turmoil of grief to find a way to move on, evolve, and become a stronger self. Readers will enjoy the complexity of these poems, their deep secrets, and highly emotional language.

5 a.m. (Page 54-55)

I rise from a wreckage of sleep
again the long blind scarf of grief

and yesterday and yesterday’s
gunmetal page

the porch lights hiss
at the shroud-hung sky

I go down the stairs to the garden
to be where the roses are leaning

heavy and sweet on the long fence
I lift my face from burial

into burial in the softness of flowers
that is like the skin under the necks of animals

tears shine
in the small white crosses

in their fire centers
the start clematis has made

and entered on
the dead espaliered pear

suddenly I am
jarred

wheep and again
wheep wheep I hear

hidden birds
coming alive

one by one
in the trees

thick pollen of light
undraping the roof lines

composing the sky

This is my 3rd book for the poetry review challenge.

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FTC Disclosure: Clicking on title and image links will lead you to my Amazon Affiliate page; No purchase necessary, though appreciated. © 2010, Serena Agusto-Cox of Savvy Verse & Wit. All Rights Reserved. If you're reading this on a site other than Savvy Verse & Wit or Serena's Feed, be aware that this post has been stolen and is used without permission.

Interview With Poet Rosemary Winslow

July 22, 2009

Going Homeby: Rosemary Winslow There is no going homeas usualthe vehicle stallsin reverse gearin mud tracks as essential asthe flat fields, the bladesof shadowed pines over the drive,the sun bleedingfrom the west. On the rise the house,painted clapboard, the color of cream,is rented now like bodiesof water and minerals madeliving by some miracle which is [...]

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