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Breakup/Breakdown by Charles Jensen

Source: Purchased
Paperback, 42 pgs.
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Breakup/Breakdown by Charles Jensen is a slim and powerful chapbook of poems that not only examines the emotional side of breaking up but all of its practicalities in a way that’s fresh and modern.

In the opening poem, “How to Leave Things Behind Without Even Trying”, the speaker talks about leaving his laptop at an airport and is aghast at how this could be accomplished given its significance in his life. This is then juxtaposed with his boyfriend’s exit from his life and the way in which the apartment was cleaned and staged as if he had never been there at all. The speaker struggles with both losses, trying to interpret their meaning in an effort to understand their absence, but he rightly says, “you wait to learn//anything about what was lost./You wait for the phone call,//which only comes if you’ll be/happily reunited.//” (pg. 8)

There are several poems in which the speaker is taking selfies with beloved literary and pop culture icons from Miss Havisham in Great Expectations to Molly Jensen from Ghost. In each of these poems, Jensen unravels the inner mysteries of loss felt by each of these characters. Havisham’s sadness over lost love is really her belief in true love and that caged birds set free will return but, in the meantime, she’s left wondering who she is without that caged bird to love and protect. The loss of an affair leads Alex in Fatal Attraction to extremes, but even if you don’t go to those extremes after a break-up, you can certainly understand where they come from.

Jensen’s couplets are powerfully crafted so that readers will feel each gut-wrenching loss, like “Everything we’d placed//inside those years spilled out/like blood escaping from a vein.//” (pg. 13, “Disruption”) But lest you believe this collection is all sadness and woe, Jensen has a sense of humor about it all, which one might expect comes with a bit of distance from the actual breakup events.

From “On the Night Gays Across America Celebrate the Marriage Equality Ruling, You and I Divide Our Possessions” (pg. 17)

We shake loose our lives like a braid
untwirling at the end of a long day.

I want everything and nothing
that belongs to you, that holds

a memory of you like an urn
full of ash, the kind of thing

you never open but have to
keep on hand because it means

Yes, I’m leaving you hanging with the above quote from this poem, but it’s one I don’t want to ruin for you. What the selected quote shows you is the humor and the lightness that Jensen brings to his couplets even in the midst of a breakup moment. There’s something to be said about bringing a bit of levity to loss. Breakup/Breakdown by Charles Jensen is a commentary on the modern breakup and the swiftness of it, which can leave each of us stunned and empty. But what it teaches is resilience and growth, a move toward letting go, even if not complete. In order for new things to begin, the old must be broken down, and Jensen does that here with aplomb.

RATING: Cinquain

About the Author:

Charles Jensen is the author of The Nanopedia Quick-Reference Pocket Lexicon of Contemporary American Culture (2012 MiPOESIAS Chapbook Series) and The First Risk, which was published in 2009 by Lethe Press and was a finalist for the 2010 Lambda Literary Award. His previous chapbooks include Living Things, which won the 2006 Frank O’Hara Chapbook Award, and The Strange Case of Maribel Dixon (New Michigan Press, 2007). A past recipient of an Artist’s Project Grant from the Arizona Commission on the Arts, his poetry has appeared in Bloom, Columbia Poetry Review, Copper Nickel, Field, The Journal, New England Review, and Prairie Schooner. He holds an MFA in poetry from Arizona State University, where he also did graduate work in nonprofit leadership and management. He is the founding editor of the online poetry magazine LOCUSPOINT, which explores creative work on a city-by-city basis, and is active in the national arts community by serving on the Emerging Leader Council of Americans for the Arts. He lives in Los Angeles.

Mailbox Monday #409

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has a permanent home at its own blog.

To check out what everyone has received over the last week, visit the blog and check out the links. Leave yours too.

Also, each week, Leslie, Martha, and I will share the Books that Caught Our Eye from everyone’s weekly links.

What I purchased:

Breakup/Breakdown by Charles Jensen

With wry humor and poignant contemplation, Breakup/Breakdown provides readers with excellent company, whether recalling breakups of their own or simply witnessing the narrative of the book’s hero. In the poem “Disruption,” our speaker advises that, “Love, my friends, should never / be entrusted to the heart, whose job // is to push away the only thing / the world will ever offer it.” In the midst of loss that is both personal and universal, Jensen conjures familiar figures, from literature to film, to offer another dimension of insight on the path from sorrow to empowerment. This chapbook has all the emotional heft of a full-length collection, and every line glistens with truth. — Mary Biddinger, author of Small Enterprise

Born to Run by Bruce Springsteen, which I purchased from Audible.

In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl’s halftime show. The experience was so exhilarating that Bruce decided to write about it. That’s how this extraordinary autobiography began.
Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humor, and originality found in his songs.
He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as “The Big Bang”: seeing Elvis Presley’s debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candor, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song “Born to Run” reveals more than we previously realized.
Born to Run will be revelatory for anyone who has ever enjoyed Bruce Springsteen, but this book is much more than a legendary rock star’s memoir. This is a book for workers and dreamers, parents and children, lovers and loners, artists, freaks, or anyone who has ever wanted to be baptized in the holy river of rock and roll.
Rarely has a performer told his own story with such force and sweep. Like many of his songs (“Thunder Road,” “Badlands,” “Darkness on the Edge of Town,” “The River,” “Born in the U.S.A,” “The Rising,” and “The Ghost of Tom Joad,” to name just a few), Bruce Springsteen’s autobiography is written with the lyricism of a singular songwriter and the wisdom of a man who has thought deeply about his experiences.

What did you receive?

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Curiosity Quills Blog Tour Continues…

Hello everyone.  I just wanted to let you know that my crazy obsession with poetry is spreading to another blog this week.  Today, I’m guest posting at The Hopeful Librarian as part of the Curiosity Quills Blog Tour.  I hope you’ll check out my essay, which includes quotes from some of my favorite writers — Beth Kephart, Charles Jensen, and Sweta Srivastava Vikram.

Please stop by and let me know what you think.  Also, you can check out my guest interviewer for the tour, here.

An Interview With Poet Charles Jensen

Poet Charles Jensen

This week at the Poetry Blog of 32 Poems Magazine my interview with poet Charles Jensen was posted. He’s a contributor to the magazine and was a delight to interview.  I’m especially impressed with his answer to the elitist myth about poetry, since I feel the same way about the issue.

First, let me tantalize you with a bit from the interview, and then you can go on over and check the rest out for yourself.

Without further ado, here’s the interview.

Do you have any obsessions that you would like to share?

I’m pretty sure none of them are secrets. I love some aspects of “low” culture like trash pop music. I aspire to find ways to sew that into my work as a poet somehow. I am also really connected to film, both as a narrative art and as a form. Physical aspects of film are closely related to the work of poetry for me. I give extensive thought to sequencing, montage, collage, and narrative. Any two things placed in juxtaposition create a narrative. There’s a great story of the Kuleshov Effect, wherein an audience’s construction of narrative changes when the same photo of a person (mostly expressionless) is interspersed with a shot of soup or a shot of a baby, for instance. In the soup narrative, the audience describes the man as looking hungry. In the baby narrative, he looks happy. That effect of context is something I carry with me–how do individual poems, individual lines, individual images speak to each other?

Poetry is often considered elitist or inaccessible by mainstream readers. Do poets have an obligation to dispel that myth and how do you think it could be accomplished?

Poetry itself is none of those things. It is the attitude of the reader that determines what poetry is. The only way to dispel the myth is for people to encounter poetry on their own. I always liken it to television. If you had never seen television in your entire life and then one day turned it on, only to see Mutual of Omaha’s Wild Kingdom, you might say, “Gosh, I hate television.” But most of us realize that television is a multi-dimensional form with various strategies aimed at different audiences. If you watch television long enough, you will find something that speaks to you. This is true, too, of poetry. But because the poetry world has a reputation of being closed, or because it is taught in high school as a “symbolic” art practiced by dead white people, it loses a lot of its contemporary allure. I think now, more than ever, poetry strives to be egalitarian in a lot of ways–people just need to look.

Please describe your writing space and how it would differ from your ideal writing space.

It is always a total disaster–I would change that! My apartment is very small and my desk is very big–about 30% of my living room. The window is behind me. The room gets almost no natural light. It is absolutely not my ideal writing space. In Phoenix, I had a loft apartment with 20′ ceilings, 17 feet of which were windows. My desk sat up in the loft area, overlooking the living room, facing all the windows and light. That was an amazing place to write. I miss it every day.

He also included a poem for readers to check out:

IT WAS OCTOBER
–for Matthew Shepard

I was love when I entered the bar
shivering in my thin t-shirt and ripped jeans
and I was love when I left that place, tugged along at the wrist
as though tied, with a man I did not know.

I was love there in the morning
when our sour kisses bore the peat of rotten leaves,
fallen October leaves. And it was love that we kissed anyway, not knowing each other’s names.

I was love in that bed
and I was love in the hall and down the stairs and into the freezing rain.

I was love with hands punched deep
into the pockets of a coat.
I was love coated in frozen rain.

Back home, I was love stripped of the cigarette-stung shirt, love pulling the stiff jeans from my legs.
I dried my hair and I was love.

It was October. What did I know of love that year,
shuddering in my nervous skin. Miles away, the boy was lashed to a fence and shivering.

Where that place turned red and the ground soaked through
with what he was, I was love.

What did I know of love then
but that it wasn’t enough.

About the Poet:

Charles Jensen is the author of three chapbooks of poems and The First Risk, which was a finalist for the Lambda Literary Award. He serves on the Board of Directors of the Arts & Humanities Council of Montgomery County and is a co-chair of the Emerging Leader Council of Americans for the Arts. Check out his Website. He’s also a poetry editor with lethe press.

Please check out the rest of the interview on 32 Poems Blog.