From the category archives:

purchased

City of Thieves by David Benioff

by Serena on May 14, 2012

City of Thieves by David Benioff, which was the May book club selection, is set during WWII on the Western front of the war between 1942 and 1945, though mostly during the nearly 900 day siege of Leningrad, which was cut off from supplies of food and more.  Lev and Kolya are thrown together by circumstance when Lev is arrested as a looter when a dead German is found in his neighborhood and he’s discovered taking items off the body and is sent to the Crosses.  Kolya a Red Army deserter is thrown in the Crosses where he meets Lev.  The dynamic between these characters is full of initial paranoia, which morphs into irritation and finally camaraderie.  Kolya loves to chat about anything and everything, but he’s particularly boastful about his sexual exploits and his experience with just about everything related to war.  He’s pompous but in a comical way, and he reminds me of those wise jesters in the king’s court who uses humor to slice to the root of truth, even at times when it could be fatal.  Lev is a young boy who often portrays himself as an older young man or younger as it is convenient to the situation.

“There was something oddly comforting in Kolya’s consistency, his willingness to make the same jokes — if you could call them jokes — over and over again.  He was like a cheerful senile grandfather who sat at the dinner table with beet soup splattered on his collar, telling once more the story of his encounter with the emperor, though everyone in his family could recite it now from memory.” (page 161)

The beginning almost sets it up as a framed story in which the author or someone with the same name as the author hears the story from his grandfather, the knife fighter.  It’s not a far stretch to imagine the beginning chapter sets the story up to read similar to a memoir of David’s grandfather, Lev Beniov.  However, the frame is never closed literally by the end of the story, which is good in this case because it provides the story with a greater emotional impact.

“Wick lamps lit the small apartment and out long shadows crept across the walls, across the frayed rugs on the floor, the brass samovar in the corner, and a white sheet hanging on the far side of the room — partitioning off the sleeping area, I assumed.  When the giant closed the door, the sheet billowed like a woman’s dress in the wind.  In the moment before it settled down I saw what lay behind it — not a bed, no furniture at all, just slabs of white meat hanging from hooks, suspended from a heating pipe by heavy chains, with a canvas drop cloth on the floor to collect the drippings.”  (page 59)

Lev and Kolya embark on a journey to find eggs — yes, that is a chicken in the far snowy distance on the cover — to save their own hides, a deal offered by a powerful Soviet colonel.  They mean cannibals, partisans, and of course Germans bent on killing them.  While there is darkness, mystery, and suspense, there also is a quaint feeling to the setting and the interactions between Lev and his new friend.  The absurdity of their situation is never lost on them, and it attempts to mirror the absurdity of war.  Despite the danger they find themselves in, they often joke and rag on one another as if they are playing baseball in the streets of Leningrad.

City of Thieves is a well written coming-of-age story at a time when the world was at war, but in spite of the danger, Lev and Kolya form an unbreakable bond.  It’s easy to see their tentative interactions blossom into true friendship, a bond that keeps them alive and watching each other’s backs throughout the novel.  While in the midst of German attacks, in the rural farmhouses appropriated by Germans as whorehouses, and even in a remote hunting cabin, the journey they are on is not only one in search of eggs, but in search of the faith and strength they need to survive.  Another for the best of list.

Here’s what Book Club thought (Caution may contain spoilers):

We actually had a rather long discussion about this book from the prologue and the interjection of the author in the prologue as the grandson of one of the main characters to what the eggs symbolized.  One of the members thought that the eggs symbolized the absurdity of war, while another thought it was the fragility of human life.  As for the prologue, most said that they had forgotten about it, while two others (including myself) thought it was the author’s ego leading him to place himself in the story.  Although it’s an interesting device, it also seems to make the story appear true when it is not — given that in interviews the author has said he was never able to ask his grandparents about their time in Germany during WWII before they died.  And the prologue is not the only instance of the author interjecting his family subtly into the novel — i.e. Lev Beniov is one of the main characters, a close last name to David Benioff.

There also was quite a lot of discussion about the “Courtyard of the Hound,” which was talked about as a great work of Russian literature by Kolya and whether it was a great work of literature, could be a great work of literature, or was merely a boring story about a shut in who finally leaves his apartment because of a dead dog.

Other elements we discussed is the lack of care with human life by the generals on both sides of the war — whether the Russian colonel sending Kolya and Lev on an absurd journey to find eggs when all Russians are starving or the callous way in which the Germans used Russian women as sexual play things.  One member also highlighted the seeming lack of outrage regarding the cannibals compared to the outrage displayed against the women who were being used as whores by the Germans and acquiesced so that they could survive — why was one form of survival better than another or at least more acceptable.  Another interesting point was made about the cinematic feel of the latter half of the book where there were dramatic scenes lumped together one after another from the dogs used to carry bombs under tanks to the German whorehouse and the showdown with the German elite assassins.  It seemed to be very packed in and gave the reader little time to breath or be deeply impacted by the events at hand, which I did notice that this half of the book read more like a screenplay (haphazard of the author’s screenwriting occupation perhaps?).

Also, please read Diary of an Eccentric‘s review.

About the Author:

David Benioff worked as a nightclub bouncer in San Francisco, a radio DJ in Wyoming and an English teacher/wrestling coach in Brooklyn before selling his first novel, The 25th Hour, in 2000.

He later wrote the screenplay for Spike Lee’s adaptation of Hour starring Edward Norton and Phillip Seymour Hoffman. In 2005, Viking Press published Benioff’s collection of short stories, When the Nines Roll Over.

Benioff’s screenwriting credits include Troy (2004), directed by Wolfgang Petersen, and Stay (2005), directed by Marc Forster, and The Kite Runner (2007). Jim Sheridan produced Benioff’s screenplay Brothers, and Hugh Jackman reprised his role as the clawed mutant in Benioff’s Wolverine. Viking published his most recent novel, City of Thieves, in May 2008.

Benioff is married to actress Amanda Peet; the couple has one daughter, Frances Pen. Also check out his interviews.  And another interview.

This is my 39th book for the 2012 New Authors Challenge.

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You and Three Others Are Approaching a Lake by Anna Moschovakis, which was awarded the James Laughlin Award by the Academy of American Poets, is a collection of four long poems with a prologue and epilogue poem that discusses and assesses four books — The Tragedy of Waste by Stuart Chase, Death as a Way of Life by Roger A. Caras, The Human Machine by Arnold Bennett, and In Search of Wealth by Cyril S. Belshaw — from the twentieth century that the poet discovered in a used bookshop in South Kortright, New York.  The poems share the same titles as the books, and the title of the collection makes its appearance in the first poem.

Moschovakis makes a great many assumptions about the readers knowledge of the industrial revolution and their understanding of economics.  First she compares the lake to supply and the men and women entering the wood and approaching the lake as demand, but later, the lake becomes more ambiguous.  From the cycles of supply and demand in the markets and the growth of the workforce to the incessant bombardment of advertising, the narrator of the poem is questioning the capitalistic ways of society and whether those are not wasteful in terms of time and energy spent.  She also postulates that we are no different from nature in how we react to available resources, which begs the question just how civilized are we when we succumb to our basest instincts to use everything around us?

From "The Tragedy of Waste (page 27)

Behind the desk there is a window

A woodpecker is attacking the house
The sun is attacking the snow on the pavement

Everything helping itself
to everything else
 From "The Tragedy of Waste" (page 30)

dwarfed and shadowed by mighty buildings
subway trains wild as elephants

One goes blindly back to one's desk

In the second poem, death as a way of life is broken down into how it affects “the Other” and not necessarily the surface theory that death is merely a part of the life cycle.  In many ways this poem is about the necessity to kill and the pleasure in killing, and where are the lines to be drawn between animals and humans being killed or something more refined.  There also is speculation about what rights we have as humans to kill and is naming the “Other” just as violent as not naming it?  “I want to know about the ‘other birds’//Were they species unknown to the hunters/or insignificant birds not worth noting by name/or mutilated/beyond recognition/”

“The Human Machine (Thirty Chances)” poem is a bit repetitive and generates a sci-fi-like quality as chatbots talk to human machines.  Readers are likely to find this poem the most puzzling, though ultimately a kernel of understanding will emerge about the “people” we believe we are and who we actually are — in that we all have failings and do fail ourselves and others.  But it also touches upon what makes us truly human — an ability to empathize, which could mean that should a robot be able to do so, we would have to consider it a person worthy of saving and no longer “Other.”

“In Search of Wealth” is the final poem before the epilogue.  In this poem there are digs at a variety of religions, including Scientology and its ties to Hollywood’s elite, and there are ramblings on pay inequality that seem to go on incessantly.  In the collection, this poem seems to be more of a rambling and a rant then a well crafted argument.  If it were issued forth in a debate on wealth and capitalism, listeners would likely begin throwing rotten tomatoes if they had any in their pockets for the occasion.  The prologue sets up the collection to be poems that take up certain positions on the topics at hand, and while by all accounts they do, some are more well crafted than others.  The epilogue goes further to explain that the reason to take a position is to generate disagreement, which is closely linked with desire and ensures that life is anything but boring.

You and Three Others Are Approaching a Lake by Anna Moschovakis touches on themes of wealth, “otherness,” conviction, and a host of other topics, but without having read the books mentioned in the acknowledgements, some of the references may be lost or misunderstood.

Poet Anna Moschovakis

About the Poet:

Anna Moschovakis is the author of two books of poems, I Have Not Been Able to Get Through to Everyone (Turtle Point Press 2006) and You and Three Others Are Approaching a Lake (Coffee House Press 2011) and of several chapbooks, including The Blue Book (Phylum Press), Dependence Day Parade (Sisyphus), No Medea (a Tinyside from Big Game Books), The Tragedy of Waste (Belladonna) and The Human Machine (Dusie). Her translations from the French include texts by Henri Michaux, Claude Cahun, Theophile Gauthier, Pierre Alféri, and Blaise Cendrars, as well as the books The Jokers by Albert Cossery (New York Review Books), The Possession by Annie Ernaux (Seven Stories Press), and The Engagement by Georges Simenon (New York Review Books).

Currently a freelance editor and a visiting professor in the Writing department at Pratt Institute, she splits her time between Brooklyn and Delaware County, NY. Anna has been working with UDP since 2002 as an editor, designer, administrator, and printer.

 

***For today’s National Poetry Month Blog Tour stop, visit Caribousmom.

 

 

 

 

This is my 32nd book for the 2012 New Authors Challenge.

 

 

This is the 14th book for my 2012 Fearless Poetry Exploration Reading Challenge.

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Nostalgia for the Criminal Past by Kathleen Winter

April 26, 2012

Nostalgia for the Criminal Past by Kathleen Winter, whom I interviewed for 32 Poems in 2011, is a piece of art that should be hung on the wall.  And like all art, there are references to other artists and art types within her poems, but there is more here — the art of being human.  [...]

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The Penguin Anthology of 20th Century American Poetry edited by Rita Dove

April 5, 2012

The Penguin Anthology of 20th Century American Poetry edited by Rita Dove (listen to her NPR interview, where she talks about the anthology and provides advice for young poets) collects a few poems from some of the great poets at the the height of their craft between 1900 and 2000, and while Dove notes that [...]

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The Devil’s Scribe by Alma Katsu

March 21, 2012

The Devil’s Scribe by Alma Katsu is an e-short story released by Simon & Schuster this month, and it’s the first thing I’ve read on my Kindle!  Can you believe it?!  What prompted me to finally read on the Kindle?!  You’ll never guess, well maybe you will by the end of this unconventional review. “He [...]

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Star Wars & Philosophy edited by Kevin S. Decker and Jason T. Eberl

March 20, 2012

Star Wars & Philosophy edited by Kevin S. Decker and Jason T. Eberl is a collection of philosophical essays that draw on the Star Wars movies for examples and the philosophies of St. Augustine, Sartre, and others.  The collection is moderately well done in some parts and blatantly falls short in others, with one particular [...]

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The Picture of Dorian Gray by Oscar Wilde

February 21, 2012

The Picture of Dorian Gray by Oscar Wilde is a Gothic novel with strong themes of corruption, innocence, and the “grand” Faustian bargain.  The novel begins with Basil Hallward who speaks of a mysterious and beautiful young man, Dorian Gray, to his friend Lord Henry Wotton who has some very hedonistic world views.  With elements [...]

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The Great Gatsby by F. Scott Fitzgerald

February 16, 2012

The Great Gatsby by F. Scott Fitzgerald is one of those classics that defines an author.  Set during the 1920s just after WWI, Jay Gatsby is a mysterious rich man who lives on the wrong side (West Egg) of the Manhasset Bay in New York.  Nick Carraway, who narrates this tale, is like Gatsby in [...]

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Stories for Nighttime and Some for the Day by Ben Loory

January 24, 2012

Stories for Nighttime and Some for the Day by Ben Loory brings back the parable, the allegory, and the fable in an absurdist manner — think Animal Farm meets the Myth of Sisyphus and Paul (particularly with its comedic attributes and alien encounters). Each story is about 20 pages long, but is utterly absorbing. Readers [...]

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Private Peaceful by Michael Morpurgo

January 11, 2012

Private Peaceful by Michael Morpurgo is a coming-of-age novel (grades 7 and older) that sets readers up for the dreary and devastating life of a young boy, Tommy Peaceful, whose father dies unexpectedly at work as a forester.  Tommy and his brother Charlie are inseparable, and their other brother Big Joe has special needs and [...]

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War Horse by Michael Morpurgo

January 6, 2012

War Horse by Michael Morpurgo is told from the point of view of the horse, who is sold at auction to a drunken farmer and is written for a younger audience, grades 5-8.  In this coming of age story, the young boy Albert Narracott and his Red Bay Joey grow up together and the bond [...]

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The Tiny Book of Tiny Stories Volume 1 edited by Joseph Gordon-Levitt

December 27, 2011

The Tiny Book of Tiny Stories Volume 1 edited by Joseph Gordon-Levitt (I found at Bermudaonion and had to check out) is a collection of short stories and illustrations. hitRECord is an open, collaborative website joining musicians, authors, illustrators, and other artistic people in the creative process. The book itself is short with a mere [...]

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