Hardcover, 144 pgs.
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Political Theatre by Mark Peterson (available in the United States in December) offers a stark reminder of what politics has become and how it works behind the scenes. Peterson’s very stark imagery catches candidates at their most vulnerable and in midst of their performances, but it also catches the media, the staff, the public, and the nation in a way that is least flattering and very surreal. The 2016 election has been a whirlwind of unbelievable moments from an unlikely Republican nominee, Donald Trump, to an outsider — Bernie Sanders — hoping to make inroads in the two-party system through a grassroots revolution.
“The Trump and Sanders phenomena were, of course, animated by radically divergent convictions and world-views. But both reflected a profound disruption taking place outside the confines of Washington, D.C.” — says John Heilemann, author of “Game Change” and “Double Down.”
While the previous election cycle had seen a historic shift in the presidency to the nation’s first Black president, President Barack Obama, the 2016 election cycle has seen a completely different stage and set of actors. With the election behind us, the nation is clearly hurting and it is divided — not only among racial lines. Peterson’s images are heavy on contrast and demonstrate the theatrics behind the scenes. While voters may see the debates and the comments at rallies as entertaining and indicative of “publicity” and “branding” — or just plain “fluff” — it is clear that the men and women on the campaign trail see many different sides of the candidates and the public.
Political Theatre by Mark Peterson is a collection of photographs, quotes from the candidates, and tweets, among other things. It also includes an essay by John Heilemann. But above all, it stands as a mirror to what our political system has become.