Interview with Nadia Gerassimenko

National Poetry Month is in full swing, and I have a great interview with Nadia Gerassimenko for you today, and she’s sharing a poem with us as well.

She also was kind enough to post some of my own poems on her website. Feel free to check them out.

I hope you give her a warm welcome; she’s a stunning poet.

When did you know you were a poet and what has kept you writing?

I began writing since I was 14. I didn’t think of myself as a poet at that time, more like writing poetry was a form of creative expression that was easiest for me to deliver and let out. I was writing poems quite frequently until my early twenties. I was in a rut after that. I remember that period in my life had been the most overwhelming for me psychologically—trying to finish my Bachelor’s degree, working at the same time, figuring out my health issues, healing emotional hurts, and finding myself and my inner peace. It was very shaky. I just couldn’t express myself as freely as I had as a teenager. But fortunately, it was temporary. Life calmed down a bit in some aspects and at the same time I became better at managing pain and stress.

Though I do not write as often as I would like to nowadays, I feel that my creative stream is limitless and ever flowing. I’m not afraid that it will ever run out or that I may experience another writer’s block. I feel like it may happen, but I don’t let it get to me. Only when I turned 26 did I truly start considering myself a poet. It happened when I began working on my second chapbook a chair, a monologue that I started to feel truly proud of what I’m creating and slowly accomplishing. It’s not just spur of the moment kind of writing. There’s deliberate intention and planning involved. I want to let my pain out in such a way that not only does it mean something to me, but that it also touches someone else.

Some of the poems I’ve written for the book are okay, but they won’t end up in the final pages because they’re missing that raw, visceral and blunt but candid feeling I’m trying to pour out. Whilst there are those that will be in the book because I’ve written them with utmost care and preparation, edited them to perfection or to something that I’m fully satisfied with. I’ve asked other fellow poets and friends such as yourself to look over them and provide me with constructive feedback which has helped me tremendously to see it from an objective point of view, not just through my sometimes biased lens.

What are your favorite elements of poetry?

I love poems that experiment with structure where there are gaps between words or lines or verses. Not only are they lovely aesthetically, they also shape the poem into the main theme or create a feeling of tumbling down or a pause or silence. I also enjoy poems that don’t necessarily rhyme but that have flowing rhythm to them like in classical poetry. I think it’s quite an achievement when someone can write a piece that doesn’t use a patterned rhyming scheme but is still musical nonetheless. Also words that create euphony or even cacophony can enhance poetry to a different level, more experiential if you will.

List a few of your favorite poetry magazines?

I recently discovered Sea Foam Magazine, which I simply adore. Aside from poetry, they publish interesting interviews with artists, showcase gorgeous artwork. It’s a very dreamy, whimsical kind of literary magazine but also quite frank and unabashed. I also love The Writing Garden founded and run by a dear friend Suzy Hazelwood. She publishes poems and prose and mixed media by artists at all levels of their craftsmanship. Each issue is visually divine and is sometimes themed on purpose or coincidentally gathers beautiful works reflecting the same subject matter. I think it’s rather endearing and serendipitous when that happens. I love poetry curated by Luna Luna Magazine. It’s quite inventive, edgy, primeval.

What advice would you give to poets crafting their first collections?

I would say if you have an idea in mind, plan it all out, do some research if needed. Whether it be a poetry collection or a themed chapbook; whether you want to self-publish it or publish it with a small press; whether you want to edit it yourself or hand it over to a professional—those things are unavoidable and must be planned out and executed. Still don’t let that discourage you from writing but don’t just wander off when doing so.

Who are some of your favorite poets?

I don’t really have favorite poets amongst the greats while I do appreciate what they’ve contributed to our society. I do feel that my poet friends really inspire and empower me to work harder at my writing. And being able to turn to them for writing criticism is an honor and a blessing. Kate Bush influences my writing quite a bit. While not necessarily considered a poet in the conventional sense of the word, Kate Bush’s music and lyrics are rather poetic. Her work is so multifarious and enigmatic. It’s simply spellbinding.


Nadia Gerassimenko is a Media Relations Manager for Yeti Culture and Assistant Editor at Luna Luna Magazine by day, a moonchild and poet by night. Nadia self-published her first poetry collection Moonchild Dreams (2015) and hopes to republish it traditionally. She’s currently working on her second chapbook a chair, a monologue. Visit her at tepidautumn.net or tweet her at @tepidautumn.

Safe cocoon

Mama, I heard you and papa fighting today.
I couldn’t pick up on the words again,
But you were screaming, he was yelling.

Something shattered.
Something banged.
And you cried.

Mama, I haven’t heard papa’s voice in a while.
He used to read to me and his voice soothed me to sleep.
Now all I hear is your sad lullaby.

Whatever day.
Whatever hour.
You cry.

Mama, what is that reeking? What are you drinking, too?
What an unusual smell engulfing.
And it feels so hot all of a sudden.

I’m gasping for air.
I'm dazed and confused.
You laugh and cry.

Mama, what are you swallowing so fast?
It tastes so powdery and bitter.
My fragile tummy doesn’t agree.

I feel so sick.
So sleepy.
You stop crying.

Mama, it’s safe and warm in your cocoon.
As I fall deeply asleep,
I thank you for keeping me nestled.

Breathing in and out.
First heartbeats and last.
We sleep together.
  • Anna (Diary of an Eccentric)

    Great interview and poem!

  • Thank you Serena! This was an amazing opportunity for me.

  • So lovely to read this interview with Nadia, her poetry is becoming more beautiful each time I read her writing, such a talented young woman! Thank you also for giving a link to The Writing Garden magazine in Nadia’s interview (WordPress notified me of the link). Very kind of you!♥