Source: John Amen
Paperback, 112 pgs.
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Strange Theater by John Amen includes surrealism and introspection, as well as poems dedicated to individuals that speak to a broader scope of readers. It is a peek behind the theater curtain at the backstage machinations of life and the true identity of the theater’s players. Examining the roles of those on the stage, in the background, the understudies, and the roles that we take in our own lives, Amen takes readers on a roller coaster journey.
From "folk singer" (pg. 91) of course you're suffering that goes without saying alone in yr own private tundra staggering through the snow
Many of us feel alone with our suffering, and theater, movies, stories, and poetry often help connect us, creating tangential connections between our own suffering to that of others. Some of these poems often draw out the egoism we have about our own lives and suffering, like in “biography,” “ferry approaching in the haze/the monuments he built/he built for himself/for this reason are destined to crumble//” (pg. 17) Many of these players are haunted, haunted by their pasts, their futures, their missteps, and their inability to meet the expectations of others.
from "diaspora" (pg. 30) last time we talked I saw deadbolts turning in yr eyes from light years away you demanded
Amen keeps his readers on their toes as they move from line to line and poem to poem, exploring the uncertainty in all of our lives as it plays out on the biggest stage. Strange Theater by John Amen is wonderfully disconcerting even among the most common of places and people. Imagine looking back on a body of work and seeing only a darkness — a future that hasn’t been written yet — and feel that insecurity that breeds alongside the wondrous possibilities, and you’ll know what it is to walk out on Amen’s poetic stage.
About the Poet:
John Amen is the author of three collections of poetry: Christening the Dancer (Uccelli Press 2003), More of Me Disappears (Cross-Cultural Communications 2005), and At the Threshold of Alchemy (Presa 2009), and has released two folk/folk rock CDs, All I’ll Never Need and Ridiculous Empire (Cool Midget 2004, 2008). His poetry has appeared in various journals and anthologies, including, most recently, Rattle, The New York Quarterly, The International Poetry Review, Gargoyle, and Blood to Remember. He is also an artist, working primarily with acrylics on canvas. Amen travels widely giving readings, doing musical performances, and conducting workshops. He founded and continues to edit the award-winning literary bimonthly, The Pedestal Magazine.